- 44
- 2 885
Ricardo Campos Freire
Germany
เข้าร่วมเมื่อ 27 ส.ค. 2013
Freelance Dancer and Choreographer born in Lisbon, Portugal, and educated at Superior Dance School in Lisbon and Stockholm University of the Arts.
Dancer at the Portuguese Company of Contemporary Dance, Croatian National Theatre, Bitef Dance Company, Ballet Hagen, and Pfalztheater Kaiserslautern worked with choreographers such as Mauro Bigonzetti, Patrick Delcroix, James Sutherland, Cayetano Soto, Vasco Wellenkamp, Marco Goecke, Masa Kolar, Sagí Gross, Ricardo Fernando, being distinguished in 2015 as the best dancer of the year with the Smiljana Mandukic award in Belgrade, Serbia.
Ricardo has been developing his work in South Korea, Italy, Croatia, Switzerland, Serbia, Germany, Bósnia and Herzegovina, Portugal, Montenegro, Vietnam, and Sweden.
Thank you for watching and supporting me. Please feel free to subscribe.
Dancer at the Portuguese Company of Contemporary Dance, Croatian National Theatre, Bitef Dance Company, Ballet Hagen, and Pfalztheater Kaiserslautern worked with choreographers such as Mauro Bigonzetti, Patrick Delcroix, James Sutherland, Cayetano Soto, Vasco Wellenkamp, Marco Goecke, Masa Kolar, Sagí Gross, Ricardo Fernando, being distinguished in 2015 as the best dancer of the year with the Smiljana Mandukic award in Belgrade, Serbia.
Ricardo has been developing his work in South Korea, Italy, Croatia, Switzerland, Serbia, Germany, Bósnia and Herzegovina, Portugal, Montenegro, Vietnam, and Sweden.
Thank you for watching and supporting me. Please feel free to subscribe.
Sou by Ricardo Campos Freire for Companhia Poveira Nós da Dança
“Os bailarinos atravessam a corporalidade da sua existência na procura de outro ... eu... SOU... não reconhecendo, por vezes, a plasticidade dos movimentos e formas artísticas que atravessam os seus corpos carregados, de linhas feitas que não querem, ao encontro da sua identidade existencial transformando os corpos em obra de arte... o outro... SOU” - Odete Rios
มุมมอง: 275
วีดีโอ
Num Instante
มุมมอง 114ปีที่แล้ว
"Within a contemporary conceptual language, Ricardo Campos Freire takes the dancers to transport to his organicity of movement and resulting sounds the desire to rise and the fear to fall... the will to move forward... but with fear to retreat taking them to a crossroad of their existence... to the collapse between the will... the resistance that pulls them from their cocoon to face the laws of...
Flowing Identity Workshop
มุมมอง 2222 ปีที่แล้ว
"I have been developing my contemporary work focused on continuity and fluidity of movement in favor of greater availability of the body. The concept of a meaningful movement led me to create Flowing Identity, a workshop where dancers will be directed and encouraged to build their own movement identity. They will discover their bodies as a driving and creative force, connecting with freedom of ...
Something in between
มุมมอง 1122 ปีที่แล้ว
Something in Between (Work in progress) What can happen when two individuals are in the same space and time? In the same space, but at a different time? Or at the same time in a different space? What can happen in between those transitional situations? Do our bodies realize it and fight it, or surrender to the evidence of what we can define as normal? Which role do our senses play in this game?...
Decoding the path nº10
มุมมอง 202 ปีที่แล้ว
My goal with this project was to question familiar movement patterns using specific compositional tools. By creating these tools, I was looking for a different way to generate motion and establish my line of movement. The search for the meaningful movement was a carried-out goal. Through improvisation exercises, I created a weekly video based on the research, allowing me to have a clear vision ...
Decoding the path nº9
มุมมอง 102 ปีที่แล้ว
What an incredible time it has been. Decoding the path is close to an end, but the research is still on. The approach in this research is slightly different from the previous ones. I found myself experiencing faster reactions to stimuli by bringing awareness to the physical body. By using straight lines and sure changes of directions, my body seemed to find a new way of communicating the requir...
Decoding the path nº8
มุมมอง 182 ปีที่แล้ว
The motto for these working weeks remains rooted in my research. Find out why movements are created and where they can lead me. If you are looking for a gap between moments and want to remember how you moved, you might not remember. Now I have moved all over my body, but this time I will move by testing out what works for the path I want to take - ”you look at what you did today, and you might ...
Decoding the path nº7
มุมมอง 62 ปีที่แล้ว
The song “Woodland Serenade” by Chad Crouch, and a draft of my thoughts on a ruff day, gave me the motto for this week’s video. "This waiting consumes me. I don’t know what to do nor what to think, but at the same time, my brain is uneasy. With my heart pulsing and my twisted stomach, I try to hang on. Seating here, surrounded by my doubts and fears." - Ricardo In this video, the fundamental as...
Decoding the path nº6
มุมมอง 102 ปีที่แล้ว
This week's video shows you research based on the groundwork I did. Using the knowledge gathered in the last months and adding new assignments to this session, I created new ways of moving within my diversified framework. I tried to acquire new features, to impulse my dancing body by fostering fast reactions to my brain's certainty. In this video, the six fundamental assignments were: . Purpose...
Decoding the path nº5
มุมมอง 102 ปีที่แล้ว
For the last two weeks, I've been working on the concept of "a window to the other side." I experienced what to expect when we focus our work on a specific part of our body. My upper body was my window, which presented me with an entirely new world. "The material elements of the composition need to be experienced and understood, also, the processes or methods of fashioning or combining these va...
Decoding the path nº4
มุมมอง 152 ปีที่แล้ว
“A dance studio is a space where I can focus and be with myself, getting away from any distractions during the working period.” In this video, the four fundamental assignments were: . Lost cause (feeling of) . Controlled search . Testing and challenging . Connectivity DIS-TANZ-SOLO Project sponsored by: Dachverband Tanz Deutschland; Neu Start Kultur; Die Beauftragte der Bundesregierung für kult...
Ricardo Campos Freire | Choreography Reel
มุมมอง 3242 ปีที่แล้ว
A lot of hours turned into minutes! A sneak a peek at some of my work over the past couple of years. Thank you to every dancer, director, and friend for your time and belief. Ricardo
Decoding the path nº3
มุมมอง 202 ปีที่แล้ว
Throughout the past two weeks, I’ve been working on the concept of understanding, listening, and awareness. In this video, I explore those concepts further in my movement language. "My goal with this project is to question familiar movement patterns using specific compositional tools. By creating these tools, I will be looking for a different way to generate motion and establish my line of move...
Decoding the path nº2
มุมมอง 132 ปีที่แล้ว
Restrained freedom - this video is the second from a batch of ten videos. The idea is to explore my creative self through different tasks and report the result every two weeks. Week by week, these videos will allow me to have a clear vision of the evolution of the project and later remain as an archive for future endeavors. "... I will be looking for a different way to generate motion and estab...
A procura do instante - Companhia Poveira Nós da Dança
มุมมอง 532 ปีที่แล้ว
A procura do instante - Companhia Poveira Nós da Dança
La bellezza del Niente - DAF (Dance Arts Faculty)
มุมมอง 3193 ปีที่แล้ว
La bellezza del Niente - DAF (Dance Arts Faculty)