A note about drums: because Arthur uses so many cymbals I can't fit all of them onto the staff so I've had to use the same notes for different cymbals. For reference, here's a video of him playing during the recording session: th-cam.com/video/13EDPwnhXQ0/w-d-xo.html
Spent half my afternoon today figuring out most of the rhythms and a little of the notes... looked at the recommended videos on youtube at night and found your whole transcription. Geez, That was done super fast, you are awesome!
This is an amazing work! I only have one minor problem with the clef used to notate the guitar. While we know that Abasi uses 8 string guitars still the guitar is in itself a transposing instrument, and I don't know a single guitarist (be it classical or from the electric guitar world) that reads in bass clef. We use only treble clef knowing that everything we read sounds an octave lower, and this can be applied to 7 and 8 string range guitars. But still this is awesome!
Well, in brazilian choro you most often find the bass lines (baixarias) played by the 7 string guitar written in the bass clef. It's a style in which most of the time you play by memory or improvise the bass lines but what made me become fluent in reading bass clef (in the guitar specially) was those choro transcriptions.
Awesome transcription - great work!! Thanks for sharing this. I think that in measure 94 around the 4:58 minute mark the second group of D/D#/E should all be dotted eighths?
I couldn't even understand the time signature and you made it all. I'd say 13/8. Well, this is... my eyes went to the ground hahahaha speechless work, man.
Close! 14/8 or 28/16. Although so many of Tigran's compositions are written in 4/4 with the phrase being 8 beats long (over 2 bars) or in 5 but phrasing in the halftime feel, quarter note triplet triplet feel or dotted 8'th feel going through parts of micro phrases connecting over bar lines. I can also see how this is more 7/4 all the way through with a few short instances of "double time feel" since 28 16'th notes go evenly into 7 quarter notes. A play on Indian classical phrasing ideas but without any tihais
@@MichaelWashingtonAE nice. I listened to other works from him and I could notice some Indian references, including konnakkol. His musical background is so vast. I'm a new listener of his stuff. I'm into djent and some other less irregular suff. I guided myself through the piano's bass line in the beginning. They attracted my perception so intensely that I couldn't get my perception apart of it. This tune is so polirhythmical that it made a big mess of my head hahahaha. Basically, there's no pulse to find a ground for those who aren't used to this kind of music. And it is absolutely mind blowing.
that would be wrong as the semiquaver phrases in 28/16 would very often transcend the 7 downbeats implied by 7/4, making 28/16 the more appropriate time signature
@@jedidiahtan4171 I thought time signatures was more of a reduce your fractions type deal. but if youre feeling a 16th notes pulse that all good. I was definitely feeling the 7. either way amazing job dude :)
![Tigran Hamasyan - The Grid [FULL TRANSCRIPTION]](http://i.ytimg.com/vi/dwfPLH-5CZU/mqdefault.jpg)
A note about drums: because Arthur uses so many cymbals I can't fit all of them onto the staff so I've had to use the same notes for different cymbals. For reference, here's a video of him playing during the recording session: th-cam.com/video/13EDPwnhXQ0/w-d-xo.html
Tell me you are going to transcribe the dream Voyager
i truly can't believe you made a transcription this fast, this accurately.. fantastic work man
“I wonder if Han has already transcribed the new tracks...”
You never disappoint.
Spent half my afternoon today figuring out most of the rhythms and a little of the notes... looked at the recommended videos on youtube at night and found your whole transcription. Geez, That was done super fast, you are awesome!
Tigran just released the song the other day but someone transcribed that hellaaaaa fast right away! INSANE!
man this harmony is insane, literally and metaphorically
Great work!! :o
You are amazing... fantastic work. Thank you very much!!
Good grief, Han! Bravo on this- you have the fastest ears on the web!
Wow you are fast! Thanks for making these!
INSANE!!! YOU ARE GENIOUS!!!
This is impeccable work, you are an inspiration! Good luck on Ara Resurrected!
Génial, merci beaucoup
I love you, man! ❤️🙏
Excellent work!!
Amazing work... Congrats :D ! ! !
Thanks man
respect
Okay wtf how did you do this, this just impressive
This is how you count most measures:
6-5-6-5-6
You are welcome!
Thank you!
Next: Magma, de Futura!! :) :)
This is an amazing work! I only have one minor problem with the clef used to notate the guitar. While we know that Abasi uses 8 string guitars still the guitar is in itself a transposing instrument, and I don't know a single guitarist (be it classical or from the electric guitar world) that reads in bass clef. We use only treble clef knowing that everything we read sounds an octave lower, and this can be applied to 7 and 8 string range guitars.
But still this is awesome!
Thanks for clarifying, good to know for future transcriptions since I don't play the guitar.
Well, in brazilian choro you most often find the bass lines (baixarias) played by the 7 string guitar written in the bass clef. It's a style in which most of the time you play by memory or improvise the bass lines but what made me become fluent in reading bass clef (in the guitar specially) was those choro transcriptions.
@@joaogabriel.mesquita Didn't know that. Well, in Brazil you have incredible musicians and a very rich musical tradition. Thanks for the info!
2:36 I hear a C# in the guitar forming a minor 2nd with the D on the piano, its so stanky
same!
Amazing work man. 🔥🔥🔥 Any chance you'll release the original transcription files in whatever software you used? (i.e. sibelius, musescore, etc.)
Awesome transcription - great work!! Thanks for sharing this. I think that in measure 94 around the 4:58 minute mark the second group of D/D#/E should all be dotted eighths?
Also the first rest in measure 95 is an extra sixteenth long, which makes the low C at the end line up more nicely with the last measure as well.
Yeah you're right, makes sense thanks
I couldn't even understand the time signature and you made it all. I'd say 13/8. Well, this is... my eyes went to the ground hahahaha speechless work, man.
Close! 14/8 or 28/16. Although so many of Tigran's compositions are written in 4/4 with the phrase being 8 beats long (over 2 bars) or in 5 but phrasing in the halftime feel, quarter note triplet triplet feel or dotted 8'th feel going through parts of micro phrases connecting over bar lines. I can also see how this is more 7/4 all the way through with a few short instances of "double time feel" since 28 16'th notes go evenly into 7 quarter notes. A play on Indian classical phrasing ideas but without any tihais
@@MichaelWashingtonAE nice. I listened to other works from him and I could notice some Indian references, including konnakkol. His musical background is so vast.
I'm a new listener of his stuff. I'm into djent and some other less irregular suff. I guided myself through the piano's bass line in the beginning. They attracted my perception so intensely that I couldn't get my perception apart of it. This tune is so polirhythmical that it made a big mess of my head hahahaha. Basically, there's no pulse to find a ground for those who aren't used to this kind of music. And it is absolutely mind blowing.
Molto King Crimson!! 😘🎶🎶🎶
mother of god...
This is great 👍🏻 why not notate this as 7/4 though. Would be the exact same no ?
that would be wrong as the semiquaver phrases in 28/16 would very often transcend the 7 downbeats implied by 7/4, making 28/16 the more appropriate time signature
@@jedidiahtan4171 I thought time signatures was more of a reduce your fractions type deal. but if youre feeling a 16th notes pulse that all good. I was definitely feeling the 7. either way amazing job dude :)
Please could you transcribe "Ara Resurrected" next please when you have a second. Excellent work as always
0:38
🎉❤
The deplorably low birth rates are actually Japan's "ticking time bomb".
WoahDude
Am I high?
Question : 28/16 is 7/4, why writing in 28/16 sometime and also in 7/4 ?
I feel like it could have just been simplified to 7/8 😛
if i were tigran i would be pissed at u :D haha
tf u mean 28/16
It's a good transcription, but the drums are not the most accurate.