Claude Debussy - Première Rhapsodie | Carlos Ferreira

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  • เผยแพร่เมื่อ 13 ม.ค. 2022
  • Carlos Ferreira plays Première Rhapsodie by Claude Debussy with Orchestre National de France
    www.arte.tv/fr/videos/106201-...
    #clarinet #debussy #wearebuffet #classicalmusic
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ความคิดเห็น • 12

  • @edwardmontoya50
    @edwardmontoya50 ปีที่แล้ว +6

    This is my favorite recording now! Huge shout out to the orchestra and soloist. I envy the joy you feel and show when performing. Your breath control is astounding. Debussy got so ethereal and dreamy he forgot that clarinetists need to breath. Fantastic.

  • @edwardmontoya50
    @edwardmontoya50 ปีที่แล้ว +4

    Carlos Ferreira is definitely a clarinet artist to follow. I would love to do chamber music with him as he perfectly visually projects his musical expression.

  • @JanVrehen1
    @JanVrehen1 ปีที่แล้ว +1

    I enjoyed this performance very much . Thanks to all .

  • @vicente1049
    @vicente1049 2 ปีที่แล้ว +2

    Súper clase

  • @emjay2045
    @emjay2045 2 ปีที่แล้ว +2

    🖤🖤

  • @marcelogutierrez3314
    @marcelogutierrez3314 ปีที่แล้ว +1

    Una verdadera delicia!!!!

  • @edwardmontoya50
    @edwardmontoya50 ปีที่แล้ว +2

    Very interesting question. My expertise is in bassoon but it have another question to answer yours: Is there a difference in the clarinet part full orchestra version v. Piano version? If so who wrote it? Did Debussy ever write a transcript himself

    • @tabbywarrior
      @tabbywarrior 10 หลายเดือนก่อน +2

      No difference for the clarinet part! All changes come from blending with the Orchestra vs Piano.

    • @leonardocilento786
      @leonardocilento786 4 หลายเดือนก่อน

      The original score is for clarinet and piano, as it was composed as entrance exam for the conservatoire superieur de Paris and it was commissioned by Gabriel Faure (the director of the conservatoire). It was then orchestrated by debussy himself for a later recital.

  • @mimosa-music
    @mimosa-music ปีที่แล้ว +1

    In the 12th bar of rehearsal 5, why do you play the triplet semiquaver as rising 5ths, rather than the rising stepwise scale that is in my score? Where did that come from?