what a lovely thought to mention Eric Halsall and ALL he has done for the trust 🍒❤️🙏 🎼 And the unforgettable, not forgotten, Doreen Chadwick when playing that Samba..
Thank you for a great musical contribution. I last heard that Wurlitzer played in the early fifties when it rose from the lower stage area at the Gaumont, Princes Park. It was used virtually every Saturday afternoon for twenty minutes before the childrens matinee of several films of two hour duration. The seats were threepence and sixpence (stalls and circle). The transport was the local tram (routes 1,8 or 33) penny return.
Sorry to be a boring pedant but the composer of the first piece was MRS Ashford - Emma Louise Ashford (née Hindle) (1850-1930) organist, conductor, composer and editor of "The Organist" magazine.
So wonderful to see and hear in my 8th Decade .
6:36 yes and yes
what a lovely thought to mention Eric Halsall and ALL he has done for the trust 🍒❤️🙏 🎼 And the unforgettable, not forgotten, Doreen Chadwick when playing that Samba..
🎼 counting my blessings and smiling I AM 🙏🙏🙏 great to see and hear 🔊 Kevin (long time ago !) big thanks to all involved 😀 🇳🇱
lovely to hear the Compton being played,would be great to hear recordings of the Wurlitzer as well
Super excellent with very good interesting video
Thank you for a great musical contribution. I last heard that Wurlitzer played in the early fifties when it rose from the lower stage area at the Gaumont, Princes Park. It was used virtually every Saturday afternoon for twenty minutes before the childrens matinee of several films of two hour duration. The seats were threepence and sixpence (stalls and circle). The transport was the local tram (routes 1,8 or 33) penny return.
Sorry to be a boring pedant but the composer of the first piece was MRS Ashford - Emma Louise Ashford (née Hindle) (1850-1930) organist, conductor, composer and editor of "The Organist" magazine.
Where can I get theatre organ sheet music or book arrangements?