András Schiff - Sonata No.27 in E minor, Op.90 - Beethoven Lecture-Recitals

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  • เผยแพร่เมื่อ 10 พ.ค. 2020
  • András Schiff - Beethoven Lecture-Recitals
    Wigmore Hall (London, UK), 2004-06
    András Schiff last performed the complete Beethoven piano sonatas at Wigmore Hall from 2004-06 to overwhelming critical acclaim, with the editor of the Guardian, Alan Rusbridger, describing one particular performance as ‘a riveting mixture of erudition, analysis, passion, wit and memory’.
    On the day before each of the eight recitals in the series, the world-renowned pianist, pedagogue and lecturer gave a lecture-recital in which he explored the works to be performed. Deeply engaging and insightful, these thought-provoking lecture-recitals, recorded live at the Hall, are available below as eight audio lecture-recitals.
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    Full playlist:
    • Beethoven Lecture-Reci...
    View the MP3 files on the Internet Archive:
    archive.org/details/AndrasSch...
    Originally available at:
    web.archive.org/web/201904301...
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ความคิดเห็น • 13

  • @pjbradley555
    @pjbradley555 ปีที่แล้ว +2

    Andras Schiff is definitely a superb performer, perhaps the best as of now.
    Thank you, Maestro .

  • @Mrmmm88
    @Mrmmm88 2 ปีที่แล้ว +8

    Truly one of my most favorite Sonatas. And Schiffs playing and lecture on this powerful Sonata, magnificent. I have never heard anyone interpret Beethoven better then Schiff (in my opinion)
    Schiff is the first box set of the mighty 32 I ever purchased.

  • @patrickbinford590
    @patrickbinford590 3 ปีที่แล้ว +20

    Just really enjoying Maestro Schiff's work here.

  • @wrdna58
    @wrdna58 2 ปีที่แล้ว +3

    His description of the quasi-fugue passage before the recap is quite a revelation. I had no idea!

  • @Juscz
    @Juscz 3 ปีที่แล้ว +6

    Great to hear Maestro Schiff's analysis and, as a bonus, his accompanying effective rebuke of Artur Rubinstein's criticism of the op. 90 Beethoven sonata.

  • @gerardbegni2806
    @gerardbegni2806 ปีที่แล้ว

    The first movement paves the way to the so-called Beethoven's "third manner" , while the second one demonstrates that Beethoven ca use the apparently most "simple" music in his last "manner" - as demonstrated for instance by some parts of the quartet 13 or some of the "Diabelli' variations.

  • @l.w.paradis2108
    @l.w.paradis2108 2 ปีที่แล้ว +3

    Claudio Arrau spoiled me for all other interpretations of Op. 90. I regret that, actually.

    • @helloitismetomato
      @helloitismetomato  2 ปีที่แล้ว +5

      Same for me to be honest

    • @Mrmmm88
      @Mrmmm88 2 ปีที่แล้ว +1

      Really? It's pretty bad. Arrau puts his ego before the music. Shciff does the exact opposite everytime. Arrua takes way to much liberty with the work. And in the most selfish way possible.

    • @l.w.paradis2108
      @l.w.paradis2108 2 ปีที่แล้ว

      @@Mrmmm88 Obviously I disagree.

    • @kbiyik
      @kbiyik 2 ปีที่แล้ว +1

      There is a fabulous live version of this sonata by Zoltan Kocsis on the TH-cam, which I strongly recommend to everyone who loves this work

  • @musiclover4311
    @musiclover4311 7 หลายเดือนก่อน

    Anthon Rubinstein was the the pianist who competed in Russia, NOT Arthur (Rubinstein 37 min on). Why those two are confused is beyond me. He's wrong.

  • @agseu3668
    @agseu3668 2 ปีที่แล้ว +1

    Bach não é o pai da música, os compositores italianos são. Tudo foi de Itália para o norte. Os do sul dedicaram-se à ópera, os do norte à música instrumental. András Schmidt é um pianista e um pedagogo extraordinário.