Blessed afternoon! 🙏 Thank you so much for your kind words! I'm glad you're enjoying the lessons. Keep up the great work with your playing! 🎸 If you have any questions or need help with anything, feel free to reach out
Love the energy! I'm thrilled this lesson is essential for you. Keep pushing those boundaries and play like you mean it! Thanks for the kind words, and keep rocking, nephew! 🎸🔥
You're very welcome! I'm glad you enjoyed the class. If you have any more questions or need further help, don't hesitate to reach out. Keep practicing and stay inspired!
@@kwilson27278 I sure will! You reminded me of when i use to play guitar and bass for some quartets back in the mid 80's thru the 90's. "The Lord Smile Upon You"!
You're very welcome! I'd love to help you incorporate the bebop scale into your quartet guitar playing. Stay tuned for a tutorial-I'll be covering how to use the bebop scale to add some jazz flavor to your playing. Thanks for the suggestion, and I appreciate your enthusiasm! 😇🎸
Sir, Help, please. For the life of me. I am trying to figure how a B-flat, seven, suspended 4 is created by the voicing of (1=B-flat, no 3, 4= E-flat, & A=natural 7 tone, i.e. the major 7 of Bflat. The dominant tone is missing. The flat 7 would be A-flat.) If you flat the A, you get the dominant quality of Bb, Eb, & Ab. Thanks You probably read a typo?. j Smith of FL
So my question is this rather than try to figure out all these different triads why can't I just make the chord in any inversion that I want and just hit certain strings of that chord to get the triad that I want?
The short answer is: yes, you absolutely can! In fact, many guitarists use exactly this approach, especially when they want to quickly access triads without worrying too much about specific fingerings. When you play a chord in any inversion and target specific strings, you're essentially isolating triads within the full chord shape. However, learning triad shapes separately can be useful because it gives you more flexibility and awareness. It helps you quickly recognize the triads across the neck and use them in different musical contexts without relying on full chord shapes. So, while your approach works, learning triads gives you deeper fretboard knowledge and versatility. Both methods are useful, and combining them can give you the best of both worlds!
I used to try and teach this to my Uncle..I thought his head going to explode. Then I got a headache because constantly asked "why are the called that? " "Couldn't they name it something else?"
Haha, I can totally relate! Music theory can be a real head-scratcher sometimes. It’s funny how the names can trip people up more than the actual concepts. But once you get past the names, it all starts to make sense! Thanks for sharing your story-sounds like you and your uncle had some fun (and maybe a few headaches) along the way! 😄🎸
![Learn Introduction to Cooling Water and Apply it to Your Playing TODAY! [Gospel Guitar Lessons]](http://i.ytimg.com/vi/zZtDyUUVYIQ/mqdefault.jpg)
![Learn Introduction to Cooling Water and Apply it to Your Playing TODAY! [Gospel Guitar Lessons]](/img/tr.png)
Hey, thanks for watching this video…Questions? Post in the comments.
Check out my free mini-course at KevinWilsonGuitar.com
How does a very new OG begin to play? School or you? Open to all suggestions. 😊
bless afternoon Mr kevin, i love your guitar teaching
Blessed afternoon! 🙏 Thank you so much for your kind words! I'm glad you're enjoying the lessons. Keep up the great work with your playing! 🎸 If you have any questions or need help with anything, feel free to reach out
I needed this. Thanks!!
Thank you for that awesome lesson!
My Pleasure
Great to see you on youtube, you are an amazing guitar player and musician
Awesome! Will sit down with this later today, thank you sir!
Great! You're welcome
Follow-up. I love your phrasing!
j Smith of FL
This is an essential lesson for me. These are also the ingredients to drive it like you stole it! Thanks Uncle OG!
Love the energy! I'm thrilled this lesson is essential for you. Keep pushing those boundaries and play like you mean it! Thanks for the kind words, and keep rocking, nephew! 🎸🔥
Great teaching!❤
Glad it was helpful!
THANK YOU FOR THE CLASS!
You're very welcome! I'm glad you enjoyed the class. If you have any more questions or need further help, don't hesitate to reach out. Keep practicing and stay inspired!
@@kwilson27278 I sure will! You reminded me of when i use to play guitar and bass for some quartets back in the mid 80's thru the 90's. "The Lord Smile Upon You"!
Thank you so much for breaking that down for us 🙏🙏🙏🔥
You're very welcome! I'm glad the breakdown was helpful. Keep on playing and don't hesitate to reach out if you have any more questions. 🎸🔥🙏
Nice guitar man
Thank you
Great lesson!!
Thank you! I'm glad you enjoyed the lesson. Keep practicing and let me know if there's anything else you'd like to learn! 🎸👍
Okay thanks Kevin. Do us a favor to teach the usage of bebop scale into quartet guitar please please 😇
You're very welcome! I'd love to help you incorporate the bebop scale into your quartet guitar playing. Stay tuned for a tutorial-I'll be covering how to use the bebop scale to add some jazz flavor to your playing. Thanks for the suggestion, and I appreciate your enthusiasm! 😇🎸
@@kwilson27278 Many thanks Kevin. We look forward to it🙏
Got it!
Great!!
Teach us a lesson how we can play like a pro
I'm on it! Let's go
Sir,
Help, please. For the life of me. I am trying to figure how a B-flat, seven, suspended 4 is created by the voicing of (1=B-flat, no 3, 4= E-flat, & A=natural 7 tone, i.e. the major 7 of Bflat.
The dominant tone is missing. The flat 7 would be A-flat.) If you flat the A, you get the dominant quality of Bb, Eb, & Ab.
Thanks
You probably read a typo?.
j Smith of FL
It's BbMaj7sus4
So my question is this rather than try to figure out all these different triads why can't I just make the chord in any inversion that I want and just hit certain strings of that chord to get the triad that I want?
The short answer is: yes, you absolutely can!
In fact, many guitarists use exactly this approach, especially when they want to quickly access triads without worrying too much about specific fingerings. When you play a chord in any inversion and target specific strings, you're essentially isolating triads within the full chord shape. However, learning triad shapes separately can be useful because it gives you more flexibility and awareness. It helps you quickly recognize the triads across the neck and use them in different musical contexts without relying on full chord shapes.
So, while your approach works, learning triads gives you deeper fretboard knowledge and versatility. Both methods are useful, and combining them can give you the best of both worlds!
I used to try and teach this to my Uncle..I thought his head going to explode. Then I got a headache because constantly asked "why are the called that? " "Couldn't they name it something else?"
Haha, I can totally relate! Music theory can be a real head-scratcher sometimes. It’s funny how the names can trip people up more than the actual concepts. But once you get past the names, it all starts to make sense! Thanks for sharing your story-sounds like you and your uncle had some fun (and maybe a few headaches) along the way! 😄🎸
Hi Kevin 😃
Hey there family! 😃 How’s it going
@@kwilson27278 It’s going good, steady studying my fretboard