hii!! they actually changed the mingi upside down part after shooting the mv cos they didnt want the room for error and for him and the other dancers to get hurt if a mistake happened:)🫶 it is really cool tho and im glad they got it in the mv!
Ah!! I noticed that it wasn’t there once I finished filming 😫 But that makes sense! I really liked his section in the choreography video even without the stunt!
Comraderie is exactly the right word! In their stages especially they do a lot of "encouraging" type adlibs, nodding to each other, gripping each other's shoulders, high-five/handshakes with each other and with the backup dancers, with this constant sense of support in the face of struggle. I love that it's not just a revolution/speaking out concept, it's also about working together and being a team, lifting up others who are working toward the same goal...very "8 makes 1 team" 😭
I have been looking for this reaction. I found the MV overwhelming because so much was going on between the visuals and audio. I had to watch it more than once. The dance makes me tired just watching it. I am amazed that they don’t fall over in exhaustion. Even more amazed they can sing while doing this. I really liked that this song incorporates the back up dancers so well-their move at the end when the fall is so good. The whole dance break is just wow.
YESSSS seonghwa really stood out to me this comeback too!! his variation for the center part in the first chorus, the way he goes IN for the nodding part in the post-chorus, the specific expression he pulls during the travel to stage left in the final dance break, and even the way he just stands there and just stares down the camera during his pre-chorus parts, seonghwa is incredible. ateez really set the intensity level HIGH for this comeback, even for their standards, but i guess that's necessary if you're literally trying to start a world movement lmao. thanks for the reaction!!
this was an amazing example of "less is more" in choreography! the whole choreo was fast paced and this section brought the cadence back down. my favorite part! 😭
Thank you for this! That was a dope addition to the performance, reminds me of how the choreographer of Monsta X gave IM a cane for LOVE! edit: Also, can we normalize canes in choreography?? I feel like its a lost dance form lol
The choreo goes soooooo hard in this, the MV is intense but after initial shock and awe I got really into it. Basically follows their storyline and they are in a form of guerrilla warfare in a battle against the powers who have stopped art, emotion, expression as ‘human emotion is the crime’. They are trying to hi-jack the government speakers used to maintain control to send out a signal to wake up and start thinking. Honest the whole story is big as it ranges through their entire career so far. The old man is ‘left-eye’ and guides them that they cannot force ppl they must show them the open door and wait, the kid that shows up is the hope that it worked and some have woken up. They did have to modify the upside down part for mingi as while time and limited attempts for MV was ok the repeats and high chances for accidents on live stages and tour was just to big a risk. It’s still impressive in the MV though but yeah don’t wanna risk the guys or supporting dancers. Elements of film and literature like V for Vendetta, 1984, Hunger Games, Divergent etc in dystopian possibilities where extreme has taken over but the rebellious element is fighting back. Love that you enjoyed it! Thanks for reacting! 🧡🏴☠️
Seriously, BIG kudos to ATEEZ, and their Creative and Production Teams. This album, the whole body of work they released for this comeback is legendary, iconic, revolutionary. The entire album as a whole, feels to me, like righteous revenge, reclamation, redemption, retribution, and revolutionary rage. Like, "Holy Wrath". I can't choose a favorite song from this album, it's a whole no-skip masterpiece. For me, this entire album's lyrics, vocal text painting, music production, storytelling, visuals, art design, soundscape, choreography, styling, and concept as a whole body of work is so epically encompassing, liberating, cathartic, cinematic, complex, and surprisingly progressive yet also thought-provokingly familiar, with so much substance and nuanced layers to unpack. This release is a true well thought out Art piece that wholly conveys objective meaning AND subjective interpretation; it's truly a wall-breaking, ground-breaking, record-breaking genius body of work, a gift that keeps on giving. It's innovative cohesively chaotic genius, one of the best albums I've heard in years. I find it amazing that the whole rebellious mavericks theme of ATEEZ as a group and for this comeback even bleeds into how the intention of producing each song for this album defies the very logic of song structure and music theory. Truly breaking status quo, pushing past limits of what is expected, and reinventing things anew. And I think it's fascinating how the album is meant to be a whole listening experience journey, mirroring the complex unpredictability and extremity of human nature and the expansive human experience itself beginning to end full circle in cycles. I love how everything was carefully curated yet also intuitively conveyed. I also love how each track is mechanically "cerebral" sounding, grand/ bold, odd, liminal, ambiguous, sophisticated, bright/ flashy, industrial, experimental/ new/ fresh, musically technical "sensory overload", nonconforming, and individualistic "noise music", yet also passionately raw and emotionally soulful, down to earth, comprehensible, directional, concise, gritty, dark, primal, primordial, emotionally moving, anthemic, infectious, and unifying; in short, "cool" yet still relatable. Each song feels like a shocking awakening turned into a life- altering epiphany turned into the instinctual determined call for movement, change, and action with a "the light at the end of the dark tunnel" feeling, the human psyche going through cognitive dissonance and clarity, stagnation and progression, death and rebirth, destruction and recreation; as if every major moment of upheaval that every human experiences at least once in their life was encapsulated and translated into music. All of the songs in ATEEZ' The World Ep. 1: Movement sound "movie score" worthy. I could totally imagine these as BGM and OSTs for a dystopian cyberpunk movie with a lot of bleak, dark, gritty/gnarly scenes and niche obscured "underground" scenes/ societies. It's as if every extreme life - changing moment in the human psyche and experience when pushed past limits with all its grueling grave lows and glorious great highs and every complex extreme deep emotion in between, were all turned into songs, songs that come "full circle" as calls for "beginnings" and proclamations of "ends" of cycles, birth & death, revelation & revolution, stagnation & evolution, ambition & resignation, expression, repression, suppression, depression, immersion, liberation.. All encapsulated into an album. It all feels distinct yet also ambiguous, tangible yet also diaphanous, like a cliffhanger full of potential possibilities and "open doors". The soundscape of this album paints a picture of how humans only truly reach their biggest potential when pushed past their limits. I also find it cool how album is aptly named The World: Movement and how it correlates with my perception of it; how each track & the entirety of the album feels all encompassing like it all comes into "full circle"(literally & figuratively like the Earth/ World) in many ways, how the album, the name, and everything else fits the story/ explanation behind their new Möbius loop logo.. And also with the movement name, the album gives me a sense of dynamic movement too in many different ways. Movement, in the sense of unified action for a cause, moving forward, getting up and taking action, changing perceptions and perspectives through exploring other schools of thought, and movement in the sense of viewing this album like how one would view the movements and stories in a classical music piece. The World: Movement is such a fitting name for this. Their whole body of work this era with the album, the MV, the visual concepts, the promotion strategies, and the performances, truly is a whole package embodying Art and the essence of true revolutionary Artists; bringing about the electrifying winds of change and reform, creative expression and expansion, disruption for a cause, evocation and provocation of profound meaning, emotion and movement. If I were to sum up all of their past work, I'd say that so far, this era/album is their greatest work, their Magnum Opus. Truly a Marvel in time, they truly cemented their status as Mavericks in the industry with this. I think only their next future releases can possibly top this for me. I love the musical direction and approach they took for the production of this album. I feel like the "messy" all over the place structure of Guerrilla and the rest of the songs in the album was intentionally done to fit the theme/ narrative and to shake things up and add shock value, adhering to their concept for this era along with the objective to "make noise" to make noise and be heard. What I mean by this is that, the songs sound metallic, mechanical, gritty, gnarly, raw, primal, unpredictable, heavy, dark, moody, uncomfortable, jarring, aggressive, chaotic, erratic, and like there's so much going on, because they mirror and paint the context of what happens in an uprising revolution; the effects of worlds destroyed to be rebuilt again and all its trials and tribulations on the human psyche, of beginnings and ends of cycles in full circle, of losses and gains, of the storm and chaos in the physical/ tangible/ material world and also in the internal/ psychological/ emotional worlds of the people involved in the upheaval of the industrial dystopian world, and how the human nature processes it all as individuals and as a society; the way this was done, seems to convey how the human nature experiences the impact of jarring change and disruption, along with the most extreme of uninhibited ferocious emotions from the grave grueling lows and great glorious highs people feel when pushed past their limits. I find it interesting how the songs feel like open ended cliffhangers too. Because other than this album being a start of a movement in parts from the lore, it may also be because it implies for us to derive conclusions on our own about where/ how it should go from here, and also maybe because the context/ purpose of this album relating to it's target audience, is to leave potential possibilities and "open doors" in the mind for people to mull over, just like how in real life, major life upheavals leave us with open options/ endings and potential possibilities to choose from. When humans are pushed past their limits by an upheaval leading to a "clear blank slate"/ new world, a new potential for possibilities & decisions in life is paved, & you can choose to either let that experience break you or mold you, to either wither from it or to grow from it. ..I feel like this aspect in human nature, relates greatly with the way the songs and album were produced and influences how the prod team intended for us to perceive the songs/ album. Because even though we're not time-traveling space renegade pirates, we all have/had moments of realization, reckless abandon, rebellion, revolting, fear, hope, despair, desolation, camaraderie, unity, fury, outrage, vigor, valor, ambition, anticipation, desperation, determination, resignation, suppression, repression, oppression, depression, deception, expression, liberation, elation, gain, loss, resentment, disappointment, listlessness, emptiness, numbness, injustice, etc and such profound momentous experiences of the human existence as a collective, is artfully conveyed, interpreted, & filtered through ATEEZ' cinematic portrayal. This is why I love Ateez' music, they are and they give gifts that keep on giving. Through a whimsical theatrical artistic lens, they touch upon the driving forces behind the pulse of humanity. Life imitates Art, that's consistently true with ATEEZ. Like how they have always done, they explored the inner workings of the human mind and the intricacies of the human experience and youth in this album too. But compared to their other eras, the chapter of The World Ep. 1: Movement is raw & gritty, stripped of naïvety and whimsy. The jaded dreamer/ tortured artist/ / scorned survivalist/ daredevil hero/warrior mindset of renegade anarchist rebel pirate musicians in a underground resistance was tastefully portrayed IMO. The whole album really gives off a "Do or Die. All or Nothing. We have nothing to lose. No fear. This is worth living/dying for." feeling to me. When I say this album changed me, I'm not kidding. Listening to it for the first time felt like a life-altering experience, as if I "shifted" to another perception of "reality". I was reborn, I grew, it changed me on a molecular level, it changed the trajectory of my life, I evolved, I was never the same again after this.
Thanks for reacting to Ateez, of you check out the comeback teasers you will understand a bit more of the story. Looking forward to more Ateez reactions 😀 👍
Totally agree about the pauses...when I see many covers dances I noticed they don't pause so it takes away from the choreography. and even if the moves as small it draws the eye/attention and highlights the control they have mastered. Their whole bodies are moving fast but they have time to pause and slow down, noticed that Wooie does the finger movement much lower..his pause is little more but its the angle he does his hands so you eye goes to his hands not his body.
There is a music show stage (can’t remember which one) that does a close up of Seonghwa during the dance break and his facial expression is just insane (he definitely proves his membership in the demon line).
hello? Is today my birthday? i was waiting for this reaction and i was losing hope, i'm really Happy that you reacted to Guerrilla. i'm a huge atiny and i've been loving your channel for awhile, so this Is a gift for me. thank u. For you to understand a Little bit Better the storyline you should Watch the movement trailer 1 and 2 and also rewatch the ateez Kingdom performance where they covered rhythm ta. Basically they are in a distopian world where all forms of art are banned, so they are tryin to start a movement, for people to open their eyes and overthrow the government.
Thank you so much for this information!! AND MOST OF ALL HAPPY BIRTHDAY RACHEL!! 🥳🎉 thank you for supporting my content all this time and have a good one!
Thank you so much for reacting to this and for giving a very accurate review and appreciation of ATEEZ choreography and how each members augment it with their own style. :)
One would think I'd run out of praise for their dancing but NOPE. They all travel so well. The choreographers first and foremost because they never give them boring transitions, instead giving them things they know the boys can do well while also creating a nice picture so there's no wasted movement. My favorite example would be the spin in the Thanxx choreo- Yunho especially just does it so clean. And this songs transitions are simple but effective and Ateez do them perfectly.
I was waiting for your reaction on 6:15 and damn, same reaction. I have watched other reactors but didnt appreciate that, i mean, not the way you reacted because for me, that was the highlight of their concept on Guerilla. Anyways, that part was the shoot first out of all in the MV according to Hongjoong
OMG ATEEZ content kay tagal kitang hinintay elliot it's been a while since you reacted to ateez ❤️ thank you so much and i hope you can react to more ateez mvs and dance practices
I always like your videos cause you always teach me something I didn't know about dance history and stuff. You really know what you're talking about. pls react to epex anthem of teen spirit, I feel like they have big ateez energy and I'm curious abt your opinion on them ty
Hey Eliott !! 😊 Your presence and reviews are ALWAYS valuable and entertaining !! 😃❤ I am a longtime Subscriber and I never did request a song, as you know !!! - But THIS time I have a must - react TIP : *MCND* ( 4th COMEBACK ) with * *MCND - #MOOD * ! 😊 I hope you can REACT TO *MCND -#MOOD M/V * + * *[Let's Play MCND] #MOOD 안무영상 (LIVE PRACTICE ver.) | Special Video * :They are the only KPOP group ,that makes a *LIVE SUNG + DANCED M/V of EVERY TITLE TRACK * 👑👍) THANKS IN ADVANCE !! Take GOOD care & rest enough & STAY healthy!!! 💕 🌷 JOERI 🇳🇱
Hi there. Do you do reactions to non K-pop dance choreography? I hope you would react to the dance practice video of 'Pa Sang Anthem' by 3P. Many thanks =)
Hi... Please react to japanese girlgroup named Xtraordinary Girls (XG) in their mv's and their dance performance, good song, good Voice, good coreography
hii!! they actually changed the mingi upside down part after shooting the mv cos they didnt want the room for error and for him and the other dancers to get hurt if a mistake happened:)🫶 it is really cool tho and im glad they got it in the mv!
Ah!! I noticed that it wasn’t there once I finished filming 😫
But that makes sense! I really liked his section in the choreography video even without the stunt!
@@ElliottNewVillage th-cam.com/video/cAwcDrSZ9KE/w-d-xo.html minit 4:32
Comraderie is exactly the right word! In their stages especially they do a lot of "encouraging" type adlibs, nodding to each other, gripping each other's shoulders, high-five/handshakes with each other and with the backup dancers, with this constant sense of support in the face of struggle. I love that it's not just a revolution/speaking out concept, it's also about working together and being a team, lifting up others who are working toward the same goal...very "8 makes 1 team" 😭
I have been looking for this reaction.
I found the MV overwhelming because so much was going on between the visuals and audio. I had to watch it more than once.
The dance makes me tired just watching it. I am amazed that they don’t fall over in exhaustion. Even more amazed they can sing while doing this.
I really liked that this song incorporates the back up dancers so well-their move at the end when the fall is so good.
The whole dance break is just wow.
Listening to the song and watching the m/v again there were so many small details to appreciate. This was a huge comeback for these guys 😤🔥
YESSSS seonghwa really stood out to me this comeback too!! his variation for the center part in the first chorus, the way he goes IN for the nodding part in the post-chorus, the specific expression he pulls during the travel to stage left in the final dance break, and even the way he just stands there and just stares down the camera during his pre-chorus parts, seonghwa is incredible. ateez really set the intensity level HIGH for this comeback, even for their standards, but i guess that's necessary if you're literally trying to start a world movement lmao. thanks for the reaction!!
"one thing that really sticks out to m--- THIS IS LIT. OH MY GOD." felt. that part always makes me ascend.
11:36 i really like this part of the choreography, it’s so well done that it’s satisfying to watch !!!
this was an amazing example of "less is more" in choreography! the whole choreo was fast paced and this section brought the cadence back down. my favorite part! 😭
For Kcon last weekend, ATEEZ had to speed up Guerilla to fit it into the half-hour they were allotted! Thanks for the reaction!
This is their hardest choreography yet & I'm obsessed with this song!
The cane was a prop Hongjoong chose to add when they started to learn the choreography.
He made the cane himself.
Thank you for this! That was a dope addition to the performance, reminds me of how the choreographer of Monsta X gave IM a cane for LOVE!
edit: Also, can we normalize canes in choreography?? I feel like its a lost dance form lol
The choreo goes soooooo hard in this, the MV is intense but after initial shock and awe I got really into it.
Basically follows their storyline and they are in a form of guerrilla warfare in a battle against the powers who have stopped art, emotion, expression as ‘human emotion is the crime’. They are trying to hi-jack the government speakers used to maintain control to send out a signal to wake up and start thinking. Honest the whole story is big as it ranges through their entire career so far. The old man is ‘left-eye’ and guides them that they cannot force ppl they must show them the open door and wait, the kid that shows up is the hope that it worked and some have woken up.
They did have to modify the upside down part for mingi as while time and limited attempts for MV was ok the repeats and high chances for accidents on live stages and tour was just to big a risk. It’s still impressive in the MV though but yeah don’t wanna risk the guys or supporting dancers.
Elements of film and literature like V for Vendetta, 1984, Hunger Games, Divergent etc in dystopian possibilities where extreme has taken over but the rebellious element is fighting back.
Love that you enjoyed it! Thanks for reacting! 🧡🏴☠️
Seriously, BIG kudos to ATEEZ, and their Creative and Production Teams. This album, the whole body of work they released for this comeback is legendary, iconic, revolutionary.
The entire album as a whole, feels to me, like righteous revenge, reclamation, redemption, retribution, and revolutionary rage. Like, "Holy Wrath".
I can't choose a favorite song from this album, it's a whole no-skip masterpiece.
For me, this entire album's lyrics, vocal text painting, music production, storytelling, visuals, art design, soundscape, choreography, styling, and concept as a whole body of work is so epically encompassing, liberating, cathartic, cinematic, complex, and surprisingly progressive yet also thought-provokingly familiar, with so much substance and nuanced layers to unpack. This release is a true well thought out Art piece that wholly conveys objective meaning AND subjective interpretation; it's truly a wall-breaking, ground-breaking, record-breaking genius body of work, a gift that keeps on giving. It's innovative cohesively chaotic genius, one of the best albums I've heard in years. I find it amazing that the whole rebellious mavericks theme of ATEEZ as a group and for this comeback even bleeds into how the intention of producing each song for this album defies the very logic of song structure and music theory. Truly breaking status quo, pushing past limits of what is expected, and reinventing things anew.
And I think it's fascinating how the album is meant to be a whole listening experience journey, mirroring the complex unpredictability and extremity of human nature and the expansive human experience itself beginning to end full circle in cycles. I love how everything was carefully curated yet also intuitively conveyed. I also love how each track is mechanically "cerebral" sounding, grand/ bold, odd, liminal, ambiguous, sophisticated, bright/ flashy, industrial, experimental/ new/ fresh, musically technical "sensory overload", nonconforming, and individualistic "noise music", yet also passionately raw and emotionally soulful, down to earth, comprehensible, directional, concise, gritty, dark, primal, primordial, emotionally moving, anthemic, infectious, and unifying; in short, "cool" yet still relatable.
Each song feels like a shocking awakening turned into a life- altering epiphany turned into the instinctual determined call for movement, change, and action with a "the light at the end of the dark tunnel" feeling, the human psyche going through cognitive dissonance and clarity, stagnation and progression, death and rebirth, destruction and recreation; as if every major moment of upheaval that every human experiences at least once in their life was encapsulated and translated into music.
All of the songs in ATEEZ' The World Ep. 1: Movement sound "movie score" worthy. I could totally imagine these as BGM and OSTs for a dystopian cyberpunk movie with a lot of bleak, dark, gritty/gnarly scenes and niche obscured "underground" scenes/ societies. It's as if every extreme life - changing moment in the human psyche and experience when pushed past limits with all its grueling grave lows and glorious great highs and every complex extreme deep emotion in between, were all turned into songs, songs that come "full circle" as calls for "beginnings" and proclamations of "ends" of cycles, birth & death, revelation & revolution, stagnation & evolution, ambition & resignation, expression, repression, suppression, depression, immersion, liberation.. All encapsulated into an album. It all feels distinct yet also ambiguous, tangible yet also diaphanous, like a cliffhanger full of potential possibilities and "open doors".
The soundscape of this album paints a picture of how humans only truly reach their biggest potential when pushed past their limits. I also find it cool how album is aptly named The World: Movement and how it correlates with my perception of it; how each track & the entirety of the album feels all encompassing like it all comes into "full circle"(literally & figuratively like the Earth/ World) in many ways, how the album, the name, and everything else fits the story/ explanation behind their new Möbius loop logo.. And also with the movement name, the album gives me a sense of dynamic movement too in many different ways. Movement, in the sense of unified action for a cause, moving forward, getting up and taking action, changing perceptions and perspectives through exploring other schools of thought, and movement in the sense of viewing this album like how one would view the movements and stories in a classical music piece.
The World: Movement is such a fitting name for this. Their whole body of work this era with the album, the MV, the visual concepts, the promotion strategies, and the performances, truly is a whole package embodying Art and the essence of true revolutionary Artists; bringing about the electrifying winds of change and reform, creative expression and expansion, disruption for a cause, evocation and provocation of profound meaning, emotion and movement. If I were to sum up all of their past work, I'd say that so far, this era/album is their greatest work, their Magnum Opus. Truly a Marvel in time, they truly cemented their status as Mavericks in the industry with this. I think only their next future releases can possibly top this for me.
I love the musical direction and approach they took for the production of this album.
I feel like the "messy" all over the place structure of Guerrilla and the rest of the songs in the album was intentionally done to fit the theme/ narrative and to shake things up and add shock value, adhering to their concept for this era along with the objective to "make noise" to make noise and be heard. What I mean by this is that, the songs sound metallic, mechanical, gritty, gnarly, raw, primal, unpredictable, heavy, dark, moody, uncomfortable, jarring, aggressive, chaotic, erratic, and like there's so much going on, because they mirror and paint the context of what happens in an uprising revolution; the effects of worlds destroyed to be rebuilt again and all its trials and tribulations on the human psyche, of beginnings and ends of cycles in full circle, of losses and gains, of the storm and chaos in the physical/ tangible/ material world and also in the internal/ psychological/ emotional worlds of the people involved in the upheaval of the industrial dystopian world, and how the human nature processes it all as individuals and as a society; the way this was done, seems to convey how the human nature experiences the impact of jarring change and disruption, along with the most extreme of uninhibited ferocious emotions from the grave grueling lows and great glorious highs people feel when pushed past their limits.
I find it interesting how the songs feel like open ended cliffhangers too. Because other than this album being a start of a movement in parts from the lore, it may also be because it implies for us to derive conclusions on our own about where/ how it should go from here, and also maybe because the context/ purpose of this album relating to it's target audience, is to leave potential possibilities and "open doors" in the mind for people to mull over, just like how in real life, major life upheavals leave us with open options/ endings and potential possibilities to choose from.
When humans are pushed past their limits by an upheaval leading to a "clear blank slate"/ new world, a new potential for possibilities & decisions in life is paved, & you can choose to either let that experience break you or mold you, to either wither from it or to grow from it.
..I feel like this aspect in human nature, relates greatly with the way the songs and album were produced and influences how the prod team intended for us to perceive the songs/ album. Because even though we're not time-traveling space renegade pirates, we all have/had moments of
realization, reckless abandon, rebellion, revolting, fear, hope, despair, desolation, camaraderie, unity, fury, outrage, vigor, valor, ambition, anticipation, desperation, determination, resignation, suppression, repression, oppression, depression, deception, expression, liberation, elation, gain, loss, resentment, disappointment, listlessness, emptiness, numbness, injustice, etc and such profound momentous experiences of the human existence as a collective, is artfully conveyed, interpreted, & filtered through ATEEZ' cinematic portrayal. This is why I love Ateez' music, they are and they give gifts that keep on giving. Through a whimsical theatrical artistic lens, they touch upon the driving forces behind the pulse of humanity.
Life imitates Art, that's consistently true with ATEEZ.
Like how they have always done, they explored the inner workings of the human mind and the intricacies of the human experience and youth in this album too. But compared to their other eras, the chapter of The World Ep. 1: Movement is raw & gritty, stripped of naïvety and whimsy.
The jaded dreamer/ tortured artist/
/ scorned survivalist/ daredevil hero/warrior mindset of renegade anarchist rebel pirate musicians in a underground resistance was tastefully portrayed IMO. The whole album really gives off a
"Do or Die. All or Nothing. We have nothing to lose. No fear. This is worth living/dying for." feeling to me.
When I say this album changed me, I'm not kidding. Listening to it for the first time felt like a life-altering experience, as if I "shifted" to another perception of "reality". I was reborn, I grew, it changed me on a molecular level, it changed the trajectory of my life, I evolved, I was never the same again after this.
Love to see professionals Reacting to ATEEZ😍😍
Thanks for reacting to Ateez, of you check out the comeback teasers you will understand a bit more of the story. Looking forward to more Ateez reactions 😀 👍
I love your overall reaction, it really mirrors what I think about their comeback
Totally agree about the pauses...when I see many covers dances I noticed they don't pause so it takes away from the choreography. and even if the moves as small it draws the eye/attention and highlights the control they have mastered. Their whole bodies are moving fast but they have time to pause and slow down, noticed that Wooie does the finger movement much lower..his pause is little more but its the angle he does his hands so you eye goes to his hands not his body.
I agree!! Demon Seonghwa has entered the chattt
when he goes “GUERRILLA” is 🔥
There is a music show stage (can’t remember which one) that does a close up of Seonghwa during the dance break and his facial expression is just insane (he definitely proves his membership in the demon line).
hello? Is today my birthday? i was waiting for this reaction and i was losing hope, i'm really Happy that you reacted to Guerrilla. i'm a huge atiny and i've been loving your channel for awhile, so this Is a gift for me. thank u. For you to understand a Little bit Better the storyline you should Watch the movement trailer 1 and 2 and also rewatch the ateez Kingdom performance where they covered rhythm ta. Basically they are in a distopian world where all forms of art are banned, so they are tryin to start a movement, for people to open their eyes and overthrow the government.
Thank you so much for this information!!
AND MOST OF ALL HAPPY BIRTHDAY RACHEL!! 🥳🎉 thank you for supporting my content all this time and have a good one!
Thank you so much for reacting to this and for giving a very accurate review and appreciation of ATEEZ choreography and how each members augment it with their own style. :)
One would think I'd run out of praise for their dancing but NOPE. They all travel so well. The choreographers first and foremost because they never give them boring transitions, instead giving them things they know the boys can do well while also creating a nice picture so there's no wasted movement. My favorite example would be the spin in the Thanxx choreo- Yunho especially just does it so clean. And this songs transitions are simple but effective and Ateez do them perfectly.
In the behind the scenes you can see how Mingi transitionates his move with the upside down!
I was waiting for your reaction on 6:15 and damn, same reaction. I have watched other reactors but didnt appreciate that, i mean, not the way you reacted because for me, that was the highlight of their concept on Guerilla. Anyways, that part was the shoot first out of all in the MV according to Hongjoong
Sector 1 is a must watch too !!!
been looking forward to your reaction on this Ateez Guerrilla MV..
Letsss gooooo Ateez 💜💜
OMG ATEEZ content kay tagal kitang hinintay elliot it's been a while since you reacted to ateez ❤️ thank you so much and i hope you can react to more ateez mvs and dance practices
yes!!! stan ATEEZ y'all 😍🤍
I was waiting for your review and reaction omg and yes they do have a storyline 😭😭
omg ateez content!!!
you should react to BBT (the group who made the choreo) choreo ver. of this song
I always appreciate your reactions to Ateez!
YUPPP 🔥 100k comin soon 🤟🏻
ATEEZ🔥
Yes kq is having a new boy!!! U check out kq kellaz 2 they have a new performance video too😁
Yeas seonghwa
I always like your videos cause you always teach me something I didn't know about dance history and stuff. You really know what you're talking about. pls react to epex anthem of teen spirit, I feel like they have big ateez energy and I'm curious abt your opinion on them ty
AAAAAA finally
KQ fellaz 2 is on the way
please react to ATEEZ's official trailer 1 & 2~
PLS REACT TO ATEEZ " SECTOR 1" FROM THEIR NEW ALBUM
Sonora arrived early today
LETS GOOO!!!
🧡🖤🧡🖤🧡🖤🧡🖤
Hey Eliott !! 😊 Your presence and reviews are ALWAYS valuable and entertaining !! 😃❤ I am a longtime Subscriber and I never did request a song, as you know !!!
- But THIS time I have a must - react TIP : *MCND* ( 4th COMEBACK ) with * *MCND - #MOOD * ! 😊
I hope you can REACT TO *MCND -#MOOD M/V * + * *[Let's Play MCND] #MOOD 안무영상 (LIVE PRACTICE ver.) | Special Video * :They are the only KPOP group ,that makes a
*LIVE SUNG + DANCED M/V of EVERY TITLE TRACK * 👑👍) THANKS IN ADVANCE !! Take GOOD care & rest enough & STAY healthy!!! 💕 🌷 JOERI 🇳🇱
S A N 👑🥵
Please react secret number "who dis? And Doomchita"
Please react to chungha sparkling and hyuna nabillera .. the dance is soo urghhhhh you need to watch this
U should react to nct 127 choreography videos
They are dance legends💚
*Can you please react to CHINESE JYP BOY GROUP "BOY STORY" PLEASE*
Hi there. Do you do reactions to non K-pop dance choreography?
I hope you would react to the dance practice video of 'Pa Sang Anthem' by 3P.
Many thanks =)
Hi... Please react to japanese girlgroup named Xtraordinary Girls (XG) in their mv's and their dance performance, good song, good Voice, good coreography
look other members too please not just san seonghwa wooyoung. u dont even mention the main dancer