@@zachpitt9249 I typically record at a higher format 48khz and convert it for other formats if I need to. This doesn’t make a huge difference but play around to hear what conversion sounds better.
You are wrong about having to allow the engineer to do whatever he wants on OUR song… its our song for a reason. What if he wants to do lo fi on the beat for the last hook but the artist likes the beat how it naturally already was? What if the artist doesnt want to be drowned out with reverb. You are wrong, the engineer should ask if you want it instead if just doing it
@@SorryBoutThatBuddy if the artist doesn’t like an effect there is always an opportunity to undo. I’m not saying the engineer should take over full creative control on a song but rather try out opportunities and if the artist doesn’t like it we can always go back to how things were. You’ll never know if someone doesn’t like something if it was never done in the first place. At the end of the day, it is a team effort.
Good content bro
Did you record at 48khz or 44khz sample rate?
@@zachpitt9249 I typically record at a higher format 48khz and convert it for other formats if I need to. This doesn’t make a huge difference but play around to hear what conversion sounds better.
You are wrong about having to allow the engineer to do whatever he wants on OUR song… its our song for a reason.
What if he wants to do lo fi on the beat for the last hook but the artist likes the beat how it naturally already was?
What if the artist doesnt want to be drowned out with reverb.
You are wrong, the engineer should ask if you want it instead if just doing it
@@SorryBoutThatBuddy if the artist doesn’t like an effect there is always an opportunity to undo. I’m not saying the engineer should take over full creative control on a song but rather try out opportunities and if the artist doesn’t like it we can always go back to how things were. You’ll never know if someone doesn’t like something if it was never done in the first place. At the end of the day, it is a team effort.