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CEO of spitting facts 🤝

I dont get it, if my social media game was good, i would not wanna sign up with labels in the first place, like i'd release my music independent. How ironic... Great info though. Thanks.

I think this video together with some of Dan Woralls stuff if very good learning material for newer producers, good job :) A hard-clipper pre-limiting can give a more stable sound going into the limiter, resulting in a more transparent result. If you want to be a nerd you can get even cleaner my manually dipping individual sample points within software like RX, before using a clipper in your session. Using the look-ahead in the limiter really has no downsides (in a mastering session), crank that shit up to help the limiting be more transparent. Also be mindful of attack and release in mastering, it has a great impact on how much distortion you're getting when limiting this much. Getting the timing right is also quite important for low-end, so saying it just needs to be fast all-around isn't the right state of mind imo. Sometimes having a slower attack can give you a much cleaner low-end in limiting. You can gain some more loudness using compressors before clipping and limiting, having the compressor react just the mid-range of your signal. You can achieve this in most plugins with internal side-chain, and limiting the low-end the compressor sees. You wanna go for a quick release and slower attack so it pulls up stuff after the transients for more detail. If the compressor clearly start's to pump, it's way to much. This is just to add perceived loudness to the track, usually just a couple of dB is more than enough. Again, use look-ahead if available. Saturation after this stage can get you another .5dB, maybe more. Again you don't want to overdo this, it's about a subtle effect. If stuff audibly distorts it's too much. Doing this extra compression and saturation usually smooths out the audio, which eases up the work on your clipper, which eases up the work on your limiter, which now can go louder, cleaner. I'm not sure if it would've worked in this mix, but the kick that was troublesome later one, you could've tried to touch with an automated EQ just for that section. If you did try this in your video I'm sorry I missed it, I started skipping more towards the end. Good stuff man thanks for taking the time .

dankjewel voor deze video! normaal betaal je hier een paar honderd euro voor! als ik mijn uptempo tracks naar de -2 LUFS toe wil masteren heb jij dan nog speciale tips die je in deze video niet genoemd hebt, of dingen uit deze video die niet voor het masteren van uptempo tracks hoeven?

Awesome 🎉

Nice masterclass! One question about the mono lead en mono screesh! Are you put the mono layers to a different channel? And route them to the same melody bus where the stereo leads and screesher are going?

hey kerel bedankt voor je belangrijke tips .... hier heb ik iets aan !!!!!!!

You don’t need extra plugin to see LUFS, you see in L2 limiter as well, just click right lower corner where you see -32db or -48db and change to Loudness!! Voilaa! 🫡

Eindelijk iemand die echt laat zien hoe de pro’s het doen en je meenemen in het volledige proces. Dit heeft zoveel duidelijkheid gebracht in wat ik fout doe. Vooral om de clarity the behouden tussen -4 en -2 LUFS. Je bent echt een held. Tof dat je nu ook elke donderdag gaat uploaden. We leren zo veel door jou

Great Video again! I maybe have a secret sauce for you Neroz, maybe you are already aware of it. If you still do mastering for cliënts or so?

Don't Send my Ex Duckpics after breaking up lol I'd say

Wheeejooooow

love your videos man. I think the peak at the end could be because he splitted the kick in punch and tail and duplicated the tail by accident.

Neroz = The Hardstyle Professor!!!!!!!!!!!!!!! 🤲

Great content man. Would you do a masterclass about mixing all stems before the master ? Didn't find it on the website. Thxxx

hey i notice my short terms and intergrated lufs have a big difference- what is the reason for this?

can you make more tutorials about screeches

Hele toffe video en ook heel tof dat je dit gratis deelt op TH-cam! Had wel twee vragen / opmerkingen: 1. Waarom gebruik je geen (soft)clipper voor je limiter om de ergste piekjes weg te halen zodat de limiter minder hard hoeft te werken? Hele korte sample peaks zijn miliseconden en dus onhoorbaar, waardoor clippen je juist een cleanere master kan geven. 2. Waarom gebruik je maar 1x de pro l2 met 15dB boost ipv de lead te verderen over 2 bijvoorbeeld. 1x 8 en 1x 7. Dan hoeven ze stuk minder hard te werken.

Amazing explanation! Be aware that some plugins can cause latency (eg. linear phase mode of Fabfilter Pro-Q) during the process. I prefer to export the master and do the volume + stereo automations in a new project, because otherwise it will mess up the drop if there's latency.

Cool vid, New subscriber Here🙌🏻. Im not totally get what youre doing with the stereo separation automation? Is it to get more with in the drop?

For the first time in my years of watching you tube, when you asked me to sub and hit notifications. I did it. 😊

Can i do these stuff by using fl eq? Great video mate

Thanks for watching! Make sure to hit that Subscribe button: A New video every Thursday! ⚠I'm aware that Puigtec is not a compressor but an Equalizer

Great advisory! The social media activity however, remains counter-intuitive

Well presented!

Hahahahahahahahaahah too real

Great points! 10 has always been the most difficult to me. Ironically i feel the most anxiety when with a group of like-minded people. I become hyper aware of what i contribute and if i might fit in or not..

I really appreciate all these tips and actual screen captures for the settings! Amazing, mate!

I don't know why, but my kicks hit the 0dB but are around -10LUFs and i can't reach the -4 LUFS, even if i use the maximus

How do I get in your Discord?

How not to get hearing AIDS

You made a poll. I voted. This was what I and others wanted. So thank you very much! :)

3. Haha my bro! I once tried it, and immediately thought, what a bullshit😂 sidechain compression. Even wrote a Thread about it last week

Amazing tutorial Neroz! Because of your explanation and reasoning behind all of the steps it has helped me understand sound design a lot better. You're teaching style is commended and I'll be joining your production classes imminently!!!

This is fantastic information mate. I learned a lot here.

Super nice tutorial, thank you!

that piano in the backhground is distracting and jarring

Kan deze methode ook bij uptempo kicks? Wanneer ik maximus op mijn kick sample zet (opgenomen met edison) veranderd de gehele klank van mijn kick? Bedankt voor deze video btw <3

When does the uptempo course come

Unpopular opinion maybe, but a tutorial on mixing the bassline into the final melody would be mad! I consistently struggle to get that balance and crunchy sound mixed properly. Easily my weakest element when making melodies, so I’d really appreciate a bit of insight!

Maybe for net toutorial colourizeing kicks? And tonal kicks?

Thx bro everything super good explained into the details even the ott conzept etc

AWESOME VIDEO REQUEST : MASSIVE PUNCHY HARDSTYLE GATED KICKS

Top video baasje 👑

my goat

is this Become A Kick (Builder) Expert - Part 2 ? or..

Hey mate. Thank you for your work it's highly appreciated. I'd really love to see some in depth tutorial of making heavy gated kicks (like Element, The Smiler and ofc Kruelty (i know you've already made Kruelty style kick tutorial but something more in depth would be cool) Happy holidays and wish you all the best in 2025.