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Im getting one!!! Your music is amazing!!!! 4 years late..

I’m listening and watching through a iPhone and I can hear the difference big time!! More weight and shimmer in the high end! Definitely smoother transients and depth!! I have the Dione Starlight so my ears are used to it. But that said, the mix translates very well on my iPhone. Well done

Thanks! Now I know its definetely not for me :D

Nice, digging it.

Nice, I appreciate the before and after clips. Thanks!

Btw that's not P 3 P B - it's pronounce Razriv (Effect of a broken cable). 3 it's Russian "Z" . B - "V" 😊

sweet job I watched the whole thing

Thank you this was very helpful.

Fantastic! The gas is real dude 😅

very nice demo thanks

Ayo this guy is fire!! Wtf

what about...some musical examples? o.O

Do you have to press the buttons really hard or do I have a faulty unit?

Looks essential to patch from the bottom up otherwise you’re not going to be able to adjust those pan knobs by hand!!! The saturation/ overdrive sounds great though. Actualily got a lot more going on hear 👂 than I first suspected

This video seemed a bit lazy but maybe I'm just new to the channel. Didn't learn much. The track was nice though

Fahey Village

I'm thinking of buying the Make Noise skiff but wondering how annoying the sliding nuts are. Worth it to look at another case with threaded strips (all I've used before)?

in snare sample patch env out sent to basimilus trigger in?

Thanks for the demo. I do rely on the DAW (alongside my Scan & Pan) for spatialisation and one thing I do to avoid having to automate each sound, is to create a bunch of empty audio tracks and pan each of them separately. For instance the first one is 100% left, the second one 75% left, 50% left 25% left etc. and the same for the right. I actually use Goodhertz Panpot because it offers a few more spatial options and I ofter use more and smaller intervals than what I wrote above. Group as you like to maintain overview. This way I have a set framework to throw audio into, rather than having to do the automation thing.

Jesus Christ! What a great channel. Thank you for the Batimi tips!

Equipment matters to a degree but based off your investment it works for you and that's all that matters I've always mixed in the box about 20 yrs and I'm about to go very analog 😂and still use plug-ins as well Anyway back to the comment F@xk him

Wtf, it's not a modular, it's just daw in boxes

nice studio dude :o

this is sooo sick what gear do you use for djing?

not automating limiter/compressor on those big peak moments is a big red flag

I don’t even know exactly what gear you have but today you don’t need expensive gear to get an excellent mix and end product. I started multitracking with 2 tape recorders in the early 80’s and that learning experience got me great sounding demos on a Fostek 4 track machine. Experiment and use your ears and intuition and you’ll get the results you want.

god that outro jam was beautiful

Love it! Been using mine a bunch for processing drum fills.. getting the timing to be "almost" in tune with source material plus a lil bit of decimation makes some great stuff. Keep 'em coming 👌🏼

This is Amazing! Thanks for sharing!

lol this is a really old video, but it made me like and subscribe. This filter rules!

The guys at XAOC pronounce it “chaos” and it says that in the owners manuals as well. So I just go with that. Also they pronounce it like “Zahdar”

XAOC in Cyrillic is "Chaos"

I pair mine with a Mystic Circuits ANA. Zadar gets wild with analogue logic.

Very nice exploratory journey! Greetings from Macedonia

Man is bumpin I might need some of this

I CAN MASTER FOR YOU FREE I DO HIGH END MASTERING..

I paused the video and here’s my thoughts on that comment before watching the rest of the video. If people are looking to work with you for access to your gear; they’re leaning on silver bullet solutions. Great mastering starts, happens and ends with the ability of the engineer to connect with the mix and the client. I know plenty of engineers with top tier gear, but no interpersonal skills or ability to work towards a sound with their client. I know plenty of top tier engineers working COMPLETELY in the box, with great results because they're on "team client". Post video comments (I watched this start to end btw ;) ) Your humility is great! ~ This is very level headed and good insight / discussion.

Manual focus / lock my dear... 🤓

This guy Who wrote the post obviously doesn't know engineering very well, Or What it takes for different bands music for that matter. The facts are the best most expensive stuff. Do not give you the best sound. It never has. Look. At nirvana never mind. Arguably one of the best albums in history. Their engineer and producer Had equipment. He got second hand from churches. Different years of different amps and gear You could have two of the same thing and two different sounds. And the truth is it's whatever sound works best for that band and that music. For 1 band They might get the best possible sound for 1 specific song out of an old crate Amp And a microphone from the 90s. For another band it might be something new from the year 2005. It's all about vintage sound. You will never truly get that from something brand new. Nothing can replace a piece of sand floating around in an amp. Ect. A lot of the new stuff The poster is talking about. You can only do so much with it

I think it’s better to invest in quality amps and instruments than fancy analogue audio gear aside from maybe a compressor and a decent preamp. Musicians don’t always have the best gear

So true 😎

I don't comment a lot in social media but... I get the same comment quite time ago. I think this type of comment is more about audiophile thing - doesn't matter how it sound but on what / trough (gear) its played. If I can give You any advice is to not sweat it and move on as fast as its possible (don't make my mistake and analyze it too much). Edit: As I moved forward in "pro audio" nobody asks what gear did You used but how it sounds.

Selecting a mixing and mastering engineer shouldn’t be about the equipment or software he uses. It’s about his expertise and to which extent he can improve your final track.

There's a lot of us that share the same fantasy of being heard, being signed, or getting synced up, but money segregates the playing field. I'm barely making ends meet and can't do more because I need to be a father to, and most folks have other reasons they can't progress financially. At the end of the day, the struggling producers need to keep learning and "mastering" the use of the tools available to them, while the rest push a couple of icons and toss cash at promo tools. I personally have been struggling with getting my mix and master to "pro" levels, and my genre is definitely NOT popular, (the data tells the story,) and knowing that will keep your perspectives healthy, so you don't lose your mind and grasp on reality, which a lot of composers do. At the end of the day, it's going to be the same as everyone else says, and that's, do it for you first. Do it for the love of it. Pursue opportunities. If it leads you to one, take advantage, because opportunities are becoming rare with the overwhelming amount of "in the box" home producers flooding the market. 💙🤘

What desk is that?

2:53 That kick is insane. My HD 6XX don't have tight lows at all, and this kick still sounds so tight and punchy, I feel it in my chest.

It’s been an absolute blast working with you dude. Your work has transformed our mixes!!

Thanks a lot U helped me to understand the gear!!! Please tell me- on 5 minute of this video there is a sound what U shaped..what the source of it??? cheers Bro

This is good stuff my friend, would you classify it as EBM !! Cheers 🥂

Appreciate the commercial