วีดีโอ

Yes.

Thanks. Interesting comment. Due to the E in the soprano, the second chord in that measure only sounds to me as ii6 in G major (functioning as neighboring chord to the following V42), so I do not hear two 7ths at that point.

Thanks!

Thank you! This is just Musescore's playback of the piece.

Thanks!

Thanks!

Trolling, eh ?

No.

Thank you very much.

Thank you very much.

Thank you very much for your interest. The book will be released in a few months, most probably before the end of 2023. When it is released, I will post a link in the description of my videos for those interested in purchasing it. I am sorry but I don't have any resources available online at the moment, whatever resources will be available will appear after the release of the book.

@@scooterk23 Thank you again, but I am afraid what you are asking is not possible. Please be patient, it is only a matter of a few months until the book is released. I hope you find in it what you are looking for.

Σας ευχαριστώ πολύ για τα καλά λόγια και το ενδιαφέρον. Αυτή τη στιγμή δεν υπάρχουν παρτιτούρες μου στο διαδίκτυο. Σκοπεύω όμως να ανεβάσω κάποιες στην ιστοσελίδα μου, η οποία θα ξεκινήσει σε λίγους μήνες.

Thank you very much.

Thank you. With regard to fifths and octaves, I don’t really see any problem with the instances you mention. They are not really cases of "hidden" fifths or octaves. If you think that in these places some other voicing of the chords would sound better, that is fine, but if you look at Handel’s (or any other composer’s) scores, you will find many similar cases to the ones you objected to here. Do not forget that this is an orchestral score and not a harmony exercise, where inner voices generally avoid unnecessary leaps. If you look at Handel’s overtures, you will see that the inner voices make a lot of leaps that would be out of place in a harmony exercise. With regard to my book, I hope it will be released by the end of this year. It all depends on the publisher. In summary, the book is a harmony manual in the modern sense (using chord inversions and Roman numerals), at the same time adopting the “schema” approach by incorporating those of the 18th-century schemata (stock harmonic progressions) that are found in Bach and Handel. The book focuses on practice and does not require any prior knowledge of harmony or counterpoint.

Thank you very much. Of course I like the French style, but my preference is with Bach and Handel, and I never tire of listening to their French overtures. I guess it is a matter of taste.

Thank you for your interest. I will post the score on my website, which will be launched in a few months.

Thanks. I am the composer of this piece.

I thought this piece is from J.S Bach😂

@@gabrielwoonys70 That's a great compliment, thanks!

Thanks. You are right about the Bach prelude.

@@MiltosMelengoglou It's interesting. This type of bass ("bass walked") Bach (and, even before him Handel) "copies" it from Corelli, whose works he knew well. In particular: Andante largo from Concerto Grosso number 11. and also the Preludes of the Sonatas 1,7 and 8 of the op. 2, the Grave of the Sonata 12 op. 1, the Prelude of the Sonata 2 op. 4. It's a very nice geometric harmonic construction that Corelli first elaborates, and in many ways. Bach appreciated its value.

@@uigliam Yes, I know that this kind of "walking" bass originates with Corelli. I wanted to compose a prelude in the same style, the similarity is intentional.

@@MiltosMelengoglou Naturally. I too think these are still useful templates for delving into tonal composition. They are archetypes. You're doing great work, and I know it's not easy.

@@uigliam Thank you very much.

Καλημέρα. Πιστεύω ότι το βιβλίο θα εκδοθεί μέχρι το τέλος του 2023.

Thank you for your interest. I will post the score on my website, which will be launched in a few months.

Грустная. И. Легкона. Душе. Одновременно

Thank you. I use the grand piano from Muse Sounds, which comes with Musescore 4.

​@@MiltosMelengoglouah, did they fix the issue where the first note was hardly audible then? Also, what do you use to record the video?

@@faleru No, I see that this is still unresolved. To make the videos I use Free Cam 8.

Thank you! I appreciate the comment.

Thanks

Thanks. Not sure what you are asking though.

@@MiltosMelengoglou Like compose a fugue out of a theme. I have a few themes...

@@schrysafis Thanks, but I am not planning to compose another fugue very soon.

Give me a theme and I'll compose you a fugue!

@@thelostartofcounterpoint8648 Where can I send you it?

If you are asking about my book, it should be released later this year. I will announce the release in the description of my videos, for whoever is interested.

Thanks!

Thanks!

Thanks!

Thanks