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Murmur Mori 🌹
Italy
เข้าร่วมเมื่อ 6 มี.ค. 2019
What would probably scandalize the jongleurs, if they lived today, would not be seeing their lyrics performed, but witnessing a show without Love.
This belief generates the original expressiveness that characterizes the engaging concerts of the murmur mori ensemble where the audience often finds itself having an active role during the performance.
Inspired by the popular Muse and the realities in which she still survives, since 2015 Mirkò Virginio Volpe and Silvia Kuro have been investigating jongleurs poetry and music from the 8th to the 13th century, working directly on the original sources, bringing the earliest lyrics and melodies from Italy back to life.
This belief generates the original expressiveness that characterizes the engaging concerts of the murmur mori ensemble where the audience often finds itself having an active role during the performance.
Inspired by the popular Muse and the realities in which she still survives, since 2015 Mirkò Virginio Volpe and Silvia Kuro have been investigating jongleurs poetry and music from the 8th to the 13th century, working directly on the original sources, bringing the earliest lyrics and melodies from Italy back to life.
𓃘 Orientis Partibus: medieval holiday song for the Ass - Murmur Mori
Songs for the holiday season? Here is Orientis Partibus, the ass song!
Which period, if not the Middle Ages, could have generated such an ironic and original song? Behind this composition, which dates back to the 13th century and is preserved within the manuscript "Officium stultorum ad usum Metropoleos ac primatialis Ecclesiae Sennonensis", preserved at the Municipal Library of Sens, lies one of the most incredible feasts of the medieval centuries: the "Feast of the Ass" strictly connected to the "Feast of Fools", probably a Christian adaption of the pagan Roman feast named "Cervulus".
In the Middle Age there was a conception of the sacred and the profane very different from ours, and this feast, which goes so far as to dramatise the religious service itself including the participation of donkeys to the mass, makes an excellent example. It has to be noted that during the medieval centuries churches were multipurpose places in which, other than the celebration of the Holy Mass, gatherings and pacification of disputes took place; in times of need they also became hospitals for pilgrims and the sick, as well as shelters for the persecuted. It often happened that animals found their way inside, so it should not be surprising that, during particular feasts, clergymen danced near the tabernacle, while donkeys were led among the aisles and were adorned in sumptuous caparison.
Why all this happened?
In ancient times animals held great importance, and the donkey, being very much present in people's daily lives, was given many symbolic meanings. The donkey came to be identified as a symbol of "Goodness", being it as wise as Balaam's jennet and a patient mount not only for humble people, but also for prophets and Jesus himself; but the donkey is also a symbol of "Evil" since the times of ancient Egypt, being connected to Seth; Christians contrasted it with the ox, the symbol of Christianity, in Jesus' nativity hut. Because of his enormous phallus, he is also deemed to be pagan and desirous of the carnal pleasures of life, like Apuleius's Golden ass or Dionysus's. Jesus' triumphal entry in Jerusalem by donkey back represents the victory of Christianity over the ancient gods, and the cross the donkey carries on its back hints at the one carried by Jesus to Mount Calvary.
The ass was therefore celebrated during the winter holidays, and in an age of such wealth in art and music, songs were written for the donkey to accompany these processions in his honour. Orientis Partibus is one of them; it is attributed to the French the Archbishop of Sens Pierre de Corbeil, who lived between the 12th and 13th centuries. This is our ass shaking version: enjoy the listen, have a good winter!
♡ Buy this single and support MURMUR MORI ☞ murmurmori.bandcamp.com/
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#murmurmori #medievalmusic #earlymusic #medioevo #noel #christmas
Which period, if not the Middle Ages, could have generated such an ironic and original song? Behind this composition, which dates back to the 13th century and is preserved within the manuscript "Officium stultorum ad usum Metropoleos ac primatialis Ecclesiae Sennonensis", preserved at the Municipal Library of Sens, lies one of the most incredible feasts of the medieval centuries: the "Feast of the Ass" strictly connected to the "Feast of Fools", probably a Christian adaption of the pagan Roman feast named "Cervulus".
In the Middle Age there was a conception of the sacred and the profane very different from ours, and this feast, which goes so far as to dramatise the religious service itself including the participation of donkeys to the mass, makes an excellent example. It has to be noted that during the medieval centuries churches were multipurpose places in which, other than the celebration of the Holy Mass, gatherings and pacification of disputes took place; in times of need they also became hospitals for pilgrims and the sick, as well as shelters for the persecuted. It often happened that animals found their way inside, so it should not be surprising that, during particular feasts, clergymen danced near the tabernacle, while donkeys were led among the aisles and were adorned in sumptuous caparison.
Why all this happened?
In ancient times animals held great importance, and the donkey, being very much present in people's daily lives, was given many symbolic meanings. The donkey came to be identified as a symbol of "Goodness", being it as wise as Balaam's jennet and a patient mount not only for humble people, but also for prophets and Jesus himself; but the donkey is also a symbol of "Evil" since the times of ancient Egypt, being connected to Seth; Christians contrasted it with the ox, the symbol of Christianity, in Jesus' nativity hut. Because of his enormous phallus, he is also deemed to be pagan and desirous of the carnal pleasures of life, like Apuleius's Golden ass or Dionysus's. Jesus' triumphal entry in Jerusalem by donkey back represents the victory of Christianity over the ancient gods, and the cross the donkey carries on its back hints at the one carried by Jesus to Mount Calvary.
The ass was therefore celebrated during the winter holidays, and in an age of such wealth in art and music, songs were written for the donkey to accompany these processions in his honour. Orientis Partibus is one of them; it is attributed to the French the Archbishop of Sens Pierre de Corbeil, who lived between the 12th and 13th centuries. This is our ass shaking version: enjoy the listen, have a good winter!
♡ Buy this single and support MURMUR MORI ☞ murmurmori.bandcamp.com/
🌹
#murmurmori #medievalmusic #earlymusic #medioevo #noel #christmas
มุมมอง: 10 376
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Li departirs de la douce contree - Murmur Mori: Make love, not crusades (medieval music)
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From the North of France comes the chant of the trouvère Chardon de Croisilles with "Li departirs de la douce contree", in which he sings the pain of having to abandon his sweet land and his beloved lady. He sings that although his body is forced to leave in order to serve God, his heart will remain in that land where his beloved dwells. Chardon de Croisilles was at the court of Thibaut de Cham...
Richard The Lionheart, Ja nuns hons pris - Murmur Mori: Make love, not crusades (medieval music)
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"Ja nuns hons pris", a wonderful composition attributed to the famous King Richard I of England, better known as the Lionheart, reminds us that during war people stand at the side of the winner just to abandon him in times of need. Richard departs for the third crusade in the year 1190 and in the year 1192 becomes prisoner of the duke of Austria Leopold V under various charges, including that o...
Marcabru, A la fontana del vergier - Murmur Mori: Make love, not crusades (medieval music)
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Marcabru was a musician and poet originally from Gascony, belonging to the first generation of troubadours. He is considered one of the most representative, his poetic corpus that has reached us today is composed of 43 compositions of which, however, only four melodies have survived. He is credited of composing the first pastorela in provençal: “L’autrier, jost’una sebissa”. The pastorela is a ...
make LOVE not CRUSADES: Crusade songs for lovers departing to the Holy Land - MURMUR MORI
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make LOVE not CRUSADES A new album dedicated to the love songs of lovers departing to the Holy Land. "Amas e chantas soven", love and sing often, this is the advice given by Love to Peirol in the tenso he wrote and in which Love tries to convince him not to go on crusade; adding that “many lovers will depart, weeping, from their ladies”. What did people think of the Crusades? the popes proclaim...
Troubadours' poetry between Italy and Provence - Murmur Mori live in France
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Excerpts from our concert at Festival Bach @CMIJSBACH in Saint-Donat sur L'Herbasse, France. We presented the french version of our program "Canzoneta, va!", concerning the connection between Italian and Provençal poetry and music during the 12th and 13th centuries. Provençal was, in the 12th and 13th centuries, the language of the courtly poetry. Its cradle was Provence, so intimate with relat...
Walther von der Vogelweide - Murmur Mori - opening of the Forum Musicum Festival (Crusade Song)
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Murmur Mori's entrance on stage for the opening of the Forum Musicum Festival 2024 (Narodowe Forum Muzyki) in Wrocław (Poland) at the Old Town Hall. The ensemble plays an instrumental version of the melody "Nû alrêst lebe ich mir werde", known as "Palästinalied", by the minnesänger Walther von der Vogelweide, ending with the recited verses of the lyrics contained in the Codex Buranus. The conce...
Relaxing medieval music played in an Alpine forest - Murmur Mori - Toza, Lamento di Tristano
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The woods around our house, on the Lepontine Alps, are the places where Murmur Mori's music resonates most willingly. This is just a little video to share with you the beauty of these forests. When we play softly among these trees, time passes differently and takes us far away: with a little imagination we like to escape far from this frenetic society. Whatever your interests or passions, witho...
Provençal and Italian troubadours - Murmur Mori, medieval and early music ensemble
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Excerpts from the Murmur Mori concert held in the medieval village of Dumera - Oggebbio, on Lake Maggiore (VB). The program presented is "Canzoneta, va!": the connection between Provençal and Italian poetry in the 12th and 13th centuries". In this program the music, art and lives of the Provençal troubadours and trobairitz travelling to Italy, and of the Italian ones who wrote poetry in Provenc...
CRUS OCELLE MEUM VELLE, 11th century love song from Northern Italy ∾ Murmur Mori (medieval music)
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A melody and profane lyrics from 1000 years ago, contained in a single manuscript from Northern Italy composed between Lodi and Novara. The musical notation above the Middle Latin text of manuscript Vat.Lat.3251 is semidiastematic and the pitch of the note F is indicated. Ours is the first complete recording of this song. Under green foliage filtering the light of the morning sun, or perhaps wi...
O ADMIRABILE VENERIS IDOLUM, 11th century carmina from Northern Italy ∾ Murmur Mori medieval music
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A 11th century carmen from Northern Italy. The lyrics of this latin love song, probably of Veronese origin, is addressed to a young man who is about to embark on a journey and will cross the Adige river. The culture of the grammarians and poets of the 11th century was steeped in Christianity, there is no doubt about this, yet it often happened that the ancient pagan divinities resurfaced from t...
Enoio ∾ Murmur Mori - Gherardo Patecchio, Monge de Montaudon - Mot menueya so auzes dire
มุมมอง 5008 หลายเดือนก่อน
From the album Canzoneta, va! (Jongleurs and Troubadours between Italy and Provence): Enoio Lyrics: Gherardo Patecchio (13th century), Biblioteca Nazionale Braidense, AD.XVI.20, fol. 80v, 15th century Music: Monge de Montaudon (...1143-1210...) - "Mot menueya so auzes dire", BnF, ms. français 22543, fol. 40r Recorded at Morimondo Abbey NovAntiqua Records murmurmori.com 🌹 Gherardo Patecchio’s po...
Medieval music and Italian poetry ∾ Murmur Mori, Live in Cologne (Köln, Germany)
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Video of Murmur Mori's journey and concert in Cologne, Germany, to present the artistic program: "Music and Poetry in Italy from the 12th to the 14th Century”. The concert was held on 11 April 2024 at the theater of the Italian Cultural Institute in Cologne. 🌹 #murmurmori #medievalmusic #earlymusic #italianmusic #medioevo #troubadour #troubadours #musicamedievale
Gjamai non mi comfortto, Rinaldo D'Aquino XIII century ∾ Murmur Mori ‹già mai non mi conforto›
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Oltremare ∾ Murmur Mori ‹music on medieval instruments›
มุมมอง 81810 หลายเดือนก่อน
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Na Guillelma manz cavaliers arrage, Lanfranc Cigala and Guillelma de Rosers ∾ Murmur Mori
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Na Guillelma manz cavaliers arrage, Lanfranc Cigala and Guillelma de Rosers ∾ Murmur Mori
Bella domna tant vos ai pregada, Raimbaut de Vaqueiras e la domna ∾ Murmur Mori
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Murmur Mori ∾ Seguramente vegna ala nostra dança, Ella mia dona çoglosa - Memoriali Bolognesi
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Fortune Plango Vulnera, Carmina Burana 11th/13th century - Murmur Mori ‹medieval music›
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Edi beo þu ∾ Edi beo thu hevene quene, medieval Christmas song from 13th cent. played with gittern
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Edi beo þu ∾ Edi beo thu hevene quene, medieval Christmas song from 13th cent. played with gittern
Crus ocelle meum velle sed cum subterraneo Quo remoto inde noto corde non lapideo Dulcis amor cuius clamor resonat per aethera Cuius cantum mihi planctum depenetrans viscera Parce precor decens decor ne me velim perdere Nudans nudo ludens ludo quo solebas ludere Dum rogatur cum vertatur aetas tua florida Nam tabescet et vilescet cum fuerit marcida Dum rogarem atque darem pelles cum interula Soleares quos rogares non deerunt fibula O tam grave crimen cave dixi dico denuo Non sum idem cui fidem promisisti mutuo Quercus cesa fides lesa prope sum similia Que truncata et plantata non emittit folia
I always sing songs to my beautiful donkey before bedtime
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That tune is the same as "The Friendly Beasts". "Jesus, out saviour, kind and good, Was humbly born in a stable, rude. And the friendly beasts, around him stood..."
such an awesome piece them vocals are something!
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This is just so fun, with wonderful droll medieval humor! I would love it to become a regular feature in the Christmas pantheon, especially because it’s 1 million times better than ‘Dominic the Donkey, but also because poor old Dominic needs to be retired….desperately, lol!
Thank you 🌹
Bravo!!! From Brazil.
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... just before found eye found this lovely thing, "donkey sanctuary was in my mind.........
This entire video is a vibe
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I can imagine medieval era children enjoying this song very much.
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Don Quixote at Christmas:
I just watched, and WOW! The combo of preservation and bringing to life into the present this ancient song along with a really skillful and playful video...what a gift for us who celebrate Yuletide. THANK YOU!!!!!!!!!!!!!!!!!!!!!!!!!
Thank you 🌹
Sweet little song! ❤
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Wow! 🎉 absolutely beautiful
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💜💜💜
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Just subscribed.
Thank you 🌹
Really love this! We have Mule Days here in Bishop, California, so this is especially wonderful!
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Bravi! bravi!🎉
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Great song.
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Hail Ass! Love it.
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Congratulations!
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Bravo 👏 ❤ Hail noble ass and Hail you good people 🙏🎄🎶👏👏👏🫏💛💛💛
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Very lovely
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Awesome, strange, and beautiful!
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Wonderful!
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Thank you for this, what a joyful performance! I'm definitely saving this for a yearly revisit!
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♥
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Brava!!!!!!!♥
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♥
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♥ Brava!!!!!!!!!!
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♥
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Bravi, magnifica Música e tantissimo bella.
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Ragazzi che meraviglia... Che voce di cristallo...!!!
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Siete fantastici...! Grande lavoro!
Grazie🌹
Bellissimo
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This is excellent. I cannot help but notice more than a passing resemblance to "Bacche Bene Venies" in the structure of this song. Was this done on purpose by either the original creators or you?
We stuck to the music reported in the manuscript that you can see at the end of the video. The music has some similarities with Bacche bene venies, which is not surprising because in medieval music these things often happen. Bacche bene venies is in turn a contrafactum of "Jubilemus Regi nostro" from the Ludus Danielis. 🌹
@@MurmurMori Thankyou so much for your answer. I had suspected that what i was hearing was the "recycling" of themes and melodies reworked between musical pieces you are describing. Now i need to track down this "Jubilius Regi Nostro" piece you mention Thankyou again
What a cool tribute to the hardworking burro! 🥰
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Che gioia ! Che felicità ! Che meraviglioso regalo di Natale ! È gioioso come “Norma contro Natura”! I nostri cuori si riempiono di gioia quando sentiamo la vostra canzone, grazie dal profondo del cuore Silvia e Mirko ! 🥰
Grazie Lida! Un caro abbraccio a te ed a Nicolas. 🌹
Well done! How about something from the Feast of Fools?
This is from The Feast of Fools! 🌹
@ i suspected, but was not certain. Thank you!
❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
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Благо Даря!Любов от България 🎉❤
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Donkeys are not evil.
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Wonderful! I LOVE this! Beautiful medieval music played to beautiful and gentle creatures. It's so good to see the connection being made between humans and animals in a positive way. Animals really do respond to music, and it's joyous to watch. More, please; much more!
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Wonderful Medieval Christmas greetings to you, Mirko , and the incomparable Murmur Mori. I hope this joins other music to form an album ?! Martin
Thank you Martin! This is just a single for the winter season. ❆ Now we are working and studying a lot in preparation for our next album CARMINA! 🌹