Muy agradablemente sorprendido por este piano concerto ( y no desconocía al compositor ). Encantador el Andante, que a pesar de su sencillez resulta casi adictivo. Por último, destacar a la pianista: no lo puedo imaginar interpretado con más encanto y soltura; y el pianoforte, que posee un precioso sonido ( cosa que no puede decirse, a mí entender, de algunos de ellos, ya sean originales o reconstrucciones ). ❤️
He met Mozart (son & father) in London and his father explicitly advised WA Mozart to copy his style. He also had a lasting impact on Haydn. He is definetly a forefather of the Wiener Klassik.
@@maximilianb.8789 JC knew the 8 year old Mozart well during the family’s time in London between April 1764 and July 1765; meeting and working with JC must have been a breath of fresh air to Wolfgang after his father who was anyway primarily interested in exhibiting his two precocious children on the long English leg of the Grand Tour. The children I think stayed with JC sometimes when their father became ill, and the lessons and time JC spent with Mozart contributed to a lifelong affection Mozart always had for him. Not sure where you got the Haydn nonsense from as it’s pure misinformation*; JC had zero influence on Haydn, and not a single work by JC was ever performed by Haydn at Eszterhaza from his appointment there in 1761 until the death of Prince Nicholas in 1790. (Neither is he ‘…a forefather’ of the Viennese Classical period). * It is *CPE* Bach who is to Haydn as JC Bach is to Mozart.
@@maximilianb.8789 JC Bach had zero influence on Haydn and to suggest that he had is pure disinformation; in his near thirty years as Kapellmeister (1761-1790) at Eisenstadt and Eszterhaza, Haydn performed not one single work by JC Bach. If you change your comment to CPE Bach, you’re 100% correct, if you really mean JC Bach, then that figure drops to 0%. JC Bach left Germany c.1756 and moved to Italy; he had been living with and taught by his half-brother Emanuel since the death of their father in 1750. In 1762 he moved to England where he spent the rest of his life. Whilst the influence on Mozart is clear and obvious, more widely he had little to do with the Viennese Classical composers, indeed, he never went anywhere near the city. JC is entirely a Classical composer, and cannot really be called a ‘forefather’ as he was an important component part of the music of the period.
Many many thanks to you for uploading JC Bach by The wonderful Ingrid Haebler ... , 💝💝💝 TY
キーボード(ピアノ)奏者がオケ部分でちゃんと通奏低音してるのが良いです。
Muy agradablemente sorprendido por este piano concerto ( y no desconocía al compositor ). Encantador el Andante, que a pesar de su sencillez resulta casi adictivo. Por último, destacar a la pianista: no lo puedo imaginar interpretado con más encanto y soltura; y el pianoforte, que posee un precioso sonido ( cosa que no puede decirse, a mí entender, de algunos de ellos, ya sean originales o reconstrucciones ). ❤️
I can feel the smell of flowers
She recorded the complete op 1 op 3 and op 17 for Philips.
MAybe the most similar thing i heard compared to Mozart.
He met Mozart (son & father) in London and his father explicitly advised WA Mozart to copy his style. He also had a lasting impact on Haydn. He is definetly a forefather of the Wiener Klassik.
Maybe two in one)) So nice composition ... Ingrid as always so delicate.
@@maximilianb.8789 i would also say so
@@maximilianb.8789
JC knew the 8 year old Mozart well during the family’s time in London between April 1764 and July 1765; meeting and working with JC must have been a breath of fresh air to Wolfgang after his father who was anyway primarily interested in exhibiting his two precocious children on the long English leg of the Grand Tour.
The children I think stayed with JC sometimes when their father became ill, and the lessons and time JC spent with Mozart contributed to a lifelong affection Mozart always had for him.
Not sure where you got the Haydn nonsense from as it’s pure misinformation*; JC had zero influence on Haydn, and not a single work by JC was ever performed by Haydn at Eszterhaza from his appointment there in 1761 until the death of Prince Nicholas in 1790.
(Neither is he ‘…a forefather’ of the Viennese Classical period).
* It is *CPE* Bach who is to Haydn as JC Bach is to Mozart.
@@maximilianb.8789
JC Bach had zero influence on Haydn and to suggest that he had is pure disinformation; in his near thirty years as Kapellmeister (1761-1790) at Eisenstadt and Eszterhaza, Haydn performed not one single work by JC Bach.
If you change your comment to CPE Bach, you’re 100% correct, if you really mean JC Bach, then that figure drops to 0%.
JC Bach left Germany c.1756 and moved to Italy; he had been living with and taught by his half-brother Emanuel since the death of their father in 1750.
In 1762 he moved to England where he spent the rest of his life.
Whilst the influence on Mozart is clear and obvious, more widely he had little to do with the Viennese Classical composers, indeed, he never went anywhere near the city.
JC is entirely a Classical composer, and cannot really be called a ‘forefather’ as he was an important component part of the music of the period.
What is the key signature?
D major. If you click on the tab "show more" under the video you will see the information.
I am asking because of the strange Key Signature on the score. Seems like it only has the C#... what do you think?
@@bartjebartmans