Mozart - Requiem K 626 (r.rc.: Nikolaus Harnoncourt, Wiener Staatsopernchor, Concentus Musicus Wien)

แชร์
ฝัง
  • เผยแพร่เมื่อ 6 มิ.ย. 2024
  • ❤️ If you like CM//RR content, please consider membership at our Patreon page.
    Thank you :) / cmrr
    Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
    🎧 Find this recording in our Spotify playlist : spoti.fi/3noAFjR
    Click to activate the English subtitles for the presentation (00:00-03:46)
    00:00 Introitus: Requiem Aeternam
    04:17 I. Kyrie
    06:59 II. Dies Irae
    08:51 III. Sequentia _ Tuba Mirum
    12:35 IV. Sequentia _ Rex Tremendae
    14:32 V. Sequentia _ Recordare
    20:52 VI. Sequentia _ Confutatis
    23:32 VII. Sequentia _ Lacrimosa
    26:28 VIII. Offertorium _ Domine Jesu Christe
    30:15 IX. Offertorium _ Dominehostias
    33:20 X. Sanctus
    34:48 XI. Benedictus
    40:05 XII. Agnus Dei,
    43:26 XIII. Communio: Lux Aeterna
    Rachel Yakar: soprano ·
    Ortrun Wenkel: alto
    Kurt Equiluz: tenor
    Robert Holl: bass
    Konzertvereinigung Wiener Staatsopernchor
    Chorus master: Gerhard Deckert
    Concentus musicus Wien
    Nikolaus Harnoncourt: conductor
    Recorded in 1981, at Vienna
    REMASTERED IN 24-BIT/192KHZ FROM ORIGINAL TAPES AT ART & SON STUDIO, ANNECY
    Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork.
    www.warnerclassics.com/releas...
    Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt): • Bach - St Matthew Pass...
    Wolfgang Amadeus Mozart PLAYLIST (reference recordings): • Wolfgang Amadeus Mozar...
  • เพลง

ความคิดเห็น • 60

  • @classicalmusicreference
    @classicalmusicreference  2 ปีที่แล้ว +7

    ❤️ If you like CM//RR content, please consider membership at our Patreon page.
    Thank you :) www.patreon.com/cmrr
    Wolfgang Amadeus Mozart (1756-1791) - Requiem KV 626.
    🎧 *Find this recording in our Spotify playlist* : spoti.fi/3noAFjR
    *Click to activate the English subtitles for the presentation* (00:00-03:46)
    00:00 Introitus: Requiem Aeternam
    04:17 I. Kyrie
    06:59 II. Dies Irae
    08:51 III. Sequentia _ Tuba Mirum
    12:35 IV. Sequentia _ Rex Tremendae
    14:32 V. Sequentia _ Recordare
    20:52 VI. Sequentia _ Confutatis
    23:32 VII. Sequentia _ Lacrimosa
    26:28 VIII. Offertorium _ Domine Jesu Christe
    30:15 IX. Offertorium _ Dominehostias
    33:20 X. Sanctus
    34:48 XI. Benedictus
    40:05 XII. Agnus Dei,
    43:26 XIII. Communio: Lux Aeterna
    Rachel Yakar: soprano ·
    Ortrun Wenkel: alto
    Kurt Equiluz: tenor
    Robert Holl: bass
    Konzertvereinigung Wiener Staatsopernchor
    Chorus master: Gerhard Deckert
    Concentus musicus Wien
    Nikolaus Harnoncourt: conductor
    Recorded in 1981, at Vienna
    REMASTERED IN 24-BIT/192KHZ FROM ORIGINAL TAPES AT ART & SON STUDIO, ANNECY
    Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem
    Bach - St Matthew Passion / Matthäus Passion BWV 244 (reference recording: Nikolaus Harnoncourt): th-cam.com/video/5ZtyHJWBR1s/w-d-xo.html
    Wolfgang Amadeus Mozart PLAYLIST (reference recordings): th-cam.com/video/K2doJV0FR8Q/w-d-xo.html

    • @johninman7545
      @johninman7545 ปีที่แล้ว

      next month ,I am as poor as Master Mozart at his time of last rites

  • @classicalmusicreference
    @classicalmusicreference  2 ปีที่แล้ว +21

    Nikolaus Harnoncourt offers us something different than the more classical versions we have in reference (Some strong choices in dynamics, expression and musical phrasing). As time went by we were charmed by his vision. Harnoncourt describes Mozart’s Requiem as “an intensely personal confrontation, frightening and moving in the case of a composer who normally kept his life and experience divorced from his art to an astonishing degree”. This famous recording uses an edition published by Eulenberg in 1972; seeking to come closer to the spirit of the composer himself, it replaces the familiar instrumentation of Franz Xaver Süssmayr, who completed the Requiem after Mozart’s death. For the 40th anniversary of this recording Warner Classics have newly remastered it from original tapes in High Definition 192kHz/24-bit and will release it on vinyl, on CD and in digital, both in HD and in Dolby Atmos mix, with original cover artwork: www.warnerclassics.com/release/harnoncourt-mozart-requiem
    Click to activate the English subtitles for the presentation (00:00-03:46)
    🔊 FOLLOW US on SPOTIFY (Profil: CMRR) : spoti.fi/3016eVr
    🔊 Download CMRR's recordings in High fidelity audio (QOBUZ) : bit.ly/2M1Eop2
    ❤️ If you like CM//RR content, please consider membership at our Patreon page.
    Thank you :) www.patreon.com/cmrr

    • @maestroclassico5801
      @maestroclassico5801 2 ปีที่แล้ว

      Who did the reorchestration I wonder?

    • @bogbody9952
      @bogbody9952 ปีที่แล้ว

      Thank you for this information

  • @jayakumarkaarikuzhy4713
    @jayakumarkaarikuzhy4713 2 ปีที่แล้ว +14

    As though my favourite composer was born just to astonish me with his musical wonders! I am lucky enough to be enthralled by the magnificent music of Mozart who must be breathing a sigh of relief from Heaven that the very same music which made him perpetually in debt, when he was alive, made him a very popular and versatile genius in our era! Hoping to be enlightened by other musical creations of Mozart the great .Gracias.

    • @patriciabravoriscal6264
      @patriciabravoriscal6264 2 ปีที่แล้ว +1

      THE GREAT MOZART 💙💛💚
      My two favorite composers, far from others, are Beethoven and Mozart.
      I LOVE clasical music, their music.
      It makes me feel I'm in a paradise.
      (I know Beethoven lived the Clasicism and introduced it to the Romanticism) 😊😉

    • @patriciabravoriscal6264
      @patriciabravoriscal6264 2 ปีที่แล้ว +2

      MOZART THE GREAT

    • @peterjohnson617
      @peterjohnson617 ปีที่แล้ว

      Hard to think that you could be disappointed by anything of his you might listen to......enjoy,pj

  • @notaire2
    @notaire2 2 ปีที่แล้ว +7

    Einzigartige doch wunderschöne Interpretation dieses ewigen und perfekt komponierten Requiems mit gut harmonisierten Stimmen des ausgezeichenten Chors und herrlichen Stimmen vierer genialen Solisten sowie gut vereinigten und perfekt entsprechenden Tönen aller Originalinstrumente. Der unvergleichliche Dirigent leitet das kompakte und ausgezeichnete Kammerorchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Wahrlich hörenswert!

  • @gabrieltunco7294
    @gabrieltunco7294 2 ปีที่แล้ว +4

    Beautiful and richly dramatic performance.
    Harnoncourt liked to say music should not soothe but rather move you, even disturb. It was not meant to just be in the background, music

  • @jean-michelfilippi5072
    @jean-michelfilippi5072 ปีที่แล้ว +4

    Certainly one of the best versions I have ever heard

  • @user-td6ki6lj8u
    @user-td6ki6lj8u 2 ปีที่แล้ว +5

    Чудесная музыка в чудесном исполнении! Bravi a tutti, прежде всего гению Моцарта

  • @judithalvarezg6055
    @judithalvarezg6055 ปีที่แล้ว +1

    Requiem, excellent for when my death is, listening to it I feel a pleasant rest, I enjoy it with my eyes closed and in the dark more.

  • @goldenstone7094
    @goldenstone7094 2 ปีที่แล้ว +4

    Nikolaus Harnoncourt. Very fitting that his performance should be the reference recording.

    • @sergiociomei1197
      @sergiociomei1197 2 ปีที่แล้ว

      I completely agree with you,this performance is pure gold!!
      Apart from Mozart...your name and the photo intrigued me,'cause I am a big fan of the Stones(especially the Decca years),and of Brian Jones in particular!! I read that, for his clarinet final exams,he played a Concerto by Carl Maria von Weber,and I also read that he could pick any instrument of any kind,and he'd be ready to play it almost immediately!! Can you confirm those facts?(I am very curious about the musical skills of my "heroes"!)
      Thank you in advance,greetings from Italy!

    • @LyleFrancisDelp
      @LyleFrancisDelp 2 หลายเดือนก่อน

      Sorry, but this is most certainly NOT the reference recording.

  • @massimolualdi490
    @massimolualdi490 2 ปีที่แล้ว +1

    Thank you. Absolutely extraordinary, i can't forget the first time I listened to it in the early Eighties; i was just over 15 years old. A lot of Harnoncourt's recordings of those years are exceptional.

  • @thomaslabudda9932
    @thomaslabudda9932 ปีที่แล้ว

    Hallo ich bin Thomas. Es ist mir eine Ehre dieses schöne Requiem zu erleben. Ich denke an all den die gestorben sind. Mögen wir wieder Frieden bekommen. Danke Thomas.

  • @brunomirande7666
    @brunomirande7666 6 หลายเดือนก่อน

    Je connais bien cette version, je l'ai acheté e 1992 peut être début 1993juste après le bicentenaire de sa mort, je la trouve magistrale et tellement pure...Ds frissons me viennent à chaque fois...
    J'en ai usé le cd...
    C'est magnifique, Merci de ce partage...

  • @dejanstevanic5408
    @dejanstevanic5408 2 ปีที่แล้ว +2

    Great stuff. Thank you.

  • @fulgenjbatista4640
    @fulgenjbatista4640 2 ปีที่แล้ว +3

    💎 ABSOLUTELY BREATHTAKING 💎
    🙏💜🙏
    💜🎵💜

  • @sweetbublegum
    @sweetbublegum ปีที่แล้ว +1

    Loved it

  • @remomazzetti8757
    @remomazzetti8757 2 ปีที่แล้ว +2

    I believe this is Franz Beyer's mostly slight revision of Sussmayr's completion. Sussmayr composed the Sanctus, Benedictus, and Agnus Dei, and most of the Lacrimosa since Mozart only wrote the eight measures. And although Mozart wrote the voice parts for the other movements, only the opening movement was completely orchestrated by Mozart himself.

  • @goo50haydtrue5
    @goo50haydtrue5 2 ปีที่แล้ว +1

    merci pour cet upload !

  • @Oaktreealley
    @Oaktreealley 3 หลายเดือนก่อน +1

    your commentary was fascinating. I am slightly made uncomfortable by the very slow tempo here of the Kyrie and the Lux Eterna (which are notated to be in allegro), but can definitely see it as more of an determined or assertive plea to God in this performance. Very interesting, thank you.

  • @SilvioNobre
    @SilvioNobre 2 ปีที่แล้ว +1

    Perfect!

  • @sergiomastrosimone1386
    @sergiomastrosimone1386 2 ปีที่แล้ว +1

    esecuzione che è una pietra miliare. Imprescindibile

  • @tatianagelfeld
    @tatianagelfeld 7 หลายเดือนก่อน

    Thanks!❤

  • @moussetache1815
    @moussetache1815 2 ปีที่แล้ว +1

    Merci.

  • @bma1955alimarber
    @bma1955alimarber 2 ปีที่แล้ว +3

    ممتاز، عجيب و غريب. المشاعر الإنسانية موحدة في المواقف اتجاه ظاهرة الموت...تلك التي تجسدها موسيقى الابتهالات لموزار اماديوس فولفغاغنك، عن جدارة و إحكام

  • @FerchoDelgaRams
    @FerchoDelgaRams 2 ปีที่แล้ว +4

    The most powerufl version that I ever heard

    • @goldenstone7094
      @goldenstone7094 2 ปีที่แล้ว +1

      Nikolaus Harnoncourt knew what he was doing. Check out his other performances.

    • @historyandhorseplaying7374
      @historyandhorseplaying7374 2 ปีที่แล้ว

      A little too fast and brassy I think... the Amadeus version was stronger

    • @FerchoDelgaRams
      @FerchoDelgaRams 2 ปีที่แล้ว

      @@historyandhorseplaying7374 I agree Amadeus OST is the best version, I love the confutatis in that version, but this version is the must poweful for me

  • @muhsinkanadikirik678
    @muhsinkanadikirik678 2 ปีที่แล้ว +3

    Awesome..👍👏🙏🙌🙋‍♂️🔯

  • @andysurvival346
    @andysurvival346 2 ปีที่แล้ว +3

    To my opinion, Niki turns a funeral mass into a symphony and continues it into a baroque piece for the resurrection of one's own soul. Brilliant.

    • @mmess8401
      @mmess8401 ปีที่แล้ว

      Naja, historische Aufführungspraxis, da wird er schon einigermaßen genau gewesen sein.

  • @esotericvault7161
    @esotericvault7161 2 ปีที่แล้ว +2

    This is the most beautiful work of Musical composition in the world!

  • @bogbody9952
    @bogbody9952 ปีที่แล้ว +1

    With a dude named "Wiener" in the lineup you know it's gonna be amazing

  • @gayjeanjacques7913
    @gayjeanjacques7913 ปีที่แล้ว

    Une belle version…pour compléter une discographie abondante

  • @beto1515
    @beto1515 2 ปีที่แล้ว +2

    This is the Franz Beyer version a little different from the Sussmayer version Wich in my opinion is more Mozartian and beautiful than Beyer's version but this is gold because it is conducted by a legendary JS Bach period instruments specialist a great jewel to listen

  • @achadidi
    @achadidi 2 ปีที่แล้ว +2

    Mozart's Requiem performed by the Vienna Orchestra is one of the best in the world, wonderful! though I love more with the director G. Von Karajan.

  • @fredbourgeteau3482
    @fredbourgeteau3482 2 ปีที่แล้ว

    🤝

  • @fredbourgeteau3482
    @fredbourgeteau3482 2 ปีที่แล้ว +1

    💌💪

  • @ksyoon55
    @ksyoon55 2 ปีที่แล้ว

    Transparency

  • @michaelzurkinden116
    @michaelzurkinden116 8 หลายเดือนก่อน

    There is the term “Sternstunde” in German. and this is one

  • @LyleFrancisDelp
    @LyleFrancisDelp 2 หลายเดือนก่อน

    Trombone soloist: Hans Pöttler.

  • @crimeancomposer
    @crimeancomposer ปีที่แล้ว

    My 700 like!

  • @oliviercaroli231
    @oliviercaroli231 2 ปีที่แล้ว

    DXM perfect nightmare

  • @teodorhamad2157
    @teodorhamad2157 2 ปีที่แล้ว +1

    Първо 19 април

  • @MajorTom546
    @MajorTom546 2 หลายเดือนก่อน

    Not quite my tempo.

  • @xepmallol3432
    @xepmallol3432 2 ปีที่แล้ว

    No m'agrada gens. És desastrós

  • @laurencegoldman4639
    @laurencegoldman4639 2 ปีที่แล้ว +2

    I'm picky about Mozart. Don't like this recording. Makes Mozart sound like German military music. Mozart needs to be SUBTLE, not pound you over the head. Sorry, this is the very first CMRR I can't listen to.

    • @voxveritatis3815
      @voxveritatis3815 2 ปีที่แล้ว

      Yes and No. This is the Requiem, a completely different perspective in Mozart's conception of his music. The ellaborate fugues and complex counterpoint, along with the thick harmony confirm this isn't any work but a special one. In this regard, we can indulge conductors to customize it up to a point. After all, it is unfinished. We do not know what the final decorations and dynamics there could have been. That said...Harnoncourt certainly smashes the hell out of people's ears. Less overdoing would be fantastic.

    • @bma1955alimarber
      @bma1955alimarber 2 ปีที่แล้ว

      It seems that you haven't a good capacity of listening to music..

    • @laurencegoldman4639
      @laurencegoldman4639 2 ปีที่แล้ว

      @@bma1955alimarber I have a great capacity to listen to music providing I like it. Sorry if I hit a nerve. This rendering of one of the greatest pieces of music ever written just plain sucks.