Ms Ng, sitting by your NYC apt window, engaging your audience with your radiant smile, and glass in hand, echoes the very picture you so enthusiastically explain. A Vermeer domestic scene is a perfect subject to be discussed during Covid, with many of us sequestered at home wondering about the wider world outside our very own windows. Thank you. You’re a wonderful lecturer, indeed ! Leslie Rosenberg, Teaneck, NJ
The best. Don't know how I was so lucky to find these lectures, each one a treasure. Please keep them coming! We all love them, and the knowledgeable curators we get to meet with each week. Nancy Mattern, ABQ NM
These lectures have become such a highlight in my week. I miss seeing the paintings in person but am enjoying the lectures which include so much history.
Love this series. The Frick has done the best job ever sharing the context of paintings, collections, history. If and when COVID is gone, I hope you keep the series up. Christine Miles in Albany, NY
Thank you for this presentation. The Vermeer are among the greatest treasures of the Frick. One aspect of Vermeer’s life you did not mention was the fact that the executor of his estate was Antoni van Leeuwenhoek, the great microscopist, who was a correspondent of the Royal Society and one of the great scientists of his age (and a Draper). That fact connects Vermeer to the larger world of scientific discovery which flourished in his time.
This was such a wonderful talk on Vermeer. He is one of my favorite artists and this was not only informational, but so thoughtful and inspiring to see Ms. Ng's obvious knowledge but also love of his work.
Much gratitude to The Frick and Ms. Ng for easing our journey through the pandemic and providing insight into the beauty and all-encompassing impressions that art provides us in these divisive times.
Curator Aimee Ng, you are a joy to listen to. Your passion is evident and you convey your knowledge in a compelling story that makes me want to listen to more. Well done, and thanks.
I enjoy the history of the weekly cocktail, which adds another dimension to these wonderful lectures. Thank you for each week. Maryann Bracken, Guilford CT
Thank you Aimee!!! Vermeer is one of our favourite painters. We have been to the Frick to see his paintings, but then we have so much appreciated the visit to this extraordinary museum...Thank you again for your lesson.
I agree, these are the very best lectures. Thank you so very much to Aimee and the Frick, you are so good at telling the stories I honestly can't wait until Fridays to see the new ones.
These lectures are AWESOME. There are no words that can describe my gratitude for your efforts into researching and presenting the content in such a friendly, comprehensive, relatable way. Many many thanks. Sincerely wishing you the stamina to keep doing this for a long time.
What a pleasure to spend time with a glorious painting and a most excellent curator who talks not only about the art, but the period during which it was created. Thank you for this new and important contribution to my enjoyment of this work.
I love these lectures. I follow you from Italy. It's a real pleasure to watch your videos. Dr. Salomon and Dr. Ng are so passionate and engaging. Thank you!
Thank you so much for these episodes. The Frick Museum is one of my favorite places to visit when I am in New York. Seeing "Officer and Laughing Girl" felt like seeing an old friend today. Thank you for this wonderful presentation.
Ms Eng's gift is in gathering the threads of relevance - the beaver, the maps, the Egyptian lapis, those 15 children! Then looped it all back to the tiny but tough cocktail. Brilliant.
Wonderful lecture. All of the curators are first class! Thank you. I love learning about the various artworks and offer a toast to those making these lectures possible
Thank you Aimée, You pulled off the challenge of talking about such an iconic artist brilliantly. Both you and Xavier have the gift of giving your audience the benefit of a wealth of fascinating knowledge and passing on your enthusiasm in a highly effective and entertaining way. Numbers having watched this “Cocktails..” currently stand at 8,899 but I felt as though you were taking only to me.
I enjoy every Friday presentation. Each line of presentation is so well prepared and full of inside, knowledge and humor. I am so grateful for this magnificent evenings.I love it. Thank you, Gabriela from NY.
Cocktails with the curator provides us with a wonderful escape from our CV19 confinement with or without a cocktail in hand. Keep it up...The Frick has an abundance of paintings that tell many more stories! Thank you! JPI
Ms. Ng is completely engaging, as both a scholar and as a citizen of our city. She really knows how to engage an audience, and I thank her for that....
Beautiful video, I love vermeer 😍! I saw the same exhibition of masterpieces from the mauritshuis here in Italy, Bologna to be precise, it was amazing 😍. Good weekend everyone 🤗
I love Vermeer and this episode is well produced with elaborate depiction of the lighting, the history, and the background knowledge in the painting. Thank you very much again!
What an incredibly insightful tribute to Vermeer, and the fragility to economic turns and whims of cultural trends an artist faces. I love your perspective on his wife ( women hold up.half the sky!)..and in this she seems eager to support the venture of his painted portrayals of the roots of daily life. Thank you so much for this gift of analysis adding so much more to the beauty of his vision.
Incredible, I am a dutch speaking Belgian (Belgium is a neighbouring country located south of the Netherlands) and I didn't know that story about gin and jenever, nor that a 'Kopstootje' was a beer with jenever. Cheers.
Thank you for these wonderful weekly gems! I hope they will continue even post-COVID. So interesting and I learn something new each time, I particularly like Aimee’s insight and perspective about the female portrayed in this piece. I can’t wait to return to the Frick in person. - Elaine Willey, NJ
Thank you Aimee. I really love to hear your explanation on Frick collection. It gives me power and joy to follow my dream and try more. -two daughter mom, once studied art history and plans to write a book on art, in Korea. Cheers!
Thank you, Ms Ng. You helped explain the poignant discomfort - not quite sadness - I always feel when I look at this painting. Plus, I had always wondered why the blue sections of the map didn't correspond to the watery areas of Holland. For the time being, Dutch Courage to us all!
Yes! The fugitive yellow! I must think on your discomfort...not quite sadness with the painting. I wonder if it is because the soldier is the repoussoir, device framing the space. Very interesting.
Group members at the Facebook group Music & Art Odyssey are very much enjoying and appreciating these and all videos from The Frick. Thank you. Sincerely, Barbara Fysh.
This is excellent!!! I enjoyed it very much. Thank you!! The curator is molto simpatica and presented the Vermeer very well; it's too bad that the sound is so bad-I missed a few things that she said. I've been enjoying this series, but this episode is the one that caused me to subscribe.
Thank you Aimee for your wonderful lecture! Regarding the camera obscura - using this device in no way diminishes Vermeer. Many professional artists trace portraits to speed up the long process ahead of them. Even though a painting may start this way - the artist must redraw with paint the image numerous times with each layer applied. If the artist does not have an advanced ability to draw it will show up in the finished painting.
Great lecture, could have done without the political slant but it is what it is. When I first saw this painting in the Autumn of 1974 when I was a senior at Hunter College which is nearby the Frick (the Frick Collection was free admission in those days) I just loved it and still do. Henry Clay Frick for all his faults had a great taste in art.
Officer and laughing girl strikes me as having had a bit of a rough life. I might be mistaken as i don't have intense close ups of his other work on hand but does it need a touch of restoration? I don't recall noticing quite as much craquelure on his other work. There's 3 or 4 in the Met that i saw recently. Am i imagining that or is there some validity to that notion?
Excellent. Never connect Vermeer to Canada's fur trade. Where I teach art, I look out to the Hudson Bay Company Department Store, est. 400 years ago.:same time as the Dutch East Indian co. is established. Interesting to connect a mundane department store to an old master Dutch painter during a global pandemic!
I think that Vermeer above all wished to show the beautiful hat of beaver. Here sits the man of the world who full well knows that the fur was precured from the swamps of New Amsterdam (New York). Either he sailed across the ocean himself, or he was wealthy enough to be able to buy such an expensive piece in his wardrobe.
I feel that the officer was somewhat neglected in this otherwise excellent presentation, even though he takes up a large and very conspicuous part of the painting. What kind of officer is he: naval, ship's captain...? Was the much-discussed hat part of an official uniform? What might Vermeer have been telling us by hiding his face under that hat, yet making his figure so large and his clothing so bright? Is it to emphasize even more the significance of the small woman, who is bathed in all that light? Why is she so important? Or does he seem larger than life to her? It's hard to imagine that this painting is only about a "business transaction." I believe there is much more going on than that. At a time when Dutch ships nearly covered the globe, and voyages were measured in months and years, it may also be noteworthy that the huge wall map is a map of "home." There's always more to a genre painting than meets the eye! Thank you, Ms. Ng, for your thought-provoking discussion of this exquisite painting.
@mark bushnell If you read my comment carefully, you'll see that it is not a criticism at all. Part of the genius of Vermeer is the ambiguity in his paintings. But maybe we can learn something more about this mysterious man by studying his clothing, the map on the wall, and the woman's gesture. What is your take on this painting?
Amy, though you might have received negative comments I am very happy you are mentioning colonialism etc. and other issues in an attempt to give a more objective and nuanced context of why/how/when some of these works of came into being.great work.great work
Would you do a lecture (or series!) on how you would pair some of the paintings in the collection with a Contemporary, Modern, Women Artist, BLM, etc. work. Cheers!
Yes, I very much like/value Ms Ng and the issues she brings into the focus of a single picture. However, what I find somewhat problematic is her posing of present-day questions that clearly do not belong to the past: Was Vermeer aware of the (human/environmental) cost of obtaining for example the beaver hat? While it is vital to balance splendour and exploitation, to me it smacks of the ideologically-driven obsession of making anachronistic value-judgments as seen today in the demolition of past reputations and commemorative images.
I'm glad Ms. Ng seems woke. Should not the Frick consider selling this painting and giving the proceeds as reparations to descendants of those peoples abused by the patrons of Vermeer? Seems like an appropriate SJ kind of approach.
Their narrator goes on and on about the expectation of Native Americans in obtaining the beaver for the hat does explain how that occurred. We are talking about the 1600s. And how does this affect or bring in the subject of African slaves? If you’re going to Bring up issues of this type you should explain in more detail and give some sense of contexts. Otherwise it comes across as just pandering to some of the current issues going in the world today.
Agreed. Out of place and forced . This is better suited to light hearted chat about art and a cocktail. No need for yet another scolding for the evils of western civilization
Why load Vermeer with the consciousness of colonial exploitation. He may have had opinions, if anybody was asking, similar to anyone else at the time. Europeans themselves couldn't have easily said no to it even if they had strong religious opinions. No one on earth back then may have had a very universal acceptance of any other country, any other society or culture or any other ethnicity but their own. Not the slavers or the slaves.
These lectures are a wonder . And thanks to Aimee whenever I see a Vermeer I’m reminded of slavery ……. And woke ness and virtue signaling ……. Come to think of it …. I much prefer Xavier ……
Very disappointed by this episode. Is the not enough grief and stress in the modern world? There is no need to turn these light hearted diversions into yet another morality play. Give it a rest and enjoy the wonderful art.
In The golden age of The Netherlands , being the first republic as a country in Europe, slavery was forbidden. You had black vicars with much authority and mixed mariages were quite common in the dutch republic. Secondly , slavery was a common thing through-out the world , in Africa , Arabia a. s. o . Cruelty among indians especially the Maya's, crualty by African tribes against each-other á la Hootsies and Tootsies ..... Stop the Political-correct bias against specific parts of the world please. please.
Ms Ng, sitting by your NYC apt window, engaging your audience with your radiant smile, and glass in hand, echoes the very picture you so enthusiastically explain. A Vermeer domestic scene is a perfect subject to be discussed during Covid, with many of us sequestered at home wondering about the wider world outside our very own windows. Thank you. You’re a wonderful lecturer, indeed !
Leslie Rosenberg, Teaneck, NJ
The best. Don't know how I was so lucky to find these lectures, each one a treasure. Please keep them coming! We all love them, and the knowledgeable curators we get to meet with each week. Nancy Mattern, ABQ NM
These lectures have become such a highlight in my week. I miss seeing the paintings in person but am enjoying the lectures which include so much history.
Love this series. The Frick has done the best job ever sharing the context of paintings, collections, history. If and when COVID is gone, I hope you keep the series up. Christine Miles in Albany, NY
Thank you for this presentation. The Vermeer are among the greatest treasures of the Frick. One aspect of Vermeer’s life you did not mention was the fact that the executor of his estate was Antoni van Leeuwenhoek, the great microscopist, who was a correspondent of the Royal Society and one of the great scientists of his age (and a Draper). That fact connects Vermeer to the larger world of scientific discovery which flourished in his time.
This was such a wonderful talk on Vermeer. He is one of my favorite artists and this was not only informational, but so thoughtful and inspiring to see Ms. Ng's obvious knowledge but also love of his work.
Much gratitude to The Frick and Ms. Ng for easing our journey through the pandemic and providing insight into the beauty and all-encompassing impressions that art provides us in these divisive times.
Curator Aimee Ng, you are a joy to listen to. Your passion is evident and you convey your knowledge in a compelling story that makes me want to listen to more. Well done, and thanks.
I enjoy the history of the weekly cocktail, which adds another dimension to these wonderful lectures. Thank you for each week.
Maryann Bracken, Guilford CT
I adore these lectures. I cannot express my gratitude and appreciation for your efforts. PS - And I don’t imbibe. Sincerely, James Ross
Thank you for this! Aimee, you rock and Vermeer is the best...
Thank you Aimee!!! Vermeer is one of our favourite painters. We have been to the Frick to see his paintings, but then we have so much appreciated the visit to this extraordinary museum...Thank you again for your lesson.
I agree, these are the very best lectures. Thank you so very much to Aimee and the Frick, you are so good at telling the stories I honestly can't wait until Fridays to see the new ones.
These lectures are AWESOME. There are no words that can describe my gratitude for your efforts into researching and presenting the content in such a friendly, comprehensive, relatable way. Many many thanks. Sincerely wishing you the stamina to keep doing this for a long time.
What a pleasure to spend time with a glorious painting and a most excellent curator who talks not only about the art, but the period during which it was created. Thank you for this new and important contribution to my enjoyment of this work.
I love these lectures. I follow you from Italy. It's a real pleasure to watch your videos. Dr. Salomon and Dr. Ng are so passionate and engaging. Thank you!
With all my heart, I thank the Frick for the gift of these radiant, enlightening, and entertaining talks.🌻🌷🌼🌷
Thank you so much for these episodes. The Frick Museum is one of my favorite places to visit when I am in New York. Seeing "Officer and Laughing Girl" felt like seeing an old friend today. Thank you for this wonderful presentation.
Ms Eng's gift is in gathering the threads of relevance - the beaver, the maps, the Egyptian lapis, those 15 children! Then looped it all back to the tiny but tough cocktail. Brilliant.
Wonderful lecture. All of the curators are first class! Thank you. I love learning about the various artworks and offer a toast to those making these lectures possible
Thank you Aimée, You pulled off the challenge of talking about such an iconic artist brilliantly. Both you and Xavier have the gift of giving your audience the benefit of a wealth of fascinating knowledge and passing on your enthusiasm in a highly effective and entertaining way. Numbers having watched this “Cocktails..” currently stand at 8,899 but I felt as though you were taking only to me.
I enjoy every Friday presentation. Each line of presentation is so well prepared and full of inside, knowledge and humor. I am so grateful for this magnificent evenings.I love it.
Thank you, Gabriela from NY.
Cocktails with the curator provides us with a wonderful escape from our CV19 confinement
with or without a cocktail in hand. Keep it up...The Frick has an abundance of paintings that tell many more stories! Thank you!
JPI
Ms. Ng is completely engaging, as both a scholar and as a citizen of our city. She really knows how to engage an audience, and I thank her for that....
It wouldn't be Friday if we didn't have Cocktails with the amazing Curators at the Frick. Thank you for enlightening our limited knowledge of art.
Fabulous, educational and entertaining in full and equal measure. Cheers!
Thank you so much, Aimee and the Frick, for this very interesting and informative presentation.
These lectures are fantastic. The drinks are a clever and fun addition. Thanks to The Wall Street Journal for making me aware of this series.
My wife & I really enjoy these lectures. Herb & Dawn White - Tappahannock, VA
What an absolutely delightful lecture!! Merci, again and again👏🏻👏🏻👏🏻
Beautiful video, I love vermeer 😍! I saw the same exhibition of masterpieces from the mauritshuis here in Italy, Bologna to be precise, it was amazing 😍. Good weekend everyone 🤗
You give a world class presentation. Thank you! 🇨🇦
I love Vermeer and this episode is well produced with elaborate depiction of the lighting, the history, and the background knowledge in the painting. Thank you very much again!
Thank you so much for this series. I so look forward to it every week.
High Pleasure is this. Nicely done Dr Ng.
Thank you
A highlight of my week!
Same here!
What an incredibly insightful tribute to Vermeer, and the fragility to economic turns and whims of cultural trends an artist faces. I love your perspective on his wife ( women hold up.half the sky!)..and in this she seems eager to support the venture of his painted portrayals of the roots of daily life. Thank you so much for this gift of analysis adding so much more to the beauty of his vision.
Thank you! Wonderful lecture, hoping one day to see Vermeer paintings in person
I love these lectures also! Thank you Frick Collection for bringing this to my pandemic seclusion.
He probably didn't think about it at all. But you knew that. Loved the lecture. Thank you.
Incredible, I am a dutch speaking Belgian (Belgium is a neighbouring country located south of the Netherlands) and I didn't know that story about gin and jenever, nor that a 'Kopstootje' was a beer with jenever. Cheers.
Thank you for these wonderful weekly gems! I hope they will continue even post-COVID. So interesting and I learn something new each time, I particularly like Aimee’s insight and perspective about the female portrayed in this piece. I can’t wait to return to the Frick in person. - Elaine Willey, NJ
Looking forward to this series. The Frick House was one of my destination galleries while an art student in the 1970's
it should still be on your list!!
I got Vermeer’s Hat book by Timothy Brook!
Expressing thanks for this excellent series. All so very well done. Best, L. Jorgensen -Walsh
Thank you Aimee. I really love to hear your explanation on Frick collection. It gives me power and joy to follow my dream and try more. -two daughter mom, once studied art history and plans to write a book on art, in Korea. Cheers!
A late catch up but so glad I did! What an insightful presentation. Thank you.
Thank you, Ms Ng. You helped explain the poignant discomfort - not quite sadness - I always feel when I look at this painting. Plus, I had always wondered why the blue sections of the map didn't correspond to the watery areas of Holland. For the time being, Dutch Courage to us all!
Yes! The fugitive yellow! I must think on your discomfort...not quite sadness with the painting. I wonder if it is because the soldier is the repoussoir, device framing the space. Very interesting.
Great series and particularly enjoying Aimee’s episodes!
Thank you! This is a wonderful lecture. Learned so much. Seattle, WA.
I found all the connections interesting and thought provoking. Thank you.
Wonderful talk on another NYC treasure. Thank you.
Group members at the Facebook group Music & Art Odyssey are very much enjoying and appreciating these and all videos from The Frick. Thank you. Sincerely, Barbara Fysh.
I just love "Cocktails with a Curator." The art history lecture is always so interesting and the cocktail is such a nice touch! Thank you Aimee! x
This is excellent!!! I enjoyed it very much. Thank you!! The curator is molto simpatica and presented the Vermeer very well; it's too bad that the sound is so bad-I missed a few things that she said. I've been enjoying this series, but this episode is the one that caused me to subscribe.
Excellent, and a moving description of the woman’s face and the possible explanation for her expression.
What a thoroughly enjoyable lecture. Thank you.
Thank you Aimee for your wonderful lecture! Regarding the camera obscura - using this device in no way diminishes Vermeer. Many professional artists trace portraits to speed up the long process ahead of them. Even though a painting may start this way - the artist must redraw with paint the image numerous times with each layer applied. If the artist does not have an advanced ability to draw it will show up in the finished painting.
Lovely, as usual! Thank you so much 😊
Thank you so much for that interesting and informative “Happy Hour”
Wonderful informative video from someone who loves their job. many many thanks
Absolutely Fabulous!
Bravo, Aimee Ng! You are the best!
Thank you hoped to hear more about painting technique
Loving this from Floral Park, NY
So good. Thank you for sharing your beautiful knowledge with us! I myself had a bourbon and branch water.
Splendid! Brava! And thank you for the ethical reflections on the terrible price of the fur trade.
Thank you so much!! This was so informative and well presented!!
So looking forward to seeing this Vemeer at the Frick personally.
Great lecture, could have done without the political slant but it is what it is. When I first saw this painting in the Autumn of 1974 when I was a senior at Hunter College which is nearby the Frick (the Frick Collection was free admission in those days) I just loved it and still do. Henry Clay Frick for all his faults had a great taste in art.
Thanks so much from Jacksonville, Florida
Wonderful and witty.
Brilliant!🌺🌹
Excellent, thanks.
Officer and laughing girl strikes me as having had a bit of a rough life. I might be mistaken as i don't have intense close ups of his other work on hand but does it need a touch of restoration? I don't recall noticing quite as much craquelure on his other work. There's 3 or 4 in the Met that i saw recently. Am i imagining that or is there some validity to that notion?
Excellent. Never connect Vermeer to Canada's fur trade. Where I teach art, I look out to the Hudson Bay Company Department Store, est. 400 years ago.:same time as the Dutch East Indian co. is established. Interesting to connect a mundane department store to an old master Dutch painter during a global pandemic!
I think that Vermeer above all wished to show the beautiful hat of beaver. Here sits the man of the world who full well knows that the fur was precured from the swamps of New Amsterdam (New York). Either he sailed across the ocean himself, or he was wealthy enough to be able to buy such an expensive piece in his wardrobe.
Wonderful lecture!
Why do I get the feeling that Aimee never finished that jenever and beer? If not, smart girl!
If the map is from 1621 and the painting from mid 17th C then it is antirely likely the beaver pelt came from our own, beloved, Nieuw Amsterdam
Thank you very much
I feel that the officer was somewhat neglected in this otherwise excellent presentation, even though he takes up a large and very conspicuous part of the painting. What kind of officer is he: naval, ship's captain...? Was the much-discussed hat part of an official uniform? What might Vermeer have been telling us by hiding his face under that hat, yet making his figure so large and his clothing so bright? Is it to emphasize even more the significance of the small woman, who is bathed in all that light? Why is she so important? Or does he seem larger than life to her? It's hard to imagine that this painting is only about a "business transaction." I believe there is much more going on than that. At a time when Dutch ships nearly covered the globe, and voyages were measured in months and years, it may also be noteworthy that the huge wall map is a map of "home." There's always more to a genre painting than meets the eye! Thank you, Ms. Ng, for your thought-provoking discussion of this exquisite painting.
@mark bushnell If you read my comment carefully, you'll see that it is not a criticism at all. Part of the genius of Vermeer is the ambiguity in his paintings. But maybe we can learn something more about this mysterious man by studying his clothing, the map on the wall, and the woman's gesture. What is your take on this painting?
In Dutch this work is called "De Soldaat en het lachende meisje". Soldier, not officer.
Thanks for the canadian Reference
Bravo!
Belíssimo 👏👏
Amy, though you might have received negative comments I am very happy you are mentioning colonialism etc. and other issues in an attempt to give a more objective and nuanced context of why/how/when some of these works of came into being.great work.great work
Vermeer. That's all you have to say!
Would you do a lecture (or series!) on how you would pair some of the paintings in the collection with a Contemporary, Modern, Women Artist, BLM, etc. work. Cheers!
Hand over the money, Hunny.....😉😂
Yes, I very much like/value Ms Ng and the issues she brings into the focus of a single picture. However, what I find somewhat problematic is her posing of present-day questions that clearly do not belong to the past: Was Vermeer aware of the (human/environmental) cost of obtaining for example the beaver hat? While it is vital to balance splendour and exploitation, to me it smacks of the ideologically-driven obsession of making anachronistic value-judgments as seen today in the demolition of past reputations and commemorative images.
I'm glad Ms. Ng seems woke. Should not the Frick consider selling this painting and giving the proceeds as reparations to descendants of those peoples abused by the patrons of Vermeer? Seems like an appropriate SJ kind of approach.
Their narrator goes on and on about the expectation of Native Americans in obtaining the beaver for the hat does explain how that occurred. We are talking about the 1600s. And how does this affect or bring in the subject of African slaves? If you’re going to Bring up issues of this type you should explain in more detail and give some sense of contexts. Otherwise it comes across as just pandering to some of the current issues going in the world today.
Thank you so much for the informative talk. The politically correct remarks about the hat and the map were a little puzzling.
Agreed. Out of place and forced . This is better suited to light hearted chat about art and a cocktail. No need for yet another scolding for the evils of western civilization
mark bushnell the “truth”?
You see? It's very dangerous for you to leave your safe space!
She sees a hat and gives us her au courant views on the African slave trade.Is there no limit to the virtue signalling of the WOKE?
Is there no end to the bitter tears of the fragile snowflakes who feel attacked whenever slavery is mentioned?
You can skip to 20:23 if you are uninterested in Dutch liquor.
“Johannes Vermeer, genocidal slave trader”. Interesting perspective.
Why load Vermeer with the consciousness of colonial exploitation. He may have had opinions, if anybody was asking, similar to anyone else at the time. Europeans themselves couldn't have easily said no to it even if they had strong religious opinions. No one on earth back then may have had a very universal acceptance of any other country, any other society or culture or any other ethnicity but their own. Not the slavers or the slaves.
These lectures are a wonder .
And thanks to Aimee whenever I see
a Vermeer I’m reminded of slavery …….
And woke ness and virtue signaling …….
Come to think of it …. I much prefer Xavier ……
O I forgot, she also lets us know
its Dutch-man not Dutchman ........ so important for being woke .
Very disappointed by this episode. Is the not enough grief and stress in the modern world? There is no need to turn these light hearted diversions into yet another morality play. Give it a rest and enjoy the wonderful art.
Do you need a hug?
In The golden age of The Netherlands , being the first republic as a country in Europe,
slavery was forbidden.
You had black vicars with much authority and mixed mariages were quite common in the dutch
republic.
Secondly , slavery was a common
thing through-out the world ,
in Africa , Arabia a. s. o .
Cruelty among indians especially
the Maya's, crualty by African tribes against each-other á la Hootsies and Tootsies .....
Stop the Political-correct bias against specific parts of the world please.
please.
Pieter Sweelinck Hutu and Tutsi, my illiterate friend!
@@danpatrick24 yes you are right
But the use á la *machetes* is so to speak a striking exemple for the point I want to make any way