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David is by far one of the best Unreal Engine Cinematic Storyteller Artists out there. His work is awesome. I would definitely recommend him to people who may have a project going and are in need of top notch artist. Thanks David for sharing your knowledge in these though times we are living. Cheers man

I’m making a multiplayer game and now I’ve added in metahumans when I test as 2 player when the character goes more than about 30m away his body parts go all whack, this is when I have it set as set lead component pose to the mesh, if I disable that then they all work fine even at distance but when player 2 comes from off screen to player 1 view his body parts are all whack until you stop pressing keys and press them again when he is on screen. Any ideas?

at 11:22 or there abouts, when the Metahuman is doing it's ROM test, you can see the skin in the armpits poking through. Is that fixable or is that more of a "Good enough for free" option?

Try not to look at that rogue nostril hair. All seriousness, great vid. Thank you!

Good tutorial!

Fantastic sir

Haha, its that simple....er no it isn't, unless you are very experienced with UE5+ Yes its all do-able but I found a mountain of problems using a slightly earlier version on a project. One being adding motion control to the body and mocap to the face seperate. Maybe they have remedied it in 5.5, but it was a struggle to join the head back to the body with mocap. Had to go through a mountain of different tuts to try and remedy it, with lots having the same problem at the time. I think one of the biggest, and this goes for other cg software too, is having to find and use so many external pieces of software to solve other problems. Clothing and clothing collision etc so loose clothing moves correctly. I'm moving more into Ai, now as I found it taking far too long to solve problems in UE which I found simpler in other cg software. I may come back to UE at some point. The voice to lip sync is an improvement. If your trying to get a likeness of a specific person, that is still quite a headache unless you are using the maya pipeline. I find UE quite disjointed logicaly sometimes. I always compared it to being like driving a car, except you have to build the car from scratch before you can drive it, where as other software its like the car is already built and you can tweak it for your own needs. Saying that brilliant work on your part, you are obviously very experienced with UE and for those having time to learn all its deep controls, including scripts at times, it can produce great results as you have proved here. 👍

😮😮😮

Insane. Bro mad props

when applying motion my metahumans head is floating. do you know how to fix this? im really stuck at the moment. thanks

I guess I missed why the project is called "Banished". I guess because the power was hidden? Anyway, really great job. As a novelist, I would love to see my books come to life and have had my own projects in mind like this for a while. If I could, I'd totally make something like this.

I can't thank you enough!!! this is really helpful!!!!

Hey! I've found your vids super insightful. Thanks for sharing the knowledge. :) Did you ever face an issue with the eyes of MH rendering "glowy or shiny" with exponential height fog present in the scene? This shows up for me when they are further back in a scene. Hoping you've encountered and solved this issue before!

Is there a perpetual license for purchase or is it only subscription based?

How is MetaTailor better than me just using Mutable plugin for free inside UE 5?

5 .fbx free export per month? No, thx.

Hey man great work, Lighting was on point . Complicated pipeline but I feel blender could have done all of this for unreal. Waiting for more content.... PS Please check the blend weights of the characters around the neck and elbows.

I guess changing a CHARACTER to fit in a clothing is never an option.

What machine specs do you have?

No idea what I'm missing here. Did my File->Export, then import from MetaTailor.... "Invisible avatar" it seem.... :(

U solved many problems I have that metailor utube didn't explain, thx

I SUBSCRIBED THX MAN ...one problem i have is i have a meta human in my short film and the hair is looking white or shiny for some odd reason instead of natural...is there a fix to that

Great..I hope i can do it like this..thank you.

don't forget to zero the transforms before exporting metahuman 👶

I wonder if we could use this program to make body suits to give them a better body. Hmmmmm.....Might be the work around for Metahumans failure to adjust the body.

We have uncharted at home *uncharted at home*

Thank you for this tutorial. They just found a new customer in me!

You'll be at 50K soon, again thanks so much for the content. This is the first day that I even knew about your channel aaannnnnd boom a video drops a couple hours later. So good. ✌

Welcome to METATAILOR!

Sign me up. This is awsome.

This was jam-packed with great information. Well done dude. Thank you for this. You've earned my sub.

Hey, great vid. However, when I convery metahuman rig to layered, the animation works but the rig breaks, any ideas why. The rig moves slightly and the head disconnects. thanks

Man I am so glad I opened TH-cam today, sub and stalker mode engaged. Deep thanks for all the information in this video. Proof of concept is motivational GOLD!

Nice Job. You should see what I did with Move AI and Nvidia Omniverse. 1 Artist 50 minute animated series broken into 30 Episodes. All custom models no metahumans. Everything is built by me except the environments. Those I relied on marketplace assets.

exelente!! estoy haciendo uno de star wars con mi cara y la de mi esposa ajajaj propia historia.amo la animacion

me paso lo mismo ise una pelicula y tarde 8 meses. y todo solo.n encuentro en latinoamerica quien le guste animacion!!1 es frustrante

Hey please do u have a course on this ?

Congratulations! And thank you for the excellent tutorial.

Great tips! Thanks for sharing these 5 nuggets. Question,Do you know what technique might be the best way to get a Metahuman to pick up and put down a prop such a s box? I've tried the attach method inside the sequencer and it works to attach the box to the Metahuman but for the love of me I can not get the box to be stationary when the Metahuman hasn't picked it up. It just automatically attaches itself to the Metahuman. I've cheated it by creating 3 seperate boxes and turning them on and off when the metahuman is not caring the box... I know there is a way to have it just be one box the entire time without cheating it.

Awesome and very inspirational. And thanks for covering so many different techniques in a relatively short video! Lots to check out.

With my new PC, I have decided that I will take what I have learned from this and make my own short film.

Man I've been searching for a way to use the audio to facial animation, then use LiveLink the record the rest of the face combining them into one. Been driving me crazy lol

I am waiting for your full course

Amazing work!

One of the Top tips!

Спасибо, и правда реалистично

how often does Unreal Engine 5 crash though?

I really love the effort you guys are putting into this channel. I would however express some reservations about the idea that you can arrive at the prelight day with a myriad of parts of your virtual set that still need fixing. If this is the case they better be things that can be fixed quickly because the rest of the production will notice and has other things they need to accomplish on that same prelight day. I'm just giving you a DP's perspective (and one who really enjoys VP most of the time). I know that if the producer (or god forbid the director) notices that all these different parts of the set don't look right and need fixing it's going to cause stress and a negative first impression which can spill over to the following days. Moral of what I'm saying is make sure you've got it close enough to keep it to fine tuning. And I feel like that wasn't adequately expressed. Sorry for the rant and keep up the good work guys!

Great tutorial! I was wondering if you know the reason why when using movie render cue, the exposure of the final animation doesn't match what the camera is showing on the viewport. I tried to find the solution in many many tutorials but none of them seem to have that issue. The only wayaround I found was to overexpose my camera and do some render tests until the result matches the right exposure I had before overexposing it. Cheers mate, you got a new subscriber!

great! patiently waiting on your unreal course