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Galerie Thomas
Germany
เข้าร่วมเมื่อ 7 ธ.ค. 2015
Galerie Thomas in Munich is a worldwide leading art gallery and established art dealer for German Expressionism, Modern and Contemporary Art.
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Inquire: info@galerie-thomas.de
www.galerie-thomas.de/en
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LinkedIn: t1p.de/7dnxy
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Inquire: info@galerie-thomas.de
www.galerie-thomas.de/en
Subscribe to our TH-cam channel:
t1p.de/lcx02
Sign up to our Newsletter:
www.galerie-thomas.de/en/newsletter
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Follow Galerie Thomas on:
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LinkedIn: t1p.de/7dnxy
360 degree view of "Chaise" by Niki de Saint Phalle
Niki de Saint Phalle was a prominent figure in 20th-century art, known for her bold, colorful, and whimsical creations.
In the 1960s, she gained international acclaim for her "Nanas," innovative sculptures which depicted voluptuous, larger-than-life female figures. These sculptures challenged conventional notions of femininity and celebrated the female form with joyous exuberance.
Saint Phalle's artistic vision also extended beyond traditional sculpture into the realm of functional design. She also created whimsical and imaginative furniture pieces that blurred the boundaries between art and everyday life. Her creations, which included chairs, tables, and other furnishings, featured bold colors, organic shapes, and unexpected materials, transforming utilitarian objects into works of art.
Niki de Saint Phalle
"Chaise," approx. 1977
Painted wood
128 x 45.5 x 54 cm (50.4 x 17.9 x 21.3 in.)
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For more information regarding the artwork, please contact us via DM or at online@galerie-thomas.de
.
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
#artwork #nikidesaintphalle #galerie_thomas
In the 1960s, she gained international acclaim for her "Nanas," innovative sculptures which depicted voluptuous, larger-than-life female figures. These sculptures challenged conventional notions of femininity and celebrated the female form with joyous exuberance.
Saint Phalle's artistic vision also extended beyond traditional sculpture into the realm of functional design. She also created whimsical and imaginative furniture pieces that blurred the boundaries between art and everyday life. Her creations, which included chairs, tables, and other furnishings, featured bold colors, organic shapes, and unexpected materials, transforming utilitarian objects into works of art.
Niki de Saint Phalle
"Chaise," approx. 1977
Painted wood
128 x 45.5 x 54 cm (50.4 x 17.9 x 21.3 in.)
.
For more information regarding the artwork, please contact us via DM or at online@galerie-thomas.de
.
Courtesy of Galerie Thomas, Munich 2024 © VG Bild-Kunst, Bonn 2024
#artwork #nikidesaintphalle #galerie_thomas
มุมมอง: 42
วีดีโอ
Stoa 169 - Der Maler Bernd Zimmer und sein Lebenswerk
มุมมอง 27510 หลายเดือนก่อน
Stoa 169 - Der Maler Bernd Zimmer und sein Lebenswerk
Odili Donald Odita in our current exhibition "Impulse"
มุมมอง 13911 หลายเดือนก่อน
Odili Donald Odita in our current exhibition "Impulse"
Collin Sekajugo in our current exhibition "Impulse"
มุมมอง 16911 หลายเดือนก่อน
Collin Sekajugo in our current exhibition "Impulse"
Spotlight: ARTIST TALK with Jenny Carlsson Grip #shorts
มุมมอง 3911 หลายเดือนก่อน
Spotlight: ARTIST TALK with Jenny Carlsson Grip #shorts
ARTIST TALK with Jenny Carlsson Grip / IMPULSE exhibition
มุมมอง 596ปีที่แล้ว
ARTIST TALK with Jenny Carlsson Grip / IMPULSE exhibition
Monika Supé "Hat die Zukunft Einfluss auf die Vergangenheit? 11 (Nach Wheelers Paradoxon)", 2023
มุมมอง 137ปีที่แล้ว
Monika Supé "Hat die Zukunft Einfluss auf die Vergangenheit? 11 (Nach Wheelers Paradoxon)", 2023
George Rickey "One Up One Down Excentric V", 1983 / Kinetic sculpture
มุมมอง 476ปีที่แล้ว
George Rickey "One Up One Down Excentric V", 1983 / Kinetic sculpture
George Rickey "Four Rectangles One Square", 1979 / Kinetic sculpture
มุมมอง 911ปีที่แล้ว
George Rickey "Four Rectangles One Square", 1979 / Kinetic sculpture
George Rickey "Double L Excentric Gyratory II", 1981-1982 / Kinetic sculpture
มุมมอง 307ปีที่แล้ว
George Rickey "Double L Excentric Gyratory II", 1981-1982 / Kinetic sculpture
George Rickey "Two Lines Oblique Down II", 1970 / Kinetic Sculptures
มุมมอง 393ปีที่แล้ว
George Rickey "Two Lines Oblique Down II", 1970 / Kinetic Sculptures
Antoni Tàpies "Materia sobre tela", 1961
มุมมอง 1.2Kปีที่แล้ว
Antoni Tàpies "Materia sobre tela", 1961
Anselm Kiefer "Étroits sont les vaisseaux", 1998 - 2000
มุมมอง 276ปีที่แล้ว
Anselm Kiefer "Étroits sont les vaisseaux", 1998 - 2000
Anybody can do easy (Sigmar Polke) • German Art after 1970
มุมมอง 866ปีที่แล้ว
Anybody can do easy (Sigmar Polke) • German Art after 1970
Cartographies of Colour with Sam Gilliam, Peter Halley, Odili Donald Odita and Pat Steir
มุมมอง 3K2 ปีที่แล้ว
Cartographies of Colour with Sam Gilliam, Peter Halley, Odili Donald Odita and Pat Steir
A. R. Penck "Distribution of the Prey, 1992
มุมมอง 2182 ปีที่แล้ว
A. R. Penck "Distribution of the Prey, 1992
Alexander Archipenko "Woman with Cat", 1910
มุมมอง 1792 ปีที่แล้ว
Alexander Archipenko "Woman with Cat", 1910
Zombie cliche for people who have just been conned.
All good but it’s still boring. It is boring because the image of a bull is the subject. The manipulation of the wire is exquisite yes but the philosophy on which it is based is passé. The current and perennial philosophy is one of Transcendental realism. Here the artist invents methods through trial and era that allow the transcendental reality of this world to inform the work… and not just another clever ill iteration of the current self identified manifestation of current cultural movements. We are in 1906 again … Picasso was still only gearing up to changing the way we see the world…. The new cubism if you like is Transcendental Realism …as developed by Adi Da Samraj (1939-2008) You won’t be bored .
Super! Sehr interessanter Beitrag.
'Promo sm' 💘
🤣🤣🤣
Sehr gute Ausstellung! Bravo :)
This sculpture is like a meditation! Beautiful :)
What I like about Jawlensky is that he knew how to capture the essence of art. Art has to be experimental.
余りに稚拙な表現で、恥ずかしげもなく紹介している方々の神経が分らない。
Beautiful paintings.
Dedportetddihrdbond
Ttdsudguvoidhoitfrduutsusfcrfuvgredoeuhrsdijdtyjecfsutcrftcollrkrxfituyrpegrsurcgsutecgsuyavihrfstdrdhebitutekeuhrfecijfeorujgteyritticikirlsudsurlijtecinnsutdudinsqurgfsitlsoeujtyrdurkkrjroksurdilirorrtiydrduutrfsdleleloitrcrrslidsggdsikketrd
2:42 zitieren sie Jawlensky zum Thema Gesicht, könnten sie mir schreiben woher dieses Zitat stammt? Vielen Dank!