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Austin Smith
เข้าร่วมเมื่อ 9 ธ.ค. 2015
Filmmaking
7 BEGINNER Cinematic Lighting Setups Without Leaving Your House!
Want to know 7 Easy ways to film yourself without leaving the house and still look cinematic?
Use promo code AUSTINSMITH for 10% off at Dehancer.com
Camera used: bmpcc6kg2
Lenses: Sigma 18-35 and Canon FD 50mm
Lights: Aputure 300Dmarkii and MC
Color Graded in DaVinci Resolve with Dehancer Pro
Use promo code AUSTINSMITH for 10% off at Dehancer.com
Camera used: bmpcc6kg2
Lenses: Sigma 18-35 and Canon FD 50mm
Lights: Aputure 300Dmarkii and MC
Color Graded in DaVinci Resolve with Dehancer Pro
มุมมอง: 1 199
วีดีโอ
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Rec709-A is for Macs, don't use it if you don't have a Mac screen. You also wouldn't need CSTs if you set the settings for DVR to manage the color space.
Yep!
@@-austinsmith Once I saw the second half I see you covered the other method.
Yeah!
hey austin! this was an awesome video seriously from the color management in the beginning to the work flow crazy value bro! I’m curious, how are you exposing/viewing when you record? Are you using a monitoring lut with your dehancer look, or just a viewing using a standard log -> rec709 conversion?
Thank you! I’m glad it helped! I just use the built in LUT. Blackmagic raw to extended video LUT I think. The default one it shipped with. I tried with a Dehancer look but i didn’t like it for monitoring.
@@-austinsmith That’s really good to know I appreciate you getting back to me! Had no choice but to sub, keep killing it bro!
@kaic1764 thank you for the sub! No problem!
Probably the best explained tutorial I've ever seen. This helped A LOT.
Thank you! I’m glad!
thanks 🙏 your explanation was soo nice and it easy to understand
No problem! Thank you! I’m glad
The transition's are neat!
Thank you!
Clean your screen every once in a while
I’ll make sure it has even more smudges next time!
Very Good work my dear😊
Thanks!
Love the colors here! And your visuals are great man 🔥
Thank you bro!
The softness of the image, the colors, everything is just exceptional. Can you possibly share how you accomplished this? Settings, lens, etc?
@@mattlane3594 thank you! I don’t have the m50 anymore, but I still use the sigma 18-35 lens and I have color grading tutorials on my channel to check out. I also used a Cinebloom 20% filter by moment however I like the Tiffen Black Pro-mist 1/4 better.
@@-austinsmith Cool, thanks! You've earned a subscriber!
@mattlane3594 no problem! Thank you!
Awesome, step by step overview of the run through on grading a clip - lots of options available to explore. I agree, it would be imperative to follow the color management setup first and experiment with various setups to see what works the best.
Thank you! Right!
Cool!
Thank you!
👍🏾👍🏾Very Beautiful Work and Great Instruction, Thanks my Brother!! Instant Subscriber.
Thank you! No problem!
BM pocket camera, nice look. But what is dehancer in Resolve? Thanks, very nice and easy. I do sound for film, and I spend so much time waiting for lights and camera to set up...
Thank you! Dehancer is a film emulation color grading plugin. No problem! I see, I use a phone app called Cadrage that I can type in my camera and lens and use it as a director’s view finder so that I can plan out a shot before I start grabbing everything. Helps reduce stress and cuts down on time spent setting up.
Awesome video, very helpful. Thanks 🙏
Thank you! No problem!
Great stuff
Thank you!
Thanks TH-cam for recomending this. Good stuff!!
Awesome! Thank you!
Seeing only 80 views makes me angry...
Thank you for the support!
Love that you used the FD lens. I find myself reaching for my FD 50 over my $2K modern lens so much lately.
It’s such a great lens!
love your work. coloring is fantastic! picked up dehancer this last winter and your videos are so valuable
Thank you
Thanks for your tutorial! Drop your questions below if there are any 😃
No problem!
Thank you so much, this helped me a lot to understand!
No problem! I’m glad it helped!
Best dehancer tutorial 👌🏼
Thank you!
Playback speed >> x5
😎
Cool stuff dude! I think a video of doing something like this with the LOG video off the new iPhones would be cool af
Thank you man!
Great video
Thank you!
can it used lut to zve10m2?
What?
Type of camera, I think. Sony Zv 10 mark 2?
Yes!
Hello please you Can make a tutorial with the plugin film look creator ? Please
I can look into it 👍🏼
@@-austinsmith thanks bro
@jhonesreece4946 no problem
Thanks for this, it helped me understand a little more about working in a colour-space and what this means, I have a long way to go before I fully appreciate what this fully means to me as a film maker. It really helps when you make this complex subject a little more understandable, thank you 🙏 subscribed.
No problem! I’m glad it helped! Thank you!
I’d cut that music out.
Noted! Thanks
Brill tutorial. Thanks
No problem! Thank you!
Awesome man.
Thank you!
Ai voice
Idk if I should take that as a compliment or not 😂
Thank you so much brother. I will practice and practice with your tips. Can't Thank you enough, you are the man. Looking forward to more videos frequently from you. ❤
no problem! I'm glad It was helpful!
Hi, very informative but I have a few questions. Is this workflow better than working in DWG? And can this also work just as well with other camera log sources? Thanks
Also, in one of your previous Dehancer videos you mentioned turning off the “use S-curve for contrast.” Would you still do this with this workflow?
Thank you! It’s a case by case thing, if you find that you’re working against the grade using the Dehancer camera profile workflow, I would recommend switching to a DWG workflow. DWG workflow offers a more balanced, less contrast starting point. Ideal for really tough lighting situations. And yes, I use this workflow and the DWG workflow for my black magic camera pocket 6K G2 and it works perfectly.
I’m actually not sure if it’s necessary with this set up. I now just leave it on the default on setting how it is.
what you are thinks about the dehancer lite version...because the pro version is a little bit to expensive for me :(
While it doesn’t have everything the pro version has, It can be a great tool for getting the film look. You’ll be missing the contrast curve you get from the film print section of dehancer Pro, so you would need to set up another node in your chain for adding a good bit of contrast.
Thanks..did you know ..have the lite Version any Print Option now ..i think Back in the day was No Print Option 🤔😬
Ohhh, I didn’t know that, thank you for the info
9:00 Hey Austin, btw... let's say if i wanted to add a built in lut like film looks kodak 2383 d55, is it the right way to set "cineon film log" on "output gamma" on the second node? And after that node add a built in lut on a new node?
Yes, it’s been a while since I’ve used that workflow. Another way I’ve seen it done with the built in film looks is by de-logging in a non color managed workflow. Applying the Film LUT directly to log footage.
@@-austinsmith Thanks for the quick answer and the hint! I think im going with the cineon film log on output gamma for now as it's easier for me :) What i want to learn next is to vonvert color space from blackmagic to arri. Do you have a tutorial for this or can you recommend any tutorial out there? Any experiences? Thanks man!
@fpsoundpacks no problem! I don’t have a video on that and not really a video that I have in mind to recommend. To me honestly it comes off as more of a gimmick for clicks when people put that in their titles. “Turn your camera into an Arri!” . Any professional colorist I see on YT isn’t converting into an arri log space from an anything other than an arri camera.
@@-austinsmith To be honest, that was my first thought too. But maybe every now and then there is a lucky coincidence when it comes to the colors and skin tones. But it might also make the image worse. How do you deal with the noise on the BMPCC 6K G2? I have the same model and am a bit confused about the red part of the noise or am I doing something wrong?
@fpsoundpacks for skin tones, I use the vector scope with the skin tone line enabled so then I can use the temp and tint raw tab settings to scoot the image onto that line if possible. As far as the red noise goes, you get the cleanest results shooting properly exposed at the appropriate ISO. ISO 400 is good for most situations, however I’ve used 800 for brighter lit outdoors with not a lot of shadows and ISO 100 for when I want more detail in the shadows. ISO is essentially relocating your dynamic range and you’ll start to experience noise when you’re getting outside those parameters. For instance if you’re exposing for a darker lit image and you’re at 100, if you start trying to lift it, at a point you’re gonna start introducing noise bc 100 has limited dynamic range over middle gray.
What battery do you use? I need a really good battery for my m50.
Right now I use the smallrig VB155
@-austinsmith is that a v mount battery? Also I'm getting deep into filmmaking so I need a few pro long lasting batteries
@DeanCoffey yes! It’s super reliable and has so much battery life!
@@-austinsmith awesome. I'll check it out. Do you have a video on how v mount batteries work?
@@DeanCoffey there’s a little bit of information here on rigging it up, you’ll probably get like a dummy battery that goes to like D-tap or USB-A th-cam.com/video/VuUJwJIyZFk/w-d-xo.htmlsi=HAq4LRWGfg8nprWP
I watched at least 5 hours of tutorials last week from channels with well over a million followers and all I got out of it was being even more confused. But your video really got to the point. Thank you for that my frriend!!! I also like the way your channel is presented. Not arrogant and not too many cuts or pop-ups every few seconds telling me to subscribe to you. If a channel is good and helpful, then the subscription will come automatically, I think. Yours is good, keep it that way.
Oh no! Sorry about that! I’m glad my video helped! No problem!
@@-austinsmith Thanks man, the pain is over...for now 😅
your are an example of attention in detail person. thank your for sharing
Thank you! No problem!
Hello, the timeline color space needs to be exactly DaVinci Wide Gamut, this is the color space that Dehancer expects?
Nope, but it works 👍🏼 I have other videos detailing different processes for how to apply Dehancer to footage on my channel.
@@-austinsmith thanks for the reply, i have read a bit the manual for Dehancer, i have seen that as a source you can even select the camera model and their log and gama and work from there. You can leave me a link for one of your vids where i csn dee in detail hot to apply Dehancer to different type of footages. if its no trouble of course.
This is so helpful thank you
I’m glad! No problem!
Amazing, Im new @ this and it´s really educating! Thanks!
Thank you! No problem!
Just purchased with your discount code. Thanks for the walk through of your process!
Thank you! No problem!
Really helpful
Awesome!
I recorded some braw files with a bmcc 6k ff, when I import them into the davinci resolve studio I move the raw parameters and it does not affect the image, the image does not change when I modify the iso or any parameter, why does that happen? thanks for your help
That must be frustrating, I’d have to research that one! I’ve never had that happen to mine.