![Jake Baine](/img/default-banner.jpg)
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Jake Baine
United States
เข้าร่วมเมื่อ 30 ธ.ค. 2012
LA based cinematographer and filmmaker. Enjoying cameras and sharing the art of cinematography.
7 insane tools to make you a better cinematographer
Hope this helps someone!
Links:
Frameset: frameset.app/stills
Eagle: eagle.cool
Obsidian: obsidian.md
Freeform: apps.apple.com/us/app/freeform/id6443742539
Set.A.Light 3D: www.elixxier.com/en/set-a-light-3d/
Sunseeker: www.ozpda.com/sunseeker/pro/index.html
Cadrage: www.cadrage.app
Timestamps:
00:00 - Frameset
01:01 - Eagle
02:23 - Obsidian
04:47 - Set.A.Light 3D
07:05 - Freeform
08:33 - Sun Seeker
09:21 - Cadrage
My Instagram: jakebaine
My Portfolio: jakebaine.com
Resolve Tools & Plugins: kromatica.co
Links:
Frameset: frameset.app/stills
Eagle: eagle.cool
Obsidian: obsidian.md
Freeform: apps.apple.com/us/app/freeform/id6443742539
Set.A.Light 3D: www.elixxier.com/en/set-a-light-3d/
Sunseeker: www.ozpda.com/sunseeker/pro/index.html
Cadrage: www.cadrage.app
Timestamps:
00:00 - Frameset
01:01 - Eagle
02:23 - Obsidian
04:47 - Set.A.Light 3D
07:05 - Freeform
08:33 - Sun Seeker
09:21 - Cadrage
My Instagram: jakebaine
My Portfolio: jakebaine.com
Resolve Tools & Plugins: kromatica.co
มุมมอง: 357
วีดีโอ
Wale Tour Announcement | Sony Burano
มุมมอง 17021 วันที่ผ่านมา
Director: @joncorreal Creative Director: @pierres.online Executive Producers: @tonypillow @simonchasalow Producer: @anuaraly Prod Coordinator: @andrespalou Production Company: @parallelstudios DP: @jakebaine 1st AC: @connorlambert.ac 2nd AC & Hi8 Camera: @nickbuska Gaffer: @khashitahamtan Key Grip: @randycandy323 Swing: @_nolanwoodward Post Production Company: @apolloposthouse Post Producer: @a...
Priority Bikes x Jake Urrutia | Spec Ad
มุมมอง 239หลายเดือนก่อน
Director: @nickbuska DP: @jakebaine Editor & Mixed Media: @mark_tate Post Supervisor: @cory.burmester Sound: @jpanasewych Colorist: @jakebaine Client: @ridepriority Talent: @jakeu_bvb PA: @rachaelsausman Shot on Sony FX3 with SLR Magic APO Microprimes and Laowa 12mm. Instagram: jakebaine Portfolio: www.jakebaine.com/
Art & Sol | Visual Art (FX3 + FX6)
มุมมอง 1403 หลายเดือนก่อน
Art & Sol | Visual Art Client: @visitgreaterps Production Company: @ptgco Director: @stephensnavely Producer: @meagantheeproducer DP: @jakebaine B-Cam: @zackpatrick Gaffer: @electro.nicooo Key Grip: @peter_maxfield_black Editor: @rileybfilms Color: @jakebaine Sound: @goforsound PA: @zaaydaone_1
Art & Sol | Music (FX3 + FX6)
มุมมอง 1503 หลายเดือนก่อน
Art & Sol | Music Client: @visitgreaterps Production Company: @ptgco Director: @stephensnavely Producer: @meagantheeproducer DP: @jakebaine B-Cam: @zackpatrick Gaffer: @electro.nicooo Key Grip: @peter_maxfield_black Editor: @rileybfilms Color: @jakebaine Sound: @goforsound PA: @zaaydaone_1
Burano vs. FX3 | Quick & Dirty Comparison
มุมมอง 10K5 หลายเดือนก่อน
Did this test purely out of morbid curiosity. I shot on both cameras with the same PL mount 85mm lens and used the same 2.1 4x5.56 ND Filter on both cameras to lower any possibility of color shift due to NDs. I used 8K X-OCN LT for the Burano and 4K DCI XAVC S-I for the FX3 which is its highest quality mode. Due to differences in sensor tolerances, the FX3 was a few points warmer out of camera ...
How we made a headphone commercial | Sony FX3
มุมมอง 3578 หลายเดือนก่อน
"What does sound mean to you?" video here: th-cam.com/video/xvSDElgdkmg/w-d-xo.htmlsi=xoDZ6MvtVOVHh6bX I got into a fight on set during this project. A fight with myself and lighting. Let's talk about it. Tools and Effects for Resolve: www.kromatica.co My Portfolio: www.jakebaine.com My Instagram: jakebaine Shot on Sony FX3 and Zeiss CP.3s
A cinematographers review of Dehancer
มุมมอง 17K9 หลายเดือนก่อน
A few weeks ago, Dehancer reached out and asked me to create a review of their film emulation plugin: Dehancer. I spent the next few weeks learning the ropes. Enjoy this review of my thoughts and opinions on the plugin! 00:00 - Intro 00:42 - Sample Grades 01:27 - First Impressions 04:23 - Kodak Vision 3 Stock 07:50 - Pros 10:01 - Cons 12:05 - Final Thoughts Check out Dehancer here: www.dehancer...
What does sound mean to you? | Denon (Sony FX3)
มุมมอง 3469 หลายเดือนก่อน
WHAT DOES SOUND MEAN TO YOU? (Spec) Director: @jeffbernat DP: @jakebaine DP: @zackpatrick 1st AC: @nathan.schiele PA: @jamwinta PA: @yunnbull Edit: @jakebaine Color: @jakebaine Jeff came to me with an idea for a piece focused on some new Denon headphones. We had a micro-budget but we took every dollar we had and threw it into production. It was a bender of a day with 3 locations in one day with...
Getting creamy highlights & skintones in your cinematography
มุมมอง 5K11 หลายเดือนก่อน
Creamy & smooth highlights are the holy grail for a lot of cinematographers. In this video we will go over how to shoot for soft highlights as well as how to manipulate your footage in post to smooth out your highlights and skintones. Enjoy! 00:00 - How to shoot for creaminess 03:10 - How to color for creaminess My Portfolio: www.jakebaine.com My Instagram: jakebaine Tools and Plu...
The Perfect Point & Shoot for Cinematographers
มุมมอง 2.6K11 หลายเดือนก่อน
I've been using my Ricoh GR3 for a while now and love this thing. I figured I'd make this short video to tell me people about this camera, enjoy! Timestamps: The Ricoh GRIII - 00:00 Features - 00:12 Size - 01:14 Why Cinematographers? - 01:33 Photo Quality & Examples: 02:30 Final Thoughts - 03:33 My instagram: jakebaine My portfolio: www.jakebaine.com Tools for Resolve: www.kromati...
GRAVITY | Scott Bikes Spec Ad | Komodo & FX3
มุมมอง 2.3K11 หลายเดือนก่อน
DP: Zack Patrick & Jake Baine Driver & Grip: Sebastian Lundgren Athlete: Alex Colorito Edit: Jake Baine Color: Jake Baine My buddy Zack invited me out to get some reps on the Tilta Hydra and new DJI Transmission system out in Malibu a few weeks ago. We had our athlete Alex bomb down some hills while Sebastian drove ahead of him with the RED Komodo on the Hydra in the back. Zack and I both trade...
How to make the BEST CRT SCREEN effect in RESOLVE
มุมมอง 7Kปีที่แล้ว
In this video, I'll break down how to create the BEST CRT screen effect, completely within DaVinci Resolve! Snag the CRT Emulation Plugin here: www.kromatica.co/products/crt-emulator-for-resolve Use Code for $10 Off: CRTSAUCE24 Download the sample video I used here: drive.google.com/file/d/1VluBPcuisglHxVCcgmF_Dz5G1J_mIKZ_/view?usp=share_link I hope y'all enjoy this tutorial! If you have any qu...
FREE AI-Powered Music REMIX/FILL Tool for VIDEO EDITORS | Mofi
มุมมอง 313ปีที่แล้ว
UPDATE: Since posting this video, the creator of Mofi has monetized the platform. While you can still use it for free, there are some restrictions on a free account. Try Mofi: mofi.loud.red Today we take a look at Mofi, the FREE content-aware fill tool for music. This tool is awesome so I just had to share it with ya'll! Interested to hear what you guys think. My Instagram: jakeba...
False Color on the FX3 (and shutter angle)
มุมมอง 5Kปีที่แล้ว
This video was a ton of work, it took me a while to get this out. I hope ya'll get some use out of these tools & tips! Please leave any comments for any questions you have! Thanks! Get the LUT here: jakebaine.gumroad.com/l/zlpozm Kick-Ass Davinci Resolve Tools & Plugins: www.kromatica.co Timestamps: 00:00 - Intro 00:50 - The Problem 01:43 - What is False Color? 02:28 - What is a LUT? 02:51 - Ho...
How To Make A Vintage/Melting Text Animation in Resolve Fusion
มุมมอง 1.2Kปีที่แล้ว
How To Make A Vintage/Melting Text Animation in Resolve Fusion
Great video! Could you do some other video about how you use Obsidian? Thank you!
Thanks! I use it basically exactly as I stated in the video. Just as my own Wikipedia of knowledge. Don’t get into the weeds of “systems” within obsidian- it’s gets overwhelming quickly.
TH-cam JAKE. WE LOVE HIM.
Thank you sir
i would also recommend EeyCandy
Gold. Thank you Jake!
Thank you so much for this. This is going to help me so much!!
@@Knightwytt glad to help!
jake speaks i listen. These tools are dope. Thanks for sharing dude
@@spencertorok you’re the man 🤝
Sick! The Eagle + Freeform workflow looks sweet! Thank you!
@@foreignstudio yessir!
what is the song?
amazing bro, what lenses used it?
@@lafamigliaseason Cook S4i
The ZV-E1 does have it, just like 4k 120fps... Whilst that camera is for 'content creators'. That's why I chose the ZV-E1 and not the FX30...
I just uploaded my Dehancer review, really wish I'd watched this before shooting it haha! Agree with everything you say, sometimes you get used to the dehancer image and then when you turn it off and realise just how strong the effect is and that perhaps you need to dial it back haha
Do you think this LUT would work with the A7IV/A7CII as well?
If those cameras support LUTs in-camera and SLOG3, then yes it will work.
Great Great video man.
Good stuff, love the rigged bike shots
is this with sam kolder LUT
I used ChatGPT
amazing video man, id love to know where you got your film burn/light leak transitions if you know
Acid bite!
Man that was sick !!!! 🔥🔥🔥
Was shocked to find out the cine d lab results shlw the a7siii has more dynamic range in xavc than the burano in xocn. This has to do with NR though. If you compare the raw output on both the burano has an extra stop. Xavc internal dr is similar for both, but the burano uses less nr to achieve it. This gives you better shadow recovery and fine details that would be lost from nr artifacts.
250D and 200 T are meant to be wildly different. You gotta know what those filmstocks do. D and T are different. Dehancer is not Filmbox where you slab it on and expect it to work. I give you that.
From all of the real film stock comparisons I’ve seen, there is not a massive contrast difference between 250D and 200T in real film compared to what dehancer does.
Dude. The difference between 250D and 200T is the white balance. D is for daylight balance at 5000 and T is tungsten. Read the Kodak manual on the film stock on the Kodak website. Otherwise great video.
I understand that. I was talking about the difference in black level and contrast. The contrast and black level between 250D and 200T is massive. Not talking about color or balance.
@@jakebaine ahh got it. Cool.
Jake please can you make video about your process of color grading, I really like how calm all the colors and levels in your video specially the front window angle
Thanks! Anything more coming ?
Thanks! I do have more planned, I have just been incredibly busy lately and haven’t had time. Will try to do some more very soon!
This is 6 months old now so maybe you've figured this out or tried it, one thing to try if you aren't familiar with that DaVinci Wide Gamut is you most likely need to convert your camera INTO DWG with Color Space Transform. It didn't look like you had a node that comes before dehancer. Make a node before Dehancer and put CST on it. Then choose your input camera color and gamma and OUTPUT Color and Gamma in DWG. Then in the Dehancer node choose DWG and see what happens.
Yup, I'm aware! I do this in my pre-group nodes so thats why you didn't see it.
W
So good!! The wide angle interview shot at 0:50 is beautiful! What lenses did you shoot this on?
Thank you! Shot this on a set of Richard Gale Clauvius glass. Lovely lenses.
Love those wide angle guitar shots! Fire DP
Thanks!
Just what I needed - thanks Jake!
Great video and channel. YT needs to give this video some more love.
Thanks!
Hey thanks for the video. I’m new to color grading-just beginning to learn. What other tools are worth looking at?
I recommend learning Resolve. Cullen Kelly is a great place to start, he has incredible content.
Subscribed! Good video
the fx9 doesn't even have false colour. Sony are an actual joke
Goooood
Fx3 looks too digital and so much sharpening, burano looks more organic to my eyes
On a big screen the XVAC compression is obvious. Also, X-OCN is way more flexible in post.
I mentioned that at the very end Mark. Again, wasn’t out to prove anything. Just showing a comparison.
@@jakebaineAll good. I wasn’t criticizing you - just saying what was top of mind. Im actually a big fan of the FX3!
I will stick with my FX3! great camera! compact and cheap
I feel my videos from the FX3 on slog3 are a bit soft when I look at them converted to Rec709 on my computer .
That’s caused by the internal noise reduction. Also could be your lenses
I should maybe try the ProRes recording to Atomos to prevent internal noise reduction . For lenses I use the Sony 50mm f1.2 that’s supposed to be high quality for photography lenses. One thing that I was thinking was to buy Leica because the lenses are higher quality. I mean I can always use some more expensive lenses, but then it feels a bit waste on the FX3
@@ronbackal You should try the Atomos for ProRes Raw recording. I use one with my A7S3 and it does look more cinematic. You just need more storage though.
Thank you Ross! I’m also trying to think if I should try different lenses on the FX3
@@ronbackal Hi Ron. I’ve been trying different lenses myself over a number of years. Zeiss Loxia, Zeiss Batis, Sony Zeiss 50 1.4, 34 1.4 and Sigma Art. The Loxias are slow and manual focus only. They have a rounded look to them which I find pleasing though. Distortion is well corrected. Nice colour but found the shadow roll off can be a little harsh. When I require autofocus, I’ve used the Batis. Apart from the 135 Apo, they are a bit harsh with easy to saturate blacks which I’m not fond of. And they have a bit of distortion. The Sony Zeiss look a bit too clean and outlines are too sharp. They don’t give me the cinematic rounded edges the Loxias do. I’m now trying Sigma Art emount lenses. I bought a Monster adaptor for my F mount (Nikon) Sigmas, however, the apertures only work in photography mode. Unfortunately, they only stay wide open for video work and don’t AF which is very disappointing. So I’m trying some native Sigma Art emounts. Even though they are huge, I use the DG HSM line as the newer DG DN line, and though they are smaller, Sigma have sacrificed distortion control in the design somewhat. The DG DN are good for photography as the in camera lens adjustments can counter this. However, when sending a raw signal to the Ninja 5, the sensor read out bypasses these adjustments and I don’t wish to muck around trying to correct distortion in post, IF that can be done. I’ve found the Sigma’s give some weight and foundation to the image. The A7S3 can look a little anaemic at times and the Sigmas counter this well. And the shadow roll off is quite nice too. I’m not a fan of Sony GM lenses. They look too contrasty and sharp and too cool for the look I’m after. The 28 & 40 Art DG DN had cinematography in mind when designed. I find that to be the case. Leica sounds great, however, is there an adaptor that allows one to use all apertures when filming? Good luck.
hi buddy.. digging your channel.. your dehancer overview gave me some pro results from your inside track on that plugin.. may I ask you if your knowledgeable on Premiere Pro in terms of achieving the hollywood skin tones your getting with Davinchi.. How to target the luminance of the skintones and to bring them down to Tom Cruise 40-60 ire Im not a novice at colour grading however some guidance would be a massive help.. hopefully you pick this comment up.. Danny
At this point, get an FX6 and wait. In about 1 year they will release a new modell that has almost all the same bells and whistles for one third of the price. All the Burrito owners will be pissed, but Sony won’t care. They never do. / FX9-owner.
Jesus Christ man are you okay?
@@jakebaine Ask many FX9 users if they were okay when FX6 came😂
What i really want to know is how much do I have to shift the white balance IN CAMERA on the FX3 to get it as close to the Burano
Why do you need to do that when it’s a simple adjustment in post?
I actually think you dont use the burano because it has a better image. It has a better image, yes, but that is almost insignificant (unless for special uses where you need higher resolution of color depth). You use the burano because it has all the ergonomics, and extra things (internal nds, etc). What i don't really see is why you would use the burano over the FX6 ? (unless you absolutely need the 2% better quality that nobody will notice). maybe for ibis AND internal nd ? that is rad by the way, the first camera in history to have both.
They look identical, your focus was off from the very beginning.
Hahaha DAMN. Torched me. Focus is sharp aside from that first shot. That's just the difference between a 4K and an 8K sensor.
Thanks for this video, would love if your share the footage to download !
That looks like Redondo or Hermosa. :P
Own the 3, rent the B.
Are you able to do another quick & dirty comparison of just rolling shutter between the two ?
on paper I think the fx3 has better rolling shutter
Please next time use people because it's where we see the real difference
The result is that Sony is killing it.
The Burano is a nice camera. It is not perfect but all in all a very versitale camera. And the IBIS + ND is a real inovation. But Sony really exaggerated the price.
The shot with the green tint that you didn't like looked the most filmic to me. Looked like a still from a blockbuster.