Daniil Trifonov - Mendelssohn: Variations sérieuses in D Minor, Op. 54 (Carnegie Hall)

Pianist - Daniil Trifonov
Record in 08.12.2023
Source: WQXR © 2023 New York Public Radio
No copyright infringement intended
#daniiltrifonov #trifonov #mendelssohn

[@rinacravero]

Desde las primeras nos ya se siente lindo. Gracias Daniil❤

[@emilyhutjes]

Love it Daniil, thank you for posting Maestro's Corner. 🌷🌷🌷 (Holland)

[@Irishrose777]

Thank you for sharing ❤

[@user-oz6bz3si9f]

Thanks

[@shelleyshao2882]

thanks....

[@bugyunjung7402]

어제 부천아트센터에서 공연 환상이었어요.

[@marian444]

He creates orchestra only by piano playing!

[@ГлебМаматов-у4ы]

Достаточно гротескно исполнено, не ожидал от Даниила, прямо на грани, понравилось, почему-то вообразил себе собор парижской Богоматери с ожившими гаргульями. Не лучшее исполнение, но очень достойное!

[@Ирина-е8ф2й]

Звук очень хороший.Жаль,что записали Мендельсона,хотелось бы Рамо,но все равно большое спасибо.
Петербург.

[@zinam5795]

Рамо есть в инете , можно найти. Мендельсон и есть новинка как раз !

[@zinam5795]

В начале почему-то , не свойственный Даниилу какой-то "агрессивный" напор в игре форте...

[@ojohnoho]

Everything about this performance is wrong. I admire "individual interpretations" of classics, but this is not Mendelssohn. In the end, there is only so far a performer can justifiably "put his stamp" on a perfectly composed work such as this. All the integral warmth of the theme throughout, the eccentric pacing and tempi of the various variations -- nothing reflects what the composer wrote. I heard this live in Houston recently, and it was even worse than this Carnegie clip. Get it together, Daniil.

[@gerardpaire304]

C'est vrai qu'il en fait "autre chose"... mais c'est fascinant !

[@wolfgangklofat594]

Perhaps Your mistake is to see Mendelssohn only as a brave German composer. But he was more than that - also with a lot of excentric attitudes which Trifonov is able to discover, to feel and to express - I remember of his concert in Munich the 6th of December 23. - I know only one record which is really "better" and still more Mendelssohn-like: Sviatoslav Richter in Brooklyn 1966. It owns more connection and especially the melancholy ending (the last tone!) convinces.

[@cathschofield7488]

Good job we’re not all the same. I loved this performance. It had energy, lyricism, dynamism. I liked Andras Schiff too but couldn’t live with the constant left hand leading

[@wolfgangklofat594]

@@cathschofield7488 I do insist on the highest value of the Brooklyn performance of Scjatoslav Richter: All 16 variations are one(!) unit and the character of the last tone has the same singular melancholy strain as you can hear it in Robert Schumann´s Toccata in C op. 7.