Brubaker | Soundtrack Suite (Lalo Schifrin)
ฝัง
- เผยแพร่เมื่อ 18 พ.ค. 2024
- Original Motion Picture Soundtrack (1980). Composed and Conducted by Lalo Schifrin.
Please note that the rights belong to the individual copyright holders.
Get the Soundtrack:
amzn.to/3lHoIFD
Get the Movie:
amzn.to/3Gllgu4
Music Awards:
- None
Playlist:
00:00 Main Titles
01:55 The Details
02:52 All For The Love Of Sunshine (Schifrin/Curb/Hatcher)
05:11 Coombes
06:08 Relations
07:01 Sunglases
07:49 Blazing Buildings
09:00 Fiddles & Broomsticks
09:40 The Digging Begins
10:01 Bodies
11:18 A Handful At A Time
11:54 Take Him Alive
12:29 Finale (Brubaker's Adagio & Coda)
Source:
Intrada Special Collection Volume 10
More Information:
www.soundtrackcollector.com/t...
/ soundtrackfred
This site contains affiliate links. If a purchase is being made through them, a commission (at no additional cost) could be made. Thanks for your support in this way!
![ตรงที่เดิม - ฝน พรสุดา [ต้นฉบับ :เบส ขวางหวัน]](http://i.ytimg.com/vi/c5YnbGEztI8/mqdefault.jpg)
In “Brubaker” (1980) a new warden, portrayed by Robert Redford comes into a prison, disguised as an inmate, where he sees all types of corruption and scams, which the guards and prison officials are running and a fight begins to stop the faulty system. Based on the book “Accomplices to the Crime: The Arkansas Prison Scandal” and experiences by Thomas O. Murton (who also assisted during the production of the movie) “Brubaker” gets the touch of authenticity, also featuring fine performances by Murray Hamilton, Yaphet Kotto, Jane Alexander and more.
The music by Lalo Schifrin supports the ongoing plot well, mostly and carefully set in background the score sneaks into your ears. Schifrin also wrote a handful of (sung) Country music source cues, which, for the sake of the original score aren’t featured here, except the very warm “All For The Love Of Sunshine”. Also not featured here is an album arrangement called “Theme From Brubaker”, which is worth a listen (though not featured in the movie), so you might give it a (recommended) listen. Enjoy!
I've seen it broadcast on TV when I was young. This is the first movie I saw Morgan Freeman and Yaphet Kotto. The music by Lalo Schifrin is amazing. Thank you for uploading. 👏👏👏 ……
Nice R.Redford and awesome film!
Robert Redford , Morgan Freeman , Yaphett Cotto , all very fine actors .
Lalo Schifrin’s music is transportational. Every note and every phrase punctuates the action of the film. It’s distinctly of its period and that’s why I love it so.
I always like to declare myself a pretty big Schifrin fan but yet I had managed to miss this one to this day. I love the variety of atmospheres here, from grassroots to funk to country to the usual tension-building bits. It's awesome, thank you.
I knew of Brubaker but have never seen it. I will have to attend to this small detail. Meanwhile... Schifrin does Country and Western ( !!!! ) A very nice OST suite of some highly different styles - funk, R & B, action jazz. Gute arbeit, mein freund.
Un grand film sur la population carcéral...et ses dérives gardiens/prisonniers !.... tous.les hommes ont des droits !
Gorgeous soundtrack! 💖
Bravo Fred.👍🏻
Lavoro notevole di Lalo Schifrin, l'alternanza tra musica Country con quella sinfonica.☺
Il film è una delle opere più rappresentative del cinema d'impegno sociale caro a Robert Redford, ispirata a una storia realmente accaduta. Non l'ho ancora visto.
La regia fu inizialmente affidata a Bob Rafelson, che per divergenze con la produzione e forse anche con lo stesso Redford (Rafelson voleva realizzare un film totalmente politico) fu sostituito da Stuart Rosenberg, che anni prima diresse "Nick mano fredda" (Cool Hand Luke).
The movie is rather flat; Schifrin did not need to dig deep for this one. One reason is the lack of of character tension in the film. The plot is engaging enough, production values are high, but the characters are 2D. Redford plays the virtuous idealist role he had been perfecting since The Candidate. His character arrives in the movie with no hint of his past and why he would risk his career to fight the system. The other actors are safe 70s faces mostly playing roles within their typecasting: Hamilton as the dense authority figure, Yaphet Kotto as the thoughtful black heavy, etc. Jane Alexander's talent was wasted, Morgan Freeman made his mark in a minor role. A flick longer on potential than delivery, not much for a composer to do here.