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Jonas Olsson
เข้าร่วมเมื่อ 7 ก.ค. 2023
Arnold Schönberg: Zwei Klavierstücke op 33 (1928-31)
Arnold Schönberg (1874-1951)
Zwei Klavierstücke op 33 (1928-31)
Jonas Olsson, piano
0:00 Klavierstück op 33a
2:01 Klavierstück op 33b
Zwei Klavierstücke op 33 (1928-31)
Jonas Olsson, piano
0:00 Klavierstück op 33a
2:01 Klavierstück op 33b
มุมมอง: 848
วีดีโอ
Vassos Nicolaou: Étude no 9, "Présence d'une absence" (2013)
มุมมอง 4422 หลายเดือนก่อน
Vassos Nicolaou (*1971) Étude no 9, "Présence d'une absence" (2013) Jonas Olsson, piano
Vassos Nicolaou: Étude no 10, "Filter" (2013)
มุมมอง 4482 หลายเดือนก่อน
Vassos Nicolaou (*1971) Étude no 10, "Filter" (2013) Jonas Olsson, piano
Vassos Nicolaou: Étude no 11, "Hast Du Angst?" (2013)
มุมมอง 5752 หลายเดือนก่อน
Vassos Nicolaou (*1971) Étude no 11, "Hast Du Angst?" (2013) Jonas Olsson, piano
Miharu Ogura: Nijimi (2023)
มุมมอง 2.6K2 หลายเดือนก่อน
Miharu Ogura (*1996) Nijimi (2023) Jonas Olsson, piano Ogura's own recording of this marvellous music is now available at miharuogura.bandcamp.com/album/ogura-plays-ogura.
György Ligeti: Hungarian Rock (1978)
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György Ligeti (1923-2006) Hungarian Rock (1978) Jonas Olsson, harpsichord
Helmut Lachenmann: Serynade (1997-98)
มุมมอง 9K5 หลายเดือนก่อน
Helmut Lachenmann (*1935) Serynade (1997-98) Jonas Olsson, piano Live recording, Aldeburgh Festival, 2012
Rebecca Saunders: Choler (2004)
มุมมอง 4296 หลายเดือนก่อน
Rebecca Saunders (*1967): Choler (2004) for two pianos Jonas Olsson, Miharu Ogura, piano Recorded live, 12 November 2023 Norrlandsoperan, Umeå, Sweden
Olivier Messiaen: Visions de l'Amen (1943)
มุมมอง 5766 หลายเดือนก่อน
Olivier Messiaen (1908-1992): Visions de l'Amen (1943) for two pianos Miharu Ogura, Jonas Olsson, piano Recorded live, 12 November 2023 Norrlandsoperan, Umeå, Sweden 0:00 I. Amen de la Création 5:48 II. Amen des étoiles, de la planète à l'anneau 11:40 III. Amen de l'agonie de J'esus 19:12 IV. Amen du Désir 29:27 V. Amen des anges, des saints, du chant des oiseaux 36:25 VI. Amen du Jugement 38:5...
Iannis Xenakis: Mists (1980)
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Iannis Xenakis (1922-2001) Mists (1980) Jonas Olsson, piano
Brice Pauset: Cinq Canons (1990-2002)
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Brice Pauset (*1965) Cinq Canons (1990-2002) Jonas Olsson, piano Live recording, Helsinki, 2016 0:00 Canon I 2:55 Canon II 10:55 Canon III 14:38 Canon IV 19:44 Canon V
Vassos Nicolaou: Étude no 6, "Animadóttir" (2012)
มุมมอง 33110 หลายเดือนก่อน
Vassos Nicolaou (*1971) Étude no 6, "Animadóttir" (2012) Jonas Olsson, piano Live recording, Helsinki, 2016
Vassos Nicolaou: Étude no 7, "Entrap" (2012)
มุมมอง 27210 หลายเดือนก่อน
Vassos Nicolaou (*1971) Étude no 7, "Entrap" (2012) Jonas Olsson, piano Live recording, Helsinki, 2016
Martin Rane Bauck: marsyas and apollo (2016-17)
มุมมอง 22710 หลายเดือนก่อน
Martin Rane Bauck (*1988) marsyas and apollo (2016-17) étude for piano harmonics Jonas Olsson, piano
Johan Svensson: study for piano #2 (2015)
มุมมอง 57310 หลายเดือนก่อน
Johan Svensson (*1983) study for piano #2 (2015) Jonas Olsson, piano
Johan Svensson: study for piano #1 (2015)
มุมมอง 26910 หลายเดือนก่อน
Johan Svensson: study for piano #1 (2015)
Miharu Ogura: Sillage de lignes (2022)
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Miharu Ogura: Sillage de lignes (2022)
The part starting around 3:32 has echoes of late Scriabin
based
based Lachenmann
It's a Xenakisian Rumba! Feroz!
based Ogura
based Ogura
1+39 4-bar phrases until ad-lib poco sestenuto 3:15, 5 more until end
The melody at 2:37 is the same as the slow one at 3:52
Ligeti = genius
Hear first bar "Oh, you are that guy"
I’m wondering if you memorized it, had a page turner, or used an escore for this recording. Impressive playing!
I use a pedal for page turns. No point in memorizing things like that, I'd rather spend the time on actual practising
thats extremely cool. woa
Jonas goes prog rock, great job, as always!
wowww
Amazing! I had never heard of Gyorgy Ligeti before. Thanks for posting, and including the score!
super cool!
👍
Can totally see this in a Dario Argento giallo film from the 70's, nice!
That is just madness playing that with all of those compound divisions of the beat...lol. Bravo!!!
È bellissimo ❤❤❤❤
Honestly quite beautiful, I've not quite appreciated Lachenmann till now! Will check out some more
Brilliantly played and clever but ultimately ugly music.
It's like good comedy, it's ugly but brilliant at the same time. Passionate on one hand and clumsy on the other.
@@Ricardo7250 Well, good comedy doesn't have to be ugly to be brilliant.
@@grahamcaldecott I guess so. It could be the witty type of comedy, while this piece is more about mockery
Ligeti is fine, but this is more jazz than rock.
Sounds like this could work well on Vox Continental organ...
Nice! Lovely use of differing textures
Ligeti never stops surprising me, what a unique piece, and played wonderfully too! Bravo!
This is great.
Well it's interesting for 7 minutes but 30mn is way too much.
I HAVE FOUND THE DJENTICOPTER!!!!!!!!!!!!!!!!!!!!! HAHAHAHA, ALL THIS POWER NOW I BEHOLD, HAHAHAHAHAHAHAH!!!!!!!!!!!!!!!!!
you think this is study for a piano? NO. This is the math-core standard.
The Dillinger Escape Plan was onto something.
@@applegarden2448 interesting theory, I always believed this came from the Bartók-Ligeti-Furrer tradition, plus microtonality plus physically impossible piano playing, but nice to hear another perspective
BRO THIS FUCKING DJENTS DUDE
Amazing! Well done!
Stunning, congratulations.
It's better than it sounds.
It's fun. If it's improvised after half bottle of whisky. ... I still don't understand, how came, that improvisation is almost forbidden... at least not taken serious, basically only allowed in jazz. I love jazz, but I'd love to play... just what I hear. What I want. What I feel. If I'd write it down, and someone else would play it, people would be amazed. This way they just don't give a shit. Interesting planet... but not for an other incarnation.
Stellar
There's something incredibly sadistic about writing this kind of music and expecting a pianist to learn how to play it. It is amazing that people exist who are willing to go through it. I'm very glad they do exist, because i really love the result. Serious question though for any knowledgable musicky types out there - does this achieve anything that excellent improvised atonal music with much more 'random' note choices doesn't? Maybe it sounds more mechanistic and structured... but couldn't an improviser improvise mechanistic structured sounding stuff... Surely whatever the clever complicated generative patterns underlying the note choices are, are more or less impossible to actually perceive as a listener? I like improv, I like this, its all super
Your dilemma is natural and legitimate. But let's look at it from the other side: why should a contemporary composer deny himself from creating music that is "equal" in this sense to improvised music? Why should it not be the most tightly composed music? Let's even call it a form of experimentation or exploration of the limits of composition and performance. Cheers :D
Mom! The cats are on the piano again!
Congratulations, 15000 viewers have tried and failed to come up with a cat joke 😉
well done man!!
Alternative rock on the harpsichord? Everything i find from Ligeti is just brillant
Sounds strange, but it works so well!
Progressive, not alternative
one of the few modern composers with musical ideas instead of just babbling around.
@@kaptnkirk2740 cry harder
what in the good goddamn
Lachenmann was a huge inspiration for master Koskinen.
1:59
Funk
Quite catchy
sodelicious............................
Great, Guess what I'll be whistling all day now?
I know!! It’s so catchy! I find myself mindlessly humming it without noticing all the time.
I hope this is sarcasm
This piece reminds me Elisabeth Chojnacka (RIP)
sodelicious................................
sodelicious...........................
i agree
sodelicious...............................