Berlin 1920s: Efim Schachmeister's Jazz Symphonians - Pharaon

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  • เผยแพร่เมื่อ 24 ม.ค. 2025

ความคิดเห็น • 13

  • @1920sfan1
    @1920sfan1 ปีที่แล้ว +2

    Schachmeister was one of those fabulous German bandleaders who seems to be massively underrated today. This deliciously exotic tune is delightful and wonderfully performed :-) I love this refined arrangementI It is doing the short-lived oriental fashion that left us so many little masterpieces, all justice it deserves. Thank you so much for sharing!

  • @ManfredNigbur
    @ManfredNigbur 6 หลายเดือนก่อน

    Hinreißend ! Alle Koenner durch und durch ! Man muss dankbar sein, dass diese Tondokumente erhalten blieben ! ❤

  • @scottferguson325
    @scottferguson325 ปีที่แล้ว +4

    Beautiful Fox-trot with a charming Oriental motif and video. Excellent plucked violin sound. Thanks for sharing such beauty, Dear Grzegorz. Have a Happy weekend 👍🙏🙋‍♂️🍀🎻🎼🌅🌺✨

  • @jolantabaranowska3772
    @jolantabaranowska3772 ปีที่แล้ว +4

    Witam super orkiestra piekne wykonanie pozdrawiam ❤❤

  • @casparpolitman
    @casparpolitman ปีที่แล้ว +3

    Lovely

  • @barbarafuglein3918
    @barbarafuglein3918 ปีที่แล้ว +2

    Suuuuper!!!!!😊

  • @Clemens-Ratte-Polle
    @Clemens-Ratte-Polle ปีที่แล้ว +2

    Moin
    Aktuell wieder Babylon Berlin im TV, haben Sie dazu vllt eine Playlist?
    Wäre doch schön für alle eine Babylon PL zu hören :)

  • @Stompy23
    @Stompy23 ปีที่แล้ว +1

    Your description is interesting, but there were not only dozens of oriental trots, but many hundreds, if not thousands. Furthermore, the oriental craze in dance music began much earlier than 1922, when Tut-ankh-amun's tomb was discovered. It started about 1917/1918. Why then? I don't know for sure either, but I believe that it had to do with WW I, cultural appropriation, and french colonialism (primarily in Maghreb).

    • @240252
      @240252  ปีที่แล้ว +2

      Thank you for elaborating on this. Certainly the fashion for the Orient has come in waves in the history of Western culture, and the 1920s mania for Tut-ench-Amun is just a crumb of a larger phenomenon. Unfortunately, my info only needs to illustrate the 3-minute piece of music presented, so I avoid long descriptions not to turn a concise information into a lecture. However, I always count on TH-camrs like you to supplement various points in the comments. Thanks again.

    • @BluJean6692
      @BluJean6692 8 หลายเดือนก่อน

      Being interested in past civilizations is not cultural appropriation nor is it a consequence of colonialism. It has always been so, even the ancient greeks stood in earnest awe and reverence for Egypt. Get help.

    • @Stompy23
      @Stompy23 8 หลายเดือนก่อน

      @@BluJean6692 What „interest in past civilisations“ could be revealed by composing a pseudo-arabic fox trot? I know that I was using left-wing terms in my comment 7 months ago. In this case, they seem appropriate.

  • @danutakrzywda
    @danutakrzywda ปีที่แล้ว +1

    Egipski Fox-trot,a dzwięki jakby izraelskie...

    • @240252
      @240252  ปีที่แล้ว +2

      ...no bo gra izraelita :-)