Der athletische junge Sänger Nr.2 hat eine Musical Stimme, aber von Atmung noch nie was gehört. Das wäre das erste. Die ganze Interpretation kommt erst viel später.
Many singers get hung up on a "method" sort of approach, which doesn't work when your personal experience doesn't relate to the song. Your job is to inspire the audience to feel what the song is saying, to tell the story. You have to access universal feelings, moods, emotions. I remember when a singer in a master class sang "Why Did I Choose You" and actually started crying because she was "feeling" the emotions. It killed the song.
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Der athletische junge Sänger Nr.2 hat eine Musical Stimme, aber von Atmung noch nie was gehört. Das wäre das erste. Die ganze Interpretation kommt erst viel später.
Sing on beat and on pitch; don't use the theater version for piano bar/cabaret/concert.
Many singers get hung up on a "method" sort of approach, which doesn't work when your personal experience doesn't relate to the song. Your job is to inspire the audience to feel what the song is saying, to tell the story. You have to access universal feelings, moods, emotions. I remember when a singer in a master class sang "Why Did I Choose You" and actually started crying because she was "feeling" the emotions. It killed the song.
Of-tent walked?
Singer number two sang nasal the whole time and was very pitchy!