BobBlast 474 - "Good Basic Info about Painting On Watercolor Papers"
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- เผยแพร่เมื่อ 17 ต.ค. 2024
- Weekly BobBlast Issue 474
Good Basic Info about Painting on Watercolor Papers
Welcome Back to Another BobBlast!
Traditionally, painters prefer to paint on both paper and canvas. The most popular single sheet sizes of watercolor paper are available in 22x30 inches. Papers are also available in various standard sizes in pads or blocks. There are large rolls of watercolor paper - it’s liberating to work on a roll 48 inches wide by 30 feet long! Imagine what you can create on paper that large?
Watercolor paper comes in varying thicknesses too - I generally paint on 140 lb or 300 lb. For my work using collage, I get the best results with the 300 lb Kilimanjaro watercolor paper. It remains flat when wet. The 140 lb is ideal for my small warmup paintings.
Another choice to consider is the “finish” of the surface. It will either be Hot Press (HP) or Cold Press (CP). Hot press is smooth, while cold press has a slight “tooth” in the texture. Paint glides on differently on both choices of paper. Try them both and decide!
So why do I gesso my watercolor paper? I like the feel of a pre-gessoed surface. I want the paint to react the same, whether I am working on paper or canvas. I prefer brushing or wiping a professional-quality, thick gesso over the entire surface. Plus, painting on a dried gessoed surface gives me a much longer paint time for improvisation and play.
Watch the demo - I use a beautiful gold gesso by Holbein. They have 23 colors of gesso.
The final part of this BobBlast is about tearing the watercolor paper. I like to work on a smaller format for my warmups - so I tear the paper into six, 10x10 inch squares. I demo this part too! Here are the steps:
•Fold the paper to the desired size and flatten the fold
•Fold back and forth several times
•With your hands, start the tear at the top
•Tear the paper away from itself
•Deckled edges!
Practice!
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I look so forward to the BobBlast notification every week, thanks a million for your generous teaching and sharing Bob!
Thank you!
Just what i wanted to know. I think I'm going to have to go through all 474 posts - every one that i have seen so far is gold.
I always learn something new from you. Thank you!
I love how excited you get over paper, color and all the good and fun products of painting. I am the same way, just like a kid with a new box of crayons or paper dolls . Thanks Bob for your contagious enthusiasm.
Thanks! Kindred spirits!
Thank you Mr. Burridge !
Thank you for all this information!
Thankyou Bob. Great post👍
Thanks again Bob, great video👍
Appreciate it, Karen - thank you!
Love ya Bob!
Thanks Bob!
I'm always happy to get a notification from you, Bob! Hot press= smooth ironed. Cold= goosebumps, texture. That's how I can remember 😊
Perfect! Love the goosebumps reference!
Keep up the great work. Respect ❤
Thank you!
Thank you...I did learn something!
Excellent! Thank you!
I learned a lot! Thank you.
Thank you! Glad you enjoyed it!
I totally get it now! Wow, you are never too old to learn something new. Thank you for breaking it down for all of us.
Thank you!
Very well done dearest Bob! "Repetitio est mater studiorum".
Indeed! Thank you!
Thanks, Bob, for the basics on paper, and also why you use gesso on paper. Always, good advice and tips.
Thank you!
This was a great video. Lots of good information and to the point. (I do hope you will do an updated painting on tote bags with acrylics.) I watch your videos and I learn so much. Thank you!!
Thanks! I will think about the totebag subject again.
Very informative, thank you so much Bob for taking the time to share your knowledge!
Thank you!
Thanks Bob, really really useful info on different types of paper and the deckled edge effect. Much appreciated so thanks for sharing.❤🙂👍
Thank you Andrea!
Excellent tutorial, they are very useful topics! Thanks Bob.
Thanks! Now go paint!
Bonus advice Mr. Bob! Love the mnemonic on remembering the specs on papers. Outstanding advice.
Thank you!
Best yet 😊
Thank you!
Hi Bob. Happy Belated birthday to ya. I so so so enjoy and appreciate your teaching. I have a paper question. Here it comes……. I bought a huge roll of quality watercolor paper. I struggle to tame the curl of it. Do you cut it into a manageable sizes and then soak it in the bathtub and then let it dry flat, like me? Flat papers are much more convenient, but the giant roll saved money.
Hi Karen, Thanks for the birthday wishes! When I buy a roll of paper, I cut it in the desired size and then roll it back the other way. That usually takes care of it. If there is still a bend in it, I will put it under a rug - or put books/blocks etc on top of it.
toujours aussi doué ! bravo pour votre qualité de travail 👍
Awww... Thank you!
Your amazing...... so special...
Your Bob Blasts are always informative. This one in particular is great for all levels.
Thank you Bob.
@@mariannewisenor2550 Thank you!
Thank you!
Thank you for this information, I really like how you explain your ideas and show examples! I have a question about the deckled edge example, do you have a preference on doing the deckled edge before painting or in this case after the painting? And after creating the deckled edge , and it's white like the paper, I'm wondering if it should be left alone or colored in? Once again,thank you for all your terrific videos! I just love'em!
Thanks for your message. I will generally create the deckled edge prior to painting. If you did the deckle-tearing after you painted, I would tint the edges so they wouldn't be as noticeable.
Do you also go back and tear the other two straight sides as well or leave two straight and two deckled?
Very helpful! Thank you. I just got my first sheet of Kilimanjaro 300 lb paper. One question: Kilimanjaro has their name imprinted on the edge. Do you tear that part off too? That or it has to be under frame but I like your black cradle board method.
Thanks - I don't worry about the name imprint. If I am painting in a square format, I will tear it off.
Should you not tear the paper before it is gessoed or painted on ?
Hi Bob, curious I noticed the sheen on the painted paper you tore. How did you get that effect?
That was probably the varnish.
Morning. Why do you use acrylic paint on watercolor paper?
I paint with acrylics on watercolor paper, canvas and wood panel. I have always used a variety of surfaces.
What about paper designed for Acrylic paint? It doesn't say it's been prepped w/ gesso. Anyone tried it with &/or without gesso? Pros? Cons?
Whoops, mixed up lbs and grams and have two pads of 140lb, 300g, cold press watercolor paper. Good for practice! 😁 I also found that buying the larger size and cutting it down to what I normally use was cheaper than buying the normal size I use
Yep! Thanks Becky!