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Wonderful to hear! Hope you're enjoying your guitar more than ever before!

Daniel - thanks so much for commenting! It's wonderful to hear that you have benefited from the information! I love this stuff and want to help out anyone who shares an interest. Stay in touch.

@ I am excited to read and understand the info in your book .. I would really like to pick up melody’s from songs I enjoy and play them in different styles. Do you think you will publish it to be purchased as a book?

@@DanielRandolph-o3k I have technically published and copyrighted my book, BUT at this point in time I can't afford to print hard-copies. If demand picks up then I'd love to take that step! For now the eBook is all I can offer, but I have had some of my students print out all or chapters of it.

@ oh great idea. I’ll have to do that then

Thanks for your comment! With your classical guitar experience, you've surely got the technical facility and musical fundamentals to pick up more general "fingerstyle" approaches! This should be a fun change of pace for you!

Thanks for commenting. Tommy Emmanuel is obviously amazing, and we probably won't ever be able to play "like" him, but we can certainly try! His style utilizes a variety of techniques and crosses genres, so you will need to go through many books, lessons, etc. to get his sound. However, Tommy does utilize Travis-style playing a great deal, so it's not a bad place to start. Try out a book like Bruce Emery's "Travis Style from Scratch." I've also reviewed other great Travis-style books as well as some excellent general fingerstyle method books (like Alfred's "Beginning Fingerstyle Guitar").

@@JoeMcMurrayMusic Thanks, i will consider that one. :)

Doug! Great to hear from you! Thanks for watching and commenting! I'd love to hear some about the process of working with Hal Leonard if you ever have a few minutes for an email - joemcmurrayguitar@gmail.com

This is a great book! From your comment on my other video, it sounds like you've done a lot of Travis style playing - this book presents a much different approach. Much more arpeggiation underneath the melody, much smoother and prettier.

Thanks for the positive feedback! I have seen the Berle and Galbo book before, and I just looked through the free sample pages on Amazon - looks like it has good information. Mark Hanson has written some great books! Reach out any time with suggestions or other feedback.

No problem! It's the perfect time to get started preparing your Christmas repertoire.

Thanks for mentioning this! 1) I should have gone back to the recordings that are available online and I would have heard the swing... It doesn't mention it anywhere in the text. 2) This is why learning from multiple sources is helpful - a teacher would have told me to swing it and I would have done so! Anyway, stay in touch!

Have you read this one? I'd love to hear your thoughts if you have.

Thanks Alister! Uke book is currently in the editing phase with the publisher!

Thanks for your comment and for purchasing my ebook!!

I'm glad I could shed some light on the contents of the book! Let me (us) know what you think of it after you've spent a little time on a few of the tunes.

Hey - I have reviewed a few fingerstyle blues books on my channel, and I'm a fan of each of them for different reasons. Can you play any fingerstyle guitar yet?

@@JoeMcMurrayMusic Hi. Thank you for the reply. No I can't play any finger style yet. But I love listening to Robert Johnson and someday I would like to be able to play finger style blues. I'd be happy for a recommendation.

@@watchingyoutube7330 A few thoughts on this. 1) You should probably start with a general fingerstyle method book (see some of my other reviews, like Alfred's "Beginning Fingerstyle Guitar" [see Review #1]) or take some lessons (in person or video). 2) You could simultaneously work through Joseph Alexander's "Fingerstyle Blues Guitar" (see Review #8). 3) For repertoire you'll need to look up tunes (listen and transcribe, buy a book, search for chords/tabs online, or get lessons). 4) Learn that 12-bar form!!! Keep a steady monotonic bass line going and keep the melody simple at first so that your brain can focus on keeping the form straight.

Thanks for your comment! It's great to hear about others' experiences.

Thanks for your comment! The book is excellent for all the reasons mentioned, but Emery's sense of humor keeps me in an especially good mood!

No problem! Depending on what you're looking for, Emery hit the nail on the head with this book. Sorry, but my book is currently only available as a pdf. I'm a fan of physical books too (clearly), but it just isn't economical to print at this point. We'll see what the future holds.

And thank you! I always appreciate the comments - the TH-cam algorithm seems to like them too.

Thanks! I might need to take out an insurance plan on my library... Maybe once I get to a stopping/resting point with the review videos, then I can make a fun video where I just flip through my books!

Thanks!!

Thanks for commenting! I already have the Lou Manzi book, so I could definitely do that in the future (I've had it for years and would need to go back through it). Keep in mind that that book isn't specifically geared to fingerstyle blues - it has a lot of exercises that could be played with a flatpick or fingers. It does have some nice fingerstyle pieces at the end. I've seen the Steve James book, but now I'll need to get a copy! Few other books in the works right now, so please be patient!

Sorry for my late reply here! I somehow missed your comment until now. Anyway, thanks for commenting. At this point, have you obtained the book and started working through it? Any thoughts on it so far?

@@JoeMcMurrayMusic Hey, thanks for asking. Just got it. Should get around to it soon.

Thank you!! I do love my Lowden... Recorded my 2nd and 3rd albums with it and the sound is noticeably better than on my first album. This book is definitely geared more towards folk and "fingerstyle" rather than "classical." Which are you more interested in?

@@JoeMcMurrayMusic Duly noted. On the book front, since I am learning to read and already play a little (with a pick) I went ahead and bought two books - one classical and one folk. The Aaron Shearer Classic Guitar technique which is beginner level I believe + a collection of intermediate songs in notation called "Fingerstyle Guitar Songs: Hal Leonard Guitar Method Supplement". The second is likely to be a challenge but hopefully TH-cam will help with technique. Will fiddle around and see what works.

Only worry is whether The Hal Leonard will have fingerings or not.

Shucks. Just checked the displayed pages of the finger style book on Amazon and I see there are no markings for fingering. I might have bitten off more than I can chew. Any advice? Can one wing it with a little help from TH-cam.

@@accentontheoff If you are interested, spending time studying classical guitar will seriously help your "fingerstyle" playing. Learning to improve your tone, to choose the most efficient fingerings, etc. I actually have the Aaron Shearer book to see if I want to use it as a teaching aid, but haven't had the chance to go through it yet. So the only "fingerstyle" book you own is the Hal Leonard supplement? I'd really suggest getting one of the methods that I've reviewed on my channel, as that will help you to play those supplemental songs much more than browsing on TH-cam for tips! Or work with a teacher!

Thanks! My version may be a bit older so I didn't realize that there were now video demonstrations! Thanks for letting me know (along with informing anyone else watching/reading)! Do you agree with my breakdown? Anything else you think people should know about the book?

@@JoeMcMurrayMusic Yes, I completely agree with your review. I am a late beginner I guess, but I like knowing the fundamentals with great detail. The approach of this book matches exactly the way I approach everything as I tend to be perfectionist. I have spent a lot of time muting the strings to avoid opens strings when they sound too dissonant. I went back to the beginning of my classical guitar books and relearn how to play the guitar controlling note duration. I am very happy wit the result, specially controlling the bass line note duration. It is like a fingerstyle guitar "Bible", but as you said, not for everyone. I recommend the version with videos.

Thanks for commenting and your kind words! You and I are in the same boat - I do NOT have time to learn and play all that I want, so I have tried to focus my efforts and let some things go. I'm glad that my channel has helped you to spend your practice time moving in the right direction efficiently and productively! I'm contemplating the clickbait titles, but I don't expect to make a living off of TH-cam. I'm most interested in promoting fingerstyle guitar and being part of the community. We'll see what happens!

Adam! Thanks for checking it out! Some day when I get through my guitar books (and uke books too), I'd like to review some video lessons/online classes and yours will be at the top of my list! I learned so much from your videos back before we met ~2018 or 2019. Hope all is well!

Also, where was the gig with Alex?

Thanks! This book was a big project to work through, so happy to share my experience with it. Are you saying that you do or don't want my channel to put out some quick tips?

@@JoeMcMurrayMusic I’d like to watch your quick tips videos. I am 100% sure they will have great content. It’s just that click bait titles or thumbnails get more attention and higher views regardless of the quality of the content. People will love your videos if you could get their attention.

I have posted 3 "Topic Talks" (so far) in which I try to give some useful, quick advice in under 10 minutes. I'm not really drawn to creating clickbait titles because it feels so cheesy... But I do wish more people would watch, so maybe I need to compromise a little.

I see that you have one too! She's a great companion for practice and most other things!

I'm glad you are enjoying your playing and composing! Sounds like you are a naturally creative person. Many of us don't have that natural ability or inclination to create something completely new without some sort of framework. Learning music theory, other songs, technique, etc. can give us a starting point and creative direction. For instance, I don't teach scales for the sake of playing scales, but 1) so that a student learns a group of notes that create a new sound or mood (i.e. the Lydian scale creates a cool dreamy mood; the Mixolydian and major and minor blues scales create a bluesy sound) that they can use to experiment or compose, and 2) to develop finger dexterity (you need your fingers to be able to physically execute the sounds you hear in your head). If you are satisfied with your compositions and the sound of your playing, then you are probably doing what's right for you. If you want a teacher who will teach you more about composition, find one who has written compositions that you admire.

@@JoeMcMurrayMusic - Thanks a lot for your reply!. --- One who have written composition I admire.... hmmm...... Erik Satie, J.S Bach, Ravel....... yeah, you know....they are all long gone. ----- I will not say I am satisfied with my compositions and the sound I play. But from what I can, it is excellent. Things get more and more advanced as I go along. I also make my own backing tracks for practice and did already after first month. ------ I do still miss a person, that somewhat have the ability to point me in interesting directions. -------- I have already spend around $2000 USD on teachers, which have been a complete waste. ------ What I am teaching myself is technique, finger dexterity as you mention and the like. I already have a pretty good foundation in theory. --- I didn't choose the usual chords to start with, like A, D, C, G and E. ----- I went for sounds I like, Am, Dm, E, Em, C, C7, D7, A7. DMaj9 and so on, and from there listened to which chords sound good together. I quickly stopped using the usual progression as I felt them extremely boring. ---- Couple of days ago I wanted to go further with different rhythm, so stumbled on Bossa Nova. Very simple and easy and got inspiration and today I made a backing track and already done some practice using finger picking style together with it. Works wonderful. ----- Also when I play the very simple I can do atm, other people actually find it soothing and nice sounding. So it's not only me who can hear it's valid ok - good music. Nothing special but also nothing that make people cringe. ------- I still miss a teacher who would dare to take the challenge and not try to persuade me to play other peoples composition.... 🤣😂🤣 Also I am not interested in a composer as a teacher. I can already do that. ---- What I am looking for is a teacher who can basically help me speed up what I am already doing. Without having to play all these beginner pieces that are usually presented. --- so maybe a teacher who teach techniques is what I am really looking for......correct me or guide me in right direction. Also takes a teacher who can see the potential of a student. See through the layers. I guess only few such teachers exist. --------- About scales as example. I started with scales also, as that's what teachers teach. But what is the point learning scales if not able to make a melody out of the notes in a scale?!. ---- Also staying within the same key and time signature is boring. So composing from theory is pointless, unless wanting to sound like millions of others.

@@JoeMcMurrayMusic --------- I want to thank you again. Because it actually made me reflect much deeper into what I am really looking for in a teacher. ----- Your reply might have been much more valuable than it might seem at first. ----- You might actually be a blessing after all! thnx a lot! ❤🙏

Sounds like we have had a very similar musical path. It is SO satisfying to play a solo classical or fingerstyle arrangement of a tune, and Christmas tunes often work especially well.

Thanks for your comment! If you have some experience playing fingerstyle, then my book will deepen your understanding of how to approach fingerstyle tunes, interpret/modify arrangements, create your own arrangements, etc. Even just the first chapter should clear up a lot of the mystery behind playing in this style.

Chris- Thanks for bringing this to my attention! That is an embarrassing oversight. Yes, this book comes with online audio access for each of the tunes in this book.

I did live in Hawaii for a few years, so I got used to pronouncing it like the islanders! However, many people on the mainland look at me funny when I pronounce it correctly...

@@JoeMcMurrayMusic, ignorance and lack of education abound. Up here in Canuckland they look at me funny when I call fries, cheese curds, and gravy pootsin instead of pooteen (as I understand, it means whore in French)

@@KaptainCanuck lol, just keep educating people!

Thanks for your comment! Once you spend some time with the book, please update us on what you think of it.

Hey so I got the book but maybe I'm looking for a better easier finger picking book, do you recommend one of your personal books are they beginner intermediate friendly songs??

@@SK-er3yd Hey - are you a beginner fingerstyle player? Do you have any prior experience playing other guitar styles? My book, "Arranging for Fingerstyle Guitar," focuses on arranging Twinkle, Twinkle Little Star, and it starts out at about a late-beginner fingerstyle level. You may want to consider Bruce Emery's "Fingerstyle Guitar from Scratch." Alfred Publishing's "Beginning Fingerstyle Guitar" is a good place to start as well.

Does it come with audio? ​@@JoeMcMurrayMusic

@@faroukfaisal6968 My book does not currently have audio recordings. Bruce Emery's book does. My Alfred book came with a CD.

Hey - I can't seem to share a picture through a TH-cam comment. Email me at joemcmurrayguitar@gmail.com and I will send you a picture of a couple pages. The book always provides standard notation, TAB, chord names above the music (no tiny chord diagrams), and minimal right and left hand fingering (there is more right hand fingering towards the beginning of the book).

Thanks! My Kala has a great tone, but my mic setup also helps. If you're interested, I recorded two more uke tracks on my recent album, "Pins on the Map." open.spotify.com/album/2r6FaA4RO709sKXRiTVIcf?si=eIEPT6_7TQyA-sF2IoHSvA. Check out "Homesick for Honolulu" and "Breakfast Bodega."

@@JoeMcMurrayMusic I have a subscription to Spotify. I listen to your album.

Thanks Jeremiah! It was great to see you at the Artisan Guitar Show!!

Great advice! Definitely helps for getting better tone.

Fretwire. The fret is the space of the fretboard between the fretwires. Colloquial usually = WRONG!!

Hey - in general each arrangement provides one full form of the song, although there are at least a few shorter ones (12 bar blues, etc.) that go through the form twice. A lot of these end up being 20-30 seconds in length as written. However, if you were to arrange one of your own choruses/forms, then you could play the main melody (the book's arrangement), your arrangement, and then end with the main melody again. Alternatively, you could take an improvisation chorus in the middle. Finally, you could play and sing many of these tunes (so you would extend them with the multiple verses, instrumental breaks, etc.). Hope that helps!

The Complete Chet Atkins Guitar Method is both standard notation and tablature

I'm glad they have been helpful! More in the pipeline.

Thank you! Randomly, I was just down in the Florida Keys and saw "Bensusan" on a sign on Highway 1 in Islamorada. I looked it up and it turned out that Pierre was performing at a park there, so I was able to watch and meet him last Friday evening! He is incredible at improvising in the middle of his pieces!

@@JoeMcMurrayMusic What a coincidence! I heard him play two weeks ago at the guitar shop I frequent in Raleigh. Dazzling! Sat in the front row and marveled at the Lowden that projected his magic!

Thanks for watching and commenting! The larger your repertoire, the harder it is to find time to learn new things. I'll be discussing how to deal with this in upcoming videos. I will keep doing the reviews, but I'm looking forward to more of this format as well - much less prep!

@@JoeMcMurrayMusic Great idea for a future video, Joe: how to continue practicing a growing repertoire while also learning and developing new material. Looking forward...

@@anneberkeley7411 That will be in Topic Talk #3!

Looking forward to it, Joe! Meanwhile, loving the Chet Atkins book I bought after hearing your review. Fantastic for developing righthand technique.@@JoeMcMurrayMusic

Thank you for this nice new series of videos. As a late beginner my short term goals are improve my technique (using a classical guitar technique book), starting repertoire (using the gigging guitarist book) and I also want to start with a sight reading book. For the long term goal, I am still narrowing which specific fingerstyle style I want to focus on. Everything is interesting to me but life is not that long :) Traditional American music caught my attention so I am switching from the Alfred method book to David's Hamburger fingerstyle book. Fingerstyle blues is another genre I will try.

Hey thanks! I'll absolutely make more videos!

Although I practice reading standard notation every day in my classical studies, for these book review video performances I honestly read from the TAB. HOWEVER, in books like this that provide both treble clef and TAB, they rarely have the rhythms notated in the TAB, so I read those rhythms from the treble clef while I'm initially learning a piece. I wish they would notate the rhythms in the TAB because it is easy to do with notation software...

@@JoeMcMurrayMusic Thanks.Good info.

Thanks for your comment! Does your 12 year old already have musical experience or training? That would make a big difference. My knee jerk reaction is that your 12 year old should take private lessons (in person, video lessons, etc.) and the teacher could help her work through one of these books. I've taught many children in that age range and they generally aren't as motivated to actually read the text and fingerings, etc. so they don't stay on course, they develop bad habits, and they lose motivation. Nobody needs lessons forever, but a period of guidance can get you moving in the right direction and make an incredible difference in the long run. However, if your 12 y/o is exceptional and wants to actually spend the time working through a book, then let me know what kind of music she wants to learn (within the umbrella of fingerstyle guitar) - does she want to play fingerstyle arrangements of modern popular music? Does she want to play fingerstyle blues, ragtime, folk, or Celtic tunes? Is she into modern percussive players like Andy McKee or Mike Dawes? Or is she drawn to classical guitar? There are different books that focus on these different sub-styles.

@@JoeMcMurrayMusic thanks for the response! I’m actually an elementary music teacher and a fingerstyle guitarist. I have taught her the ukulele and she’s pretty competent with rhythmic strumming and some basic uke fingerstyle. I’m looking for a great method book for her that I can do with her. This will be her first introduction to guitar. Everything we’ve done so far has been by ear. No written music learning.

@@churchhymnsandpsalms This book has great arrangements of popular repertoire and has some approachable examples, but it just doesn't have that many examples overall. The Alfred Beginning Fingerstyle Method has more practice examples and detailed content and is probably my favorite to teach with in general, but it may not be as appealing to a young student.

@churchhymnsandpsalms I continued thinking about this through the afternoon... Another book to consider is "Fingerstyle Guitar From Scratch" by Bruce Emery (Episode 6) - this book has a very gradual progression that might be really good for a 12 y/o. Lots and lots of practice examples that explore lots of arpeggiation/picking patterns! It's mostly focused on accompaniment, but the author also published a book called "Travis Style Guitar from Scratch" that I'm looking at purchasing as a teaching aid. Also, as a supplement, I love the solo arrangements in Michael Wood's "The Gigging Guitarist (Episode 5). The arrangements sound great and most are very playable for ~late beginners and onwards. These are all Celtic and Appalachian tunes. I haven't been through it, but the author also has a book of hymns and spirituals (from your TH-cam name, this might interest you!).

@@JoeMcMurrayMusic thank you so much! I have Wood’s hymns! They’re fantastic!

Hey thanks so much for your comment and suggestion! I just looked into the Steve Krenz book/DVDs - I need to hold off on it until I see a less expensive used set ($120 is the cheapest I can currently find). Or if the author/publisher wanted to send me one then I'd be happy to review it! For what it's worth, it looks like the Steve Krenz book/DVDs are about learning guitar in general and not specifically fingerstyle guitar.

Glad you picked this one up! Super fun book. And yes, the Travis Picking in this book will prepare you for the Piedmont Blues (Blind Blake, etc.) that also uses the same alternating bass patterns.