Takk, men jeg har ikke noen andre notater utover det du ser i videoen, og jeg legger ikke ut powerpointene hvis det er det du spør om. Man bør ta egne notater.
Thank you very much for these classes. I’m learning Norwegian and these videos help me a lot both with language and content. I would like just to ask you to verify the information that France bought Monalisa. I’ve been visiting the house of Da Vinci at Loire river and they said there that the king of France, François I, invited Da Vinci to live in that house in France to work for him (basically to design and build war wapons) and the painter took Monalisa with his belongings. The painting was decorating his house. Anyway, it’s a detail, but it may be verified, I believe.
I didn't know the specifics when I made the video, just that King Francis I of France sponsored Leonardo, and that the King obviously ended up owning Mona Lisa, which I assumed was in return for his patronage. You might say the King inherited the painting (instead of specifically buying it from him when he was alive), but specifics like that is not important to the point I was making in the video. My point was that Renaissance artists were sponsored/patronized by wealthy individuals, such as the King of France, but more importantly an increasingly wealthy elite of merchants and bankers particularly in the Northern Italian city states.
@@profnick Thank you for your answer, it is very true, the kings and reach people of that time were sponsoring art, it was the situation of the greatest poet of my native language, Luis de Camões, for some years in the 16th, he received a salary from the king of Portugal. Could you tell me if a similar relation between power and art also happened in Norway at the time, or it came only later?
Veldig bra video. Takk for at du legger ut.
Hei! Velger bra forlesning. Du selger ikke tilfeldigvis notatarkene dine fra disse epokene?
Takk, men jeg har ikke noen andre notater utover det du ser i videoen, og jeg legger ikke ut powerpointene hvis det er det du spør om. Man bør ta egne notater.
Thank you very much for these classes. I’m learning Norwegian and these videos help me a lot both with language and content. I would like just to ask you to verify the information that France bought Monalisa. I’ve been visiting the house of Da Vinci at Loire river and they said there that the king of France, François I, invited Da Vinci to live in that house in France to work for him (basically to design and build war wapons) and the painter took Monalisa with his belongings. The painting was decorating his house.
Anyway, it’s a detail, but it may be verified, I believe.
I didn't know the specifics when I made the video, just that King Francis I of France sponsored Leonardo, and that the King obviously ended up owning Mona Lisa, which I assumed was in return for his patronage. You might say the King inherited the painting (instead of specifically buying it from him when he was alive), but specifics like that is not important to the point I was making in the video. My point was that Renaissance artists were sponsored/patronized by wealthy individuals, such as the King of France, but more importantly an increasingly wealthy elite of merchants and bankers particularly in the Northern Italian city states.
@@profnick Thank you for your answer, it is very true, the kings and reach people of that time were sponsoring art, it was the situation of the greatest poet of my native language, Luis de Camões, for some years in the 16th, he received a salary from the king of Portugal. Could you tell me if a similar relation between power and art also happened in Norway at the time, or it came only later?
Johann Gutenberg, men ellers bra video