วีดีโอ

Which mouthpiece in the Baroque trumpet?

Very beautiful, congratulations,

Extraordinaria interpretación con violas da gamba de distintas tesituras!!

Indrukwekkend interview. Mooi hoe de verschillende karakters van de broers worden getoond. Kudo's voor de makers!

They better not drink coffee on that slanted table

I think I’ve heard these beautiful instruments before on a wonderful recording he made of music by Telemann. I remember that before he died, he had a lot of his recorders stolen from a train on which he was travelling. I always wondered what happened to them. Maybe these are the same ones 😮

Absolument glorieux ! Un souvenir ému à la mémoire de ce très grand de la musique 😢

These pieces are far from easy and require mind and heart as much as pure skill. Ogg demonstrates all these to perfection.

What an amazing performance! I haven’t heard of Ogg but I’ll certainly look out for him now. Also, Froberger doesn’t get nearly enough credit for his compositions. My $0.02.

Amazing

Marvelous performance and music with different viola da gambas!!

epochal

Lovely! Nice balance on the recording. All parts come through distinctly. Precise and clear, with no aggressive bowing. Thanks from a gambist in the USA.

Wow, beatifully played!

The idea of teaching oneself is so good.

So interesting to hear these musicians talk about their experiences. Thanks for posting.

For the eternity

I love this.

4:44 I thought I was the only one! Damn Paganini & his TRICKS! 😂Maestro Kuijken displays his righteous superiority. 5:16 It's perfectly fine to be different!

OK, but.....I much prefer a solo recorder

I am very very familiar with the music of 17th century Germany - everything from Weckmann, Schein, Schütz, and many more obscurities - heavenly music beyond belief all - but this is something entirely different - strange - compelling - amazing - unheard - unknown wonder - I cannot believe it!!! The second piece in particular--WHAT!?!?!? I have now traveled to deeper depths than I thought.

I have one of his books; Recorder Technique.

Ehrfürchtig lausche ich dem Klang dieser beiden Meister(Blockflöten)

l n'y a pas besoin d'écouter longtemps pour s'apercevoir du nombre important d'erreurs musicologiques commises par cette interprétation : 1 ) Bressan vivait à Londres, où l'on utilisait des flûtes de voix en ré, et non en France où elle n'étaient pas du tout usitées, sinon Hotteterre en aurait fabriquées. Or il ne nous en reste aucune de ce facteur-compositeur de cette suite ! 2 ) Cette suite est écrite originellement en si mineur pour deux flûtes traversières. Or, Hotteterre spécifie bien que lorsque ses pièces descendent trop bas pour la flûte à bec, on peut les monter d'une tierce : il est donc clair qu'il pensait à la flûte alto en Fa. Cette suite, ainsi transposée, passe du si mineur au ré mineur, ce qui convient parfaitement à la flûte en Fa. 3 ) Je l'ai jouée à la flûte traversière, mais je l'ai trouvée nettement plus convaincante à la flûte à bec alto à cause de son caractère assez percutant que n'a pas la flûte traversière. Je l'ai joué ainsi avec un ami salle Cortot, à Paris, et elle a été très appréciée. 4 ) Les erreurs de tempos sont manifestes. L'ouverture est beaucoup trop lente et perd toute sa nervosité d'ouverture à la française. Même erreur pour la suite "Gay" de l'ouverture, etc...j'ai trouvé cela tellement ennuyeux que j'ai arrêté mon écoute là ! 5 ) Les notes tenues doivent être filées ( ce qui implique rectitude du son et léger crescendo ) et non vibrées, pour laisser entendre le motif joué par l'autre flûte. On dirait vraiment deux amateurs qui n'ont jamais joué de musique barque française !

Do these keyboards have keys that are narrower than those on modern pianos?

아름다운 연주입니다. 두 분의 연주에 경의를 표합니다. 감사합니다.

Mooi, kerels

Why do people complain about the look of "cheap shiny plastic" recorders? These look exactly like them.

beautiful, but they do go a bit of out of tune, especially in the higher registers.

Peter Bressan was a French recorder and oboe maker based in England. I have a Bressan copy of an alto recorder in F made in boxwood (A=442Hz), built by Marcos Ximenes, a Brazilian traverso and recorder luthier. It is the most haunted and telluric sound I've ever listen to. Thanks for sharing.

Absolutely incredible the sound those instruments make when they play a unison. It creates the 'universal voice of the recorder.'

Life always circulate between the libes of S. Scheidt's music. As for the "Three B", there were the "three S": Schütz, Scheidt, Schein, to whose Praetorius should be added.

Outstanding performance! Is the sheet music available somewhere? I have been searching printed sources and libraries. Regards and best wishes to all.

Affligee et Tombeou o = a ( !)

Very nicely performed! It took me ages to learn the tenor voice when I played it. Well done!

One can see these two keyboard players using photocopied music. Have they checked to be certain that it is out-of-copyright?

Parabéns 👏👏 pela estupenda apresentação!!!

Beautifull 👏💐🌹💐

Insight. Details. This is where rubber meets/road 00:00-05:41! Tom Prescott recorder maker. Same process for reloading ammo for accuracy in all my firearms. Every barrel favors 1, maybe more particular bullet/projectile_simple. Thanks to producer. Thanks Mr. Prescott.

Awesome

sounds like a dream

Terrific!

Amazing!!!! Incredible performance!! Bravíssimo!!!

I am sorry but this was perfectly. Awful!

Maravilhoso!!!Obrigado!!

Listen to Otto Klemperer or Karl Richter. Than maybe you got a taste of Bach! This baroque performances are horrible. Even if you made kind of so called 'culture' out of it. Horrible like Hanoncourt and I'm conscious and aware of what I'm talking about!

Bravo!! 👏👏👏

There is just enough difference in the voices of the recorders to let them be identifiable as they play through the parts. Wonderful.

👏👏💙absolutely beautiful 🥀🥀🥀