Whenever I see people who don't make music/are really closeminded/or make half baked beats that sound samey start hating on this type of stuff I always think of Thelonius Monk and his quotes like, "I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing. Even if it does take them fifteen, twenty years." and "Wrong is right." I feel as if a lot of the old great jazz musicians would love this left field beat experimentation because it has a lot of jazz sensibilities; improvisation and thinking on your feet, not being forumulaically constructed, and letting the composition take a journey of it's own.
I love a classic soul sample beat as much as the next guy but I'm glad producers like this exist. They think outside the box, push the boundaries, and open our eyes to new possibilities. The average person will initially reject the unfamiliar but open minded music lovers embrace the avant-garde because they are the creators of the "new" sound. Recycling the same old ideas eventually wear out our interest anyway. There are people who emulate what they love and there are people who create what they love without being concerned about if the mainstream will embrace it or not. I'm still more likely to listen to a Dilla beat then this type of beat but I'm glad people like this are doing their thing.
this is fire dude..... real producers see the struggle and realize how hard it is to sample with some super weird shit like this guy got... i fucked with it
i have a feeling that some aren't liking this video because of how silent and concentrated pyramid was while producing. i haven't listened to his work but this sounds very original, even with a sample. props to him for that.
Not crazy about the beat but I had to look this Kid up so now I understand the beat better he does strange left field beats and rhyme to them. So although I don't like it ... I get it!!
I had to look him up also. One main reason is because it wasn't the typical creation. That's what these episodes are good for, introducing people to something you may have never heard before. crockpots and cook books music
I find myself coming back to this one along with Slauson Malone and Matt Martians. I love the eclectic weirdo types in myself, more interesting than just having technical ability in a traditional sense.
Jamal N .... No people just want dope beats and this isn’t one. Some shit on rhythm roulette comes out dope, some shit comes out wack, there’s no need to defend the wack shit, Mr Captain save the wack! Lol
The thing that I find super tight about this is that he's absolutely locked in the entire time on making the beat. Everything is just stopped while he's working, even with all the cameras and film crew around him. Sensational.
Samplers are computers. Get with it. It's a simpler and more limited computer. Deciding that the limitations that others seems to enjoy is cramping your craft and getting with the times doesn't make someone a sell out. It doesn't make one more authentic to take longer to accomplish a task, have discs disintegrate yearly, disk read error and generally living in the past doesn't make one authentic.. Genre purists, gear purists, etc etc have already missed the point about creation. It's not about what you use. It's about you. Legends already know all this. Purist elitism is kiddie talk for herbs. That being said I still love hardware too. I've noticed most of the legendary producers that influenced me are embracing software along with their hardware. Says something.
After listening to the track at the end, a number of times, after about the 3rd time it started to sound less jangly, and chaotic, and after a few more listens, it is smooth and genius. i like this guy. It s a very original , mellow and psychedelic piece of music.. I also do not care what he makes it on. Sure, I love Empee's, and Espee's as much as the next guy, however, if was all just guys with an mpc or an asr 10 it would get like it was glorifying some unit of hardware, instead recognising and showcasing the creativity involved and the actual end product. This way we get to see genius in all it's forms.
If you take a piece of dog shit and keep smelling it over and over after a while you'll get a little used to the smell of shit, it down't mean it stopped smelling like shit. lol
I had to look him up. I like the new school stuff he incorporates into the tunes as supposed to making some wack ass 36 chambers inspired beat. More to hip-hop than meets the eye people
Damn this shit is actually pretty tight. I think a lot of people here are just closed of to anything not boom bap and soul samples. That guitar he sampled was dope and lots of trippy sounds that all worked with each other and built a whole trip throughout the beat
I like to beat to be honest, and idk what people are talking about saying it sounds jumbled...I can easily hear the harmony in the beat. I think it's dope.
Everybody leaving a negative comment knows nothing about beatmaking. Even when you aren't blindfolded and can gauge how dope a record will be from the album cover or artist, it's still hard to find a dope sample. To make something great out of three records you know nothing about, the stars need to align for you. Not everything you make is gonna be a banger.
advice for the people who make these Rhythm Roulette vids: keep the videos at longer lengths like this cause we enjoy seeing the natural progression of the artists that participate and see how they go from what they had to what they end up with
It's not a matter of something not sounding the same as everything else. Being unique does not make a quality beat, the end product sounding good is what makes a quality beat. Regardless of how "unique" or "original" or "not like everything else" this beat is, it's still a bad beat.
Nick Puente Oh, you mean the second beat. Yeah, you're right it's 6/8 but you mean 'time signatures' not 'beat subdivisions'. Well noticed though I hadn't really clocked it until reading this comment.
+Non Ofyourbusiness no I mean beat subdivisions. the difference between 3/4 and 6/8 time is that 3/4 is 3 beats subdivided into duplets and 6/8 is 2 beats subdivided into triplets. I know very well what time signatures are lol
Hey, does anybody know the song that is playing at about 1:30, the guitar and then the chime sounds come in? Shazam can't get it and I can't find it anywhere.
before i even finish this vid, 1, Pyramid Vritra's shit always been dope, 2. i could tell by how he awkwardly chose those 3 records that he knows what the game is. bout to get creative
I was actually suprised....There was alot nice pieces in that 1st record, suprised he had so much trouble but u never know could of just been a off day for him
Lol have you ever produced any music of note for any notable artist if not don't think it's for you I'm pretty sure it's a don't call us we'll call you sorta of thing . I mean Eric Sermon found the show really cool and got in contact with mass appeal to do his episode but he's fucking Eric sermon the greeneyedbandit he's a legend with a legacy who are you exact?
Whenever I see people who don't make music/are really closeminded/or make half baked beats that sound samey start hating on this type of stuff I always think of Thelonius Monk and his quotes like,
"I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing. Even if it does take them fifteen, twenty years." and "Wrong is right."
I feel as if a lot of the old great jazz musicians would love this left field beat experimentation because it has a lot of jazz sensibilities; improvisation and thinking on your feet, not being forumulaically constructed, and letting the composition take a journey of it's own.
naps I watched this shit like three years ago and I wish I seen your comment then. I respect this a lot, thank you.
word
Stop being pretentious.
@@sb848 He is being pretentious but hes right, music is about experimentation.
If you look around he has a great setup, clearly he knows good gear and how to use it, not to mention how to organize it. Respect man, nice room
I love a classic soul sample beat as much as the next guy but I'm glad producers like this exist. They think outside the box, push the boundaries, and open our eyes to new possibilities. The average person will initially reject the unfamiliar but open minded music lovers embrace the avant-garde because they are the creators of the "new" sound. Recycling the same old ideas eventually wear out our interest anyway. There are people who emulate what they love and there are people who create what they love without being concerned about if the mainstream will embrace it or not. I'm still more likely to listen to a Dilla beat then this type of beat but I'm glad people like this are doing their thing.
this is fire dude..... real producers see the struggle and realize how hard it is to sample with some super weird shit like this guy got... i fucked with it
What’s a real producer ?
i have a feeling that some aren't liking this video because of how silent and concentrated pyramid was while producing. i haven't listened to his work but this sounds very original, even with a sample. props to him for that.
Not crazy about the beat but I had to look this Kid up so now I understand the beat better he does strange left field beats and rhyme to them. So although I don't like it ... I get it!!
If only there were more people like you
I had to look him up also. One main reason is because it wasn't the typical creation. That's what these episodes are good for, introducing people to something you may have never heard before.
crockpots and cook books music
You need an award , others just call things trash instead of respecting the craft
I wish they'd post every challenger's final product on their page or something, so we can fully here how it came out
jeremiah13131331 i think you meant to type hear..... dimwit
@@Truthseeker_12638 Lucas, more like Lick Ass.
yep, but not for free dude....
@@sepultro6219 heh
Bangin! I love how he kept it Hip Hop. He went off his own vibe and dropped something he liked, that's Hip Hop!
Erick Arc Elliott 'The Architect' on Rhythm Roulette would be phenomenal!
no doubt. most underrated artist right now... so much potential
oh boy do I have a rhythm roulette for you
I find myself coming back to this one along with Slauson Malone and Matt Martians. I love the eclectic weirdo types in myself, more interesting than just having technical ability in a traditional sense.
I thought it was good, genius in its own right. People just want a boom bap or soul sample production on here.
Jamal N .... No people just want dope beats and this isn’t one.
Some shit on rhythm roulette comes out dope, some shit comes out wack, there’s no need to defend the wack shit, Mr Captain save the wack! Lol
@@DJDAMIAN72 it ain't wack it just ain't yr taste..he's doing him
@@DJDAMIAN72 you not right man lol...
@@DJDAMIAN72 Theres a saying that goes "one mans trash is another mans treasure" and i feel like you should understand that that is music
The people saying this beat sucks didn't watch till the end to hear the actual fuckin' beat
The thing that I find super tight about this is that he's absolutely locked in the entire time on making the beat. Everything is just stopped while he's working, even with all the cameras and film crew around him. Sensational.
i love how mass appeal is giving an outlet to alot these hip hop cats out here actually making quality music. love rhythm roulette. keep this up!
Samplers are computers. Get with it. It's a simpler and more limited computer. Deciding that the limitations that others seems to enjoy is cramping your craft and getting with the times doesn't make someone a sell out. It doesn't make one more authentic to take longer to accomplish a task, have discs disintegrate yearly, disk read error and generally living in the past doesn't make one authentic.. Genre purists, gear purists, etc etc have already missed the point about creation. It's not about what you use. It's about you. Legends already know all this. Purist elitism is kiddie talk for herbs.
That being said I still love hardware too. I've noticed most of the legendary producers that influenced me are embracing software along with their hardware. Says something.
he's like a mini knxwledge
dude got set up to make a beat to open the gates of hell..wtf
PV been slammin for years
Shit and is still the greatest
After listening to the track at the end, a number of times, after about the 3rd time it started to sound less jangly, and chaotic, and after a few more listens, it is smooth and genius.
i like this guy. It s a very original , mellow and psychedelic piece of music..
I also do not care what he makes it on. Sure, I love Empee's, and Espee's as much as the next guy, however, if was all just guys with an mpc or an asr 10 it would get like it was glorifying some unit of hardware, instead recognising and showcasing the creativity involved and the actual end product.
This way we get to see genius in all it's forms.
you know hes in the odd future pair: Jet Age of Tomorrow
No i didn't before now! Thanks. I will have a listen.
Glitched wow thanks!
If you take a piece of dog shit and keep smelling it over and over after a while you'll get a little used to the smell of shit, it down't mean it stopped smelling like shit. lol
@L. D. big hater vibes cuh
I had to look him up. I like the new school stuff he incorporates into the tunes as supposed to making some wack ass 36 chambers inspired beat. More to hip-hop than meets the eye people
+Okay Damn nigga you are corny
still corny
+mpc2k o
+Okay Damn fuck you and fuck new school.
+Luis Cong u hurt fam? Wutang aint all that nigga
ODDISEE NEXT PLEASEEEE
I strongly second this!
Man, that's would be dope.
Another vote for Oddisee!!
Agreed. Oddisee and Knx.
Ohhhh yes!
PV never does interviews lol this is rare
Get Lord Finesse, Premier, Pete Rock or MF Doom on this, succes guaranteed!
And Buckwild and Marley Marl and Diamond D, Dj Muggs and Nick WIZ!!!!!
Just remember all caps when you spell the man's name
I think you're supposed to get people a little smaller.
These guys all have nothing to prove to us. We already know they're production gods.
Or the Alchemist massappeal
massappeal Get Kev Brown too
very creative, trippy
Can we get evidence or alchemist on here next.
I love his drums. Can't wait until I unlock my full potential in ableton.
This is dope.
One of my favorites so far. Love his attitude and the final beat. Def gonna be chasing him.
I like Pyramid Vritra! His style is weird, but idk about this beat.
Went to high school with buddy. Shout out NRK
I’m grateful there’s a label filled with people like me. People with a taste for the unusual and a love for the trippyness. Stonesthrow stand up!!!
Idgaf what y all say this shit bangs. I fucks with this
+Chris Castaneda For real
Damn this shit is actually pretty tight. I think a lot of people here are just closed of to anything not boom bap and soul samples. That guitar he sampled was dope and lots of trippy sounds that all worked with each other and built a whole trip throughout the beat
Do a rhythm roulette with mndsgn
watch mndsgn against the clock, if you haven't already
I like to beat to be honest, and idk what people are talking about saying it sounds jumbled...I can easily hear the harmony in the beat. I think it's dope.
This beat is avant-garde af. Stop hating and appreciate the work
One of the greatest producers to walk on earth
I love flying lotus but VRITRA is insane
"hazy, hard-hitting jawn" quite a good description, i think.
u should make these beats available for download ;)
get knxwledge on this shit
cam thomson lol
The final beat is not my cup of tea, but I won't diss the kid.
If everyone made the same beats, all beats would sound the same....
+Jam War aint like he had alot to work with
+Latoya Williamson 4 machines of equipment
Talking samples
DJ Muggs for sure needs to come thru
who TF is this guy, this joint is too COLD!
Everybody leaving a negative comment knows nothing about beatmaking. Even when you aren't blindfolded and can gauge how dope a record will be from the album cover or artist, it's still hard to find a dope sample. To make something great out of three records you know nothing about, the stars need to align for you. Not everything you make is gonna be a banger.
This was something different and refreshing..me likee!
advice for the people who make these Rhythm Roulette vids: keep the videos at longer lengths like this cause we enjoy seeing the natural progression of the artists that participate and see how they go from what they had to what they end up with
why are people so upset cause someone's making something that dont sound the same as everything else, dope beat!!!
It's not a matter of something not sounding the same as everything else. Being unique does not make a quality beat, the end product sounding good is what makes a quality beat. Regardless of how "unique" or "original" or "not like everything else" this beat is, it's still a bad beat.
i get that unique stuff isn't automatic great music, i fuck with it and im sure others do too!
for me is a nice one, so dont come at me like "this beat is bad...the guy make rare and unique material
Would you pay $50 to see a j dilla rythem roulette?
Brian Kelly yep, for madlib too
Brian Kelly Nigga I'd pay $1000 to see this man producing again.
Brian Kelly 100% yes
Matt Martians next please
I like the creative sound design of most the rhythmic instrumental parts of this video.
The beat sounds like it belongs in Adventure Time lol, it's dope though.
Best one so far from what I've heard.
people aint ready for this
3/4 timing dope.. Nice swingy drum pattern. People think sumn like this is very easy to make but producers understand.
This isn't 3/4 but yeah he's certainly more original than the average RR producer.
it's 6/8 buddy. close though. gotta read up on them beat subdivisions.
Nick Puente Oh, you mean the second beat. Yeah, you're right it's 6/8 but you mean 'time signatures' not 'beat subdivisions'. Well noticed though I hadn't really clocked it until reading this comment.
+Non Ofyourbusiness no I mean beat subdivisions. the difference between 3/4 and 6/8 time is that 3/4 is 3 beats subdivided into duplets and 6/8 is 2 beats subdivided into triplets. I know very well what time signatures are lol
Nick Puente Ah I see what you mean fair play sir!
Love PV, I couldn't believe he pulled kyhbur mail, that record is a gift! Love that album so much good stuff on there
PV part of this generation's great wave of underground hip-hop
if there was one person who i get annoyed with their production method it's this guy.
I loved the last minute of the beat, does anyone know where to find vocal samples like that? shit was too powerful
The beat is fantastic!! most of the people that did not like this beat cannot find the genius rhythm in it and are mostly into simple style beats!
this is probably one of my favorites because you gotta give the guy props he didnt have alote to work with these 3 records and he made it happen!
pete rock or dj premier episode please.
Quite the selection he has based on what we can hear.
what turntable is that??
+Michael Swamp Technics SL-1200 MK2
+Lucidity Entertainment thanks
Hey, does anybody know the song that is playing at about 1:30, the guitar and then the chime sounds come in? Shazam can't get it and I can't find it anywhere.
what were the albums he picked at the beginning?
How do I get on Rhythm Roulette? Fresh in cali
Where can I download the beats that was made in rythm roulette ?
Very unique ain't bad. Made more sense when I looked up the kind of music he does after that it actaully is very dope.
Could have made that beat on a Cricket phone.
+zack c lmfao hahahahah
lol funny shit yo
The way he introduced himself at the beginning was so cute
does anyone know the song at 3:35 ?? or even the album ??
creative.. personally I like this one !
Name of the song in the beginning??
Jo He Eleven12
He didn't talk at all he just really did his thing and that shit came out dope af.
Why so much hate? That was dope and unique imo.
knx. please i need to see this mans process
I'm pretty sure Tipsy also sampled some stuff from the first record, especially at 1:50.
before i even finish this vid, 1, Pyramid Vritra's shit always been dope, 2. i could tell by how he awkwardly chose those 3 records that he knows what the game is. bout to get creative
Yo mass when y'all going to get supreme beat maker up here???
What kinda of Audio Interface is he using (that blue one)
12:17 the beat actually gets pretty dope in my opinion. Give it a chance and be open minded
12:15 I love that part
If this was Madlib all ya'll would be saying how dope it is smh...
That shit go hard. Nice Work! Love this show!
WHat program use for the production???
I think it's Ableton but am not too sure
does anyone know what software he is using
What is the name of the song at th e beginning?
I've never heard of this guy in my life, what's the name of the song at the intro? Shit's tight
Eleven12
Pyramid Vritra: Eleven12
I was actually suprised....There was alot nice pieces in that 1st record, suprised he had so much trouble but u never know could of just been a off day for him
this was dope, what you talking bout
Does anyone know the beat thats played in the intro of Exiles Rhytm Roulette
so how do i get that beat????
GREAT Job!
NRK all day!
Nice Beat!
did anyone get the name of the first album he was playing?
what was the first record he played?
Whats the song on the intro?
The first album's name? Help me
Amazing beat
How do you get on this webisode
Lol have you ever produced any music of note for any notable artist if not don't think it's for you I'm pretty sure it's a don't call us we'll call you sorta of thing . I mean Eric Sermon found the show really cool and got in contact with mass appeal to do his episode but he's fucking Eric sermon the greeneyedbandit he's a legend with a legacy who are you exact?
Lol