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Poplar crap.

Yes. It’s below the minimum expected for the Fender brand. It drags the brand down. It’s trash.

Agreed the MIM Fenders, especially the new Player IIs, seem a lot closer to a "standard" I'd expect from Fender vs. Squier. Given how much less (under $400) you can get a new CV Squier for....seems like a sucker purchase to buy one of these new "standards."

4000 bucks ? It should have solid gold frets ...Uranium Strings Unubtanium Body and neck.. 10 Karat gold iridium sheilded wiring and come with a Russian bride !!! A fool and his money will always part ways !!

Before you reveal... A = actives B = Passive. A was a tad brigther, more compressed with more sustain. B warmer and a little more note definition. But essentially, and for any usable intent and purpose.... the same.

I had a 1990/91 Jackson Soloist USA ‘California Sunset’. I kick myself every day for selling it

FYI USA select/custom is best for sure but the American series is shockingly flawless QC. It has some downfalls like the binding missing (aesthetic) and Floyd Rose 1500 (function). Now the bridge is fine and stays in tune but it doesn’t have the smoothness of the OFR. Now this is my experience and opinion. I am sure it’s not always the case.

Currently looking to get one of these. I think that Jackson only makes the USA select models to order which is why they’re almost never in stock anywhere. Iv also heard the custom shop waiting time is 3-4yrs at this point which is madness. I bought a Custom Select RR in 2013 and it only took 6months from order to delivery and the price at the time was insanely good value😂 if id known then it would be that long If have ordered a few more.

I believe this is plug-in specific. I've experienced similar behavior in the past. I would contact the plug-in manufacturer and make them aware of the issue. As a workaround: have you tried bouncing in place a second time directly after the first?

Yes, it started happening to me too. Since the last update (11.1.2) Every time I bounce a project, there's some kind of "hiccup" stepping on the first notes of any virtual instrument at the beginning (Kontakt, mostly). No displacement, just a silence gap on top. This forced me to add an extra empty bar and then cut it out later. This was never happening before. I'm pretty tech savvy and fluent with Logic Pro. I know EVERY SETTING and what it does. Definitely a bug, just like the Input Monitoring one in 11.1.1 These bugs are SO WEIRD. How can they f@&k such basic and simple things is beyond me. Apple need to keep Logic Pro's developing team in line. It's becoming a gamble to update lately. And it really messes up the workflow of professionals like myself. I love Logic, but Apple's disinterest and slow bug fix updates are exhausting. Macbook Pro M1 Pro 16" / Sequoia 15.2 / Logic 11.1.2 running in Native mode.

1998 says: "Welcome to plugin latency".

A long time ago we had the same problems with Logic, because Logic could not handle VSTs correctly - it had problems with clearing VST-buffers or something like that. Maybe that this is still the case - one of the reasons why we quit Logic and changed back to Nuendo. It' a Logic bug.

Yes, in Logic Pro, when you record a track, the audio will automatically snap to the nearest grid point based on the current "Snap" setting, which is accessible in the Tracks area menu bar, allowing you to align your recording to the beat or desired division of time, depending on your chosen snap value

You could try using the little triangle at the left of the timeline (in the bar number strip) to put some space in the time line (It creates negatively numbered bars before bar one) Then still set your cursor at bar one and record. If it works, you can make a template of that setup.

Logic has always had issues... it's unbelievable that Apple with their own system and apps release updates that don't work properly... Sorry I ever supported that company for do many years...

Have you tried turning off input monitoring then doing the bounce? Perhaps Logic adds in/takes out whatever compensation it added on record

I had the same problem (m1 MacBook, Sonora, latest logic-version). This does not happen, when there is no activated plug-in on the master track (for example waves´ ultramaximizer). It was very annoying, because I had to produce a number of drum loops, all had a very short silence at the beginning. Now with no plugins in the master-channel-strip it does not happen again.

What format are you bouncing to? MP3 does this--exactly this--and has for 20++ years. If you are bouncing to MP3 try WAV, or something else and see if that helps. I don't use Logic, so I can't actively troubleshoot this, but I have seen this issue in numerous other audio editors, and it's always due to bouncing to MP3.

Hi, do you get the same result at a higher buffer size?

I didn't know the jupiter could sequence like this. That's pretty cool. I've been sequencing on the fantom hardware for about 3 years now. I hated it at first, but the more you use it the more it ends up making sense.

Thanks for the great review.

I came here to find out is there a slot or any option to put in your sounds into the machine, but I only saw an annoying level of self-awareness - dude relax, it is not about you. We don't look at YOU, we just need information.

Thx a lot! Very cool

Is that a Wells Warriors hat?

Wow great review. I have a buddy that has an SL-1. It was his dream guitar. Super perfect. He got in 2003 when they were still made in Arizona and only 2k 😮

Powell Peralta 🤙

I have a bunch of decks hanging from a blue wall too

one that has the laminate on its headstock bubbling

If you like shooshy, fizzy, cold, raspy, ratterly gain, thin, cheap sounding IR's you'll love the Pod Express. I sent it back after 2 weeks of trying to get some decent tones out of it. The cleans were OK but the moment you added any gain, no, just cheap sounding. I was conned as were many others I suspect.

3:32 nice!

Gorgeous guitar. These were on my buy short-list. Reading through the comments I see others have had issues with QC as well. Disappointing and unacceptable at this price-point. The inlay rout in the 1st fret looks sloppy too. Lots of filler.

The last words of this video were "get them both". Thank god for the "don't recommend channel" option..

I had a similar problem with a Dinky which I'd bought used. So don't know if that guitar had been like that out of the box or not. But I currently own one of the Indonesian SL2 Pro's and haven't had any problems with that so far.

il y a 2 sorte de musiciens ceux qui programme tout a la souris = VST et ceux qu ils passent des heures a improviser sur un clavier comme moi

For me, its both! How nice that since this video was published we now have the editor/librarian. I use that all the time, although Roland does need to work on it a little more. It can be a little buggy at times and crash. The crashing is more with the librarian. Editing synth tones has been stable for me. There is also another gap where the new native JPX engine does not appear to have editor or model in Zenology. I do have to connect up the hardware and either use the editor or front panel. I can not use my DAW and then export patches for the Jupiter-X or Juno-X native synth models. I do not see ever parting with my Jupiter-X!

I can't believe anyone would criticise the appearance. It's beautiful. My only criticism is that it's much more expensive than the Juno X. I won't buy one because of that. I'm not a fan of the tiny display. Make it bigger with more info.

Got a used XM for $700 and it’s amazing. Certainly happy to cancel that dreadful Cloud sub

i can get all of these sounds on my fa-07

Bro should already know EMG’s into a 5150. He plays death metal right?

The iOS app really helps.

The X is Stellar!

Active pickups for metal music like the EMGs 81/85 etc are not just for the sound but for the response on your hands. For example it's not easy to play a song like Master of puppets downpicking all the time for almost 8 minutes with PAFs no matter how much distortion you put in front. With active pickups the response on your right hand feels smoother, easier and faster. If we are at a gig and I use passive pickups, I would rather not play a song such as Master of Puppets cause it's tiring. On the other hand, songs like ''Crazy Train'' or ''Bark at the Moon'' I prefer passive pickups cause the output of active pickups on these riffs is too much if you play those riffs too agressively. I think for modern metal or thrash, active pickups are a better option though

It's a $3000 flagship synth, you'd have to be r*tarded to think or say it "Sucks". You could say there are things that you wish were different or better. But I find it hard to believe it "Sucks". Sounds like clickbait.

Track B is much more FLAT, without PUNCH, little bit darker, imho difference should be easy to notice and no -they not sounds the same way, TONE is similar, but sims like EQ comes there

Most people always banging on about VSTs in a box never make music. It's some kind of cope to constantly complain and bring people down instead of what they should be doing, which is making music. But since they are useless at that, here we are. 🤷‍♂️😂

Is there a video about Active vs. Passive where are they quickly get to the point with almost no talking and they just let the pickups speak for themselves?

I seem to recall that they ran out of pearl logos a couple of years ago so they used the white silk screen logo. I have a DK1 finished in January of 2024 and it has the pearl logo so they’ve apparently gotten that sorted.

I’ve got one it’s awesome

I pay for roland $10 a month....Do I get more patches like the ones on the Fantom 06 when i pay the $20 buck subscription?

Used fantom 6 going for a tad bit more than the jupiter X making the jupiter x feel like its lost in the sauce. I will admit having the hands on controlls,onboard speakers, and editor is very cool. But the screen is not to fun to work on ( i have an Xm and while i love it editing on the screen is a bit of a pain in the but still love it :)