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Thank you for the reply! I'm on vacation till Jan 4th, would that be to late to submit something? And how would I submit, via email?

@TurtleBoxOfficial No rush! Email works, or discord!

Yes! I agree!

Every single pack for soundpaint that's free adds up to 90GB. Some of the Ambience / Drone packs alone have instrument bundles within them that are around 1GB each, I know the Violins, Cellos, and Bases from Adastra String's are each about 1.2GB. So that's just counting a few instruments itself. With 13 free packs on their site, and each one having around 8-10 samples within, and each sample being close to 1GB, it's not hard to see where the file size comes from. Beautiful Noises (Bundle) is something like 65GB. Soundpaint libraries are massive, to the point where it's the one thing I would critisize about the option as a free tool. It's a double edged sword for smaller producers / composers to have to manage massive installs

@@TurtleBoxOfficial Thanks!

Off their website. Once you make an account you just log in, select the packs you want, then when you open the software you're able to just mass install every fgree thing at once.

thanks m8, cheers

Insane, right?

The GOAT - th-cam.com/video/O-MQC_G9jTU/w-d-xo.html

Depending on your DAW and your budget, I know a lot. Ableton has Corpus (I think it's called) which basically just adds a lot of texture and solidity to your sound. A Non-Ableton alternative to this is AAS, Chromaphone. It's about 89$, but it does the exact thing but with more paramaters to adjust and better presets. A free way to do this would to just be layering over metal pings into your bass drum track, and matching the pitch. I do this for some tracks on ObScurus and In a Time and a Place. The drums for this track were layered with sampled glass breaks to thin out the snare and the let me just sub out the entire bass end - turtlebox.bandcamp.com/track/samm You can do a lot of weird stuff with good samplers, including entirely altering the tone of drums.

Yes, any class can make the jump if you pixel boost.

It's actually a super old sample! It's the "Radio Static Danger" audio, - th-cam.com/video/_T3RjLpA7t8/w-d-xo.html It always blew my mind how it's literally just a sample of someone tuning and scanning a radio. It wasn't ever pitched as this horror / evil sound, it was meant for just ambience. Akira Yamaoka just High Pass filtered it and layered it a bunch. In an earlier video I showed a plugin called VHS Noise Generator that basically creates tones of Radio / Tape Magnetic effects, you should check that out too!

Will do! I'm getting curious about building ambient horror sound

@@CarlitoProductions If you have any request for video stuff lemme know!

BOO!

The links and methods used to obtain "The World" in 2024 are in my discord, which can be found in my bio -

I will see you in THE WORLD!

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Hey, no problem! I'm always happy to help folks trying to create their own things.

I can do a more in depth video on that sound you were talking about specifically if you'd like.

@@TurtleBoxOfficial you'd really do that? 🙀🙀🙀

@@rbamssy Yeah I guess

@@TurtleBoxOfficial wait but like don't if you have other video ideas or projects, also like i don't wanna steal your work 😭😭😭

@@rbamssy All my videos are scheduled pretty tightly. I always have room for one or two random uploads a week.

Karp is truly one of my most favorite pad designing tools of all time.

@@TurtleBoxOfficial it's beautiful sounding for sure. I'm definitely going to get it!

I made this video way back in feb 2023, a few months before the game even came out and a few months before the mod.

@@TurtleBoxOfficial was more just mentioning it as it feels a bit better sense you get 1 regen for each 10 points in res XD (i like that there is a regen but i do wish it kicked in even at half power sooner cuz 100 feels a bit unneeded for non speed runners XD

To be entirely fair I didn't grab any sounds for this, they're from my own sampe CD which I released last week. I'm happy the timing lined up, a day after I released the CD a project went up and I decided to throw together this EP the saturday after the CD dropped, then made this video the following Sunday. I'm really glad you love this, It makes me very happy.

@@TurtleBoxOfficial To clarify, by "grab" I meant "choose/pick", which is a skill of its own considering how much stuff is out there.

No clue.

@@TurtleBoxOfficial thats illegal.... We are not slave of google

Bitwig Studio!

Thank you! I'm very glad you enjoyed it.

I thought of using a different reverb like Waterverb or PSXverb but those are kind of complicated so I figured I'd just go with something I know everyone either knows about or already uses to keep it simple and quick.

Windows plugins always have that look to them, don't they lol

Thanks for the suggestion! I'll do more H G Fortune stuff in a later video.

I prefer the original too. I'm not trying to replace the originals or anything, just create a rescore in my style.

@@Emily_M81 I thought about doing a video on Camel audio and Alchemy when I recognized it on Hark The Ghouls soundtrack. Sadly I don't want to knowingly make a video on something that's incredibly inaccessible

@@TurtleBoxOfficial I completely get it. I still have not forgiven Apple for buying my favorite synth and making it Logic-only LOL. I've been tempted to learn Logic just to have access to Alchemy again, but I no longer use Macs, either. Sadly, the Humanoid Sound Systems stuff is just gone :(

Sadly I'm on Windows. I'll try to make it clear if things are Windows Exclusive or not from now on.

I think that's my favorite part about the video, is my stoned ass unable to see the word "spot on" and say it without thinking it's meant to be pronouncedin some weird whacky way

@@TurtleBoxOfficial Lol!

I explained this in another comment, but this is specifically why I use Bitwig. I talk about in some of my other videos how a lot of the plugins I wanna show folks just don't really work right these days, and your options are have Bitwig or use a bridge. I don't personally think it's that big of a deal if that's fair. It's a lot more fair than people who make videos about Free Plugins and not disclose that they all need paid services or are only Demos and stuff. 32 vs 64 is a pretty okay price to pay in my opinion.

Hey..I totally agree with you..and my apologies if my post gave the impression I was being negative in any way. For the record, this was the first video of yours I've watched, so I have yet to read the post of yours you referred to..but yeah, I also have a ton of old 32 bit plugs that I still use today..many of which still give modern plugins a run for their money when it comes to quality of sound and over system footprint size! Anyway, thanks for the video..seeing both of these again was a real blast from the past. 😉👍

@@Dan_Corkery I got no negative impression at all! Sorry if I came off that way. I actually have some motor function damage, so while I talk like a goof in real life, I actually type how I think in my head which leads to sometimes weird tones or over explaining. I'm glad you got a reaction out of the videos too, I ended up covering the Swamp synths from the same developer a week after this video and had a lot of fun with those too.

Always happy to share!

yeah a lot of these old plugins are 32-bit only due to age, and Ableton Live doesn't bridge 32-bit to 64-bit

Yeah, I'm happy a lot of people requested this and that I have these to provide demos for.

Hey I just wanted to really let you know how much this comment means ot me. Thank you so much.

I've actually been using Bitwig since it came out, and only because I feel like it's the only DAW that actually manages experimental music very well. There are a ton of built in features in Bitwig that allow you to just endlessly route and create modular paths in ways other DAWs struggle and even limit you.

@@TurtleBoxOfficial I use Ableton, and with Max for Live, you can do a lot-more than in Bitwig, in my opinion. Even with Ableton's stock plugins, you can create some really cool experimental stuff. I'm really into IDM, drill'n'bass, circuit bending, and experimental music overall. I tried Bitwig before but didn’t find anything innovative enough to make me switch besides the grid. As a Bitwig user, can you tell me what you find cool about this DAW?

@@кук-б2з Bitwig doesn't Crash when a VST sandbox crashes like Ableton. Bitwig contains VSTs into individual spaces prevent this from happening, as well as to save a lot on PC resources, which ultimately allows you to run more plugins and VSTs than other DAWS can handle before starting to lag out. Bitwig being sandbox based means it's opening every instance of a plugin, stock or otherwise, into it's own individual container, meaning it's possible to open something like a Juno VST with one Oscillator and start slapping on as many as you want. I can open a MicroKorg VST with two Oscillators, quadruple that to six, and then give each of those Oscillators their own EQ, Reverb, Compression, ect. No other DAW works like this because no other daw (except maybe reaper with it's container system) can reach that output without major CPU usage and high risks of crashing and needing extreme automation. Bitwig has a really sharp learning curve, I don't recommend it to people ever. It's just something I've been using since 1.0 and I originally only stick with it because I think it's Workflow customization is the best out there. I really don't like messy Workflows, so being able to clear EVERYTHING except the Timeline and my modulation is perfect for me.

Make sure to Subscribe to keep up to date with more of the weird plugins I yap about!