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This is awesome. I feel like every Herrmann video I see is about Vertigo or Psycho. While I think those two are some of his best scores, there’s not much to say about them that hasn’t already been said. You picked a great deep cut to look at and it’s all VERY Herrmann.

2:54 to 2:59 gets me every time.

Muito bom. Obrigado.

thank you very much❤

Thank you. Very useful. 👍

Thank you for this, i am trying to arrange this for a rock band and the functional harmony really helps to extrapolate choices for bass, do you possible have a sheet with all of the roman numerals and the chords above the staves?

Interesting and cogent explanation

Amazing! Thank you!

I wish i understood this more. My favorite composer by far.

This has been added in the training scene pain love it

Hi there!!! Really, what i find in your videos is very intresting , helpful , and your explanation is very clear . Thanks for posting this beautiful videos 🍺🍺🍺😎

Ha, my entire little youtube channel is just me practicing orchestrating in gothic horror and similar. Happy to find this channel

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Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Subscribe to Any Old Music's email newsletter for free extras, study materials, and analysis summaries: anyoldmusic.ck.page/df6a400039

Thank you!

Thank you for helping me to unravel some of the sturcture of Avro Pärt's compositions. The amazing thing is, even after knowing a bit more about how the music is structured, it is no less compelling. I need to try writing out some skketches just to get a feel for how it might work. GThanks again. Just came across your channel.

I'm scare

Thanks for sharing! Appreciate your detailed analysis.. very interesting and learning a lot! 😊❤

Yee ~

The music is very reminiscent of his soundtrack for Marnie.

B section is E minor as much as my little musical knowledge tells me.

Haha I space out when I get ideas from composition books too

Pourquoi les sous-titres automatiques ne sont pas disponibles sur cette vidéo ?

Thanks again! Today is the Explore Herrmman day and compose using his devices so you are a revelation!

You have a detailed and analytical description yet it is still very useful and meaningful! I’m very glad I came onto this today. I’m a composer and this morning I decided to compose a piece using his interesting timbre-synthesis , those classic sounds he gets from mini-arrangements of Flute & Clairinet (wonderful!) Harp & Vibraphone (mystic and mysterious) Oboe, Bassoon and French horn, also Cor Anglais Clairinet and Trumpet (no idea yet- interesting). I had my DAW set up with these but watching this I’m adding to it. I’ve made a Herrmman Template of just these groups and also a full symphonic template using BBCSO pro and MSS for the Symponic base and these added. I have a feeling by the time I finish your videos I’ll be glad I have 64GB ram!! If I manage to make something which isn’t embarrassing, with your approval I would happily link my Ode to Bernard here and offer you full use of the song as a thank you for your great work!

Thank you!

You are one of the most underrated classical music channels!

Very interesting! - David

It was quite helpful to hear those pedal tone samples! I couldn't help but hear the D pedal tone as if it were a 7th in the bass of an Em7 tonality, so I am still hearing a dorian tonality.

Fabulous! I love your fun narrations! 🇫🇷 🏴󠁧󠁢󠁥󠁮󠁧󠁿

Really useful video on analysis annotation, very clear and easy to read. I usually use pencil and paper but this eventually ends up as a mess of notes and rubbings out. Thanks Brian

Sorry about the random bird noises. If I didn't have the window open, I'd cook!

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This video is from a live session I put on a couple of weeks ago (June 11th, 2023 @ 7pm BST), called "Grotesque Goblins: Orchestrating Enchantment". For this session I invited Any Old Music email subscribers, and I plan to do more. If you'd like to be invited to future live sessions, and receive the full recordings (not just excerpts), then please join the email list where I have a plethora of email exclusive content as well: anyoldmusic.ck.page/df6a400039

Thanks for watching! If you're interested in music composition, orchestration and arrangement you should check out the Any Old Music Newsletter: anyoldmusic.ck.page/2f3f3ee829 We not only share our free public content, such as articles and videos but we also share exclusive, free additional content such as composition guidebooks, handy composition and reference charts, PDF versions of our articles and even swipe decks that summarise the key points of our content into handy one-page slides on composition analysis. Nice.

One observation I forgot to make is of the final chord voicing with the woodwind quartet. The oboe sticks out like a sore thumb to me. In a lower-thicker register, against the Clarinet and then the Flute, in their mid-low registers, it sounds like an overfilled sandwich on the 3rd of the chord. What does everyone else think?

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This is fascinating and very underrated!

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I'm such a star wars music nerd that I could tell that the music was from the Flag Parade just from the thumbnail.