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PHY350
United States
เข้าร่วมเมื่อ 17 ม.ค. 2014
PHY350 Audio Electronics - Various short clips about topics in audio, video, and control automation.
Sound System Design - Choosing Loudspeakers & Amplifiers
- How to choose a loudspeaker that meets your needs
- How to calculate the watts needed to drive that loudspeaker
This is an updated version of a similar video I made several years ago.
- How to calculate the watts needed to drive that loudspeaker
This is an updated version of a similar video I made several years ago.
มุมมอง: 3 266
วีดีโอ
Selecting Loudspeakers & Amplifiers
มุมมอง 1.2K8 ปีที่แล้ว
How to choose a loudspeaker based on your program material & output criteria; then, how to pick an amplifier that will adequately drive that loudspeaker. Note: This was recorded a few years ago, my apologies for the audio quality.
Connecting dBu to dBFS
มุมมอง 8K8 ปีที่แล้ว
When you send an analog signal into a digital device, you most likely will deal with two different meter types and signal level references: dBu (or VU), and dBFS. This shows you how to translate between the two properly. Note: I recorded this a few years ago, apologies for the audio quality.
Audio Device Interconnections: Impedance, Balance, & Level
มุมมอง 9K9 ปีที่แล้ว
This is an overview of some things to check out when connecting audio equipment together. A discussion of impedance, the basics of a balanced interconnection, and the categories of signal levels we work with. For details of how to actually wire balanced and unbalanced gear together, check out Rane's Sound System Interconnection guide here: www.ranecommercial.com/legacy/pdf/ranenotes/Sound_Syste...
Active vs. Passive Crossovers
มุมมอง 9K10 ปีที่แล้ว
A quick overview of active vs. passive crossovers for loudspeakers.
Gain Structure - Maximizing system dynamic range
มุมมอง 15K10 ปีที่แล้ว
Basic overview of how (and where) to adjust gain to maximize your sound system's dynamic range. Maximize signal-to-noise ratio. Ready for more? The next video in this series is here: th-cam.com/video/zA5SaZySMOs/w-d-xo.html
Amplifier input sensitivity
มุมมอง 23K10 ปีที่แล้ว
A discussion of audio amplifier input sensitivity, constant gain vs. constant sensitivity amplifiers, and figuring out what the input sensitivity (clip level) is on those types of amplifiers. This video is a continuation of the Gain Structure video found here: th-cam.com/video/0HwmBdGGCdg/w-d-xo.html
Intro to Patchbays
มุมมอง 34K10 ปีที่แล้ว
Patchbay types, features, and recommended configurations for project studios.
Basics of Power
มุมมอง 65710 ปีที่แล้ว
The "View from 20,000 Feet" of power: basic terms, overview of single and three phase power, and what a "technical power system" is.
Damping Factor and 5 Percent Rule
มุมมอง 7K10 ปีที่แล้ว
Review of circuit damping factor for amplifiers and loudspeakers; how to calculate it; and the 5 Percent Rule.
😮 this video is a game changer.
Fantastic info. Thanks!
In my studio, we don't have much chance for normalled connections, so I went with non-normalled ones. Also, I'm plugging mics through the TT patchbay. Just scared the crap out of everyone to make sure the phantom power is off before doing any changes.
Next step. Measeunt with a real loudpeaker in a real space al that distance...
Absolutely nothing wrong with using TRS, TT or military when using phantom power, the shorting point is invalid if the connection is made prior to energizing Too many experts, give their opinions, ignore the science, physics To say “never” implies a great deal but Hot cold ground for each, and every type of input you have mentioned Are capable of routing 48 V I would agree as a matter of choice in the live room, snakes, and wall inserts are XLR Tight, locked and logical That snake feed to the control room can and will work with any of the 3 contact point systems you mentioned I run live room xlr snaked to a DB25 TT to the rear of my trs patch bays without incident The argument I’m met with is “But” But you might make a energizing mistake and fry a ribbon mic But a newbie might, ect.. Good practice? Debatable, and completely revolving around the worry of human error With proper labeling and handling any are suitable An xlr does not guarantee you won’t fry a component when energizing anything that can’t take the zap, you could engage power with a mouse click or physical button if human error is the concern Remember the computer driving your trs,TT or military connectivity and when to energize for 48 v phantom is the same computer we each use daily for every act and decision from driving to telling your wife how she really looks in that 30 year old bikini, that may end in tragedy Your brain
That index finger is scaring my poor little index fingers.
Some really valuable info shown and presented!
Would have saved me a lot of time, if I found your video sooner. Fantastic lesson. 🎉 Thank you.
rane110 is no longer available :/
Great video. I have certainly learned a few things so thank you for taking the time to make this. There are a couple of minor things which I believe need to be corrected from an audio point of view. 1:30 Instrument plugs are not TRS (Tip Ring Sleeve). They are usually TS (Tip Sleeve). TRS are balanced cables whereas TS cables are unbalanced and therefore can pick up interference because they do not have common mode rejection. There is an extra wire inside a TRS cable. You are right about the sends being above the returns, however from other videos I have seen online this generalisation does not apply to all types of input / output. In a studio setting with a mixing console for example, you would have the inputs of the console normalled to the outputs of the console in the row below. This is so that the input signal flows directly to the output without the need for a patch cable unless normal is broken with a patch cable (or set up in a half-normalled configuration).
I've kinda confused, I've seen others saying that you need to match your impedance or you could risk having reflections in your lines. Maybe they're talking about communication lines?
Thank you!
Thank you very much for this video. What about the coloration and distortion in close to clipping levels?
tthis info is part of th gain staging, correct?
😫
Very interesting!
Doest the crossover works kindly as a pre amp?
No, the a crossover simply splits the signal into separate frequency ranges; it does not act as a preamp. For example, a full-range audio signal ranges from 20Hz to 20,000Hz (20Hz to 20kHz). A two-way crossover splits that full range signal into two components: low frequencies and high frequencies, with the "crossover" frequency being roughly where they meet (for example, Low might be 20Hz-500Hz and High might be 500Hz-20kHz). Whether a crossover is Active or Passive: that all depends on WHERE the crossover function occurs. If the signal is split at line-level (before amplification), it's an active crossover. If it's split at speaker-level (after the amplifier), it's a passive crossover.
@@phy350 thank you very much!
just to confirm, the standar is + 4dBu because all the devices have diffferent levels of output and inputs so we use the 4 dBu standar to avoid problems with the differences, right?
+4dBu is the nominal level, and each device has varying amounts of headroom above that nominal level. For example, a device with max output of +20dBu has 16dB of headroom. Check my other videos on gain structure for more details on avoiding level problems..
@@phy350 thank you very much!
This video was very helpful. There’s still a lot I want to learn about audio signals and interconnects, but this video was a fantastic start! I’m excited to watch the other videos you’ve made. Thank you for the time and effort you’ve put into explaining things. Really nice work!
Very useful, learnt good valuable things. And that being already experienced.
Hi Thanks for the explanation. How would i set up a Sidechain ? I have two types of Compressor one has an Insert type (dbx 266xs) Sidechain input and a (Furman LC-6 ) which has an IN & OUT Jack for each Sidechain. From your Video would the Insert one use Normal? Not got a clue about the other one. It states that the dbx one if a jack is inserted it breaks the connection from the INPUT jack to the 266xs detection circuit. So if it was Normal it would complete the circuit until i send a signal through the patchbay input? Does that sound about right? Any help would be appreciated :)
What school is this? I should've went here haha.
How can I contact you ?
I have a Crown xli800 connected to a Marantz Receiver SR7000 I just want to know which setting is best the .775v or 1.4v connected with RCA Cable. I read a Review that he used the .775v setting so I switched to that the previous owner had it at 1.4 for his small Magnapan speakers. I will be connecting this to a 4ohm 8in Turbo sound speakers, but for now i am in MONO Bridged for my 8ohm Martin Audio BlacklineX series 15" speakers.. Your Math coarse is just not giving me any answers.
The Crown amp's two settings (.775V or 1.4V) are for its input sensitivity. This is, essentially, the clip level of the amplifier. 0.775V is 0dBu, while 1.4V is 5dBu. You'll have to look up the specs on the Marantz to see what output level you're sending over which RCA output. Based on that level, you will then adjust the Crown's attenuation settings for proper gain structure. The Marantz likely has levels listed in dBV not dBu so you'll have to adjust accordingly (0dBV = 2.2dBu). For example.. if your Marantz outputs up to 5 dBV maximum (again, you need to verify what the actual levels are, I'm using 5 as an example ONLY) that means it would be 7.2 dBu. If the amplifier is set to 0.775V, it can handle 0dBu maximum so you need to set the amp's input attenuator to -7dB (or -8 to be safe) to compensate for the difference in level between the Marantz's output and the amp's input capability.
@@phy350 I found a blog He said the Marantz was 1.2v & that setting the Crown to 1.4v was a safer choice,good to know which way is safer, but that also lowering the Amp Gain to 70% will also prevent clipping & Damage, other stuff on Ceramic Turntable Needle & that what the Component is sending into the Receiver matters as a Digital Source but analog is fine. My Laptop is connected to the AUX because the remote don't work & he has all CD & DVD set up for fiber optic connection.When I use 1 of the Crown XLi800 in Mono to power a JL Audio 15" 4 ohm Sub, I think & gladly to know I will set it to the "SAFER" 1.4v Thankyou for the reply & being helpful PHY
Subbed! Thank you for this video
This is really helpful. I am TOTALLY new to this and only beginning to understand. My interest is in restoring and using vintage recorders, radios, speakers and microphones.
Great video. Thanks.
Quick question about MULTS - consumer level patchbays often allow normal/half/thru options (e.g. the Samson S-Patch) but I'm trying to figure out how I could set up a mult on one of these. Is it possible, or can it only be done by opening the case and getting out a soldering iron? :)
With a soldering iron and the right skills, anything is possible! Seriously though, with the S-Patch, you could do some creative external wiring with some jack fields in THRU mode. THRU mode is their way of saying "no normalling". So, you can make your own mult by connecting together all the rear jacks of the patch points you want to use together as a mult (typically not more than 4: any one as an input, up to 3 as outputs). Sort of like a big Y cable (W cable in this case?) with all T's, R's, and S's of each 1/4" TRS cable wired together in parallel. Hope that makes sense! If I could draw a diagram here in the comments it'd be easier to describe.
@@phy350 Aha! Yes, that does make sense. No diagram required. Thank you :)
At last! I've found a video about patch bays that is presented in an educational style. I've watched numerous YT content creators talking about their patchbays and offering advice, but I felt a bit unsatisfied. Turns out I really needed the diagrams, photos and bullet points. The wiring diagrams of normalling modes alone were worth the watch. Thank you so much!
Correct way to get balanced signal ,from inserts to a patchbay? Oui,all my insert cables,snakes (72 channels of em) are traditional TRSx2 TS, but 75% of my outboard gear is balanced I/O,double oui. So for 25% of my unbal gear should send /return be in unbal patchbay,all 9 PB's of mine are all balanced,or start buying TRSx2Trs insert cables.lol. (do they make them) Just found a way to solder TS ends to PB,but different for return/send,can anyone send any links to help me make sense of this issue. I can solder like crazy,and just donno exactly what is best. I imagine theres dif situations,but really need to find a good source of info. Gonna try Gearsluts,or SOS. At this point id buy any e-book,or hardcopy if so. Oui,what a passion we all have for the most smallest advantage on recording,thx for reading my craze,-COR
It's actually very common to mix/match TS/TRS (unbalanced/balanced) connections on a patchbay. All single-point insert jacks (those that require the Y cable to break out the send/return) are inherently unbalanced. That's OK, as long as you keep the lengths as short as possible (preferably under 20') and avoid running them near power cords or other high-level sources of EMI/RFI. SOME balanced gear may not like the negative and shield shorted together when taking a balanced output to an unbalanced input (TRS to TS), but as always... "read the manual". In most cases the worst that happens is you lose 6dB going from balanced to unbalanced. Yes, it's more complicated than this but this is my short answer. :)
I should know some of this ,,, as long as I've been doing it ... Get that slot in my rack ,,, with all the cords hanging out ... Fix the foot trip zone floor ... Well done ... 4 me 2 get it ...
What if we used 2 speakers of jbl? So we need a 400w amplifier right?
find some information about Ohms ,, you will be fine.
My pet hate that I drum right out of my trainees on their first day at work is when they use the word 'Cord'. It's a fkn CABLE! A 'cord' is a curtain string. 😉😁😄
All you’re actually doing is informing your trainees that you’re misinformed and stubborn. Definition of cord (3rd use case): a small flexible insulated electrical cable having a plug at one or both ends used to connect a lamp or other appliance with a receptacle. Maybe lay off on your trainees in the future 🤡
Also, the phrase is “pet peeve” not “pet hate”. I don’t think you should be correcting people on their use of English..
Treasure.
can you explain why dBW = total SPL criteria - loudspeaker sens?
Crest factor = headroom. CF = 10dB is the most common for live sound for balance between $ and quaility
Thanks - REALLY helpful
When does someone determine whether or not to change the sensitivity of a ca18? I have one which gives me the options to change from .775-1-1.4
An archived brochure I found (www.fullcompass.com/common/files/62-CrestCA18Brochure.pdf) has a chart that tells part of the story. If you have different sensitivity settings, that just changes the dBu level for your gain structure settings. For example, .775V = 0dBu, 1.4V = 5dBu. If your mixer has a max output of, say, 20dBu, and you have the amp set to .775V, you would need to set the input attenuator to -20dB on the CA18 amp. If you have it set to 1.4V, you'd set the input attenuator to -15dB. That said, the brochure I reference above has X20 and X40 settings, which are fixed voltage gains (not fixed sensitivities). When the voltage gain is fixed (as you might want for certain applications), the input sensitivity changes depending on the amplifier's load and the wattage. That's when you need the fixed gain formula (explain around the 3 minute mark). There's a chart on that brochure which gives you the sensitivity in volts for the X20 and X40 settings. Convert those volts to dBu, and you'll have the info you need for gain structure purposes. Factory Standard X115 .775V = 0 dBu Option 1 X40 2.24V = 9.2 dBu Option 2 X20 4.47V = 15.2 dBu But of course this chart is only valid when you have an 8 Ohm load connected to the amplifier. 4 Ohm loads? Time for some math!
Thanks a lot. I had been researching on this and this is the best way to understand. Great explanation.
wow men you are a GREAT teacher, thanks alot
Super helpful. Thanks for all the tips and details on the mechanics of normaling. Cheers
Not good audio,
thanks for this video - the best ive been able to find so far honestly illustration combined with clear narrative = win
x24
mono channels
figure 2/longboard
line=A male 4-pin "Kycon" power connector, which appears similar to a Mini-DIN connector
Excellent point about using only XLR patches for mics. Thanks!
The only exhaustive and comprehensive explanation of this on the internet, you're awesome man!
Thank you! This was informative, I appreciate.