What's interesting about this work is how the legato line from percussion1 sounds more like 'short bursts of softness' rather than a thick legato line principally due to how the perc 2 textures cut completely across the sound of perc 1 (I am talking about the intro)
By "Thick legato line" do you mean The thick Black line that gets gradually thicker and thinner again right at the beginning? That is actually not a thick legato line but it tells the 1st Player to Press down on the F bar that the other Player is striking to gradually dampen it. It's explained at the very end of the Video in the Performance notes
@@hb3393 the 60's had lots of melodic content, just very chromatic. Most of what I've heard from after is mostly washes of timbres and extended techniques
I'm always prepared for this vibe!
What's interesting about this work is how the legato line from percussion1 sounds more like 'short bursts of softness' rather than a thick legato line principally due to how the perc 2 textures cut completely across the sound of perc 1 (I am talking about the intro)
By "Thick legato line" do you mean The thick Black line that gets gradually thicker and thinner again right at the beginning? That is actually not a thick legato line but it tells the 1st Player to Press down on the F bar that the other Player is striking to gradually dampen it. It's explained at the very end of the Video in the Performance notes
Amazing! I've heard the piece several times already and i Love it, seeing the score now also makes it a Lot easier to understand and to follow!😄
Aaahhhhh this is awesome! Great to see the score.
Fantastic!
I like how the pointillism makes the piece sound quite quirky indeed. Well done!
なかなか良いです。J.ケージ的。
quite good music. like as J.Cage.
Ever heard of the band Man Man?
2:07
"place can"
Wait a minute isn't it illegal to have melodic content in art music
no
u ok mate? just woken up from the 1960s or something..?
@@hb3393 the 60's had lots of melodic content, just very chromatic. Most of what I've heard from after is mostly washes of timbres and extended techniques
Contemporary music has recovered from post-Nazi shock.
@@juliusseizure591 can you please elaborate?