This "station" has turned into the premiere rare free jazz video outlet.. quite possibly in the world..unearthing stuff "you" thought never even existed...
I'm thinking Diamanda Galas was listening to similar works. There's a lot of similar expression happening in the academic music realm of the 60's, though, so likely they were surfing the same waves. Very nice! Thanks for sharing!
More good stuff! I feel like there's a bit of cross-deliberative styling going on. Like Anthony Braxton borrowing some classical European sensibility in his work, getting a small measure of success, and European groups who had been playing straight American jazz trying to recapture their European sensibility. Of course, the European audience appreciates and idolizes the American groups more.
@@ellishawkins984 I am reminded of my experience as a free-loping avant garde reed player in 1990s NYC. I've never heard of Michel Portal before, but his playing reminds me of what I must have sounded like then, which I would summarize as "Serpentine patterns of noise", including blowing the horn into the piano mic to little or no effect. This is improv as a style, not a technique, of which I'm perfectly guilty in my self-critical mind. Fun times, though. Pierre Favre is the only one I've heard of here, and of course is the only legit player in the group. Cool cymbal tree, PF!
This "station" has turned into the premiere rare free jazz video outlet.. quite possibly in the world..unearthing stuff "you" thought never even existed...
that's amazing, there was so much creative freedom
Thanks again Jay…
never heard of these players....but, wow, contrary to some of the comments here, this is fantastic...she reminds me of the amazing Patty Waters
I'm thinking Diamanda Galas was listening to similar works. There's a lot of similar expression happening in the academic music realm of the 60's, though, so likely they were surfing the same waves. Very nice! Thanks for sharing!
Yeah, Diamanda has cited Tamia as an influence
j'y étais, le plus fantastique at least fut le "long" silence des spectateurs à la fin du concert, avant le tonnerre d'applaudissents
I jumped around and it never went beyond pointless noodling. How many great bands in their prime existed in 1972?
there was a point to it, you probably just need shit to be a lot dumber. get lost.
yeah 4real;;;a seed in mind for the soul of where
More good stuff! I feel like there's a bit of cross-deliberative styling going on. Like Anthony Braxton borrowing some classical European sensibility in his work, getting a small measure of success, and European groups who had been playing straight American jazz trying to recapture their European sensibility. Of course, the European audience appreciates and idolizes the American groups more.
haha You might be on to something there!
@@ellishawkins984 I am reminded of my experience as a free-loping avant garde reed player in 1990s NYC. I've never heard of Michel Portal before, but his playing reminds me of what I must have sounded like then, which I would summarize as "Serpentine patterns of noise", including blowing the horn into the piano mic to little or no effect. This is improv as a style, not a technique, of which I'm perfectly guilty in my self-critical mind. Fun times, though.
Pierre Favre is the only one I've heard of here, and of course is the only legit player in the group. Cool cymbal tree, PF!
Magma played at the Chateauvallon Festival on August 23rd, 1972. Has their performance been recorded?
Yes, it was.
Merci. Même si j'ai quelques réserves quant à la manière de filmer. A quand le Unit à Juan du 26 juillet 1980 ?
Thanks a lot, Jay ! The unit played at the same place, one year after, and it was broadcasted .. do you have it ?
coming soon...
Hope the entrance was free😅😅😅
whatever, loser
me and the lads after too many free beers:
Some french hippie:
C'EST UN HONNEUR DE PRÉSENTER LES PLUS NOUVEAUX NOMS DU FREE JAZZ
Open psychiatry; obviously.
i understand that simpletons are threatened by abstraction.