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Or just press RND :D

Excellent Tutorial Thank- you 🎶😎🎶

Thank you.

Thank you so much for this; I love the 12 performance buttons on my AR1 but now I just learned the value of having a 'break-out' MIDI controller paired with it. Cheers m8. :hat1:

Your profile pic looks exactly like derek from American history X when he’s being arrested 😂

Very Nice... Thanks for this one. I am considering the Blofelt , and yhis made it clearer ❣

Super helpful! Thank you very much!!!

Excellent video. Thank you!

I love it! I've gotten lots of ambient sounds from mine! It's definitely opened up another world of sounds. Watched a lot of MadFame videos to wrap my head around what these things are doing. I think they got a bad rap because they were misunderstood. Keep it warm if you have one!!

Gabberrrr!!!!

Stor röd , Nord Lead 2, our favourite , still rockin'

what about slides

Very clear and helpful video to get everyone up and running with MIDI mapping. Thanks!

Im new to this and want to do it. Coukd u show a video of how to hook it up and is ot fomong from a speaker or laptop? Just a full quick to the point video would be awesome. Maybe some links to biy the cables and stuff

Thank you for your help

This is fire lesgoo

Thanks for this. It was a bit harder to follow than it needed to be because you had it playing a pretty abstract patch with some random elements - if you'd stuck with the very simple patch you used at the beginning, the features of the dTrOY would have been easier to understand.

Can one use an 88keyboard with this?

Great use of Shapemaster! 👍🏼

My friend, keep these Ableton 12 tips coming! They are helping a bunch! Thank you!

dank u wel, heel lekker

Thank you for the nice video! : ) I'm new to analog synths, but I really want to start from somewhere ... can you recommend which two Behringer synths to get ? May be one of them must be the Crave?

Thank you

Good stuff dude. I’ve been putting off sample prep for my Digitakt for ages. But it’ll be so useful to have 64 transients in a single audio clip and use the grid machine. You’ve inspired me to get onto that

I just got a Digitakt and this video is perfect for me! Great tips. Thank you Melvin! 🍻🎛

Really nicely explained. Excellent vid! ❤

:)

splendid 😎

how do you find the A.R more suitable, as a performative tool or rather sound design machine? Anyway thanks for your vids man, much appreciated

There is always something to be admired about Musician’s who push to get blow and beyond the front panel of this synthesizer. After over 40 years, I’m glad to know that people are still trying to create their own patches on it, even though the main reason I never bought one for me was that I was nervous I would be stuck with the classic 32 presets. As the owner of a Roland JX-8p, whose shape, size and interface are all modeled after the DX7, despite it being an analog synthesizer instead of a digital, I understand what you’re saying about this one being heavy. This may come as no consolation, but imagine if it was the DX7’s precursor, the GS1. Apart from not being programmable from the front panel, the GS1 was built like a Yamaha CP80.

amazing

Thank you very much. What you are showing here is really very useful. Thank you for the great and creative examples.

What nord is it?

How you do this in ableton?

all that faffing around for a kick

tbh, this should be more a "how to make kick samples" video, because this has nothing to do with the Rytm anymore and it has great engines itself! I was hoping for a nice visual guide for how to create great kicks on the Rytm, but this is in the end just applicable to any device that loads samples. Not bad in itself, but also not really playing to Rytms strenghts

отличное видео!!!!

I want one of these but heard it was pretty bad compared to other sequencers

Best tutorial yet. I thought I was going crazy with this compared to how logic does it automatically. In Ableton you have to fix it yourself. Like a child. Can they not fix the code to do it. Geez.

Thanks, although theres a lag (very small but noticeable) any fixes ?

Latency was the main reason i left Ableton Live. I was really sick of it. Between all those DAW alternatives i decided to give a try on Reaper and i was amazed that it can do everything that every major DAW's do, it is fast, light on CPU, really really flexible and adjustable, it have major community support, many many of good freebies and it doesn't have that really annoying latency problem no matter how many heavy plugins you put on a track and i use the default DAW settings. I'm still on Reaper DAW ever since.

❤

I'd say you can even make it easier: there are only 2 categories of modules. 1) signal generators 2) signal modifiers All signal generators could be considered modulators (after all, you can use ANY signal as CV if you so wish). Traditionally though, if a signal generator outputs a signal that oscillates more than 20 times a second (so, above 20 Hz) you've got an audio generator (oscillators, noise generators..). Slower than that? Then you've got a CV generator (low frequency oscillators, envelope generators, clock generators..). The two can overlap of course, if a module provides you with a wide enough frequency range. Signal modifiers may also cover both the world of audio and the world of CV at the same time, but traditionally they are also called in different ways depending on the signals they deal with. If they transform audio signals (specifically, if they change the timbre of the signal) then you may know them as audio modifiers or simply audio effects (stuff like filters, wavefolders, distortions, echo, reverb..) whilst in all other cases they are usually labeled as utilities (amplifiers, attenuators, mixers, multiples, slew limiters, sample & hold, comparators, clock dividers..). Gotta say though, nice video dude! Yep, if we boil it down it really is that simple, enough to narrow it down to just 4 or 3 (or hey, even 2) types of modules. Then as you learn more you can dig down and learn about all the various types of modules there are and what they do, but at the end of the day a module either: 1) makes a signal, or 2) changes a signal And that's part of the beauty of synthesis I think. That from something so simple we can get something so interesting and complex.

wtf how.. thx dude i was desperate

Oooh, early enticement for comments! "Just 3 types?" Ok, I'm curious, let's hear what this fella has to say.

And if you want a "brain crash" as a beginner, go experiment with the next concepts in Modular Synthesis / Sound Synthesis: modulate the modulators and randomize the randomizers :)).

As a modular starter i thank you!

You're not hearing the delay, you're hearing a feedback loop... I cannot FUCKING believe ableton doesn't have an ACTUAL way to use outboard gear

Thanks!!!!

Thanks for the video man!!! For some reason I was going to producer zone and only able to get vital for linux, now I have Vital thanks to you!!!!!!!!