Vienna Philharmonic Flute Master Class with Dieter Flury: Rossini Overture to William Tell

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  • เผยแพร่เมื่อ 6 มิ.ย. 2017
  • Vienna Philharmonic Principal Flute, Dieter Flury, coaches Alexander Ishov on an excerpt from Rossini’s Overture to William Tell
    To watch more master class videos visit: bit.ly/2sgKtCf
    To complement their performances in Stern Auditorium at Carnegie Hall, select members of the Vienna Philharmonic led three master classes on February 23, 2017. Participating young artists, alumni of Carnegie Hall’s youth orchestra program, NYO-USA, had the opportunity to perform and work with these world renowned musicians in a one-on-one setting in The Resnick Education Wing. To learn more about Workshops and Master Classes at Carnegie Hall visit: www.carnegiehall.org/Education/Workshops-and-Master-Classes/
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ความคิดเห็น • 48

  • @abneresperanza805
    @abneresperanza805 7 ปีที่แล้ว +21

    Man I love these, they are so useful for studying.

  • @lauren27kate
    @lauren27kate 5 ปีที่แล้ว +18

    I love when the teacher says vibrato its sounds like Roberto

    • @xxSoph13
      @xxSoph13 4 ปีที่แล้ว +2

      Lauren Kate that would be because he’s saying rubato, not vibrato

  • @kwabzycomposer
    @kwabzycomposer 5 ปีที่แล้ว +4

    I'm hearing the english horn in my head. So nice

  • @musicianfriendly2005
    @musicianfriendly2005 6 ปีที่แล้ว +14

    Alexander Ishov (Read it in the description) is an amazing student. Able to take from his instructor and make a quick and clean change. Gorgeous Flutist!

  • @dimitriskaraganis
    @dimitriskaraganis 6 ปีที่แล้ว

    excellent teacher ..nice ..wonderful.. musical ..advices!

  • @deepblue1909
    @deepblue1909 2 ปีที่แล้ว

    he was great, i love vienna phil players

  • @jonmokarzel4862
    @jonmokarzel4862 6 ปีที่แล้ว +46

    I play the tambourine what am I doing here

    • @danmcglaun1
      @danmcglaun1 6 ปีที่แล้ว +10

      You are learning to be a better musician, by listening to other musicians without being encumbered by the technique restrictions of a particular instrument.

    • @ninoding
      @ninoding 6 ปีที่แล้ว +3

      RANDOM FLUTE PLAYING NEVER HURT ANYONE

    • @dferndale8053
      @dferndale8053 4 ปีที่แล้ว +2

      me too! - we should arrange a masterclass for tambourine... lots more fun than this.. ;-)

    • @TiggerTron
      @TiggerTron 4 ปีที่แล้ว +3

      I'm a Chef what am I doing here?

    • @KangWili
      @KangWili 3 ปีที่แล้ว

      Issokay im also stumbled upon this vid while looking for slide whistle masterclass

  • @deeztruckz2430
    @deeztruckz2430 6 ปีที่แล้ว +30

    He plays with such a rich and pure sound but how does he do it with taking such a small breath in the beginning? I would think for flute you need a lot more air than you think because only about 20% of it actually goes into the instrument.

    • @flowerdolphin8920
      @flowerdolphin8920 6 ปีที่แล้ว +9

      Jordan Shaw circular breathing. You store air in your cheeks and push it out you breathe in through your nose. That takes a lot of practice.

    • @cameshianewell6372
      @cameshianewell6372 6 ปีที่แล้ว +1

      You are right after years of playing you learn tricks and ways to make breaths last longer

    • @brendinho1993
      @brendinho1993 5 ปีที่แล้ว +8

      His sound isn't very broad, and he's not projecting (it's a small room), so he doesn't need much air here. Combine that with a small embouchure and light breath support, and you get a fairly pure sound efficiently. Compare him to Pahud, Beynon, or de la Calle for example; they'll need much more air than this guy, simply based on their projection and heavy breath support. The flute ratio for air Is around 40 to 60 %, so not as bad as you think.

    • @danielwalker2381
      @danielwalker2381 4 ปีที่แล้ว +1

      ...Which is why you practice focusing the air so you can get pure air and focused air, and it takes being open, thinking resonant in your head and not over concentrating.

    • @danielwalker2381
      @danielwalker2381 4 ปีที่แล้ว

      @Flower Dolphin I have tried but my attempt is so tenuous that any further attempts would be even more pointless 😂

  • @jonmokarzel4862
    @jonmokarzel4862 6 ปีที่แล้ว +35

    not enough cowbell

    • @gcg8187
      @gcg8187 3 ปีที่แล้ว

      ?

    • @jonmokarzel4862
      @jonmokarzel4862 3 ปีที่แล้ว

      @@gcg8187 shame to you and your family name

  • @Fagolore
    @Fagolore 5 ปีที่แล้ว

    top geezer

  • @laltrapartedelmondo3965
    @laltrapartedelmondo3965 6 ปีที่แล้ว

    GRANDE MAESTRO FLURY!!!!!!!!!!!!

  • @isaacdossantosrodrigues969
    @isaacdossantosrodrigues969 6 ปีที่แล้ว

    Alguém sabe o nome dessa melodia???

  • @fredericbeaudoin6850
    @fredericbeaudoin6850 5 ปีที่แล้ว +4

    is this vibrating from the throat?

  • @Adar195
    @Adar195 3 ปีที่แล้ว +1

    my piano broke after the intense vibratos

  • @jamesorlandogarcia
    @jamesorlandogarcia 6 ปีที่แล้ว +44

    The student doesn't demonstrate that he is even remotely aware of the orchestral context going on around the flute solo. He's playing it like some unaccompanied etude.

  • @rudolphmcneill3333
    @rudolphmcneill3333 5 ปีที่แล้ว +2

    Absolutely beautiful. But don't need to have such a huge sound.

  • @OlesSmaha
    @OlesSmaha 5 ปีที่แล้ว

    Мне показалось, что звучание далеко от совершенства. В чём концепция?

  • @narekavakianmusique
    @narekavakianmusique 7 ปีที่แล้ว +4

    For me it is very strange fingering for C sharp after D thrill at the beginning. Maybe original fingering is better.

    • @db0seven
      @db0seven 7 ปีที่แล้ว +3

      Adding the 2nd and 3rd fingers of the right hand to a high "d" at the end of a high "d-e" trill is one of Kincaid's favorite sensitive fingerings. He encouraged us to use it whenever appropriate.

    • @narekavakianmusique
      @narekavakianmusique 7 ปีที่แล้ว

      Richard Trombley I am sure that it's useless fingering. Sounds strange, intonation is bad and the original fingering is not even dangerous or hard. I use a lot of alternative fingerings, but for this one I don't see any reason.

    • @db0seven
      @db0seven 7 ปีที่แล้ว

      You will also notice that Mr. Ishov starts his trills out with the correct fingering before going into the trill fingering . . . another Kincaid "rule" (i.e., establish the proper pitch and sound before going into the alternate one).

  • @MrTuhin1969
    @MrTuhin1969 6 ปีที่แล้ว

    0

  • @barbarasantos4
    @barbarasantos4 6 ปีที่แล้ว

    Could you tell me the name of this song? The first song, please?

    • @tomgreene6579
      @tomgreene6579 6 ปีที่แล้ว +3

      William Tell overture ...if you have a book of Orchestral exerpts you might find it there or any good sheet music seller .

  • @winrx
    @winrx 4 ปีที่แล้ว +9

    The student has such a squeaky tone......

  • @db0seven
    @db0seven 7 ปีที่แล้ว +40

    It's interesting that the student has a better sound and vibrato than the teacher . . .

    • @isaacroberts7020
      @isaacroberts7020 7 ปีที่แล้ว +20

      Richard Trombley Think that he goes with those excerpts much more prepared, probably the teacher hasn't played the piece in some time.

    • @tannerjordan2010
      @tannerjordan2010 7 ปีที่แล้ว +3

      I don't recall the teacher playing in this video.

    • @isaacroberts7020
      @isaacroberts7020 7 ปีที่แล้ว

      Robert Lee So true

    • @anamariabarbosa5872
      @anamariabarbosa5872 6 ปีที่แล้ว +9

      Robert Lee You're right. This knowledge is so valuable not only for the few lucky people who can participate in the masterclass but also for the wise that comes to get knowledge on youtube.

    • @weslee4423
      @weslee4423 6 ปีที่แล้ว +2

      I know right>.