Funky Butter
Funky Butter
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Groove and phrasing in Grace McLean's "My Lovely Enemy" - Part 4
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml
00:55 - Guttural vocal percussion
2:36 - Straight vs. swung drum groove
3:21 - Guitarrón
4:28 - Electric bass
5:55 - Next verse
7:07 - Different concepts of time and phrasing
8:40 - Strings & horns
9:28 - Motivic development over simple repetition
11:12 - Vocal croaks
IG: @JusBass1 jusbass1
TT: @JusGold1 www.tiktok.com/@jusgold1
If you dig these videos, please like / subscribe / notify and let me know what you think in the comments.
----
My Lovely Enemy credits:
Grace McLean - music, lyrics, vocals, loops
Hiroyuki Matsuura - drums, percussion
Dillon Kondor - string arrangement
Justin Goldner - bass, guitarrón, keyboards, arranging, programming
Produced by Justin Goldner for Funky Butter Productions
Elise Frawley - viola
Amanda Lo - violin
Geoffrey Countryman - saxophones, clarinet
Tatum Greenblatt - trumpet
Hamilton Berry - cello
Jack DeBoe - mixer
Chris Camilleri - recording engineer
Blake Morgan - mastering
#producer #songwriting #stringarranging #studiomusician
มุมมอง: 30

วีดีโอ

How to borrow while staying original - exploring Grace McLean's "My Lovely Enemy" - Part 7
มุมมอง 114 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml 00:38 - Ed Sheeran 2:14 - How to borrow without being derivative 4:22 - Tying creativity to your performance practice 5:30 - Instrumental & vocal layers 7:25 - What does the ending mean? IG: @JusBass1 jusbass1 TT: @JusGold1 www.tiktok.com/@jusgold1 If you dig these videos, please like / subscribe / notify and let me know...
How to Subvert Songwriting Expectations - Grace McLean's "Reckless" Part 3
มุมมอง 6512 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "Reckless" here: orcd.co/gmlml Download Grace McLean's "Flood" pad for Ableton Live and more: funkybutter.gumroad.com/ 00:10 - An angular bridge to "jolt us from our warm bath" 2:14 - Passing off gestures 3:06 - How to subvert expectations 4:22 - "Still waters want to flood" - differences in live/studio arrangement 5:05 - Familiar scenes with unfamiliar elements 6:24 - Bui...
How to use extended string techniques in pop songs - Grace McLean's "My Lovely Enemy" - Part 6
มุมมอง 4012 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml 00:00 - Skrillex & Diplo 00:40 - The music-school monkey on your shoulder 2:05 - Ligeti string gestures IG: @JusBass1 jusbass1 TT: @JusGold1 www.tiktok.com/@jusgold1 If you dig these videos, please like / subscribe / notify and let me know what you think in the comments. My Lovely Enemy credits: Grace McLean - music, lyr...
How to discover new parts of your voice - Grace McLean talks "My Lovely Enemy" - Part 5
มุมมอง 2514 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml 00:42 - Experimental vocal camp 1:32 - Grace's vocal training 3:15 - Writing from a place of curiosity 5:30 - Finding space to play within structure 6:54 - Half-speed backbone of the bridge 9:32 - Melodic & cinematic elements 11:00 - "This is the last breath" 11:32 - Vocal effects processing IG: @JusBass1 jusbass1 TT: @J...
Reconciling two worlds in Grace McLean's "My Lovely Enemy" - Part 3
มุมมอง 2216 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml 00:23 - Otherwordly vs. hyperpresent 3:58 - Effects processing and tape loops 4:38 - Counter-intuitive drum part 6:00 - "Ripping its way out of the sepia-toned film into the foreground" 7:58 - Harmonic glissandi IG: @JusBass1 jusbass1 TT: @JusGold1 www.tiktok.com/@jusgold1 If you dig these videos, please like / subscribe...
Flow State vs. Music Theory in Songwriting & Production - Part 2
มุมมอง 3516 ชั่วโมงที่ผ่านมา
Stream @GraceMcLean's "My Lovely Enemy" here: orcd.co/gmlml 00:07 - Adapting a live arrangement to the studio 2:24 - Intro arrangement and production 5:10 - Crafting the vocal loop 6:40 - Flow state process 7:39 - Exploration vs. editing, objectivity vs. subjectivity 9:44 - Music theory is like a map IG: @JusBass1 jusbass1 TT: @JusGold1 www.tiktok.com/@jusgold1 If you dig these v...
GLITCH/CLICK stutter grooves in Ableton Live
มุมมอง 13219 ชั่วโมงที่ผ่านมา
Download these Ableton devices and more: funkybutter.gumroad.com/ 00:32 - Inspo 1:05 - Demo/Playthrough 1:32 - Playing in vs. generative 2:30 - Glitch Rack parameters 4:00 - Walkthrough (build your own Mechanizer) 6:47 - More tweaking 7:20 - Using Mechanizer on other kits IG: @JusBass1 jusbass1 TT: @JusGold1 www.tiktok.com/@jusgold1 If you dig these videos, please like / subscrib...
WHEN You Don't Need a 5-string Bass - RESPONSE
มุมมอง 160วันที่ผ่านมา
WHEN You Don't Need a 5-string Bass - RESPONSE
ADVANCED Bass Techniques to Expand Your Tonal Palette
มุมมอง 1.2Kวันที่ผ่านมา
ADVANCED Bass Techniques to Expand Your Tonal Palette
"KOSMOS" - Custom HX Stomp Patch for Real-Time Sonic Tapestries
มุมมอง 57วันที่ผ่านมา
"KOSMOS" - Custom HX Stomp Patch for Real-Time Sonic Tapestries
"And then the Huns killed them all" - Songwriting & Inspiration with Grace McLean - Part 1
มุมมอง 5014 วันที่ผ่านมา
"And then the Huns killed them all" - Songwriting & Inspiration with Grace McLean - Part 1
Cookin’ on Stevie Wonder’s “Superstition”
มุมมอง 15014 วันที่ผ่านมา
Cookin’ on Stevie Wonder’s “Superstition”
Tricks You Can ONLY Do on 5-String Bass
มุมมอง 7K14 วันที่ผ่านมา
Tricks You Can ONLY Do on 5-String Bass
Why You DON'T Need a 5-String Bass
มุมมอง 9K21 วันที่ผ่านมา
Why You DON'T Need a 5-String Bass
Pop String Arranging and Production: "Casey" by Mike Tedesco
มุมมอง 5411 หลายเดือนก่อน
Pop String Arranging and Production: "Casey" by Mike Tedesco
Stevie Wonder's "Overjoyed" - possibly the most masterfully crafted song of all time?
มุมมอง 171ปีที่แล้ว
Stevie Wonder's "Overjoyed" - possibly the most masterfully crafted song of all time?
Chaka Khan's Ain't Nobody…but give it a hump
มุมมอง 78ปีที่แล้ว
Chaka Khan's Ain't Nobody…but give it a hump
Session Breakdown: "Not For You" by Mike Tedesco
มุมมอง 105ปีที่แล้ว
Session Breakdown: "Not For You" by Mike Tedesco
NASA Mars Perseverance Rover Landing! "7 minutes of terror"
มุมมอง 2373 ปีที่แล้ว
NASA Mars Perseverance Rover Landing! "7 minutes of terror"
Maurice Ravel Quartet in F major - Mandolin Quartet
มุมมอง 5894 ปีที่แล้ว
Maurice Ravel Quartet in F major - Mandolin Quartet
Vocal Resampling Pad with Yamaha VSS-30
มุมมอง 2.2K8 ปีที่แล้ว
Vocal Resampling Pad with Yamaha VSS-30
Ableton Live Tutorial - Processing Acoustic Sounds with Sampler
มุมมอง 8148 ปีที่แล้ว
Ableton Live Tutorial - Processing Acoustic Sounds with Sampler

ความคิดเห็น

  • @AliyahSuhaimy
    @AliyahSuhaimy วันที่ผ่านมา

    "But it the end, you know it's gonna be me." Yeahhh, we love you JC!

  • @jimbodrew4776
    @jimbodrew4776 วันที่ผ่านมา

    what i like about my 5 sting, a nice place to rest the thumb and then play it like a 4 anyway

  • @RyanMurvin-ig2my
    @RyanMurvin-ig2my 2 วันที่ผ่านมา

    What just happened indeed… how cringe…

  • @matthewmorter7803
    @matthewmorter7803 2 วันที่ผ่านมา

    So... I have a 5 string and a 4 string, but my 4 string gets horrible radio noise interference since I moved, so I am recording with my 5 string these days, and man I miss my 4 string. He left out how much different slap style is on a 5 vs 4 string, anf the darn ringing and trying to mute all those strings lol. I can mute perfectly fine on a 4, but on a 5 it escapes me very often, maybe my hands just aren't big enough, but I say get both, but if you can only have one, then a 4 string.

    • @FunkyButter
      @FunkyButter วันที่ผ่านมา

      @@matthewmorter7803 Is the control cavity of your 4-string shielded? I’m sorry you’re dealing with that! And very good point about slap playing on 4 vs 5. I find slap playing still effective on 5-string, but it feels more idiomatic to me on 4 - so many of those classic Larry Graham and Marcus parts just fit the instrument so well.

    • @matthewmorter7803
      @matthewmorter7803 วันที่ผ่านมา

      @@FunkyButter Thank you for the reply! This was the first of your videos I have seen and I subscribed :). and you're totally right, I still do slap on my 5 string, but muting is much, much harder, and I can't do Flea style slap, but I can do Victor Wooten style slap on a 5, which is my bread n (funky) butter anyways :) I believe it has shielding paint in the cavity, but it is becoming a bit of a tough issue for me to figure out. My 4 string is an '07 German Warwick Corvette Std, with active pups and electronics, I researched and these are supposed to be shielded with paint from the factory and a tech looked at it and said it looked like it was shielded with paint. I first took it to a shop that famous musicians use in Seattle, so a very good shop, and the tech there said everything was perfectly quiet and it didn't need any more shielding. The noise issue is literally picking up a radio station, if I turn the volume up I can actually make out the words they are saying. This issue doesn't happen if I plug in anywhere else (Gigs, music gear shops), just happens in my apartment, and I live almost right under some radio towers, maybe that has an effect. I tried a Furman isolated power strip and that didn't help. The thing is that I have an American Fender Jazz Bass 5 string and an American quality partscaster and a Squire CV strat, so all 3 of those are passive electronics, and NONE of them get ANY radio noise interference. so this has me thinking I need to convert it to passive electronics, but I am leery on spending $300-$500 to do that when it might not even work if the problem is something else. Thank you!

    • @FunkyButter
      @FunkyButter วันที่ผ่านมา

      @@matthewmorter7803 Oh man, I’m sorry, that sounds like a headache. I’m surprised that installing a passive circuit would cost $300-500, but I guess if it means replacing the preamp, I could see that being the case. And if you want the active sound of the bass anyway, that sort of workaround might not even be worth it in the end :-/

    • @matthewmorter7803
      @matthewmorter7803 13 ชั่วโมงที่ผ่านมา

      @@FunkyButter well, that price tag is the cost of new pickups, new wiring harness/electronics, and labor for a professional to remove all the old stuff and put in all new stuff. if only the "passive/active" switch was actually a switch to bypass the battery but it is now, it only bypasses the preamp tone controls. :/

  • @edthewave
    @edthewave 2 วันที่ผ่านมา

    Oh yeah? Dragonetti only needed 3 strings!

  • @carmeni.robles8333
    @carmeni.robles8333 3 วันที่ผ่านมา

    Yep, nice voice, but very unnactractive. Not as good looking as before. And, he will never be again!! Accept his " new reality."!!!

  • @xenophilie
    @xenophilie 3 วันที่ผ่านมา

    That subharmonic trick (2:00) is amazing, thanks. Also, thoughtful and compelling arguments aside, I still want a 5-string, and maybe a fretless, and a contrabass.

    • @FunkyButter
      @FunkyButter 3 วันที่ผ่านมา

      @@xenophilie Follow your muse! I’ve got a couple 5-strings, including a Sire Fretless 5, and I get great use out of them. I just try to select which axe I bring to the gig based on what the music is calling for.

  • @wolfwarren6376
    @wolfwarren6376 4 วันที่ผ่านมา

    McCartney famously played a 5-string Wal MK2. Lee Sklar has a signature 5, Pino has played a 5-string fretless stingray. Chris Squire played a 5 in his later career also. I love the 4, and wish I could play more of it. But, the 5 has its place, and ultimately, no matter if your preference is a 4, you gotta play 5. That’s why I play a passive 5-string P bass on 85% of my gigs; I’d rather have that than some modern active instrument most of the time.

    • @FunkyButter
      @FunkyButter 3 วันที่ผ่านมา

      100% agreed that the 5 has its place. I just see a lot of people using it out of place and missing out on the full possibilities of 4-strings. And I'm not 100% sure that I'd agree that you "gotta play 5". I've had a 5-string for over 10 years, until about 2 years ago when I started finding more uses for it, I only played 5-string on maybe 2% of my gigs, including gospel, merengue, hard rock and styles that typically 'lean towards' 5-string.

  • @MyBichSustained
    @MyBichSustained 4 วันที่ผ่านมา

    I love my 6 string basses!I agree you don't need a 5 string!

    • @FunkyButter
      @FunkyButter 3 วันที่ผ่านมา

      What do you find 6-strings most helpful/effective for? I'm open to being persuaded!

    • @MyBichSustained
      @MyBichSustained 3 วันที่ผ่านมา

      @@FunkyButter That low end. I got 4 string basses,Standard,fretless, had a 5 string, not bad. I play 7 and 8 string guitar too, they go hand and hand. I have a esp 6 string bass and it just sounds stellar, heavy as hell. scales, modes,ect just flow better to me. I Play tighter on six string basses!

    • @FunkyButter
      @FunkyButter 3 วันที่ผ่านมา

      @@MyBichSustained Nice! What do you think helps you play tighter on 6-string basses?

    • @MyBichSustained
      @MyBichSustained 3 วันที่ผ่านมา

      @@FunkyButter The neck!Wider necks are more comfortable on bass for me. Also depends on what I am trying to accomplish.6 String are stellar for death metal style bass with more real-estate to travel.I love to stay moving on instruments. I constantly use three fingers on fast parts, less stress on hand for me. I don't slap or play the funk style which I have tried and for me is better suited for 4 string if I want pursue it...I hope I do one day! Options are awesome,having those difference at arms length are priceless!

    • @FunkyButter
      @FunkyButter 3 วันที่ผ่านมา

      @@MyBichSustained Wow! I find wide necks put much more strain on my left wrist. How often do you find yourself using the C string in death metal?

  • @noahbox1611
    @noahbox1611 4 วันที่ผ่านมา

    As long as I have a decent compressor I prefer the 5 since these metal players think lower is heavier...and invade my frequency range

  • @mikematthews5890
    @mikematthews5890 4 วันที่ผ่านมา

    it's a tugbar when it's in that position

  • @riogrande163
    @riogrande163 5 วันที่ผ่านมา

    if we're going down this rabbit hole, then let's commit: we don't need bass players period. Seriously, just tell your keyboard player to use his left hand, or get a submarine pickup.

    • @FunkyButter
      @FunkyButter 5 วันที่ผ่านมา

      @@riogrande163 Hahah fair point!

  • @CNick75
    @CNick75 5 วันที่ผ่านมา

    Now this one makes sense. Best to have one of each TBH

    • @FunkyButter
      @FunkyButter 5 วันที่ผ่านมา

      @@CNick75 or a couple of each 🙈

  • @CNick75
    @CNick75 5 วันที่ผ่านมา

    If you want to work harder play 4 exclusively. If you want to work smarter, have a 5

    • @FunkyButter
      @FunkyButter 4 วันที่ผ่านมา

      For what it's worth, I've found that working harder during earlier phases of my development helped me to work smarter, better, now 🤷‍♂️

  • @Jukebuzz
    @Jukebuzz 6 วันที่ผ่านมา

    Thanks for the tips bro imma buy me a fiver now!

  • @AFRoSHEENT3ARCMICHAEL69
    @AFRoSHEENT3ARCMICHAEL69 6 วันที่ผ่านมา

    Ok so I get how the glitch rack is a drum rack which needs midi. The samples weren't loaded and so I put them in according to name but they were not all there like Click 8 9 10 but no Mechanizer in the download.

    • @FunkyButter
      @FunkyButter 5 วันที่ผ่านมา

      Thanks for your message! The download has been updated to be an .alp file, which should install more smoothly and make sure all the samples remain properly loaded. You can grab the updated file here: funkybutter.gumroad.com/l/glitchrack Don't hesitate to let me know if you have any further questions. Enjoy!

  • @JesusSavesJohn3verse16
    @JesusSavesJohn3verse16 6 วันที่ผ่านมา

    Woah, well cool, Thanks for sharing friend 😊 The Lord’s love + grace be with you His Hope + peace, in Life, and beyond the grave Hope you are all well and resting in Jesus saving love + grace 😊 Warmest Love + blessings friends 😊

  • @JesusSavesJohn3verse16
    @JesusSavesJohn3verse16 6 วันที่ผ่านมา

    John 3 verse 16 ^_^ please search the Gospel (Bible) all who read this. Your soul is far to precious to gamble in thinking there is no hell or need for salvation in The Lord Jesus Blessings friends ^_^

  • @BengtNordsten
    @BengtNordsten 6 วันที่ผ่านมา

    Most people who play straight-up covers probably don't need a five onstage, except "to look cool." I doubled on bass for many years, then I picked up a "fun" gig at a weekly open jam. First off, with sometimes four (or more!) guitars whanging away, I needed to get some tonal distance from that crowd. Plus, it's annoying how many amateurs do EVERYTHING in E -- well, anyway, half their stuff. Rather than tune down, or buy a detuner and learn how to play DADG, it was simpler for me to buy a half-decent five (Washburn XB-500, $200). After I got some confidence, I wandered back toward a four, but strung BEAD.

  • @pudgenet
    @pudgenet 6 วันที่ผ่านมา

    This is not why you don’t need a 5-string: this is why you should not limit yourself to having just 5-strings, and how to best use a 5-string. Also some of your people who “exclusively” use 4-strings use 5-strings, too.

    • @FunkyButter
      @FunkyButter 6 วันที่ผ่านมา

      Agreed! Perhaps a better title would have been "Why you [don't always] need a 5-string (and how to get the most out of your 4-string"

  • @jeffreyskiffle5053
    @jeffreyskiffle5053 6 วันที่ผ่านมา

    I fell for this old news and first bought a 4-string. When I bought a 5-string it seemed like a silly waste of money to have limited myself with a 4-string based on these old ideas. I hate that these videos are holding others back as well. #1. There are plenty of options if you look. #2. Why "trick" listeners into maybe thinking they hear a lower note when you can actually play the lower note. You don't "deal" with the 5-string, you get extra options. 3. 5 string has much better access to low notes than having to use drop tuners. 4. Not at all. 5. It's like saying the most influential keyboard players were classical pianists, so you don't need a keyboard you need a piano.

    • @FunkyButter
      @FunkyButter 6 วันที่ผ่านมา

      Appreciate your thoughts! And if a 5-string is working for you and the kinds of music you play, by all means, more power to you. I wind up playing a lot of 5-string - *when* the music calls for it. But I went into a detail in this response video about how, in a professional context, 4-string bass is often a better choice for the context (and more likely to get me hired, depending on what the artist/producer wants!) On a festival gig this past weekend, I wound up bringing a 4-string and a 5-string, and making extensive use of subharmonics and my detuner - because that's what was right for some of the music. Similarly, I just sent in some files for a remote recording session recorded on one of my 5-strings, but it turns out that what the producer really wanted was my '66 Precision. So I would be disappointed if these sorts of ideas "hold people back", when, in fact, they have largely driven my success in my career and my employability as a creative musician. th-cam.com/video/kjWIq-pDpoM/w-d-xo.html

  • @IlisieAndrei
    @IlisieAndrei 6 วันที่ผ่านมา

    Really nice video. I Relu enjoy your bass videos. Keep up posting

    • @FunkyButter
      @FunkyButter 6 วันที่ผ่านมา

      Thanks for checking it out and for the kind words!

  • @zeumarbuzov3352
    @zeumarbuzov3352 6 วันที่ผ่านมา

    Cool effects, didn't understand much tho

    • @FunkyButter
      @FunkyButter 6 วันที่ผ่านมา

      Thanks! I go into more detail in this video: th-cam.com/video/qPRAW4UhG18/w-d-xo.html

  • @dragonagenerd
    @dragonagenerd 7 วันที่ผ่านมา

    I love Lizzy McAlpine so much

  • @lisalehigh134
    @lisalehigh134 7 วันที่ผ่านมา

    Omg!! I hate having to have missed this.

  • @rainbowdarth
    @rainbowdarth 7 วันที่ผ่านมา

    Your notes are only as limited as your knowledge and imagination. You could stick to roots and 5ths and maybe even 3rds, but you don't have to. There are no wrong notes. It's how you use them that matters. I'm just trying to sound like me most of the time. I'm not looking to sound like someone else. You have so many ways to change the tone of your bass just by how and where you play it. I don't need 5 string but I definitely prefer it over the 4 string. It makes some things I do on a regular basis easier without constantly switching out basses or tuning/detuning my basses or without moving pretty far on the fretboard quickly. Plus, I like being able to shake every door in the house with just a single note. It is very satisfying in a way that I can't use words to describe. You don't need a specific bass to have the same/similar tone as someone else. A single bass has so many tones and emotions that it can play. You just have to figure out how to make it happen if that is what you want. Sounding like someone else is easy. Sounding like yourself is far more challenging for a lot of people. Finding their sound/voice but what they don't know is, it was always there from the beginning. Some people just lose it during the learning process, so they have to try to find it all over again. It's a lot harder the second time around. There is no cookie cutter way to get there for every bass player. There are some things theory can teach you but there is a lot that theory can never teach you. There are also things that theory can unteach you if you aren't careful that you might want later on. To make a long story short. Sound is just wiggly air in the end so make the air wiggle as you. Not them. You're the one playing. They had their time. It's good to have knowledge from them but generally you shouldn't aim to become them unless you are in a tribute band. Be yourself and feel what you have to say and let the bass speak through your playing. All depends on your goals with bass too.

    • @FunkyButter
      @FunkyButter 7 วันที่ผ่านมา

      @@rainbowdarth Strongly agree with just about everything you’ve said! The only thing I’d add is this: when I was first getting started as a professional side musicians, I felt like I needed to “assert” my personality in order to feel like I was being myself. In time, I found that *everything* I play feels like my voice, and that no assertion is needed: there are many facets of my personality and my voice that come out on any instrument I pick up. But carefully choosing the paintbrushes we use can both give us a broader palette, and make us more appealing to those who hire us to fulfill their artistic vision.

  • @cherrymaesacon877
    @cherrymaesacon877 8 วันที่ผ่านมา

    very wow

  • @julianmorrisco
    @julianmorrisco 8 วันที่ผ่านมา

    Here’s one: 5 string basses are ugly and visually unbalanced. I used to work as a house engineer at a record company studio and in the 80s, when these things first started to be trendy, we had a sign that had a photocopy of a 5 string magazine ad with a cross through the low B string and the words- If you want to be a synth player, get a synth. Now, it was tongue in cheek and of course we recorded 5 string bassists. But if I’m going to work with a band and the bassist turns up with a 5 string I get concerned. Good players will be fine but the more is always better crowd are a problem. With few exceptions, the essence of great bass is simplicity and adding more bits to a normal bass makes it tempting to widdle widdle or try to come to the front too much. And this is coming from someone who came up when basses were first moving into the spotlight. Cf Joy Division, Killing Joke etc. Rock music tends to put the kick drum as the lowest instrument. Some more modern forms swap this around, metal (those clicking sounds they call a kick drum!) and any RnB that uses bass at all often have the electric bass making the most noise between 30 and 50 Hz but if you’re doing something that calls on the sound of the golden era (66-96) you’re gonna want to be careful about the kick and bass stepping on each other and usually choose to have the bass sitting in a pocket a whisker higher than the kick. And a string that goes a 5th below 41.2Hz down to about 31Hz is gonna make that hard if the bassist isn’t really careful.

    • @FunkyButter
      @FunkyButter 8 วันที่ผ่านมา

      These are EXCELLENT observations - thank you for sharing! The marketing thing about 'get a synth' is kind of hilarious. Especially because - regardless of the number of strings - so much synth vocabulary has been incorporated into the electric bass canon. (I was particularly inspired by Meshell's playing on 'Cookie: The Anthrolpological Mixtape) when I was first getting started as a bassist.

  • @rpkman24
    @rpkman24 8 วันที่ผ่านมา

    So true! You don't need 5 strings.... You need 7!!!!! 😌😎🤣

    • @FunkyButter
      @FunkyButter 8 วันที่ผ่านมา

      Eegads, I wish my wrists could handle 7!

  • @Schmuddel
    @Schmuddel 8 วันที่ผ่านมา

    My five-string is tuned in major thirds so I can keep the range of the four string. There's one thing you can only do on a five-string lol.

    • @FunkyButter
      @FunkyButter 8 วันที่ผ่านมา

      @@Schmuddel 🤯🤯

  • @grantrobertdavies
    @grantrobertdavies 9 วันที่ผ่านมา

    Great video man :) Awesome Edit too :) I honestly do play a tonne of 5 string these days, but yes you certainly don’t want to abuse that low B string!!! Great Video again… Subscribed

    • @FunkyButter
      @FunkyButter 8 วันที่ผ่านมา

      Thanks for the kind words! To be honest, I've been playing with a project that requires a lot of 5-string as well - but I try to be careful in choosing my weapon based on the gig at hand 💪

  • @mathieufoley2339
    @mathieufoley2339 9 วันที่ผ่านมา

    .... sigh

  • @froorocks1000
    @froorocks1000 9 วันที่ผ่านมา

    As a classical guitarist I recognise these fingering techniques

  • @jaredvargas7490
    @jaredvargas7490 9 วันที่ผ่านมา

    Respect to my fellow 4 string bass players! coming from a 5 string bass player that mostly plays gospel and r&b ✌️✌️

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@jaredvargas7490 🙌🙌

  • @palsyddad
    @palsyddad 9 วันที่ผ่านมา

    1. Not everyone wants to sound like a cardboard box strung with rubber bands. 2. Subharmonics as described in this video require a compressor and special amp settings, whereas low notes on an extended range bass can simply be played. 3. Detuners only go down to D (or C at best), whereas a 5 string goes down to B with no need to transpose. 4. This "physicality" he mentions is just a matter of technique and proper setup. 5. This was only true until 5-strings became normalized, and his examples are cherry-picked.

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@palsyddad So, do you bring 5-string basses to vintage-y, rootsy or singer-songwriter gigs? To Motown gigs? How do the artists respond?

  • @user-mo9mt6yu8y
    @user-mo9mt6yu8y 9 วันที่ผ่านมา

    You expand your idea if you have an idea

  • @mbberry135
    @mbberry135 9 วันที่ผ่านมา

    A) You can alwats restring a 4 string with a .140" B and tune it B E A D. B) To get the sub harmonic attack the string at its mid point; open string play at the 12th fret, the 5th fret harmonic play at the 17th fret.

  • @LiquidJ619
    @LiquidJ619 9 วันที่ผ่านมา

    JC was always the best

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@LiquidJ619 No contest 😅

    • @carmeni.robles8333
      @carmeni.robles8333 3 วันที่ผ่านมา

      If he was the best, why is it that the record label didn't develop a better market him like it happened with Justin??? There are things behind the scenes that we don't know. Probably, Justin was more manageable. Who knows!

  • @FunkyButter
    @FunkyButter 9 วันที่ผ่านมา

    Response - WHEN you don’t need a 5-string: th-cam.com/video/kjWIq-pDpoM/w-d-xo.htmlsi=2Ckxm2irBC5kwcVH

  • @zumba.c
    @zumba.c 9 วันที่ผ่านมา

    5-string is the modern standard. 5-string basses often come in 35" scale or fan-fret variety, and you won't find many 4-strings in those styles

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@zumba.c That’s true. There’s also a lot of music that doesn’t demand a “modern” sound or approach, including contemporary music. That’s not to say that it’s not creative to mix and subvert those sorts of expectations, but when I show up to a gig, it’s important that I bring the right tools to fulfill the artist’s vision - and, often (though of course not always!) - that’s not a 5-string.

  • @cathpage
    @cathpage 9 วันที่ผ่านมา

    Thank you for this video ❤

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@cathpage credit to @jennthebroadwaynerd for capturing this moment!

  • @cobyvisto3581
    @cobyvisto3581 10 วันที่ผ่านมา

    what fender j bass is that!

    • @FunkyButter
      @FunkyButter 9 วันที่ผ่านมา

      @@cobyvisto3581 It’s a Japanese-made (CIJ) ‘75 reissue from 2004. Very punchy energy - love it!

  • @cheesehandles
    @cheesehandles 10 วันที่ผ่านมา

    too late

    • @FunkyButter
      @FunkyButter 10 วันที่ผ่านมา

      @@cheesehandles 😅

  • @Asthmos
    @Asthmos 10 วันที่ผ่านมา

    you need a 6 string bass.

    • @FunkyButter
      @FunkyButter 10 วันที่ผ่านมา

      @@Asthmos convince me, I’ll all ears! What is the high C useful for?

    • @Asthmos
      @Asthmos 10 วันที่ผ่านมา

      @FunkyButter emulating a guitar when you otherwise cant. i can play along to anyy song without tuning my instrument. my high notes sound better because i dont have to transpose them up to the 24th fret. i can play both bass, and treble parts in tapping at the same time. plus lets face it, being able to go across instead of up is faster to shred with! downsides include learning to mute 6 strings, and really focus on proper playing technique to avoid hurting your wrist cause its a huge board... i really like my 6 string though. big fat sounds! lots of bass heavy bands play 5 and 6 that i listen to as well, so it only makes sense to be able to keep up. i could only afford one instrument, so i got one that does everything.

  • @ArleyMcBlain
    @ArleyMcBlain 10 วันที่ผ่านมา

    good stuff. i was surprised that you didn’t touch on BEAD 4 strings. i’m in the beginning stages of research for a church bass, i could live without the g string

    • @FunkyButter
      @FunkyButter 10 วันที่ผ่านมา

      @@ArleyMcBlain tbh I’ve never played one, but I’m very curious. Presumably you need an axe that can take the extra tension on the neck?

    • @ArleyMcBlain
      @ArleyMcBlain 10 วันที่ผ่านมา

      @@FunkyButterI think so, but as a hobbiest / weekend player i need more time to develop the ear and intuition. no amount of time playing in a store seems to help, gotta pull the trigger and work on it

    • @FunkyButter
      @FunkyButter 10 วันที่ผ่านมา

      @@ArleyMcBlain Interested to hear the results! I don’t know a lot of people who play BEAD, but I think it’s a great idea. I also met a guy who strung this bass in fifths, CGDA, an octave below cello…pretty cool

    • @kup9j
      @kup9j 10 วันที่ผ่านมา

      Actually you will have only slight increment of tension Also my friend has BEAD fujigen jazz bass and it works well

  • @lukeo5935
    @lukeo5935 10 วันที่ผ่านมา

    beautiful axes friend. ❤

  • @Quest4Tube
    @Quest4Tube 10 วันที่ผ่านมา

    Great job

  • @Emanresuadeen
    @Emanresuadeen 10 วันที่ผ่านมา

    Well in that case, why not play a six? There’s nothing you can play on a five that can’t play on a six. Then why not a seven? Or eight? Or ten?

    • @FunkyButter
      @FunkyButter 10 วันที่ผ่านมา

      @@Emanresuadeen personally, I don’t think my wrists can handle a 6! And to be honest I find it very inspiring to work within creative limitations. What do you like to play?

  • @Emanresuadeen
    @Emanresuadeen 10 วันที่ผ่านมา

    Well in that case, why not play a six? There’s nothing you can play on a five that can’t play on a six. Then why not a seven? Or eight? Or ten?

  • @Emanresuadeen
    @Emanresuadeen 10 วันที่ผ่านมา

    Well in that case, why not play a six? There’s nothing you can play on a five that can’t play on a six. Then why not a seven? Or eight? Or ten?