Aaj More Aaye Hai | Bhai Randhir Singh Ji | Hazoori Ragi Sri Darbar Sahib | Gurbani Kirtan

Aaj More Aaye Hai | Bhai Randhir Singh Ji | Hazoori Ragi Sri Darbar Sahib | Gurbani Kirtan
Baras Ghana Mera Peer Ghar Aaya - Bhai Randhir Singh Ji | Classical Kirtan | Raag Malhar
Kirtan: Baras Ghana Mera Peer Ghar Aaya - Bhai Randhir Singh Ji | Hazoori Ragi Sri Darbar Sahib | Gurbani Kirtan | Sri Harmandir Sahib Hazoori Ragi
Kirtaniye: Bhai Randhir Singh Ji Hazoori Kirtaniye Sri Harmandir Sahib | Classical Kirtan | Raag Malhar
Video By: Amolak Kirtan
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The Golden Temple Amritsar India (Sri Harimandir Sahib Amritsar) is not only a central religious place of the Sikhs, but also a symbol of human brotherhood and equality. Everybody, irrespective of cast, creed or race can seek spiritual solace and religious fulfilment without any hindrance. It also represents the distinct identity, glory and heritage of the Sikhs.
To pen-down the philosophy, ideology, the inner and outer beauty, as well as the historical legacy of Sri Harmandir Sahib is a momentous task. It is a matter of experience rather than a of description.
As advised by Sri Guru Amar Dass Ji (3rd Sikh Guru), Sri Guru Ram Dass Ji (4th Sikh Guru) started the digging of Amrit Sarovar (Holy Tank) of Sri Harmandir Sahib in 1577 A.D., which was later on brick-lined by Sri Guru Arjan Dev Ji (5th Sikh Guru) on December 15, 1588 and He also started the construction of Sri Harmandir Sahib. Sri Guru Granth Sahib (scripture of the Sikhs), after its compilation, was first installed at Sri Harmandir Sahib on August 16, 1604 A.D. A devout Sikh, Baba Budha Ji was appointed its first Head Priest.
The Golden Temple Amritsar India (Sri Harmandir Sahib Amritsar) has a unique Sikh architecture. Built at a level lower than the surrounding land level, The Gurudwara teaches the lesson of egalitarianism and humility. The four entrances of this holy shrine from all four directions, signify that people belonging to every walk of life are equally welcome.
Malhar is a Hindustani classical raga.[1] Malhar is associated with torrential rains.[2] Besides the basic Shuddha Malhar, which was the original Malhar, several Malhar-related ragas use the Malhar signature phrase m (m)R (m)R P, including Miyan ki Malhar, Megh Malhar, Ramdasi Malhar, Gaud Malhar, Sur Malhar, Shuddha Malhar, Desh Malhar, Nat Malhar, Dhulia Malhar and Meera ki Malhar. In fact, this phrase is prominently heard in the raga, Brindavani Sarang. It can be determined that raga Malhar or rather Miyan ki Malhar is a mixture of ragas Brindavani Sarang, raga Kafi and raga Durga. This raga has a Vakra form, i.e. this raga is a Vakra raga (meaning that the svaras of a raga are not completely in a particular straightforward manner). This raga is a Ghambir Prakruti raga (meaning that is played slow with patience and which is played in a serious tone/note).
According to legend, Malhar is so powerful that when sung, it can induce rainfall.
Many written accounts describe Raga Malhar. Tansen, Baiju Bawra, Baba Ramdas, Nayak Charju, Miyan Bakhshu, Tantarang, Tantras Khan, Bilas Khan (son of Tansen), Hammer Sen, Surat Sen, and Meera Bai are among the singers who are said to have been capable of starting rains using various kinds of Raga Malhar.[3]
Mughal emperor Akbar once asked his court musician Miyan Tansen to sing Raga Deepak, the raga of Light/Fire, which caused all the lamps in the courtyard to light up and Tansen's body to become so hot that he had to sit in the nearby river to cool himself. However, the river began to boil, and it became apparent that Tansen would soon boil to death. He set out on a search to find someone who could sing Raga Malhar to cure him. In due course, he reached Vadnagar, in Gujarat, where he found two sisters, Tana and Riri, whom he asked for help. They agreed to sing. When they sang the Raga Malhar, rains came down in torrents, which cooled Tansen's body immediately.[4]

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