Very nice innovative program. Ofcourse Raja sir and Bharathi madam are professional speakers. So debating comes naturally to them. Neyivelli Santhanagopalan sir was superb. He spoke from his heart. I am a fan of his music and Solomon Pappayya sir Santhanagopalan sirayum ungal Pattimandram teamil serthukunga. Rasigar vendukkol. Ore ORU kurai, irandu kalaignargal, Ansal oruvarai mattumey pugaznthu pesiyathu avlo Sariya padaley.
wonderful. a different from d regular ones. the best is, not all d speakers from d same field. We enjoyed Sudha mam's speech, with d same interest of we enjoy her concert.same with other speakers. congrats to carnatica&Parthasarathy swami sabha. ( even a sabha secretary can arrange good programs,only when he/she is a good rasika.)Mohana iyer (secy.Vashifinearts).
நடுவர்ஐயா வின் ஊராகிய மதுரையில பிறந்து வளர்ந்து, அவர் பேராசிரியராக இருந்த கல்லூயில் படித்த நான் அவரது ரசிகை. அவரது மதுரை தமிழூக்கு வணக்கம். சங்கீத மேதைகளும், பட்டி மன்ற சிறந்த பேச்சாளர்களுக்கும் பாராட்டுக்களும் நன்றியும்.
Great program and kudos to all speakers and Sashikaran who organized this. Liked Dr. Paapaiyaa's judgement. Loved listening to Neyveli Sir, Bharati Bhaskar and Raja.
Bharatanatyam and carnatic music have their roits in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature. But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe. Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture. ‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance. Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance. ‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k. Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord. It also says that ‘Om’ is the beginning and the end for everything. The author seems like a good psychiatrist, philosopher and most importantly an intellectual. The link between human life and the Nava Rasaas have been described in detail by the author. Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’. அகம்உயிர் ஆகச் சுவைஉளம் ஆக இழைஉடல் ஆக இயல்வது கூத்து. It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form. However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil, ‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”. Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance. Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work. It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’ ஆடலும் பாடலும் அழகும் என்று இக் கூறிய மூன்றில் ஒன்று குறைவு படாமல் ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில் சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி. However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation. Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’. He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists. What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated. If the verse எழுகோல் அகலத்து எண்கோல் நீளத்து ஒருகோல் உயரத்து உறுப்பினது ஆகி உத்தரப் பலகையொடு அரங்கின் பலகை வைத்த இடை நிலம் நாற்கோல் ஆக ஏற்ற வாயில் இரண்டும் பொலியத் தோற்றிய அரங்கினில் தொழுதனர் gives the desired dimensions of a stage, தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு ஒருமுக எழினியும் பொருமுக எழினியும் கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து talks about the lighting. He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’.. And that is the reason ILango AdigaL paid importance to music as well while talking about dance. In just one verse, he gives the names of the seven swaras as per Tamizh PaN. குரலே, துத்தம், கைக்கிளை, உழையே இளியே, விளரி, தாரம் என்றிவை எழுவகை இசைக்கும் எய்தும் பெயரே சவ்வும் ரிவ்வும் கவ்வும் மவ்வும் பவ்வும் தவ்வும் நிவ்வும் என்றிவை ஏழும் அவற்றின் எழுத்தே ஆகும் Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam. In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale. But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’. He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’. Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form ‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance. Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’. In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer. Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’. Here are a few websites that you may access for further reading www.thinnai.info/downloads.php - for downloading Tamil Documents tamil.net/projectmadurai/- Project
RAJA SIR KKU IPPO VEETTULA ELAI POTTIRUPPANGA POYI SAPPIDUNGA SIR. RAJA sir congradulation for the collection of Beautiful Quotes of M.S. Amma about Rasigargal. (VIJAYA SINGER).
Very enjoyable to see and hear. Many thanks for uploading this delight. Superb performance by Mrs. Sudha Raghunathan and Mr. N. Santhanam. Kudos to both of you. Con mucho respeto y ilimitado gratitud. Pedro Pacheko.
பாரதி பாஸ்கரும் ராஜாவும் மிகவும் நன்றாக பேசினார்கள். ராஜா பாரதியை புகழ்ந்து பேசியது வழக்கம்போல் அவர் பெருந்தன்மையையே காட்டுகிறது. எதிராளியையும் புகழும் தன்மை. Great. பாராட்டாமல் இருக்கவே முடியாது.
Neyveli Santhanam Ayya Arumayana urayadal ungaladhu. Naan ungaludayya pattukku mattum Rasigayaga irundhane but indru mudhal ungaludayya pechirkkum naan Aathmaarthakamaga mey silirthu vittane. (VIJAYA SINGER) When am i going to get appreciation from great carnatic persons like you for my songs? Awaiting for God's grace.
Hopefully next time, they will have a Team representing Composers who are the foundations for both the artists and the rasikas to become famous and improve the status of Carnatic Music.
பேச்சாளர்களை அறிமுகப்படுத்தும் அந்த திருவாட்டி ஒவ்வொரு அறிமுகத்தின் இறுதியிலும் பாவிக்கும் அந்த ஆங்கிலம் நிச்சயம் தவிர்த்து '...எங்கே உங்கள் பலத்த கரகோஷத்துடன் வரவேற்பு கொடுங்கள்..' போன்ற சொற்றாடலை பாவித்திருக்க வேண்டும். ஏதோ தமிழ் அறியாதவர் ஆங்கிலம் தெரிந்தவர் போன்று காட்ட முயலும் வரவேற்புரை ஏற்புடையது அல்ல இந்த நிகழ்விற்கான தரத்தை குறைத்த விடயம்
WOW...what a show. Really loved Neyveli sir's speech. Ofcourse Sir Solomon Pappaiay, Raja Sir and Bharathi madam are known for this, there is no surprise there. Though i loved most of it, i felt that Bharathi madam was bit too harsh with VSV sir. He had all sorts of declaimers, despite that, i think she was a bit too harsh with him, which was not needed and did not do anything to supper her arguments.
Malice Sridhar! The beauty of carnartaka Sangeetha is the assimilation of Tamil Telugu samskritam ect Please don't bring in Narrow sentiments With comments like Bharath sangeetotsav We have a liberal tradition Note the Sanskrit vocabulary in Tiruppugal Yadum ore enbathu neengal ninaippadu pola karumbulli all Tilakam
எல்லாம் சரிதான். நடப்பதோ அமுதத்தை விட இனிமையான தமிழ் மொழியில் சங்கீதத்தை பற்றிய விவாதம். ஆனால் அதற்கு பெயர் Bharat Sangeet Utsav. சங்கீத உத்சவம் அல்ல. ஏன் செந்தமிழில் பெயர் அழகாக இருக்காதா. இத்தனை அற்புதமான நிகழ்ச்சிக்கு ஓர் கரும்புள்ளி.
Maligae, Bharat Sangeet Utsav என்கிற titleஇல் ஒரு தமிழ் பட்டிமன்றம் 2-1/2 மணிநேரம் நடக்கிறதே என்று நான் சந்தோஷப்படுகிறேன். எல்லாவற்றையும் negative ஆகவே பார்க்கும் உங்களைப்போன்றவர்களை இந்திரனாலும் சந்திரனாலும் த்ருப்திப்படுத்தவே முடியாது.
chithra viswanathan she’s always taking notes on others point obviously she’s listening others view and preparing counter point. That’s amazing talent to be on the fly¡ That’s spontaneous.
Salaman papayya sir Raja sir & Bharathi Bhaskar mam U 3 of U R Trinitys of Pattimandram Sangeetha Mumoorthigal pola. Neengal Moovarum illadha Pattimandram , is just like a Dog Without Tail. Ungalai polavargal Indha Nattin PM, CM, President aaga irundhirundhal Indha Nattil Migavum NANMAYE NADAKKUM. IDHU SATHIYAM. (VIJAYA SINGER)
தமிழில் பேசுவது ரொம்ப கஸ்டமப்பா. இது England or USAயில் நடந்ததா? தமிழே இல்லாத பானர். ஆர்வமாக பார்க்கலாம் என்று பார்த்தால் தமிழை காணோம். ஒரே தமிங்கிலீஸ் இந்த தலைப்பிற்கும் தொடக்க பேச்சாளருக்கும் சம்பந்தமே இல்லை. பார்க்கும் ஆசையே போய்விட்டது. பாப்பையா நிச்சயமாக தமிழில் தான் பேசுவார். அது இறுதியில் தானே. It doesn't mean that I don't understand English. English is only for people who doesn't know Thamil. Not for Thamil people to Thamil people.
Sanskrit did not have a script (eluthakilavi) untill guptas period 1600years ago. IT IS NOT A NATURAL LANGUAGE BUT SYNTHETIC LANGUAGE OR PERFECTED BY BORROWING PALI AND OTHER INDOEUROPEAN LANGUAGES AND SCRIPT STOLEN FROM Nagars Nagari script! Then how come samaveda written before sangham period? Another fraud ? Samaveda is if at all written in sanskrit, it must be 1600years old. But by that time tamil iyal isai natagam were well documented as early as 2000 to 2400yrs back.
Very nice innovative program. Ofcourse Raja sir and Bharathi madam are professional speakers. So debating comes naturally to them. Neyivelli Santhanagopalan sir was superb. He spoke from his heart. I am a fan of his music and Solomon Pappayya sir Santhanagopalan sirayum ungal Pattimandram teamil serthukunga. Rasigar vendukkol.
Ore ORU kurai, irandu kalaignargal, Ansal oruvarai mattumey pugaznthu pesiyathu avlo Sariya padaley.
👍 thanks superb
Mikavum suvaiyana anupavam. Nandri anaithu kalaignarkalukkum. Isai vimarsagar iya subbuddu patriya seithikal serkappattrikkalam.
எப்படி அம்மா இப்படி ....
சங்கீதமும் தங்களுக்கு சொந்தம் போல .. ❤❤❤#bharathi baskar..
L
மிகவும் அருமையாக உள்ளது
wonderful. a different from d regular ones. the best is, not all d speakers from d same field. We enjoyed Sudha mam's speech, with d same interest of we enjoy her concert.same with other speakers. congrats to carnatica&Parthasarathy swami sabha. ( even a sabha secretary can arrange good programs,only when he/she is a good rasika.)Mohana iyer (secy.Vashifinearts).
Ii
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?. X@@banumathivenkatesan1585 A good programme Pl continue with such illumiating progrsmmes to entertain us
நடுவர்ஐயா வின் ஊராகிய மதுரையில பிறந்து வளர்ந்து, அவர் பேராசிரியராக இருந்த கல்லூயில் படித்த நான் அவரது ரசிகை. அவரது மதுரை தமிழூக்கு வணக்கம். சங்கீத மேதைகளும், பட்டி மன்ற சிறந்த பேச்சாளர்களுக்கும் பாராட்டுக்களும் நன்றியும்.
All are Excellent and very nice Speech and Superb
நல்ல சுவையான பட்டி மன்றம்
Very intressting and great pattimandram 🤩🤩🤩
Both music experts score over others in communicating without hurting others. So nice.
Great program and kudos to all speakers and Sashikaran who organized this. Liked Dr. Paapaiyaa's judgement. Loved listening to Neyveli Sir, Bharati Bhaskar and Raja.
அற்புதமான பதிவு இருதிவரை கேட்டு மகிழ்ந்தேன்.
Patti manrak kalaignargal Sangeetha medaiyil pudhai padaiyhanar.raja&bharathivbhsakar deserved ma awards for their versatile achievement.
Bharatanatyam and carnatic music have their roits in tamil SATHIR AATTAM AND TAMIL PAN. “It is a well - known fact that Tamizh language is one of the oldest languages in the world. Not only is it old but also it is very rich in literature.
But what makes Tamizh unique and special is that it has survived the ravages of time and is still spoken by millions of people across the globe.
Dance and music (or for that matter any form of fine arts) has always been part of Tamizh culture.
‘Tholkaappiyam‘, the authentic work on Tamizh Grammar that was written in 500BC by Tholkaapiyar-considered to be a student of the great sage ‘Agaththiyar’ mentions a lot about classical dance.
Starting from Tolkappiyam, many texts like Pancha Marabu, Kooththa Nool, Bharata Senapathiyam have defined the grammar of classical dance.
‘Pancha Marabu‘by Arivanaar-which was also written almost the same time as Tholkaapiyam - describes in detail about music and dance. It talks about various hand gestures,abhinaya,kooththu,,naatyam.It also describes the letters to be used for jathis-tha,thi,tho,ki,k.
Then there is ‘Kooththa nool‘ authored by Saaththanaar. This is the oldest available text on the grammar of classical dance.‘Kooththa Nool’ has two sections, ‘Suvai’ and ‘Thogai’ with 153 and 162 verses respectively and says that the sound, the letters and the music emanated from the Dance of the Lord.
It also says that ‘Om’ is the beginning and the end for everything.
The author seems like a good psychiatrist, philosopher and most importantly an intellectual.
The link between human life and the Nava Rasaas have been described in detail by the author.
Here is a verse form Koothanool. Tastes emerge from the feelings within and these are expressed as dance. Feeling is the soul, Taste is the Mind, and expression is the body’.
அகம்உயிர் ஆகச் சுவைஉளம் ஆக
இழைஉடல் ஆக இயல்வது கூத்து.
It is a cryptic verse with very deep meanings but what was written nearly 2500 years ago holds good even now. And this is applicable to any art form.
However, ‘Silappathigaaram‘-one of the five major epics in Tamizh-is considered to be a complete book on classical dance. ‘Silappathikaaram’ gives a perfect description about Classical Dance and Music..In the words of the Czech Professor Dr.Kamil Zvelebil,
‘‘The epical poem of Silapathikaaram which by its baroque splendour and by the charm and magic of its lyrical parts belongs to the epic masterpieces of the world and should be admired and beloved by all in the same was as Poems of Homer, the Dramas of Shakespeare, the Pictures of Rembrandt, the Cathedrals of France and Sculptures of Greece”.
Silapathiikaram Author, Ilango AdigaL has presented this simple but complex story, what attracts a connoisseur is the way he has structured the grammar of Music and Dance.
Though there are lot verses, I am giving below one sample verse that speaks volumes about the quality of the work.
It says ‘One must start learning classical dance at the age of five without any compromise on Musical, Dance and Aesthetic Elements, practise rigorously for seven years and perform at the age of twelve.’
ஆடலும் பாடலும் அழகும் என்று இக்
கூறிய மூன்றில் ஒன்று குறைவு படாமல்
ஏழு ஆண்டு இயற்றி ஓர் ஈர் ஆண்டில்
சூழ் கழல் மன்னற்குக் காட்டல் வேண்டி.
However, it is the description about Classical Dance in ‘Silappadhigaaram’ that calls for special mention and appreciation.
Ilango adigaL must have been a perfectionist. The author elaborates on the qualifications of a Dance Teacher, Percussionists,Vocalist,Flautist, and the person(s) playing the ancient instrument ‘Yaazh’.
He deals with each and every aspect of dance starting from the vocalist, the lyricist, the percussionist, the instrumentalists.
What amazes one is the way he has defined the structure of the stage. Not only has he given the dimensions of a stage but also that he has mentioned about the lighting, and the way the stage has to be decorated.
If the verse
எழுகோல் அகலத்து எண்கோல் நீளத்து
ஒருகோல் உயரத்து உறுப்பினது ஆகி
உத்தரப் பலகையொடு அரங்கின் பலகை
வைத்த இடை நிலம் நாற்கோல் ஆக
ஏற்ற வாயில் இரண்டும் பொலியத்
தோற்றிய அரங்கினில் தொழுதனர்
gives the desired dimensions of a stage,
தூண் நிழல் புறப்பட மாண் விளக்கு எடுத்து ஆங்கு
ஒருமுக எழினியும் பொருமுக எழினியும்
கரந்து வரல் எழினியும் புரிந்துடன் வகுத்து
talks about the lighting.
He then goes on to describe the ‘Pancha Sandhi’ Kavuththuvum-an item that is performed in the beginning to ward off evil forces-and then the 11 different dances called as ‘Pathinoru aadal’..
And that is the reason ILango AdigaL paid importance to music as well while talking about dance.
In just one verse, he gives the names of the seven swaras as per Tamizh PaN.
குரலே, துத்தம், கைக்கிளை, உழையே
இளியே, விளரி, தாரம் என்றிவை
எழுவகை இசைக்கும் எய்தும் பெயரே
சவ்வும் ரிவ்வும் கவ்வும் மவ்வும்
பவ்வும் தவ்வும் நிவ்வும் என்றிவை
ஏழும் அவற்றின் எழுத்தே ஆகும்
Sa-Kural; Ri-Thuththam;Ga-KaikkiLai;Ma-Uzhai;Pa-ILi;Dha-ViLari;Ni-Tharam.
In another verse, he says PaNs(Ragams) are obtained by arranging the 12 Kovais(swaras) in a specified structure in the ascending and descending scale.
But more than all these, what leaves one wonder struck is his definition of Gruha Bedam-tonic shift. He calls this as ‘Kural Thiribu’.
He says ‘if the Thuththam(ri) of Mohanam is the base, it would give Madhyamavathi, if the KaikkiLai(ga)is the base it would give Hindolam, the ILi(pa) would give Sudhha Saveri and the ViLari(dha) Sudhha Dhanyasi’.
Is it not amazing that somebody in the Tamizh land defined all these as early as the 5th century?Bottom of Form
‘MaNimekalai’- considered to be an offshoot of ‘Silappathikaaram’ since MaNimekalai was the the daughter of Madhavi and Kovalan- also talks a lot about the dance.
Written by ‘Seeththalai Saaththanaar’, the text mentions about Tala Aruthi,the eleven different forms of dance-as already mentioned in detail in ‘Silappathikaaram’-the two forms of ‘Kooththu’ and the existence of a grammar book on ‘Bharatam’.
In another major text, ‘Seevaka ChintamaNi’, the chief protagonist, Seevakan himself is a dancer.
Sources: Mr. Rajendra Kumar who acknowledged the information provided by Prof.Raghuraman in the book titled ‘Tamizhar Natana Varalaaru’.
Here are a few websites that you may access for further reading
www.thinnai.info/downloads.php - for downloading Tamil Documents
tamil.net/projectmadurai/- Project
👍🏻
Raja is super excellent. Done so many research and all his anectodes about Maha Periyavar gives me goose bumps. Raja Rajadhaan.
இராஜா, ஓர் அற்புதமான பேச்சாளர்
RAJA SIR KKU IPPO VEETTULA ELAI POTTIRUPPANGA POYI SAPPIDUNGA SIR. RAJA sir congradulation for the collection of Beautiful Quotes of M.S. Amma about Rasigargal. (VIJAYA SINGER).
Arputhamana, Vazhthukkal to Team. Nandri.
vanakkam.
I am surprised to Note that ACT Fibernet sponsors such a nice and different debate. I am a customer of ACT . I honestly appreciate their services.
Ramamurthy Venkatraman jayatv PattimandrOkam
யசூப்பராஇருக்கு
My fav singer, Sudha
Very enjoyable to see and hear. Many thanks for uploading this delight. Superb performance by Mrs. Sudha Raghunathan and Mr. N. Santhanam. Kudos to both of you. Con mucho respeto y ilimitado gratitud. Pedro Pacheko.
இது தமிழ் பட்டிமன்றமய்யா. அது என்ன corn munch பண்ணிண்டு ஒரு respect உம் gratitudeஉம் பிச்க்கோ ? பச்சிளம்கோவனோட பாட்டாளியா ?
Azagu. Sun tv
@@mythilivenkatraman4033 56yfvb .
Superb speeches by both the stalwarts of Carnatic Music-Mrs Sudha Ragunathan and Shri Neyveli Santhana Gopalan!
Midnightbluefiliml
பாரதி பாஸ்கரும் ராஜாவும் மிகவும் நன்றாக பேசினார்கள். ராஜா பாரதியை புகழ்ந்து பேசியது வழக்கம்போல் அவர் பெருந்தன்மையையே காட்டுகிறது. எதிராளியையும் புகழும் தன்மை. Great. பாராட்டாமல் இருக்கவே முடியாது.
Rahstryasaram in Tamil
Bharathi Bhaskar speech fantastic speech valtthukal
Heart touched. Pattimanram.Hats off toBarath Sangeeth utsAv2017
E
No one can beat Bharathi Baskar
Great program! Garland should have been to Solomon Papayya avargal!
yes mr papayya should hv been honoured. sorry
Super
சூப்பரா 🌹
Excellant.speach
Neyveli Santhanam Ayya Arumayana urayadal ungaladhu. Naan ungaludayya pattukku mattum Rasigayaga irundhane but indru mudhal ungaludayya pechirkkum naan Aathmaarthakamaga mey silirthu vittane. (VIJAYA SINGER) When am i going to get appreciation from great carnatic persons like you for my songs? Awaiting for God's grace.
VAISHNAVI SUDHARSAN ..
Ponshnbßiu
T0p
o99olmand
சுதா ரகுநாதனின் காற்றினிலே வரும் கீதம் அருமை
Try
CF
Excellent
Thayiraik kadaindu more akki vitteer. You can now add any amount of water to the more.
Hopefully next time, they will have a Team representing Composers who are the foundations for both the artists and the rasikas to become famous and improve the status of Carnatic Music.
துன்பம் நேர்கையில் தமிழ் பாடல்
Osun
very great speach all the greet, sutha mam speach and singing great.
Nam Tamilmuliki ni thalai valange vendum nam tamilar Yosi Tamilanai 👉👁️👁️🗣️💚Tamil 💯👍🌎🇲🇾🇲🇾🌹🌹🙏
I feel Correct judgement by Solomon papaya sir. Excellent speech by Mr Raja.
Very Nice Debate
ராஜா சார் சங்கீதத்தை பற்றி மகா பெரியவா கூறியவை மிகவும் அருமை
Supper sir
Truth will prevail but still all will be in search mode until you value the signs with out music and Guru will be watching all the dramas
I
Super
Excellent debate
பேச்சாளர்களை அறிமுகப்படுத்தும் அந்த திருவாட்டி ஒவ்வொரு அறிமுகத்தின் இறுதியிலும் பாவிக்கும் அந்த ஆங்கிலம் நிச்சயம் தவிர்த்து '...எங்கே உங்கள் பலத்த கரகோஷத்துடன் வரவேற்பு கொடுங்கள்..' போன்ற சொற்றாடலை பாவித்திருக்க வேண்டும். ஏதோ தமிழ் அறியாதவர் ஆங்கிலம் தெரிந்தவர் போன்று காட்ட முயலும் வரவேற்புரை ஏற்புடையது அல்ல இந்த நிகழ்விற்கான தரத்தை குறைத்த விடயம்
Excellent..😍👍
H
பாரதி பாஸ்கரின் பேச்சு மிக மிக அருமை
கலஞ்ஞன் சிலர் ரசிகன் பலர் எது பெரியது மாண தமிழன்
WOW...what a show. Really loved Neyveli sir's speech. Ofcourse Sir Solomon Pappaiay, Raja Sir and Bharathi madam are known for this, there is no surprise there. Though i loved most of it, i felt that Bharathi madam was bit too harsh with VSV sir. He had all sorts of declaimers, despite that, i think she was a bit too harsh with him, which was not needed and did not do anything to supper her arguments.
POWER SUPER SEMMA SEMMA
Sudha mam, Not believable u r such an beautiful Tamil Orator. (VIJAYA SINGER)
VAISHNAVI SUD lllllllllllllllllllllllpcccxxxlpolopppppppoppppppppppppH
ARSAN
B able ppppllllppp
Srinath S and
VAISHNAVI SUDHARSAN
M
raja sir gud speech
neiveli is the best because he spoke naturally in his own tamil naturaly
Thyagarajar kottathirk kagha padavillai.
very unique program
Sudha Amma done justice to this
paramasivan kazthiluthirunthu pampu kettathu yarrum irukkum idhathil irunthukondal yellam sowkiame karudan sonnathu Great Kannadasan
Neyvely Speech Super Like Music
Super programme our regards to peraasiriyar
Sutha amma speech super
பாரதியின் கருத்துகள் அருமை.
பாரதி பாஸ்கர் is Jogger und nathing
Santhanam sir did well.... Great...
super and best.
Excellent judgement by Sri Solomon paapaia great speach raja sir bt why there is no gift given to paapaia sir this is v insulting
Solomon Pappaiya was presented with a gift but it is not shown in this video.
Vilakku ethina than eriyum . Tube light switch Potta than prigasikkum
Very nice
ஒரு வழியாக ராஜா சார் பேசிய கட்சி ஜெயித்தது.
Eenaththu yaalppaanar.. mathuraith thamil velvaro.. venravare ulakin m
un nitparo.. solluvai paappaiyaa.. s
olluvai.. nee..
sakthiyillaathavano.. puththiyillaath
avano..unmaiyillaathavano..poivadivaanavano..mathuraith thamilan..
solvai.. 07.51..11.09.2019
ஐயா!ஒன்றை இழந்தால்த்தானே ஒன்றை பெறலாம் இல்லையா. நன்றிங்க.
Vrey good
Why Sri Lappish not given any gift but others received. It is not sabha mariyaathai
Read Sri Papaiah
Malice Sridhar! The beauty of carnartaka Sangeetha is the assimilation of Tamil Telugu samskritam ect Please don't bring in Narrow sentiments With comments like Bharath sangeetotsav We have a liberal tradition Note the Sanskrit vocabulary in Tiruppugal Yadum ore enbathu neengal ninaippadu pola karumbulli all Tilakam
Type this by clicking the reply button under his comment. Otherwise nobody will understand why you are writing this & addressing to whom.
Leave it to the mucians who learnt in traditional methods. It is upto him or her. Do not institutoonalize dilution of Tradition.
very very mast.
FF n
P.Asaimani Maruvathur TN
கலை இலக்கியம் யாவும் மக்களுக்கே.
Wah great tamil valga
மிக அருமை ராஜா சார்.
Nice
அருமையான தமிழ் பேச்சு
எல்லாம் சரிதான். நடப்பதோ அமுதத்தை விட இனிமையான தமிழ் மொழியில் சங்கீதத்தை பற்றிய விவாதம். ஆனால் அதற்கு பெயர் Bharat Sangeet Utsav. சங்கீத உத்சவம் அல்ல. ஏன் செந்தமிழில் பெயர் அழகாக இருக்காதா. இத்தனை அற்புதமான நிகழ்ச்சிக்கு ஓர் கரும்புள்ளி.
saatai yadi theerppu..... oorukku thaan ubadhesam........ mhum... avaragalukku alla. arimuga padutthu styleai gavanikkavum thoooooooooooooooooooya thamizhai kaanavillai
Maligae, Bharat Sangeet Utsav என்கிற titleஇல் ஒரு தமிழ் பட்டிமன்றம் 2-1/2 மணிநேரம் நடக்கிறதே என்று நான் சந்தோஷப்படுகிறேன். எல்லாவற்றையும் negative ஆகவே பார்க்கும் உங்களைப்போன்றவர்களை இந்திரனாலும் சந்திரனாலும் த்ருப்திப்படுத்தவே முடியாது.
Maligae Sridhar i
@@Iamlatha very good comment. yes its true
Maligae Sridhar t
எங்கே மேடையில் தமிழ் எழுத்து ?
தமிழே நடுவராக இருக்கும்போது ஏழுத்து ஏதுக்கு?
Yes 100% True Vidushi Maa
Why not you have a pattrimandam on how to develop tamil nadu towards a fully developed state by year 2015
Bharathi Bhaskar was writing notes for a long time, which, I feel is not the done thing , when other participants were talking. Strange 🤔😲😳
chithra viswanathan she’s always taking notes on others point obviously she’s listening others view and preparing counter point. That’s amazing talent to be on the fly¡ That’s spontaneous.
சில தொலைகாட்சியின் கைகூலிகள் எம்ஜிஆரை சிறுமைப்படுத்த முயற்சிப்பது தோல்வியில்தான் முடியும்
Happy
Good subject
super
Salaman papayya sir Raja sir & Bharathi Bhaskar mam U 3 of U R Trinitys of Pattimandram Sangeetha Mumoorthigal pola. Neengal Moovarum illadha Pattimandram , is just like a Dog Without Tail. Ungalai polavargal Indha Nattin PM, CM, President aaga irundhirundhal Indha Nattil Migavum NANMAYE NADAKKUM. IDHU SATHIYAM. (VIJAYA SINGER)
VAISHNAVI SUDHARSAN q
T S Ranganathan is not very convincing
Extraordinary
Vponkasamuthu@gmail.com I
உவமை இல்லாக் கலை-ஞானம் கண்டார்க்கில்லைச்
சலனம் சொல்லு
6n
@@mohananand8026..
தமிழில் பேசுவது ரொம்ப கஸ்டமப்பா. இது England or USAயில் நடந்ததா? தமிழே இல்லாத பானர். ஆர்வமாக பார்க்கலாம் என்று பார்த்தால் தமிழை காணோம். ஒரே தமிங்கிலீஸ் இந்த தலைப்பிற்கும் தொடக்க பேச்சாளருக்கும் சம்பந்தமே இல்லை. பார்க்கும் ஆசையே போய்விட்டது. பாப்பையா நிச்சயமாக தமிழில் தான் பேசுவார். அது இறுதியில் தானே. It doesn't mean that I don't understand English. English is only for people who doesn't know Thamil. Not for Thamil people to Thamil people.
Oru kalaingane rasiganai irrundhuthan kalaingnaguran.Kalai valarvadhum, kalaingan valarvathum rasignanal mattundhan.
mrviswanathan rathnachalam
barathi baskar mdm.. superb✌
77 pattimandrum at coibutorelp
Pl
Salmon papaiya ku yen gift tharala?
Solomon Paappaiya. Salmon is a fish.
Mohana sund aramudha
The
Super 👍👍👍👍👍
Classical singers should not come to this level
பாரதி பாஸ்கர் நாக்கு பண்பாடு சரியல்ல. அசுத்தமான பேச்சு. மிகவும் கண்டிக்கத்தக்கது.
உண்மை
அ1A ஆம் உண்மை
"Please put your hands together" அப்படின்னு சொல்லாம உங்கள் கரவொலியோடு இவரை வரவேற்குமாறு கேட்டுகொள்கிறேன் அப்படின்னு சொல்லலாமில்லை... என்ன கொடுமையோ...
திருந்தாத ஜீவன்களை என்ன பண்ணலாம்?
I think it is a mischievous caption. No singer will claim he or she is more important than the audience. Should have been avoided.
It could be in English so that everyone in the world can understand
இரசிகன் இல்லாத அழகும் கலையும் பெருமை கொள்ளாது.
உண்மை
Pe punda
Sanskrit did not have a script (eluthakilavi) untill guptas period 1600years ago. IT IS NOT A NATURAL LANGUAGE BUT SYNTHETIC LANGUAGE OR PERFECTED BY BORROWING PALI AND OTHER INDOEUROPEAN LANGUAGES AND SCRIPT STOLEN FROM Nagars Nagari script! Then how come samaveda written before sangham period? Another fraud ? Samaveda is if at all written in sanskrit, it must be 1600years old. But by that time tamil iyal isai natagam were well documented as early as 2000 to 2400yrs back.