The Kuchipudi tradition features a profoundly significant performance known as "Bhamakalapam," which serves as a cornerstone in the spiritual journey championed by Sri Siddendra Yogi. Bhamakalapam unfolds as a narrative with three central characters: Krishna, Satyabhama, and Madhavi. Through the character of Madhavi, this artistic expression eloquently conveys the obstacles that impede the union of the jeevatma (individual soul) and the paramatma (the ultimate soul). Siddhendra Yogi masterfully employs the medium of dance to illuminate the path towards spiritual liberation, or "moksha marga." Within the intricate tapestry of Bhamakalapam, one can discern a multitude of artistic elements, including chaturvidabhinaya, traditional Kuchipudi steps, and the portrayal of the nine rasas (emotions). Particularly noteworthy is the central role played by the Sringara rasa, symbolizing love and beauty. The composition of Bhamakalapam is further enriched by the skilled use of literary devices such as vachanams, sisardhams, kandams, and kandardhams.
In this particular scene, a kandardham unfolds, capturing a conversation between Satyabhama and Madhavi. In this dialogue, Satyabhama earnestly beseeches Madhavi to bring Krishna to her. Intriguingly, Madhavi makes a request for Satyabhama's Sunday ornaments, which are part of a set of seven. Remarkably, Satyabhama consents to this request, even though she holds great affection for these ornaments. This episode poignantly illustrates the depth of Satyabhama's love for Krishna, transcending material possessions for the sake of their love and union.
Performed by Sri Gayathri Vallabhaneni, Guru Sri Vedantam Venkat, music by Sri DSV Sastry
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