- 8
- 279 065
classicsinterviews
เข้าร่วมเมื่อ 11 มิ.ย. 2012
Interview mit Anne-Sophie Mutter
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich.
Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit.
Anne-Sophie Mutter
Die Violinistin gehört seit über 35 Jahren zu den grossen Geigen-Virtuosen unserer Zeit. Die im Badischen Rheinfelden geborene Violinistin begann ihre internationale Karriere 1976 bei den Festspielen in Luzern. Ein Jahr danach trat sie als Solistin bei den Salzburger Pfingstkonzerten unter der Leitung von Herbert von Karajan auf. Seitdem konzertiert Anne-Sophie Mutter weltweit in allen bedeutenden Musikzentren. Neben der Aufführung grosser traditioneller Werke stellt sie ihrem Publikum immer wieder Repertoire-Neuland vor: Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn und Wolfgang Rihm haben eigens Werke für sie geschrieben. Darüber hinaus widmet sie sich zahlreichen Benefizprojekten und der Förderung musikalischen Spitzennachwuchses.
Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit.
Anne-Sophie Mutter
Die Violinistin gehört seit über 35 Jahren zu den grossen Geigen-Virtuosen unserer Zeit. Die im Badischen Rheinfelden geborene Violinistin begann ihre internationale Karriere 1976 bei den Festspielen in Luzern. Ein Jahr danach trat sie als Solistin bei den Salzburger Pfingstkonzerten unter der Leitung von Herbert von Karajan auf. Seitdem konzertiert Anne-Sophie Mutter weltweit in allen bedeutenden Musikzentren. Neben der Aufführung grosser traditioneller Werke stellt sie ihrem Publikum immer wieder Repertoire-Neuland vor: Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn und Wolfgang Rihm haben eigens Werke für sie geschrieben. Darüber hinaus widmet sie sich zahlreichen Benefizprojekten und der Förderung musikalischen Spitzennachwuchses.
มุมมอง: 85 128
วีดีโอ
Interview mit Daniel Hope
มุมมอง 7K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Zubin Mehta
มุมมอง 36K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Vadim Repin
มุมมอง 19K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Daniel Schnyder
มุมมอง 3.7K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Julian Rachlin
มุมมอง 6K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Daniele Gatti
มุมมอง 4.2K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
Interview mit Sarah Chang
มุมมอง 118K12 ปีที่แล้ว
Die Tourneen der www.migros-kulturprozent-classics.ch führen jährlich von September bis Mai herausragende Künstler und grossartige Klangkörper in die etablierten Konzertsäle in Basel, Bern, Genf, Luzern, St.Gallen und Zürich. Im Rahmen dieser Konzerte nutzt Mischa Damev, Intendant des Migros-Kulturprozent-Classics, die Gelegenheit und führt Gespräche mit den herausragenden Musikern unserer Zeit...
HTML*********
24:05 Which name does he mention here?
Sairam Open auditions 2024 Sri Sathya Sai Universal Symphony Orchestra. Since 1995/2024 it has been active worldwide under Music Director Founder and Conductor Maestro Prof. Giuseppe Savazzi Maestro Giuseppe Savazzi invited by Baghavan Sri Sai Baba to found and direct the Sathya Sai Symphony Orchestra with the aim of bringing together peoples and nations at beyond one's political or religious beliefs. Sound is music as the only divine supernatural entity that communicates to us all together. Since 1991 I have been carrying out this project open to all of you without distinction. Sairam 🙏 Prof. Maestro Giuseppe Savazzi member of Rotary Club of New York District 7230 blessing to all of you from India 🇮🇳 Music Director and Founder of the Sathya Sai Universal Symphony Orchestra in Putthaparty Founder and music Director of the Rotary Youth International Orchestra with Lufthansa Sponsor since 1990. in šāʾ Allāh إِنْ شَاءَ ٱللَّٰهُ Sairam 🙏🇮🇳❤️🙏
All my love for you, Mr. Zubin Mehta! ❤
th-cam.com/users/shortsb3zCGPtk5tc?feature=share
😅😮i
My gosh she is beautiful.
Thank you Sarah. You not only enrich your audience but at the same time yourself. Blessings YOUR WAY OF INVISIONING UPLIFTED LIFE. BLESSINGS & GRATITUDES
The intonation of his voice reminds me a bit of Daniel Barenboim .
„Zuallererst dem Komponisten verpflichtet!“ So soll es sein!👍
Zubin Mehta the Best PT Teacher
Please translate to English
Ich liebe Sie und noch mehr liebe ich ihre Art Geige zu spielen. Ich hoffe Sie werden sehr lange Leben. Die Erde benötigt solche Menschen , wie Sie und all Ihre Geigerkolldgen!!!
Shambles by England.
So rare to see Philanthropy amongst Indians. $100,000 per year in the sixties is a lot of money. He chooses to buy instruments for the orchestra. Such is the man, his passion Mr Zubin Mehta.
Herrlich, die beiden im Gespräch! Nicht nur, dass jedes Wort so durchdacht und gut formuliert ist, ihr Charme ist umwerfend, und er sieht sie voller Bewunderung an, wenn nicht ein bisschen verliebt! Definitely chemistry.
Deine Kritik bezüglich des „ausgesprochen Wortes“ empfinde ich eher als Lobenswert.
@@alonesock Welche Kritik?
When I went Amsterdam go through I saw the foster I t's SARAH JANG
Endlich ein vernünftiger Interviewer.
13 Dirigenten haben gedisliked
Interviews mit ihr zu sehen lohnt sich immer. Sie hat immer etwas zu sagen. In meiner Generation war sie imer ein Subjekt, dem man Beachtung schenkte.
What! i didn't know that Anne speaks another language💖👀🌹👱🏻♀️
Belle Anne-Sophie Mutter, Ihr tiefe Einfühlung, ihre innere Welt bringt immer Problem mit Männer in Interwiev Belle,Belle,Belle,..
What is amazing is that Mehta has lived in the west for most of his life and still has a Bombay Parsi accent...terrific isn't it
A wonderful conductor who I worked with many years ago at Covent Garden. We did Tristan, Othello, Salome, Fancuilla del West and Die Fledermaus. He made difficult scores like Tristan easy to play such is his mastery. His rehearsal method no nonsense and his personality with a natural human warmth. Playing for him was a very happy time in my musical life.
One of the greatest conductor interviewed by the greatest eye blinker 👀
Super Interview. Kein random Blabla. Empfehlenswert!
Wow!!! Repin is(for me) the pinnacle of Russian magical musical😚melancholy and violin mastery at it’s most enjoyable dazzling giddy-finest. Three phrases of Repin are more expressive than three pages played by most. That amazing Russian aptitude works similarly pleasing storytelling wonders in French and Spanish music but(apologies/pssst) “backfires😦” in Germanic music where the immense architectural structurings must alone!!! always “play the first fiddle”.
A lovely interview - of a Conductor by a Musician. It was amazing to hear of him speak so candidly of his own mistakes. I had seen and heard Mehta conduct a symphony a few decades back, but never knew its import then.
Sehr bereichernd!
Wer es nicht fühlt, der kann es nicht erjagen.
What piece did she play that night?
She played Vivaldi's Four Seasons.
Zubin Metha è un grandissimo maestro di musica....grande illuminato.
Over 100 concert performances in one year? This is truly amazing, considering the type of venues S.C. is doing. Just a testament to her enjoyment of concert performance. This demonstrates a great dedication to high level of artistry. Certainly comes across in the music... where it counts...
Love Vadim Repin... 👌🏻 he's my violin hero... ♠️🎻
what a beautiful girl !
I would rather play music for the Gods, having the entire planet facing destruction over songs that hardly amount to music. At least so far. I am the worlds greatest violinist! It is too bad though.
What did she say or do that makes you think she deserves such hostile sarcasm?
I played the Star Wars theme song and it caused the meteorite to land in Russia. Can she do that? Mind you I have changed violins since than, not a traditional scroll. That is all that I meant, its not really against her.
What I said it is the truth. I played the violin with the normal scroll in this house and Satan did hit Russia with the meteor. This is a fact however it wasn't exactly my doing and I only traced it after it happened to my books, including a book on Russia which is why the meteor hit there. Now I had placed that book where I placed it in order to raise Russia in fact, but here something else happened instead. I cast that spell without knowing that this would happen. I also crushed Japan with the tsunami and also New York.
Oh and Sarah Chang might actually be a fun person in real life to some extent, just my guess. I do not really listen to music very much and I am not in great shape, just hanging in there so I don't want to meet anyone unless it is a gymnast who will sit on my face.
If the High Priest of the Church of Satan ever bought this house, than nobody would ever laugh again. He might be able to conquer the world. I didn't like it when I picked up certain books because it felt like something was going to enter this world. I finally traced the two massive snow storms in the USA to my Pathfinder books on the Winter Witch. One storm his Boston and the other hit New York. The violin actually brought those storms. It was easy to bring in a rain storm with the violin, a local storm. Anyway, I sort of want to return to the violins with the normal scroll because I lost 40 lbs immediately but I damn well switched to the fox scroll. I was able to ascend with the normal scroll. After playing the violin I just laid back on my bed and felt light as a feather.
Amazing interviewer, props to you and Mrs Chang
A wonderful interview and discussion. Zubin Mehta really enjoyed it and Mischa Damev and excellent interviewer.
i would like to take you for dinner and play my violin for you... Just for feel even better about your amazing talent.
love your musce i play the vilion
在国外生的亚洲人看起来好怪 长变异了
I only have a superficial understanding of the nuances of western Classical music. The Mastreo comes across as a refreshing human being, and what he shares would be for the betterment of any human individual. I could feel the passion when he speaks about pieces he loves playing. His enthusiasm is like that of a music fan and it is infectuous. Namaskar to Zubin!!
bei den schoenen ist auch der herbst schoen....
Zubin Mehta, is one of the greats, his humility and honesty are infectious, the young conductors of today can learn much from a man of his musicality and his wisdom of conducting.
Ummm she rather be playing for people and sharing her beauty! She's extremely human when she wants she feel the composer and wants you to really feel him also through her music! I'm glad she's staying away from propaganda and still enjoying herself and violin and is still this free spirit as she was she as she was young! Thats what keeps her famous 💜
Ich liken Anne-Sophie Mutter. Eine somma guten dishen! Und der music ish guten, too!
Trust and Faith always Win the day - anything you do.
carmen fatasy..
tolle Geigerin und Meisterin des Wortes.
Hi Robert! Anne-Sophie Mutter & Sex sells and Playboy: www.pinterest.de/AriaView/anne-sophie-mutter-violinist/ LA STAMPA Spettacoli E Playboy sceglie la bellezza "classica" Soprani e violiniste sul sito della rivista ALBERTO MATTIOLI TORINO Era inevitabile. Da quando anche nel mondo della musica cosiddetta classica, tradizionalmente serioso e/o polveroso, è scoppiata la Grande Guerra del look, è tutto un fiorire di violiniste-modelle, violoncelliste-pinup e soprani-veline. Una volta le maggiorate della lirica erano come la Caballé, oggi restano le curve, ma nei punti giusti. Se i più reputati dischifici hanno ormai abbandonato il cd solo audio per il dvd anche video, allora anche l’occhio voglia la sua parte. L’evoluzione della specie ci consegna virtuose-top con fisici slanciati, sguardi assassini, sexy look: roba da mille e una note. La notizia è che se n’è accorta anche la più celebre rivista per soli uomini (o, come dicono le femministe, per uomini soli). Così, il sito di Playboy ha lanciato «Too hot to Handel», sondaggio su «the sexiest babes of classical music», invitando i guardoni on line a votare la più bella fra dieci bellissime della musica colta. Le foto sono castigate, dato che nessuna delle magnifiche ha mai posato senza veli. Ma resta il fatto che Playboy sdogana la bellezza in chiave di violino, spiegando ai suoi lettori che la «nerdy reputation» (traduciamola come va fatto: la reputazione da sfigati) della classica appartiene definitivamente al passato. Quanto alla selezione del Coniglietto, qualcosa da obiettare ci sarebbe. Innanzitutto per la predilezione per le violiniste: sei su dieci sono troppe. Oltretutto tale Jennifer Frautschi, pur provvista di «pretty face», non è proprio una star «global» come le colleghe Hilary Hahn, Leila Josefowicz, Julia Fischer, Janine Jansen e Anne-Sophie Mutter. A proposito della Mutter: la bellezza non rima sempre con giovinezza, dato che l’ex pupilla di Karajan ed ex moglie di Prévin ha 45 anni (portati, del resto, benissimo). La sfilata delle strumentiste è chiusa (alla grande) da Ariana Ghez, primo oboe della Los Angeles Philharmonic Orchestra. Le cantanti sono tre. Praticamente obbligata la presenza di Anna Netrebko, la diva russa che ha conquistato il mondo come Violetta in minigonna rossa circondata da stuoli di coristi allupati. Anna bella, peraltro, è appena diventata mamma di un bebé (battezzato Tiago Arua, giusto per non farsi mancare nulla) con la collaborazione del basso-baritono uruguaiano Erwin Schrott, altro bellone (la velinizzazione dell’opera non riguarda solo le donne) con il quale forma una coppia dal glam quasi insostenibile. Giusto mettere fra le divine dieci anche il soprano Danielle De Niese, prova incarnata delle virtù del melting pot. Lei è americana nata in Australia da un cocktail genetico olandese, portoghese, inglese e dello Sri Lanka, e cantava a Glyndebourne la Cleopatra di Händel ballando sensuali stacchetti che Playboy paragona giustamente a quelli di Shakira (ma la colonna sonora di Danielle è molto migliore). Invece non si capisce chi sia Sarah Coburn, soprano americano di cui i redattori vantano il «southern charm» e la «blue-eyed beauty», ma che finora non abbiamo mai sentito nominare e men che meno cantare. E poi qui si dimenticano l’occhio cerulo e i capei d’oro del mezzosoprano lettone Elina Garanca, le gambe chilometriche della collega ceca Magdalena Kozena e la bellezza mediterranea della nostra Anna Caterina Antonacci. Quanto ai risultati del sondaggio (tuttora aperto su www.playboy.com/worldofplayboy/features/classical-babes/index.html) alle 17 di ieri conduceva d’un soffio la Frautschi sulla Fischer (rispettivamente 21 e 19%) poi, staccate, Netrebko, Jansen, De Niese, Hahn, Josefowicz, Coburn, Mutter e Ghez. Macché solite note..
I wish she would say "Ummmm," and "You know" about 15 times per minute so we can agree she is human and "kool."