Haydn - The Cello Concertos Nos.1,2 (reference recording: Jacqueline Du Pré, Daniel Barenboim)
ฝัง
- เผยแพร่เมื่อ 3 ก.ย. 2021
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Thank you :) / cmrr
Franz Joseph Haydn (1732-1809) - The Concertos for Cello and Orchestra.
🎧 Find this recording in our Spotify playlist : spoti.fi/3h1BQnk
Click to activate the English subtitles for the presentation (00:00-02:20)
00:00 Concerto in C Major, Hob.VIIb:1 - I. Moderato
09:29 Concerto in C Major, Hob.VIIb:1 - II. Adagio
19:12 Concerto in C Major, Hob.VIIb:1 - III. Allegro molto
26:03 Concerto in D Major, Hob.VIIb:2 - I. Allegro moderato
42:45 Concerto in D Major, Hob.VIIb:2 - II. Adagio
49:54 Concerto in D Major, Hob.VIIb:2 - III. Rondo - Allegro
Cello : Jacqueline Du Pré
English Chamber Orchestra (Hob.VIIb:1)
London Symphony Orchestra (Hob.VIIb:2)
Direction : Daniel Barenboim (Hob.VIIb:1)
Direction: Sir John Barbirolli (Hob.VIIb:2)
Recorded in 1967, Abbey Road Studio, London
🔊Find CMRR's recordings on SPOTIFY : spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
Suvi Raj Grubb: « Everyone who worked with Jacqueline du Pré in the recording studios adored her - the musicians who played with her, the conductor, or pianist who accompanied her, the engineers, the studio assistants and I. She was the ideal recording artist, undemanding, understanding of other people's problems and with no outbursts of what is called 'temperament', which all too often in the artistic world is a synonym for ill-humour. If her chair creaked or she wanted her music-stand raised, even before she asked for help, a watchful studio assistant would rush up with: 'Leave it all to me, Miss du Pré.' For the engineers she was the perfect artist who never complained however long it took to get the right sound through the microphones. For me, the all-too-brief six years in which we worked together are a golden memory of spontaneous, unaffected, joyous music-making. In the world of music it is rare for anyone to be universally liked and admired. It is always: 'So-and-so is a fine pianist, cellist or whatever, arguably the best around', and then the qualification: 'But of course . . . ' often the retraction of the first part of the statement. Du Pré is one of possibly the only three artists I have known, about whom no one has ever said anything derogatory.
She was an unselfish player and so was an ideal partner in chamber music. And added to all this was a sheer delight in making music. You could see this in the smiles she exchanged with other players and the nods with which she acknowledged someone playing a passage especially well. She has often said to me that she hated practising and I have never arrived at her house to find her practising. Playing music, yes, but not scales or arpeggios or exercises. I cannot explain how, in view of this, at concerts and recordings the notes came so easily to her fingers and how she worked out the strongly individual interpretations which characterize her work - but then, you cannot explain genius and if I were allowed to apply that term to only one of the many musicians I have worked with, it would be to Jacqueline du Pré. »
Click to activate the English subtitles for the presentation (00:00-02:20)
Elgar - Cello Concerto, Delius - Cello Concerto (recording of the Century: Jacqueline Du Pré): • Elgar - Cello Concerto...
Dvořák - Cello Concerto in B minor, Op.104 / NEW MASTERING (reference recording : Jacqueline Du Pré): • Dvořák - Cello Concert...
Schumann - Cello Concerto, Fantasiestücke Op.73 (ref.rec.: Jacqueline Du Pré, D.Barenboim, G.Moore): • Schumann - Cello Conce...
Franz Joseph Haydn PLAYLIST (reference recordings): • Franz Joseph Haydn (17... - เพลง
![ตั๋วเมีย (ຕົວະເມຍ) - SOMBATH.97 Ft. YOUD SALAVAN [ Official music video ]](http://i.ytimg.com/vi/GV6qHagpp50/mqdefault.jpg)
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
Franz Joseph Haydn (1732-1809) - The Concertos for Cello and Orchestra.
🎧 *Find this recording in our Spotify playlist* : spoti.fi/3h1BQnk
Click to activate the English subtitles for the presentation (00:00-01:45)
00:00 Concerto in C Major, Hob.VIIb:1 - I. Moderato
09:29 Concerto in C Major, Hob.VIIb:1 - II. Adagio
19:12 Concerto in C Major, Hob.VIIb:1 - III. Allegro molto
26:03 Concerto in D Major, Hob.VIIb:2 - I. Allegro moderato
42:45 Concerto in D Major, Hob.VIIb:2 - II. Adagio
49:54 Concerto in D Major, Hob.VIIb:2 - III. Rondo - Allegro
Cello : Jacqueline Du Pré
English Chamber Orchestra (Hob.VIIb:1)
London Symphony Orchestra (Hob.VIIb:2)
Direction : Daniel Barenboim (Hob.VIIb:1)
Direction: Sir John Barbirolli (Hob.VIIb:2)
Recorded in 1967, Abbey Road Studio, London
🔊Find CMRR's recordings on SPOTIFY : spoti.fi/3016eVr
🔊Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
Suvi Raj Grubb: « Everyone who worked with Jacqueline du Pré in the recording studios adored her - the musicians who played with her, the conductor, or pianist who accompanied her, the engineers, the studio assistants and I. She was the ideal recording artist, undemanding, understanding of other people's problems and with no outbursts of what is called 'temperament', which all too often in the artistic world is a synonym for ill-humour. If her chair creaked or she wanted her music-stand raised, even before she asked for help, a watchful studio assistant would rush up with: 'Leave it all to me, Miss du Pré.' For the engineers she was the perfect artist who never complained however long it took to get the right sound through the microphones. For me, the all-too-brief six years in which we worked together are a golden memory of spontaneous, unaffected, joyous music-making. In the world of music it is rare for anyone to be universally liked and admired. It is always: 'So-and-so is a fine pianist, cellist or whatever, arguably the best around', and then the qualification: 'But of course . . . ' often the retraction of the first part of the statement. Du Pré is one of possibly the only three artists I have known, about whom no one has ever said anything derogatory.
She was an unselfish player and so was an ideal partner in chamber music. And added to all this was a sheer delight in making music. You could see this in the smiles she exchanged with other players and the nods with which she acknowledged someone playing a passage especially well. She has often said to me that she hated practising and I have never arrived at her house to find her practising. Playing music, yes, but not scales or arpeggios or exercises. I cannot explain how, in view of this, at concerts and recordings the notes came so easily to her fingers and how she worked out the strongly individual interpretations which characterize her work - but then, you cannot explain genius and if I were allowed to apply that term to only one of the many musicians I have worked with, it would be to Jacqueline du Pré. »
Elgar - Cello Concerto, Delius - Cello Concerto (recording of the Century: Jacqueline Du Pré): th-cam.com/video/qcABXRl-IvQ/w-d-xo.html
Dvořák - Cello Concerto in B minor, Op.104 / NEW MASTERING (reference recording : Jacqueline Du Pré): th-cam.com/video/fmmUXLO40Ro/w-d-xo.html
Schumann - Cello Concerto, Fantasiestücke Op.73 (ref.rec.: Jacqueline Du Pré, D.Barenboim, G.Moore): th-cam.com/video/hexfeGxpd7U/w-d-xo.html
Franz Joseph Haydn PLAYLIST (reference recordings): th-cam.com/video/duHnqifp04c/w-d-xo.html
Wie wunderbar,dass Jaqueline du Pré Cello spielt!! ..dieser wunderschöne Ton berührt.Vielen Dank,dass das Konzert uns erhalten geblieben ist..sie starb ja leider so früh ... Joseph Hayden ,ein grosses Lob für seine Musik die er zu Papier brachte..❤ und Gott sei Lob und Dank für die Begabungen die er an uns Menschen verteilt hat !!!!!
How does Dupre do it?!! Everything she plays has soul! It doesn't matter if it's Beethoven, Haydn, Schubert, Dvorak, or Elegar... she brings a cosmic quality to all of it. Can't stand the naysayers who criticize her for her lush interpretations of Classical ERA pieces. Classical era music doesn't have to sound like a swiss watch. Someone can show us the depth it has. Love these recordings!
Suvi Raj Grubb: « Everyone who worked with Jacqueline du Pré in the recording studios adored her - the musicians who played with her, the conductor, or pianist who accompanied her, the engineers, the studio assistants and I. She was the ideal recording artist, undemanding, understanding of other people's problems and with no outbursts of what is called 'temperament', which all too often in the artistic world is a synonym for ill-humour. If her chair creaked or she wanted her music-stand raised, even before she asked for help, a watchful studio assistant would rush up with: 'Leave it all to me, Miss du Pré.' For the engineers she was the perfect artist who never complained however long it took to get the right sound through the microphones. For me, the all-too-brief six years in which we worked together are a golden memory of spontaneous, unaffected, joyous music-making. In the world of music it is rare for anyone to be universally liked and admired. It is always: 'So-and-so is a fine pianist, cellist or whatever, arguably the best around', and then the qualification: 'But of course . . . ' often the retraction of the first part of the statement. Du Pré is one of possibly the only three artists I have known, about whom no one has ever said anything derogatory.
She was an unselfish player and so was an ideal partner in chamber music. And added to all this was a sheer delight in making music. You could see this in the smiles she exchanged with other players and the nods with which she acknowledged someone playing a passage especially well. She has often said to me that she hated practising and I have never arrived at her house to find her practising. Playing music, yes, but not scales or arpeggios or exercises. I cannot explain how, in view of this, at concerts and recordings the notes came so easily to her fingers and how she worked out the strongly individual interpretations which characterize her work - but then, you cannot explain genius and if I were allowed to apply that term to only one of the many musicians I have worked with, it would be to Jacqueline du Pré. »
Click to activate the English subtitles for the complete presentation (00:00-02:20)
Elgar - Cello Concerto, Delius - Cello Concerto (recording of the Century: Jacqueline Du Pré): th-cam.com/video/qcABXRl-IvQ/w-d-xo.html
Dvořák - Cello Concerto in B minor, Op.104 / NEW MASTERING (reference recording : Jacqueline Du Pré): th-cam.com/video/fmmUXLO40Ro/w-d-xo.html
Schumann - Cello Concerto, Fantasiestücke Op.73 (ref.rec.: Jacqueline Du Pré, D.Barenboim, G.Moore): th-cam.com/video/hexfeGxpd7U/w-d-xo.html
Franz Joseph Haydn PLAYLIST (reference recordings): th-cam.com/play/PL3UZpQL9LIxO-kfxI5EgerTMB-ijyPbCL.html
❤️ If you like CM//RR content, please consider membership at our Patreon page.
Thank you :) www.patreon.com/cmrr
GRUBB? any link there to STACY GRUBB? A wonderful bluegrass singer from Virginia, possibly the best next to Alison Krauss...
She was a force of nature. There'll never be another one like her.
A German friend gave me this CD many years ago.I love it to bits because it makes me happy and sad .He is currently residing in Portugal,and Haydn's Cello Concertos always makes me think of him, especially after he suffered a stroke.
When I’m in a bad mood, I can count on this to save me from my darkness
JdP, la más increíble violonchelista inglesa que yo haya oído. Era brillante y, además, de una sencillez humana adorable.
Era tan, pero tan talentosa que incomodaba a muchos músicos (en la mayoría de los casos a los pedantes). Era "cero" presunción, y no se daba cuenta de lo que producía en ellos. Impresionaba siempre espontánea, dinámica y alegre.
¿Su destino?. El más fatal de todos para un músico de su envergadura: la pérdida de su sensibilidad y pasmosa motricidad por la esclerosis múltiple, y a muy temprana edad: 28 años...
Dios la tiene consigo en su Cielo, porque un ser como ella sólo ahí puede estar...
Preciosa Jacqueline Mary du Pré, gracias por tu música, hermosa hasta el fin...
In one word I can summarize Jacqueline du Pre the genius! It is DIVINE!
Magnifique Musique 👍👍👍 de Haydn
Lebhafte und wunderschöne Interpretation dieser beiden perfekt komponierten Konzerte mit seidigem doch gut phrasiertem Ton des unvergleichlichen Solocellos sowie gut vereinigten und perfekt entsprechenden Tönen der anderen Instrumente. Die beiden genialen Dirigenten leiten die beiden ausgezeichneten Orchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Alles ist wunderbar!
Thank You very much CM/RR for this precious recording, Joseph Haydn and Jacqueline Du Pré : a musical heaven !
Lindíssimo 🙏🇧🇷🌹❤️
병과싸운 투지는 어디서 나왔는지는 몰라도 대단 하시네요?근데 정신적 인 겄은 않되요?그것도 혼자서?
In this tempo I can to feel the magic
Lovely! Twinkling! Radiant! Marvellous!
Du Pre really made that piece of wood speak out to people.
💎 ABSOLUTELY BEAUTIFUL 💎
🙏💜🙏
💜🎵💜
Seguí consternado su dramática enfermedad y su muerte. Un ser prodigiosamente dotado, adorable y humilde. Tal vez por su gran humildad y simpatía mucho más adorable. RIP
Un violoncello con l'anima, da seguire per sempre. Si svolge mai banale.
Hayden will always be my favorite composer
Than, hopefully You will spell his name the right way. HAYDN
What a consummate musician Jacqueline du Pre was, this is a lovely recording , brought me much joy. Thank you so much for the post
노래도 박자 잊어 버릴 때도 있고?첼로도 마찬 가지 입니다!
푹 주무 시고 다잊어 버리고 산책 하시고? 새로운 기분으로 다시 시작 하는 마음으로? 했으면 더좋은 생각이 떻오 릅니다!!
밤에는?오든걸 떨쳐 버리고 잠 주무 셔야 되요!
BELO HORIZONTE
Magnifique cette performance!
Bravo!
Gracias! Gracias! Gracias ! Por compartir ,simplemente lo Máximo y Grandioso de estos únicos Artistas Genios.....es lo mejor que existe en este género....
My favorite cellist! No one else comes close. Thank you for this channel.
Even not Casals ?
“No one else comes close” is ackgeezer’s firmly-held opinion regarding that person’s favourite cellist. Opinions are subjective. A person may have several favourite cellists, but if one is regarded higher than the rest it is not for others to say that opinion is wrong.
Purely subjective opinion! How many have you heard? Rostropovich, Maisky, Harrel, Casals, Yo Yo Ma, all of them were/ are stupendous, accomplished cellists. I think Jacqueline had room to grow, but her life was cut too short.
@@stonefireice6058 All of them, she is obviously the best, even Rostropovich said that she was the only one who surpassed him.( He is second to me after her.)She is more musical, she have the best sound etc.
Agree, especially after many years ago, I compare closely her phrasings in many pieces and compare it to countless others, she just heavenly, out of this world, maybe only in Bach, I found better heart touching interpretation than her, she is the best for me also, RIP maestro🥂🥂🥂
There is something wonderful, a joy in Hadyn's works. Thanks for posting.
That is the precise word that describes the music of this Genius- Joy. Haydn should be playing in the corridors of every mental institution in the world.
@@Wattnot101 I agree. As someone who lives with depression, I often turn to Haydn. There is joy in his works, I am sure he was called Papa with great affection and for good reason.
@@oceans80
Rather more people today use the silly ‘Papa’ nickname than ever did in his lifetime; in the 19th century, it acquired an unpleasantly pejorative tone.
It’s also a rather misleading caricature of the actual person.
Just stick to *Joseph Haydn.*
Like most composers, Haydn covers all the emotions, and his playful ingenuity is certainly infectious, and you make a really valid point about the link between music and mental health.
You might find it of some interest to search the story of King Philip V of Spain who suffered from serious depression and melancholy; the Italian singer Farinelli was engaged to sing a number of arias every evening for the King, and it is one of the most remarkable stories of successful musical therapy.
Thank you so much for this beautiful recording and for the personal information within the comments. They are so appreciated!
Es unacellista excelente que pena que ya no esté los felicito ojalá que haya más registro de ella yo no sé hablar en otro idioma ojalá que haya alguna otra entrevista donde pongan traducción felicitaciones
Jacqueline Du Pré, Daniel Barenboim 這版本聽起來 有一種特殊的愉悅感
재클린 연주중 단연 최고곡!
Ah el esplendor, profundidad, resonancia, dulzura y aterciopelada sonoridad de los instrumentos "modernos"...
Splendid !🙏💐
Música celestial para el espíritu. Gracias por compartir
She played with her old soul.This cannot be learnt.You have it or not.And It also happens io the listener.Thank you for this in memoriam,
Gracias pro compartir estas grabaciones!!!
MARAVILLOSO!!!!
superb recording. thank you so very much.
Brava♥️👍🌹🌹
This performance has a scent of Haydn's aesthetics
From
A corner of Tokyo of the Land of the Rising Sun🇯🇵
true
@@user-kh6ry1mh2l
Thankyou
I hope you are well
From
A corner of Tokyo dyed in countless Various multicolored New Year illuminations and decorations unique to Japan
🇯🇵💮🎍🏯🗾🗻🎉🎊🎎🌸🎀㊗️⛩️🎌
See you again
Merci beaucoup.
Just outstanding!
This is so so good
Thank you.
Buena calidad de sonido. Gracias.
Moving beauty
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎻🎻📯🌿🍀☘🌹🌹☘🍀🌿❤❤수고 많으셨습니다~☕
Rêveur!
HAYDN: CELLO CONCERTOS (not CONCERTTOS)
Yes it is a mistake, nice listening :)
😍
I wonder about the fool who gave these treasures a thumbs down.
@Nastro Adhesivo Why do only ass-wipes respond to my elegant prose?
“who gave these treasures a thumbs down” is perfectly acceptable english.
24:00
Gg
These recordings show their age. Perhaps not so much the solo cello (though it could also be lighter), as the orchestra. Not just Baroque performance style, but also that of Viennese Classicism has undergone a tremendous stylistic change. These performances lack lightness, Rococo elegance. I personally prefer the so-called HIP performances, e.g. Jean-Guihen Queyras with the Freiburger Barockorchester.
So these may have been reference recordings when they were made, but certainly they no longer are.
Definitely, this interpretation predates the authentic performance practice era boom which began in the 70s.
And many prefer the modern orchestral sound, in the belief that if it had been available to them the composers of the past would have used them. Who knows? More important is which soind you prefer; I for one prefer the fuller sound of modern instruments played with vibrato where musically justified, but each to their own.
I think I agree with you. So hard to know intention. But the “soul” of these concertos is so light, so weightless.
Жаклин ярче оркестра. Временами Гайдн Беринбойма тяжеловесен.
돈에 환장 한여자들 많어?
This is the best version ever. just great
MARAVILLOSO!!!