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Faculty of Music, University of Toronto
Canada
เข้าร่วมเมื่อ 27 ต.ค. 2010
Established in 1918, the Faculty of Music at the University of Toronto is Canada’s leading comprehensive institution for higher education in music and is a growing global presence in musical training, interdisciplinary research, and digital media content
development.
development.
France-Canada Collaborative Strings Ensemble | Side by Side
On Friday, October 6th, 2023, students of the University of Toronto Faculty of Music joined students of the Conservatoire national supérieur de musique et de danse de Lyon for a side-by-side concert featuring the works of Stravinsky, Enescu and Menut. The students were led by Professor Mark Fewer from the Faculty of Music and by visiting professor and international star Marianne Piketty.
The full concert program can be found here:
utoronto-my.sharepoint.com/:b:/g/personal/claire_latosinsky_mail_utoronto_ca/Eczp-WEHdohEmggnkx0kkawBac7E0yv8hDYcu0XqyVJJmw?e=AIXhqb
The full concert program can be found here:
utoronto-my.sharepoint.com/:b:/g/personal/claire_latosinsky_mail_utoronto_ca/Eczp-WEHdohEmggnkx0kkawBac7E0yv8hDYcu0XqyVJJmw?e=AIXhqb
มุมมอง: 412
วีดีโอ
UofT Faculty of Music Showcase for la Journee Internationale de la Francophonie
มุมมอง 48221 วันที่ผ่านมา
On March 20th, U of T's France-Canada Academy of Vocal Arts (FCAVA) presented a lobby concert of mélodies to celebrate La journée internationale de la francophonie. The concert featured four of six piano-vocal duos selected to participate in the Académie Francis Poulenc in Tours, France in August 2024, performing French and Canadian mélodies, including the premiere of a new piece by a U of T st...
Future Sound 6ix: Connecting Youth and Music Industry in Toronto
มุมมอง 72611 หลายเดือนก่อน
Future Sound 6ix: Connecting Youth and Music Industry in Toronto
Thursdays at Noon - Laureates: DMA Competition Winner - Lindsay McIntyre, soprano
มุมมอง 653ปีที่แล้ว
Thursdays at Noon - Laureates: DMA Competition Winner - Lindsay McIntyre, soprano
Riki Turofsky Master Class in Voice with Elliot Madore
มุมมอง 813ปีที่แล้ว
Riki Turofsky Master Class in Voice with Elliot Madore
Together: Soprano-Alto Chorus, Tenor-Bass Choir, Gospel Choir, Chamber Choir, MacMillan Singers
มุมมอง 2.4K2 ปีที่แล้ว
Together: Soprano-Alto Chorus, Tenor-Bass Choir, Gospel Choir, Chamber Choir, MacMillan Singers
Vocalis III - Celebrating La Journée Internationale de la Francophonie (Voice Studies)
มุมมอง 4762 ปีที่แล้ว
Vocalis III - Celebrating La Journée Internationale de la Francophonie (Voice Studies)
University of Toronto Symphony Orchestra Graduate Conductors
มุมมอง 1.1K2 ปีที่แล้ว
University of Toronto Symphony Orchestra Graduate Conductors
Innovations in Music Performance and Research
มุมมอง 2412 ปีที่แล้ว
Innovations in Music Performance and Research
In This Broad Earth of Ours (Oratorio Ensemble)
มุมมอง 5742 ปีที่แล้ว
In This Broad Earth of Ours (Oratorio Ensemble)
The Brandenburg Project: Concertos no. 4 and 5
มุมมอง 3072 ปีที่แล้ว
The Brandenburg Project: Concertos no. 4 and 5
OraSTORYo! Sing Me the Universal (Oratorio Ensemble)
มุมมอง 4362 ปีที่แล้ว
OraSTORYo! Sing Me the Universal (Oratorio Ensemble)
The Legacy of Carissimi: Oratorios and Motets (Schola Cantorum)
มุมมอง 6352 ปีที่แล้ว
The Legacy of Carissimi: Oratorios and Motets (Schola Cantorum)
Together in Hope (Soprano/Alto Chorus & Chamber Choir)
มุมมอง 3.7K2 ปีที่แล้ว
Together in Hope (Soprano/Alto Chorus & Chamber Choir)
Para Ver as Meninas - Paulinho da Viola (U of T Brazilian Ensemble)
มุมมอง 3002 ปีที่แล้ว
Para Ver as Meninas - Paulinho da Viola (U of T Brazilian Ensemble)
The Answer - Benjamin Gabbay (MacMillan Singers)
มุมมอง 9333 ปีที่แล้ว
The Answer - Benjamin Gabbay (MacMillan Singers)
Outshine - Timothy C. Takach (Tenor/Bass Choir)
มุมมอง 8183 ปีที่แล้ว
Outshine - Timothy C. Takach (Tenor/Bass Choir)
Hope Against Hope - Scott Christian (Soprano/Alto Chorus)
มุมมอง 1.6K3 ปีที่แล้ว
Hope Against Hope - Scott Christian (Soprano/Alto Chorus)
🙏🏻🙏🏻
Why is the conductor pushing the tempo? hes not allowing the phrasing to breathe, particularly in the love duet. Excellent voices shambles production
So what happened to the sub-titles? These started off well at the beginning of the opera. Then, somewhere in Act 1there was a bit of a mix-up, and then we lost them forever. Haven't you had enough time to replace them? _Please remember that operas need sub-titles!_ We need them if the opera is not in our own language (with translations, obviously), but we also need them if the opera is in our own language, as we can't always hear every word being sung.
What a sweet, innocent, beautiful opera! The climax is the end of Act 1 'The promise of living ...'. This must be one of the very few operas where nothing much happens: no murder, no treachery, no family tragedy, but it is full of drama and of optimism.
An impeccable quality of music, singers, set, and musicians --- what more can we expect? Excellent production! I hope this sets a standard for the future of contemporary opera!
A truly wonderful performance
Great teacher!!
Wonderful production design. So refreshing after the cheesy, second-hand store productions being done in Europe, taking place in car washes and laundromats.
What is soprano and alto?
When did the Quintet ending Act I become a Sextet? And, frankly, the other voices drown out the soprano and her high notes.
Interesting production. Love the music except I'm always resistant to Copland's orchestration when he reaches for the bells. The libretto is so uneven but opera is one of the most difficult arts to pull off. I'll listen to it several more times.
Anrhonymccarthy4164 This is not Copland's own orchestration. This is an adaption/downsizing for 13 instruments, Copland orchestrated the opera for full symphony orchestra.(can be found other places on youtube)
@@gerthenriksen8818 I'm familiar with the original orchestration. My biggest problem with it is the libretto which can be embarrassing. I remember reading that once when the Boston Symphony was rehearsing either a concert version or a suite of music from it that some of them snarkily called it "The tender gland." Orchestral musicians can be so mean. I wouldn't be that mean but sometimes it can get a bit too sweet. I often prefer Copland's orchestral music in a piano reduction, such as the suite from Our Town. I absolutely love his chamber music and piano music.
I suggest you listen to it in a better production than this. It can be a revelation.
@@jgesselberty I have. It's an all right opera, if you can get past the sometimes cringe provoking libretto.
14:44 vision chant
Yeah, I heard 'em playing what sounded like a Rob McConnell arrangement! Sure sounded good!
This is a phenomenal composition and a wonderful performance!
1:49:45 and 1:54:00
so slay <33
Exciting Vocalism and Thrilling Music Making - Together. Congratulations, All, and Thank You!
Lovely concert! Really enjoyed it. Congratulations to you all!
Boris is the SUBLIME manifested in a man 2417
24:17 boris is a pan god
Bravo HORNS1!!
This popped up on my feed and I love it, with love from california!
Thank you for your comment! ❤
JC talking to em!!
Bravi tutti! :-) :-)
0:00 Welcome and Land Acknowledgement 1:24 Shapiro - Tight Squeeze 7:30 Jolley - Ash 19:25 Gillingham - Waking Angels 39:05 Denisov (arr. Smirnov) - Sonata for Alto Saxophone 43:00 Intermission 1:15:45 Mason - Dallas Arts District Fanfare 1:21:40 Grainger - The Merry King 1:28:25 Cuong - Re(new)al
This was incredible. So enjoyed! Heidi Duncan and Angelo Moretti were awesome 💕
Thank you so much Susan!💕
Very good -- well done, and so nice to hear that actual AUDIENCE hooting and hollering at the end! Quite in keeping with the mood of the opera.
打破零评论，哈哈
Bedford trio…well done.
Beautiful!