วีดีโอ

1:09:36

19:34

❤

@2:25 @1:09:00

I believe this recording to be with Philip Fowke as piano and Barry Wordsworth for conductor. However I could be wrong..

28:46 Away, far away to the woods let us stray And dance and play in the parting day In the fragrant air, hand in hand, pair in pair Ah! Love is fair! For the sun will soon be gone far away So come along with laughter and with song Each with his love to the woods let us stray Far, far away. See, the sun is going down And night shadows soon will frown From the trees out there So away, far away, like the glowing parting day Let us also steal away to kiss and play Ah! Love is fair! (Irmelin) Could I but go to the woods And follow that merry band; But I've no mate to roam with In the twilight, hand in hand.

Qué buen trabajo 👏👏👏👏👏

Most beautiful and melodious!!! 😊

Absolutely sublime music!! And Dorothee Mields has such a beautiful pure and gifted voice!! ❤❤❤

1:02:43 flashback from Vivaldi's RV 157)). It's a joke of course. The whole oratorio is a great example of Passionsmusik, in its depth and development of rich musical ideas something near the Bach's BWV 244 and 245.

Großartig !!

Does anyone know who is playing here and the discographical information?

La distribution exacte : Mady MESPLÉ (Ginette), Philip DOGHAN (l'impresario), Gabriel BACQUIER (Maurice), Maurice BAQUET (réalisateur)

14:12 mov3

Petite oeuvre qui échouera lamentablement à sa création en 1805.

It's his first Piano Sonata

Музыка Леонардо Винчи неподвластна времени: она всегда свежа и энергична, блещет пылкостью и красотой. Leonardo Vinci's music is timeless: it is always fresh and energetic, sparkling with ardor and beauty.

Thank you Rare Classic! Score & parts of this work are available from me via Westfield Music.

"Transporting the girls across the state lines for immo-oral purposes!!!"

Gasparina, giovane caricata: Daniela Mazzuccato Lucieta, fia de dona Cate: Giusy Devinu Gnese, fia de dona Pasqua: Marina Bolgan Orsola, fritolera: Cinzia de Mola Dona Cate Panciana, vecia: Ugo Benelli Pasqua Polegana, vecia: Max René Cosotti Zorzeto, fio de Orsola: Maurizio Comencini Il Cavalier Astolfi: Manrico Biscotti Anzoleto, marzer: Ildebrando d'Arcangelo Fabrizio dei Ritorti, zio di Gasparina: Carlo Striuli

Everyone praising this in the comments has no idea what this work is truly supposed to sound like, because although pleasant, this recording is far far from it…! To start with, this recording is less than half of the opera, cut up into little bits in order to fit onto 2 LPs, so the musical narrative is completely incoherent, plus in addition some movements themselves have even been cut down seemingly due to the limitations of the amateur-sounding choir. I highly recommend purchasing the new 2022 recording of this opera on 2 CDs, played by the orchestra ‘Les Passions’. It is truly on a completely different scale as this oftentimes rushed performance with an amateur choir, lack of emotion, limited percussion, unbalanced sound etc. I cant recommend it any more, if you can afford it, buy it, I think it’s €25. Its one of the best things I’ve ever heard in my life. I have tried to upload it to TH-cam but unfortunately it gets copyright claimed and removed, so instead I am letting you all know how exceptional it is.

What an ambitious composition

I've heard another oratorio by Massenet "la Vierge". The music selected for the ballet "Manon" (see wikipedia for the sources) relayed from Covent Garden last night suggests this great composer is unfairly neglected. A presenter made serious mistakes in the the pronunciation of Abbé Prévost (abBAY prayVOH), also by saying the ballet contains excerpts from Massenet's opéra-comique of the same name. It does not.

Been a fan of PDQ's since the 60's and have been to several of the concerts (Lincoln Center and Carnegie Hall). Learned more about classical music than in regular classes in college. RIP Dr. Schickele.

Want to point out: at 2:47 and again at 3:07 there is the same chorale that opens Weinberg's Kaddish Symphony and also appears in his cantata Diary of Love and Symphony No. 8 mvt 8 "Matka"

Happy 300th anniversary!

These are not the Tanz und Spielstuecke.

One of the best satires that Schickele ever made. Everybody I played this for, loved it.

RIP Professor Schickele

Wonderful, why don’t we hear Telemann more often? There is so much more than Bach.

19:20

Sono felicissimo di avere "cliccato" su questa opera, altra bellissima scoperta ! Grazie

The difference between Salieri and Mozart is that Salieri's operas were - original; for contemporaries, Mozart was a "fixer of other people's notes" (Amedeus says this several times in his letters to father Leopold). What killed Mozart? - conscience - that he did not rise to create an original opera. Europa riconosciuta 1778., Though opera seria, the work differentiates itself from several of the typical characteristics of the genre. For example: an extended finale is used in both acts. Musically, the opera is quite challenging, requiring four principal singers capable of spanning wide tessituras, sustaining long phrases, and making dextrous leaps. For example, the roles of Europa and Semele go up to a high F sharp above high C a few times!

4:39 is where the fun begns😁

Great!

Beautiful

Given the sound quality of the recording and the length of the video, this is probably the Lyrita recording with Osian Ellis, LSO, conductor David Atherton.

There was a Franz Anton Roessler born near Prague in 1747 which could be the same composer as the Italian form of the name used after 1773 (‘Antonio Rosetti’) but the Italian form was and still is so common in Italy that we sometimes wonder if we are in fact talking about the same composer-whose nearly 400 musical compositions at times rival Haydn in quality… There have been stories that an ‘Franz Antonin Roessler’ fell afoul of his employers c. 1772 & fled Prague to other cities in Europe including Paris under a pseudonym ‘Antonio Rosetti’ -tho’ these stories are difficult to nail down with hard documentation…all we can say for sure is that a very talented composer (d. 1792 ?) was widely publish’d - and deservedly so for his sheer melodic genius & his obviously close-studying the works of Joseph Haydn’s sinfonias transform’d him into a ‘wurdig’ representative of the late 18th century stiles both in secular (his main focus being concerti & sinfonias) but also sacred music including a number of contrapuntal Passion Oratorios and even Requiem Mass from 1776 which bears his name on the title page… Long story short, all 400 or so of the compositions attributed to him deserve to be re-publish’d & perform’d using period instruments …

Thank you Doctor Demento for introducing me to this song.

What is the question to which the answer is “Wilson Sport”? “What was the name of our first female President, Wanda?”

Schön

35:30 38:16

1st Mov 0:00 2nd Mov 7:32 3rd Mov 16:49 4th Mov 21:34

C'est spontini,alors c'est beau

MERCI de nous faire connaitre des compositeurs du vingtième siecle

J'avais le double 33t. Malgré ma passion pour Offenbach, je n'ai jamais réussi à écouter le 2ème disque. Cette Créole est d'un ennui...

Thanks

Le thème grégorien Te Deum laudamus, est utilisé. Du grand Widor

do you know where can get pdf score of this beautiful symfony ?