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this speed reminds me Cziffra's one

The sound and the phrasing are uniquely Heifetz.

私は　このお方を「殿」(しんがりではありませんよ)とお呼びしています。 それほど凛々しいお姿と音です。

Murakami me trajo.❤

I was introduced to all the great violin concertos through Heifetz's recordings. Lucky me.

Smooth of notes

Awful looking colors. Better to keep it Black/White.

I was 19 when I and my family watched this concert and despite the poor audio from 1960s TVs, we were amazed at Horowitz's masterful playing. The emotional response Horowitz's playing evoked was nearly overwhelming. I still remember that truly special experience.

Too many boring sections. Most classical music has too much boring meandering.

Composer went nuts and killed himself.

The frequency response doesn't sound right. There are not enough of the highs, so it sounds too muted and veiled.

Arthur Runlbinstein kannte den Bruder von Tschaikowsky Modest persönlich , er hat ihm bei einer Angelegenheit in Rom geholfen. Dabei hat Arthur ihm versprochen, dieses Konzert seines berühmten Bruders in sein Programm aufzunehmen. Es empfiehlt sich sehr, die Autobiographie des Pianisten zu lesen. Sie ist spannend wie ein Roman.

This is not a Brahms concerto, but a Tchaikovsky violin concerto.! I'll just look and know 45 :06.

Can you delete this clip? Sound arrogantly insulting against Vladimir Hrowotiz's High Art.

How is it that the players leave the stage during the encores and then some of them comes sauntering in while he's playing? What kind of amateur outfit is this?

How great human being with that special sensibility and majesty to playfor músic that transmit us in each performance |||| MÁSTER ARTÚR RUBINSTEIN ,,,,,,,,,Love and admire him since ever…………

Amazing ! I was lucky enough to hear him live in April 1973 in Newcastle-upon-Tyne in England when I was eight. My sister still has the programme, there was plenty of Chopin of course and I think a Beethoven sonata in the first half. He would have been 86 then. What a phenomenal pianist, and never showy or flashy. Such a long career and he came across as a lovely man too. Some of the over-hyped modern concert pianists today don't get close to this level. He was 95 when he passed away in 1982. It's easy for this famous concerto to become a bit of a cliche, but not when Arthur Rubinstein plays it. Richter was brilliant at this one too. Just had to add that the flute player is gorgeous, wonder if he is still alive ?

This is his best performance of Carnaval ever. And the best of all time. The way those hands just dance over the keys, the way those hands just caress the keys, the way those fingers roll over the keys like pearls rolling over velvet. And how many textures of sound there were. The colours. And the whole body of the man moulds the music. Rubinstein is the best and this is the best Rubinstein.

King!

14:53, the beginning of the 2nd movement, did he play a wrong chord?

GOOD EVENING YOU AND YOUR FAMILY ❤❤❤❤THANKS FOR THIS BEAUTIFULL VERSION OFFERED BY MAESTRO ARTHUR RUBINSTEIN❤❤❤❤❤❤❤❤❤

JASCHA LA. VALEUR. D’HUMANITÉ MERCI ❤️

Johnson Angela Williams Kenneth Anderson Christopher

Цвет совершенно лишний! Спасибо за видосик

Great artist!, lovely presentation!!

Para mí, el mejor pianista de todos los tiempos. Muchas gracias!👏

Wow

So mesmerizing. Wonderful. Hoomeyow!!

I can name more than half of the then-kids in the movie orchestra, courtesy of conversations 20 years ago with then-living members of the orchestra. (Edited as I get or find new information) Front row: left to right: Virginia Ellis-Beaver, Edwina Pierse-Johnson, Lewis Elias, Felix Sitjar, Robert Beach King, David Amsterdam, Alan Cunningham, Mary Louise Zeyen Second row: Catherine Hoffmann, David Lipow, Avis Puille , Cyril Shipro, Shirley Cornell, Camille Hudson, , Joyce Robbins, Elliot Rapaport, unknown, Barbara Simons, unknown, Richard Berres, Channing Robbins. Third row: Tom Facey, Agnes McIntyre, Peggy Zeyen, Miriam Nadel-Karn, Gordon Schoenfield, Mitchell Lurie, George Smith, Beverly Riestel, Mary Ann Gaskill, unknown contrabass players. Fourth Row, third from left: Morris Boltuch. The best-known of these would be Rapaport, who became an eminent cardiologist. The best-known of those who went on to musical careers would probably be Channing Robbins, who taught at Juilliard for many years, and Mitchell Lurie, who had his own line of products for clarinet.

NO JUSTICE FOR MAESTRO HOROWITZ.SOUND IS AWAFUL.

Love to see this coloured. Watched this film many times.

Quel virtuosité👏, c'est l'une des meilleurs version qui existe.

0:00 Efrem Zimbalist Sr. was a concert violinist and father of actor Efrem Zimbalist Jr. CARNEGIE HALL: 0:16 An excerpt from the first movement of Tchaikovsky's Violin Concerto. The conductor is Fritz Reiner. Heifetz and Reiner did not get along. The actress you see is Marsha Hunt. --- THE BELL TELEPHONE HOUR: Note that this was a radio program then. The Bell Telephone Hour didn't move to television until 1959. This particular show was a one-time experiment, simulcast via closed-circuit, for the then-new medium of television. 12:05 The first movement to Mendelsohn's Violin Concerto. 23:13: 'La fille aux cheveux de lin' ('The Girl with the Flaxen Hair') by Debussy. 25:46: 'Hora Staccato' by Manuel Ponce. --- THEY SHALL HAVE MUSIC: 28:05 An arrangement (written by Heifetz) of 'Hora Staccato.' The pianist is Emanuel Bay, who was Heifetz's accompanist for the better part of 17 years. This is a Vitaphone recording from 1938. 30:11 An arrangement (also written by Heifetz) of 'Estrelitta' by Manuel Ponce. The off-screen pianist is Theodore Saidenburg. 33:48 A short excerpt from Tchaikovsky's 'Melodie,' with Saidenburg (unseen) at the piano. 34:52 An excerpt of the third movement from Mendelssohn's concerto in E Minor, played with the Meremblum California Youth Orchestra. It was recorded on a soundstage with the full orchestra (about 80 in size), and then dubbed over in the movie (with kids from the youth orchestra). Heifetz also played the full Introduction and Rondo Capriccioso by Saint-Saëns towards the beginning of the film. It was recorded with the Los Angeles Philharmonic, and it was then dubbed over later with Heifetz and studio musicians. --- 40:18 An excerpt of 'From Wings of Song' by Mendelssohn, Emanuel Bay at the piano.

Le maître des maîtres hots concours. Number ONE

This is when i was 6. Thanks TH-cam.

4:53

es algo de no creer ,he visto a los mejores violinistas de los últimos 60 años ,y el mejor de todos no tiene nada que presentar despues de ver esto por Heifetz, no es fanatismo ,de hecho no es mi violinista preferido ni siquiera trate de imitar nada de el ,pero si te precias de tener algo de oido y sentido común estarás de acuerdo conmigo sin dudas

At a ge 81.....wow! what a phenomenon.

소리가 않들려요

I still mourn his passing. We lost something we shall not see or hear for 100 years.

Absolument magnifique. Un grand poète du piano comme l'époque actuelle n'en fait plus. Des myriades de pianistes à la technique époustouflante. Mais... sans âme.😔

Guy played that monstrous scherzo after Tchaikovsky's piano concerto as an e n c o r e...

Polska Łódź ❤🎶🎶🥰

The best of the best.

Mexico 🇲🇽 🫶🏻 ❣️ 🎶🎶🫶🍀

Peerless!

Sono d'accordo,ma alla fine è l'angelo che prevale..🎉🎉

Три Гения вместе--- голова разрывается от счастья! Они в расцвете сил и таланта! Это большой подарок для всего мира!!!

What song is he playing at the beginning of the video?

Artur la tua bravura è pari all'abilità degli Arcangeli del Cielo quando suonano inneggiando a Dio