I cannot say how much I appreciate the work you do, Curtis! Your videos are so informative, professional, and thorough. Thank you for your hard and tireless work.
Hi Curtis! Just want to say thank you for your informative, professional content. I make ASMR videos, and your channel has been extremely helpful to me over the years. Just today I picked up a pair of Rode NT1-As, and was looking for a feature-rich, low-noise portable recorder that wouldn't break the bank. After watching this video and listening to your sound samples, I settled on the H4n Pro. So thank you once again for your help!
@@curtisjudd Why is this an issue? I was fixing to purchase the H4N pro for very long car interviews with multiple people at once and now you have me worried! Should I avoid it?
Having watched a whole load of videos about microphones, recorders, etc. for film, and recently wanting to up my audio game, I would like to make a comment.A lot of the review videos I have watched for said microphones and recorders, have terrible audio in them! So how can these guys review these things if they can’t even get their own audio right. This is the first video where I have said, ah-ha! This guy knows what audio is. Thank you so much for the informative video, I think I’ll be getting the H4n pro.
Great review, as is always the standard with Curtis. And I took the last bit of advice very seriously. I've just moved up to a Zoom H5 from my old Zoom H4n. Fully worth it.
Yes, I used a Rycote Cyclone wind cover which makes it sound like a studio recording. For a narrative piece, I would also record some wind as a backing track to make it more realistic. The reason to use the wind cover is to prevent the wind from blowing across the microphone capsule and distorting the sound.
Do you have a link or model for the cyclone? I just did a quick search and what popped up was +$500! Twice as much as the mic! Is that what you are using? If so, are there any other lower cost alternatives you might recommend for the Rode NTG2? Thanks!
Hi Jimmy, There are, of course, less expensive options but they are not as effective. Could still perhaps do the job in wind that is not as extreme: amzn.to/2gOfUfR RODE also makes a blimp style cover that is priced at $299: bhpho.to/2z46Rym
Super happy with the H4N which I got about 8 years ago. No need for filming, just home audio recording. But if someone was buying now, probably best to spend the few extra bucks. I do prefer the display on the pro over H4n amber, however.
ABSOLUTELY FANTASTIC VIDEO...YOU ROCK !...THIS IS EXTREMELY EASY TO FOLLOW....AND I AM A VERY SLOW "UNDERSTANDER" ...THANKS VERY MUCH. FOR A BEGINNER, IS THIS THE BEST ENTRY PRODUCT FOR RECORDING TRACKS AND THEN OVERDUBBING AND MIXING ?? I KNOW ALMOST NOTHING RE THIS PROCEDURE.
Great review!. Question: can I use one external mic that needs phantom power and one external mic that does not,,and not damage the mic that does not require the phantom power?
+Curtis Judd Great comparison. I would love to see a h4n Pro vs H5, but there is no such comparison video on TH-cam. I really don't care about the dial vs rocker. The only thing that matters is the sound quality. It would be used for tutorial/screencast so... which one would you suggest? Or maybe none of those two are even the best option for screencasts and I should go for something else (in that price range)?
For screencasts, if you're using external microphones, you might instead look at an audio interface like the Focusrite Scarlett 2i2 (2nd gen): amzn.to/2eb5f0o But if you need the in-built microphones, I personally prefer he H5. Sound quality wise it is identical to the H4n Pro in my subjective tests.
Curtis Judd That's the thing that I don't need built in mic, but it was an all-in-one and as I don't know too much about audio (yet) I saw that as a convenient and safe option. So if you suggest the 2i2 would a Focusrite Scarlett Solo 2nd gen be practically the same just with one XLR? I won't be recording any audio from instrument or second voice so I guess that would be sufficient? And then combine that with a Rode NTG-2? That would come very similar in price to the n4h Pro or h5.
Yes, but the 2i2 has two microphone inputs (XLR) so you have room to add a guest in the future. I'm curious why you chose the RODE NTG2 - are you capturing webcam footage along with the screencast where you want to keep the mic out of the frame?
Curtis Judd As for the second input for guest it's probably not going to be needed. And as far the RODE NTG2... well I saw it in couple of your reviews and you said it's an excellent mic plus the samples from it sounds great so.... again I'm just figuring this sound stuff from scratch. Is there a better option in that budget range? The mic will never be seen except for me - that's why on the beginning I was asking about zoom, because it's going to be just for indoor recording, no one will see it and it was an all-in-one solution.
Ok, that makes sense. The NTG2 is a good microphone but probably would not be my first choice for voice over for screencast in a small-ish room. For those cases, I use an Electrovoice RE20. This is a dynamic microphone which works well in typical home recording situations because it rejects most other room noise such as computer fans and reverberation in the room (echo). Here's a very affordable alternative: th-cam.com/video/EHgSC3C0pTw/w-d-xo.html And here's the more expensive Electrovoice RE20: amzn.to/2dvdsdf Both work well with the Focusrite Scarlett 2i2.
Hi Curtis. Great review. When, if ever, would you use the built in mic to record your sound? I just got mine with that use in mind, but all the vids I see speak about a connecting a shot gun or lav mic. So is it wrong to use the built in mics?
Hey, Curtis. Thanks so much for this high quality review. Always enjoy your content. Question: Can I record the audio using an XLR mic to both my DSLR and the Zoom H4n Pro simultaneously so I have audio on both my media card for my camera and the Zoom? Also, I have a LUMIX G7 and want to monitor the audio with headphones. Can I use a line splitter so I can run audio to the camera from the Zoom and to headphones? Any insight and expertise would be greatly appreciated.
Hi, Yes, you can run the audio out of the zoom to camera. You'll need to experiment with your particular camera as that sometimes requires a special attenuation cable like this: bhpho.to/2m90KTL You'll want to test without the special cable first just to confirm (this is not something I have done personally). Yes, you could also use a splitter to monitor. There is a risk that will degrade the audio signal going to the camera so it is a tradeoff. For the scenario you outline, the Tascam DR-60DmkII may be a better option as it does not require the attenuation cable and has a separate headphone jack. I reviewed that over here: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
I love the review and I'm actually sold on the H4n pro. The only question is, will it be useful for what I am gonna use it for? On my channel you can see that I put out fullset live videos of hardcore/punk bands here in the Philippines. And I only use GoPro Hero 4 for everything, I will be changing cameras too (Canon 80D) but Is the H4n the right recorder for me? Thanks.
The H6 is a solid choice. I borrowed one from B&H for about a month and found it to work really well except that the screen was tough to see when shooting outdoors.
thanks for the response! went to guitar center today. impressed with the h5 and the knob protector made it feel solid and refined (felt super good in the hand). the h6 is interesting tho...if i want to record 6 xlr inputs...and do that sort of thing :D
Hi Curtis, I really appréciate your video which is the most professionnal I've seen on Zoom product. I do decide to buy a H4N Pro so, I'm not yet one. Experimenting serious trouble with the external alimentation. When I'm connecting Line (unbalanced) mics on baterry it's ok. When I'm plugin the external alimentation I have 50Hz +15-18dB background noise. Can you have a check by your side on Zoom products with external alim ? I just can't figure where the problem come, bad alim or bad inside zoom isolation or bad electrical mass. Just wanna know if other product suffer from same disease ?
Hello Curtis! thank you for your review; very usefull, i have a bit of a question; i need something to record live sessions of music that will vary from swing jazz , ballad, latin... up to rock, funk and alike, do you recomend this mike for that kind of recording? thank you again Curtis Judd!
Hi, great video! Thanks so much for taking the time to put this together!! Do you know if there is a remote mic adapter for the H4? Something I could plug into the "2" input that would connect to a remote mic placed elsewhere in the same room? Thanks, keep up the great vids!
Is the "academic test" of checking noise floor you talk about a kind of standard procedure? How to make it repeatable with other hardware? I do worry of different generator levels causing different preamp gains. Another question - can you check round trip latency when used as usb interface? Thank you for the test - very useful and proffesional!
Hi Zbyszek, thanks. The test was a practical test and is not necessarily reproducible unless you have the same microphone, cable, and studio. :) It was pretty much just meant as one example of what can be achieved with the H4n Pro. Unfortunately I had to send the unit back to B&H so I don't have it on hand to test latency when used as an audio interface. I would expect it to be on the average to long latency end of the spectrum relative to other dedicated interfaces.
Hi Alberto, I sold off my DR-100mkII a couple of years ago. I can tell you from memory that its preamps were rather noisy by today's standards so I would definitely expect better noise performance from the new H4n Pro.
Dear Curtis, congrats for your videos. Really well done and pedagogic! I Have a question that belongs to my son that is coming now to become a wedding videographer and must face a real challenge. How capture a audio from a Dj`s mixer. As far as we do know the gain signal from the mixer could be a mass for some recorders like H4n and others if you do not know how to handle it. Searching web I got tips recording with Tascam D40 that has an option of setting a second track in lower gain ( -12db) while recording to deal with picks and clipping. What is the best approach in your opinion recording from a mixer with Zoom H4n and Tascam D40/ D60 and get decent audio quality? Thanks for any help!
Hi Curtis. I just got my new H4n Pro. I want to get the Rode Filmmakers Kit to hookup to my iPad Air 2 or iPhone 6 S Plus. This is a first recorder for me. What other cables do I need to hook this all together so it has good sound? I enjoy watching your video's.
Just to let you know, I got 3 cables today. You can never have enough extras. The cable works great with my H4n Pro and iPad Air 2. Thanks again for the help.
Great review! Question: does it make sense to use H4n pro with a Pro Lavalier Lapel Microphone JK MIC-J 044? Will Quality and/or noise reduction be affected? Or do i really have to buy XLR mics? I'm a newbie so i'm a bit lost Here. Great channel, thank you!
Hi Manuel, the 3.5mm TRS plug version of the JK MicJ 044 will work fine. Be sure to get the version for Zoom recorders and not the version for Sennheiser.
Thanks! I'm sold. Picking this over the H5 since it has the same pre-amps. And I like that with this I can move the built in mics to cover 120 degrees instead of being stuck at 90 on the H5. I honestly think that having rotary knobs to adjust the input level isn't that great of a selling point as most people using this kind of device to record aren't going to be playing with knobs while recording a scene. And even though it has that bar to protect from accidentally turning them, seems like it would still be very possible to accidentally turn them while recording.
Thanks Josh. One note: The inputs on the H4n Pro and H5 are not exactly the same. The H5 can produce substantially more gain (+52dB vs +43dB on the H4n Pro). If you'll be using external microphones with the H4n Pro, you'll just want to make sure they have a good, strong output signal as the amount of gain is probably the H4n Pro's weakest point - albeit slightly better than the original H4n. Best wishes and happy recording!
Hello Curtis Keith Kuhn here again. I saw this video quite a while back and I was just wondering . I was actually using my h4n zoom the other day not the pro but my regular one with the orange display. I also have the h4n zoom Pro. So my question is If I were to set them side by side and crank the recording volume up to say 95% outside exact same environment exact same settings. Do you think I would see a difference on the volume meters ? I truly love your knowledge base on these products that you review. I hope you understand my question. Thanks Keith
@@curtisjudd Thank you so much Chris I truly like the fact that you at least reply back to your fans or whatever you want to call them. I think I will try that one day soon set them side by side exact same settings just to see if I can see a difference in the volume meters or the pickup. I will let you know the results thanks again. Keith Kuhn
@Curtis Judd I've watched 2 of your videos, great videos! I want to record my drums, I'm not that deep into filmmaking (yet). But I subscribed, your content is great and the review is on point not too much blah blah around it. At the end you talk about the H5 and the gain knobs, now my question is can I adjust the gain knobs to exactly the same levels on mic input 1 and 2? Because they are independendly I might have a problem with recording with the exact same levels once I adjust one gain knob. SO the H4 has the side buttons but they allow to perfectly put any number between 1 and 100 I think, with the gain knobs that's not possible, or am I wrong? I used the h4 and I have doubts about the h5 because I need reproducable settings for the 2 external mics....Thank you! :)
Hi Swizzy, thanks for the question. The H5's preamps can supply a bit more gain which is the main reason I suggest it over the H4n Pro. But if getting the levels gained up exactly the same, the H4n does have that advantage.
@@curtisjudd Zoom writes they have the same preamps in the h4pro as the h5 and h6 so I really wonder why the gain is so much different... Although playing drums is so loud on the h4 i had to set 'mic level' to 25 which is very low + external mics also set that low and -10dB. As far as my understanding goes, gain is needed to adjust the input level/volume of the mic. When weak signals need to be recorded there's the need of more gain, right? My case is the exact opposite. I guess I'll just go with the h4 pro :D thank you for your input!
Hey Curtis, great video. Have seen a bunch of your videos, however this will be my first question. I have previously use the Juicelink RA333 because I can have one XLR input, and split the line into 2. And the 2nd records at a -12dB lower as backup. In case of clipping. I understand I can use an XLR splitter and record different levels. However, does the H4n Pro have the ability to split the input and record at a different level? If so, would love a quick video on that. Thanks again for your content.
Hi Jun Tang, unfortunately it does not have that feature as far as I am aware. One thing you could do is feed the audio to your camera and record at a lower level on the recorder, a hotter level in camera. That way you have the option in post. Good luck!
Great review thanks! I am also a musician and interested in recording a grand piano, classical music. I need a recorder which provides as much as cleaner and realistic sound. I am also not an expert an all this stuff so which maybe you would think is better? H4n, H4n pro or maybe something more expensice like h5? Thanks!
My preference would be for the H5, not because it sounds significantly better than the H4n Pro but because it is easier to use with its input dials instead of a fiddly rocker switch for setting input levels.
Nice review. How about the H5 having an issue with blowing out the preamps if you are using a condenser mic and unplug its' XLR while live? Do you know if this has been resolved? I had it happen, looked it up, and so have others. Thanks in advance for considering this question.
Are you using the sanken cos 11d on a rodelink for the outdoor part of this video? I couldn't hear any background noise at all. Amazing! And is it me or was there a slight delay in the lip sync for the outdoor part. Wireless issue? Thanks again for the review!
Hi Andrew, This was recorded with a RODE NTG2 in a Rycote Cyclone wind cover. It does an amazing job at managing wind. Of course it was all recorded to the H4n Pro. Yes, I definitely had some sync issues here. Been fighting with the newest version of Premiere. Sorry for that. :(
I am an electric guitar student with a notebook DAW and I chose the H4n PRO bc of the various FX, modelling, filters, etc. … Do the H5 / H6 provide as much guitar support ?
Holla Thanks for this great video Btw i have question Can i plug condenser mic or something like that to this device so i can plug it to pc (like phantom pro jobs) ?
Hi, yes, you can plug XLR based condenser microphones into the H4n and connect the H4n to your computer via USB to use it as an audio interface. And yes, it will supply phantom power to the microphone.
Great help! I do have a question though. What is the jack in the back of the h4n for exactly? Isn't it for 3.5mm jacks? If so, what is the purpose of having a 3.5mm to XLR cable converter if you can just use that jack in the back for say, a mini rode mic (3.5mm)? Is there a difference in sound quality?
Yes, the jack on the back is a 3.5mm TRS stereo microphone input. It can provide plugin power which many lavalier microphones need. Adapting from 3.5mm to XLR only works for microphones which do NOT need plugin power. So you cannot use most lavalier mics with a 3.5mm to XLR adapter. You could, however, adapt microphones like a RODE VideoMic Pro from 3.5mm to XLR. I hope that helps!
It does! Thanks! So can it use 5 mics if there is a Rode mic connected through the 3.5mm adapter or would one of the mics be cancelled out? If that makes sense..
I'm looking forward for Zoom H4n as a recording device for weddings, and particularly a plug 🔌 in recorder to Band/DJ desk. Would this do the job? Thanks for advice and good educational content you post 🎓
Hi Gypsy Curse, I have heard that many people have had trouble recording line level output from a mixing board to an H4n. If that's something you'll do often, I'd consider the Tascam DR-60DmkII instead: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Hi! This question might be premature because I just got my H4n pro and I'm still watching you guys explain it, lol. You've saved me a trip to Guitar Center, for sure. Basically, I was content recording myself playing harmonica, using jam tracks on TH-cam, with my Canon digital camera/recorder. (Check out my practice videos on TH-cam, if you like) I find that I am more comfortable watching myself play than I ever was watching myself working out. The sound is plenty good for soloing, but I find that if I record myself playing along with a CD or record, the camera equalizes the sound, so that I wind up playing over the singer. How can I get a good mix with the H4n Pro?
Hello Curtis, thanks for the many reviews. Just wondered about the H5 preamps compared to those in the H4n pro, is there much difference? Which gives the best performance? Kind regards Tony
Hi Tony, I don't have an H5 on hand to do a formal comparison, but from the specs, they supply a bit more gain from what I remember. I wouldn't expect a HUGE difference, they're quite similar from my limited experience with the H5.
@@curtisjudd Many thanks. For the price difference (less than £30 GBP) with the expansion available it may be the H5 to replace my original H4n (on/off switch failed). Thanks again. Kind regards Tony
Thanks for the video. What basic settings do you recommend for the H4N Pro for recording outdoor sounds such as car horns, buses passing by, etc..? I recorded with the H4N Pro last weekend and there was a humming sound. I not sure if it was the wind? the audio was unusable. I will subscribe to your channel. Your videos are great.
Hi Ron, I would set the input level so that the sounds take the meter no higher than -12dB. Also, if you're working outdoors, you will need some wind protection for the mic. Ideally, you'll want a blimp cover. If not, a Rycote Softie may help in light winds: amzn.to/2vNyWZU
Do you have suggestions for equipment to record conversations between two people, interviewer & interviewee, in the field? I'm thinking a Zoom recorder with two lavalier microphones. Must be compact for travel and work in variety of conditions, indoors and out.
Sit-down interviews that are longer or the type where you walk up to someone and quickly interview them? If you go with two lavalier mics, you might find an audio adapter to be a better option because many of them have two 3.5mm mic inputs whereas most recorders, including the Zoom H series recorders only have one 3.5mm input. There aren't as many XLR based lavalier mics on the market. If the interview will be more like a newscast, a dynamic reporter's mic might be a better option. Let me know which direction you're headed and we can get some recommendations together for you.
Most often, it will involve short sit-downs but not in a studio setting, maybe in offices or relatively quiet public spaces. Other times, it might involve talking with someone in his/her work place with a bit of movement and ambient noise. Pinning a lavalier on someone seems to allow them to behave more naturally than when they have to worry about microphone positioning and are always aware of being recorded.
Hi Curtis, at 5:56, you connect the Line Level Output from H4N Pro to Mic Level Input of the camera, does it have any trouble in conflicting between Mic Level & Line Level?
Great video. So I've got a question for you. I want to record a podcast of my friend and I in a car. I was thinking the stereo mic would be enough to pick us both up if it's in the middle but maybe it won't be. What do you think? Also, one option would be to hook up an external shotgun into one of the XLR inputs. Is it possible to record like that (3 channels) and would it sound strange to have one of us in Mono?
Hi, I have a couple of questions, first I'd like to give you somewhat of a backstory. I don't have any experience with sound recording but I'm looking for the best handheld recorder to use for filmmaking (animation) purposes, I'd like to record sound effects, ambience sound, nature recordings and voice recording. I've done research and quickly found the Zoom H2n, then found the Zoom H4n, and now the Zoom H4n pro. These are the recorders I can afford. Now I understand the main difference between the H2n and H4n are options and the H4n pro is a greatly improved version. I would like the option to be able to mount it to my DSLR so I think that means scrapping the Zoom H2n, right? The H4n and pro version have XLR inputs so you can use an external mic with it. My questions about these are: Basically how this works. What is the role of the Zoom h4n pro in this, why would you use an external mic with it? What is the purpose of using an external mic, on a Zoom h4n pro, on a DSLR? I've watched many reviews, and the H4n pro seems like the best option out of these with more options for the future.. but I would basically like a bit more information and confirmation as to how this all works, from someone with experience before I make the purchase.
Hi EvilYakuza, thanks for the question. The most important thing to getting high quality sound is to get the microphone close to the sound source. That's why camera microphones, whether built-in to the camera or mounted on top, do not generally produce the best results. Another factor is the quality of the microphone and the other circuitry that amplifies the sound and converts it to digital. In cameras, these are not usually very high quality. That's where the H4n Pro comes in. It is better on each of these than most camera microphones. So I would say first priority is to get a decent microphone closer to the sound source. For dialogue which is what I record in most cases, I use this method with a RODE VideoMic Pro into a recorder or even into the camera: th-cam.com/video/TUEmQBZKoBs/w-d-xo.html Then if you really want to improve your sound, a recorder with a high quality XLR based microphone would be the next step. There's a ton of information scattered throughout my playlist: th-cam.com/video/veD8BVXV3Ls/w-d-xo.html Best wishes!
Great video as always. I keep finding your videos on my search for a recorder, and tips/tricks. Subscribed. Curious what your opinion/recommendation is on the H4N Pro vs the H6? Will be using mainly to record motorcycle engine/exhaust noise. And occasionally voice overs for Repair videos. Much appreciated, thank you 🙏
Great video man! Which audio interface or field recorder would you recommend in the same price bracket of H4N Pro (which would provide even cleaner and silent signal to phantom mics)? It doesn't matter if its field recorder or Audio interface. I just want cleaner signal. And, I'm about to make a purchase. So really thanks for putting this video. This helped a lot!
H4n Pro, Tascam DR-60DmkII are very similar in terms of preamplifier self noise. They sound slightly different with the Zoom imparting a little more low-end (though not by a lot). Focusrite also makes some nice audio interfaces and the 2nd generation Scarlett series just came out a few months ago. Great option if you prefer an audio interface: amzn.to/2bfzd0r
Excellent review. I gave my H4n to a friend a while ago and moved up to a TASCAM DR-100 mkII for a more semi-pro hand held recorder. I think the TASCAMS are superior to the Zoom units but I have to give Zoom credit on this improved H4n model.
Hi Curtis, I have been following you for quite a while and really enjoy they way you present. So a couple of questions for you: I had the H4n and had to have the on/off switch replaced on two occasions which cost $60 each time, which was very bad. Also the battery cover attaching points broke as well, so quite disappointing. Do you know if the new pro version has upgraded the switch and battery cover?
Thanks Curtis, That's what I thought by watching these reviews. For a bit of background; I was teaching video productions at Stamford Uni in Bkk and both of their units did not last very long before the on/off switches and battery covers broke and it's quiet disappointing that such a well know audio recorder, is let down by poorly designed important parts. I am considering buying the H5, but I think it also uses the same power on switch. However, thanks so much for all your very helpful videos.
Thanks David. Yes, these handy recorders aren't the most robust for rough and tumble filmmaking, probably better suited to lighter weight jobs. The Zoom F4/F8 or Sound Devices MixPre are more expensive but both far more robust in terms of build.
Curtis, I just bought a Behringer dynamic mic (ultravoice XM8500) I was planning to use for interviews. I bought an XLR to 1/8 inch cable which I planned to run into my Zoom H1. But when I tried out the Behringer mic / Zoom H1 combo, the sound was terrible - like an old am radio from the 50's. I thought it was the mic's fault, but then I tried it with a small mixing board, using a regular XLR cable running into an XLR input on the board. This time the sound was great, and I was well satisfied. But of course I can't carry around a mixing board when I interview. So why didn't the cable work with the H1 - and if I get an H4n, and run a regular XLR cable into it, will I get great sound like with the mixing board?
+Dennis Pollock hi Dennis, dynamic microphones need a lot of gain and when they have xlr output, produce a balanced signal. Converting from xlr to 3.5mm changes it to an unbalanced signal and may also change the impedance. But the bigger issue is that dynamic mics need a lot of gain from the preamp, more than a Zoom H1 can provide. It should sound a lot better on a recorder with xlr inputs. I would recommend you have a look at this recent review of recorders if you plan to go down that route: th-cam.com/video/PRd-nZGGSv4/w-d-xo.html
Thanks, that makes sense - although I can't imagine why they even make cables with xlr on one end and 1/8 inch on the other, since it degrades the sound so badly. Guess I'll return the cable.
I am stuck with the zoom h4n, no pro, for a short film production... what is the best quick tip guide to getting a decent audio recording of the main actor's dialogue on set with a low end shotgun mic for this shoot? just need to look professional for now until I can upgrade. Any pitfalls to avoid?
I've been debating about getting this H4N pro, but i'd like to know the difference between that and that Tascam you had on the video. Thank you for your response sir, always very informative
Hi, These are the main differences in my opinion: The Zoom has a better 3.5mm mic input (useful if you're going to record lavalier microphones with 3.5mm plugs) and the H4n Pro can be used as an audio interface to record directly to your computer via USB. The Tascam can be powered by an external USB battery pack (very useful for longer shoots) and has better physics controls (e.g., can turn on phantom power with a physical switch so you don't have to dive into the menu). So overall, it depends on which set of features are more important to you. For field work, I usually choose the Tascam but there are others where the Zoom is a better choice. I hope that helps!
My question is this: Can I send audio from the H4nPro (I just ordered from B&H - arriving tomorrow) directly into my Sony HDR AX-700 camcorder. I record music recitals by graduate students at Stony Brook University. Currently, I place the old H4n (after 10 years, it's not 100% reliable) in the 2nd row of the recital hall, and operate my camcorder from the fourth row. Because I don't use any additional microphone, the audio recorder has to be close to the stage and I have to be farther away for video. After I edit the video, I combine them in iMovie. That cable you show connecting the H4n Pro to a camera is short, five inches or so. Is it possible to use a longer cable, maybe 20 feet? If so, what cable? Thank you for your video on the H4n Pro. I am excited to start using it.
@@curtisjudd Thank you, Curtis. I will take you advice for sure. I didn't really expect an answer since your post was seven years old. You are great. I am going to subscribe.
Great review, sir. I’m looking for a recorder for field recordings to use in my songs. I’m in doubt between H4n Pro and H5. What would you recommend? Besides, they are both products with some time now, don’t you think Zoom my release some updates soon, moreover after Roland launch R-07. Do you think R-07 would better a option over a Zoom? Cheers
Hi João, Are you recording sound samples or the song with the recorder? Do you need the built-in microphones or will you be using external microphones? I am not aware of any upcoming new products from Zoom and have not used the Roland R-07 so I don't know how it compares, unfortunately.
Hi Curtis, thank you. I want to use field recordings to add ambient/textures to my ambient/drone songs. I would prefer using the built-in microphones but having the option of using other mics could be good in the future. I really don't need much features but mostly wide and detailed sound. For that the H5 seams to be the best option but it's a bit aged product now... Decisions, decisions... :)
For recordings indoors using voice and guitar the ZooM h4n pro is good or the Zoom H5 is better. being that I do not care so much for the removable microphone. most of the time I will use the external microphone XY
I don't have a stereo mic available, or two suitable mics for manual X, XY or similar setup. I only have a stereo mic in a DSLR or in the original H4N. If doing ambient sound, I'd like it to be stereo (although it has to approximately match direction of camera, in case it's taken async to video). As the H4N has some rather unimpressive preamps, but does have a set of stereo mics, would it be possible, and a good idea, to somehow use those with an available MixPre (better preamps)? How would you hook it up? Other tips for recording background ambience? Thanks.
Hi Henrik, Unfortunately, I don't know how to take the H4n's mics and feed them directly through better preamps since they are wired in to the H4n. You could, however, potentially use a similar XY mic array into the Zoom F series recorders, but I think the preamp is in the mic module so that would still get you the same results. You might consider using a stereo microphone like the RODE NT4.
I suspect that the amplifier circuitry for the 3.5mm inputs is separate from the XLR inputs so they're not the same. I'll have to do a separate test of the 3.5mm inputs.
I bought a H4n Pro for recording interviews with a RODE Reporter mic. I watched your video and now I am wondering if I should send it back and buy a cassette recorder. Without enrolling at MIT, what would be a good tutorial for a rookie like myself?
I have a basic workflow video here: th-cam.com/video/WXKtiwsy7us/w-d-xo.html (as well as lots of other stand-alone tutorials). I also offer a paid course over at school.learnlightandsound.com No MIT entrance exam required. Best wishes!
Question: I'm thinking of getting a Zoom or similar system for recording performances (both live and "studio") of classical music - mainly solo instruments and small ensembles, perhaps larger ensembles such as orchestras and choirs as well. Should I get a Zoom and an external mic or another kind of setup? And if a Zoom + external mic is the best solution, what kinds should I get? I'm thinking of spending around 300-400 € on the equipment, though 400 isn't an absolute limit. I'm a student so I'd rather not spend egregious amounts of money on the equipment, but money isn't so tight that I would like to make huge compromises in the quality.
I would start with a Zoom H4n Pro, H5, or H6 and see how you go. Positioning the recorder will be the most critical thing you'll want to experiment with to get the sound you'd like. You can always add an external microphone or two at a later date. Best wishes!
Curtis, I have a small duo concert to film in a couple of weeks - one acoustic guitar plugged into an amplifier and a flute - playing inside a record store. I have the Zoom H4n Pro and a small sony recorder (ux-560 with 44.1KHz/16bit capable) and the small Rode mini mic. How would you set both (or one to get a good sound)? My initial thought was to get the Zoom in front of both players with the internal (120-degree set) at their instrument level and set my small Sony with the mini rode closer to the guitar amplifier to have an option of adjusting the guitar levels a bit if needed. Any thoughts to share once I can't think of anybody else here I'd trust. I'd highly appreciate any answer. Thank you.
I would put the zoom in front of both of them, hopefully with one of the mics on each of them. For the smaller recorder, I'd focus more on the flute, which I assume is more likely to get lost in the mix since it isn't going to be amplified?
@@curtisjudd Curtis, thank you so much for the feedback. I wondered I should use any other kind of mic plugged into it but I guess the two internal mics (120 degrees) will be fine for this; yes, I'll do that and use the small one on the flute. Thank you again :)!!
Thank you again. I've done some addt research. Apparently you can plug into the mini jack on back up near the mics and run 2 separate signals in and process them individually in post. That would give you 4 independent tracks. I'm going to purchase the h4n pro with this in mind. Thx AC
I am planning to record nature sounds (wind, rain, thunder, birds, etc.) with the least possible preamp noise and use them for music. Do you think H4N Pro + Rode NT4 is a good option ???... or what mic do I have to use for it ??
Hi Robert, The H4n Pro does not have the strongest or cleanest preamps at this price range. In my tests, the Tascam DR-60DmkII does quite a bit better: bhpho.to/2FxdPUl As for microphones, I have the NTG4+ and don't use it very often because it doesn't sound as good as several other similarly priced microphones. My favorite at that price is the Deity S-Mic 2 which we reviewed here: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html Best wishes!
If you were to pick between the Zoom H4n or the Tascam DR-60DmkII, which one would you pick if you could only use the Rode NTG-2 as your the microphone? Thanks!
@@mohitnangia7215 You can use it as an audio interface to your computer/DAW, yes. I don't believe that you can use it as an audio interface and record to the H4n Pro's SD card at the same time, that I did not check.
Actually presently m using focusrite 18i8 with my laptop and record live audio on my nuendo software.. i was thinking to buy this as a backup and record audoo via h4n pro directly to my 2nd laptop nuendo... What you suggest???
I never understood why the combination of the H4n and the NTG-2 became so popular. I bought them too 4 yrs ago because everybody seemed to use them. I was absolutely disappointed. If you don't use a pre-amp it combines the weak points of both items: the pre-amps of the Zooms are quite crappy and the sensitivity of the NTG-2 is very low (15.00mV @ 94 dB SPL). The sound of the NTG-2 is good but from my experience the maximum usable distance it about 2ft from your talent because of this low sensitivity. If you are more distant you have to push the H4n into a lot of noise. I sold both and went for a Roland R26 with a Sennheiser ME-66. I shot hundreds of interviews and statements with, sometimes I even use it as on camera mic. I never did it regret it for a second.
I currently record my lav with the Tascam DR-05. But I got a gift card to B&H and am thinking of getting a 2nd recorder for doing video with 2 people. Would it be worth it to upgrade to something like the H4N Pro for the 2nd recorder? Or the H5? Or do you think I should upgrade to the Tascam DR-40? Or is there something better in that affordable range? Or should I just get a 2nd DR-05? Lol. Hard to pick. I know I can spend $600~$800 and get a more professional one but this is for TH-cam and small productions only so I was hoping $250 or under. Would appreciate any input you have. I don't mind spending a bit more for a significant improvement over the DR-05, but don't want to just waste money either. I also don't really notice much difference myself because I've never done a full comparison of how the DR-05 is sounding.
The 3.5mm inputs on the Zoom H1 are a little cleaner than the DR-05 in my experience so that may be worth considering. If you're not planning to use XLR inputs, the H4n Pro and above are probably overkill. I hope that helps!
hi curtis, please help me decide... zoom H4N PRO or Tascam DR-60DMKii??? on a tight budget... need for dialogue recording purpose for our shortfilms... i am in india, so usually noisy environment here... going to use the recorder with ntg4+ & ntg5 or smic 2s, i guess?? help me out please... in a hurry
@@curtisjudd thank you so much Curtis... Thank you for helping me out... Didn't expect your reply will be this sooner on a old video... It clearly shows how desperate you are to help us out... Learn a lot from you and thanks again for being with us and guide us in the right direction... Lots of love
Hi Curtis, can you tell me if the H4N Pro will accept a "hot" line level signal without need for an external attenuator pad? I seem to get conflicting info on this issue. Thank you!
It can take a line level signal if you use a 1/4" TRS cable. The H4n knows you're using a line level signal when you use that 1/4" input. You cannot send line level via XLR.
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I cannot say how much I appreciate the work you do, Curtis! Your videos are so informative, professional, and thorough. Thank you for your hard and tireless work.
Thanks so much, Andrew!
Thank you so much, this seems like the most professionally made review I ever saw on YT...
Main reason I never got the popular H4N about a year or so ago was your review. I ended up with the DR 60-D and still use it all the time.
Yes, Zoom now has a recorder in the same league as the DR60-DmkII.
Hi Curtis! Just want to say thank you for your informative, professional content. I make ASMR videos, and your channel has been extremely helpful to me over the years. Just today I picked up a pair of Rode NT1-As, and was looking for a feature-rich, low-noise portable recorder that wouldn't break the bank. After watching this video and listening to your sound samples, I settled on the H4n Pro. So thank you once again for your help!
You're welcome and I hope you enjoy your new recording gear!
Even if you are not looking for the product you are reviewing you still learn a bunch just watching it.
Thanks Elnis!
Brilliant review, as always. Thank you!
Thanks Frank!
I've been waiting for this as I have 2x H4n and had doubts about upgrading one of them. Thanks for the review!
You're welcome!
Great work Curtis. Always blown away by the thoroughness of your reviews.
Thank you Douglas!
Was looking to get a H4N to pair with my camera, and was curious about this Pro version when it came out. Thank you for the very detailed comparison!
You're welcome and best of luck on your new recorder!
After watching review, i bought H4n pro. Didn't regret it. Very hepfull video. Thanx !
Glad it is working well for you! Thanks!
Is the audio slightly out of sync? Helpful video though, thanks.
It is embarrassingly out of sync by quite a lot. My mistake. 😀
@@curtisjudd Zoom H4s are known for internal clock sync troubles, though.
@@AngstBro This was my fault in this case. The clock sync challenges will be an issue in long takes. Generally things longer than 30 minutes.
@@curtisjudd Why is this an issue? I was fixing to purchase the H4N pro for very long car interviews with multiple people at once and now you have me worried! Should I avoid it?
@@AngstBro Have you had issues with it yourself?
Thanks Mr Judd,
As a subscriber i am happy with your content, keep it up.
Thanks, will do!
Having watched a whole load of videos about microphones, recorders, etc. for film, and recently wanting to up my audio game, I would like to make a comment.A lot of the review videos I have watched for said microphones and recorders, have terrible audio in them! So how can these guys review these things if they can’t even get their own audio right. This is the first video where I have said, ah-ha! This guy knows what audio is. Thank you so much for the informative video, I think I’ll be getting the H4n pro.
Thanks Timothy. Happy recording!
I have tinnitus making it hard to pick up on high pitch noise. I appreciate the actual measurements and testing you've done.
Thanks for the feedback, I appreciate that!
I wish I had known about the H5... but def happy I invested in the H4 Pro.
👍
Great review, as is always the standard with Curtis. And I took the last bit of advice very seriously. I've just moved up to a Zoom H5 from my old Zoom H4n. Fully worth it.
Glad it worked out for you! Happy recording!
The sound quality in this windy outdoor recording is too good
Yes, I used a Rycote Cyclone wind cover which makes it sound like a studio recording. For a narrative piece, I would also record some wind as a backing track to make it more realistic. The reason to use the wind cover is to prevent the wind from blowing across the microphone capsule and distorting the sound.
Do you have a link or model for the cyclone? I just did a quick search and what popped up was +$500! Twice as much as the mic! Is that what you are using? If so, are there any other lower cost alternatives you might recommend for the Rode NTG2? Thanks!
Hi Jimmy, There are, of course, less expensive options but they are not as effective. Could still perhaps do the job in wind that is not as extreme: amzn.to/2gOfUfR
RODE also makes a blimp style cover that is priced at $299: bhpho.to/2z46Rym
Thank you Curtis!
great as usual, Curtis, once again thanks for your great reviews!
Thanks Marcello.
Super happy with the H4N which I got about 8 years ago. No need for filming, just home audio recording. But if someone was buying now, probably best to spend the few extra bucks. I do prefer the display on the pro over H4n amber, however.
I agree. Thanks for that!
ABSOLUTELY FANTASTIC VIDEO...YOU ROCK !...THIS IS EXTREMELY EASY TO FOLLOW....AND I AM A VERY SLOW "UNDERSTANDER" ...THANKS VERY MUCH. FOR A BEGINNER, IS THIS THE BEST ENTRY PRODUCT FOR RECORDING TRACKS AND THEN OVERDUBBING AND MIXING ?? I KNOW ALMOST NOTHING RE THIS PROCEDURE.
Hi Granddaddy, Yes, I'd consider it a good entry level recorder for overdubbing. Happy recording!
Great review!. Question: can I use one external mic that needs phantom power and one external mic that does not,,and not damage the mic that does not require the phantom power?
+Curtis Judd Great comparison. I would love to see a h4n Pro vs H5, but there is no such comparison video on TH-cam. I really don't care about the dial vs rocker. The only thing that matters is the sound quality. It would be used for tutorial/screencast so... which one would you suggest? Or maybe none of those two are even the best option for screencasts and I should go for something else (in that price range)?
For screencasts, if you're using external microphones, you might instead look at an audio interface like the Focusrite Scarlett 2i2 (2nd gen): amzn.to/2eb5f0o
But if you need the in-built microphones, I personally prefer he H5. Sound quality wise it is identical to the H4n Pro in my subjective tests.
Curtis Judd That's the thing that I don't need built in mic, but it was an all-in-one and as I don't know too much about audio (yet) I saw that as a convenient and safe option.
So if you suggest the 2i2 would a Focusrite Scarlett Solo 2nd gen be practically the same just with one XLR? I won't be recording any audio from instrument or second voice so I guess that would be sufficient? And then combine that with a Rode NTG-2? That would come very similar in price to the n4h Pro or h5.
Yes, but the 2i2 has two microphone inputs (XLR) so you have room to add a guest in the future. I'm curious why you chose the RODE NTG2 - are you capturing webcam footage along with the screencast where you want to keep the mic out of the frame?
Curtis Judd As for the second input for guest it's probably not going to be needed. And as far the RODE NTG2... well I saw it in couple of your reviews and you said it's an excellent mic plus the samples from it sounds great so.... again I'm just figuring this sound stuff from scratch. Is there a better option in that budget range? The mic will never be seen except for me - that's why on the beginning I was asking about zoom, because it's going to be just for indoor recording, no one will see it and it was an all-in-one solution.
Ok, that makes sense. The NTG2 is a good microphone but probably would not be my first choice for voice over for screencast in a small-ish room. For those cases, I use an Electrovoice RE20. This is a dynamic microphone which works well in typical home recording situations because it rejects most other room noise such as computer fans and reverberation in the room (echo). Here's a very affordable alternative: th-cam.com/video/EHgSC3C0pTw/w-d-xo.html
And here's the more expensive Electrovoice RE20: amzn.to/2dvdsdf
Both work well with the Focusrite Scarlett 2i2.
Hi Curtis. Great review. When, if ever, would you use the built in mic to record your sound? I just got mine with that use in mind, but all the vids I see speak about a connecting a shot gun or lav mic. So is it wrong to use the built in mics?
Hey, Curtis. Thanks so much for this high quality review. Always enjoy your content. Question: Can I record the audio using an XLR mic to both my DSLR and the Zoom H4n Pro simultaneously so I have audio on both my media card for my camera and the Zoom? Also, I have a LUMIX G7 and want to monitor the audio with headphones. Can I use a line splitter so I can run audio to the camera from the Zoom and to headphones? Any insight and expertise would be greatly appreciated.
Hi, Yes, you can run the audio out of the zoom to camera. You'll need to experiment with your particular camera as that sometimes requires a special attenuation cable like this: bhpho.to/2m90KTL You'll want to test without the special cable first just to confirm (this is not something I have done personally). Yes, you could also use a splitter to monitor. There is a risk that will degrade the audio signal going to the camera so it is a tradeoff. For the scenario you outline, the Tascam DR-60DmkII may be a better option as it does not require the attenuation cable and has a separate headphone jack. I reviewed that over here: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Thanks, Curtis. I will give it a shot.
I love the review and I'm actually sold on the H4n pro. The only question is, will it be useful for what I am gonna use it for? On my channel you can see that I put out fullset live videos of hardcore/punk bands here in the Philippines. And I only use GoPro Hero 4 for everything, I will be changing cameras too (Canon 80D) but Is the H4n the right recorder for me? Thanks.
Thank you! I do like the knobs of h5,6. I actually also like the form factor of xlrs going out sideways h6 if I Wer to shoulder mount it as well. Hmmm
The H6 is a solid choice. I borrowed one from B&H for about a month and found it to work really well except that the screen was tough to see when shooting outdoors.
thanks for the response! went to guitar center today. impressed with the h5 and the knob protector made it feel solid and refined (felt super good in the hand). the h6 is interesting tho...if i want to record 6 xlr inputs...and do that sort of thing :D
Hi Curtis, I really appréciate your video which is the most professionnal I've seen on Zoom product. I do decide to buy a H4N Pro so, I'm not yet one.
Experimenting serious trouble with the external alimentation. When I'm connecting Line (unbalanced) mics on baterry it's ok. When I'm plugin the external alimentation I have 50Hz +15-18dB background noise. Can you have a check by your side on Zoom products with external alim ?
I just can't figure where the problem come, bad alim or bad inside zoom isolation or bad electrical mass.
Just wanna know if other product suffer from same disease ?
Hi, I do not have the H4n Pro still, just borrowed it for the review. Probably best to contact Zoom support. Sounds like a ground loop issue.
Hello Curtis! thank you for your review; very usefull, i have a bit of a question; i need something to record live sessions of music that will vary from swing jazz , ballad, latin... up to rock, funk and alike, do you recomend this mike for that kind of recording? thank you again Curtis Judd!
+Enrique Gago yes, the H4n Pro is a good option. If you plan to bet a feed from soundboards, there are better options. Good luck!
Hi, great video! Thanks so much for taking the time to put this together!! Do you know if there is a remote mic adapter for the H4? Something I could plug into the "2" input that would connect to a remote mic placed elsewhere in the same room? Thanks, keep up the great vids!
Outstanding videos to learn about audiorecording, thanks a lot! Does it make sense to use the H4n Pro with the Audiotechnica 4053b?
+Fidele Hurgler sure, worked nicely together in my tests.
I am amazed by your videos sound quality. Thank you for the clear explanation. I think I will buy second hand h5.
Thanks and happy recording!
Noticeable ambient hiss with H4n than the H4n Pro too :) Thank you for this!
👍
Another thorough review man, as always. Thank u!!
+Blake Bauer you're welcome!
Is the "academic test" of checking noise floor you talk about a kind of standard procedure? How to make it repeatable with other hardware? I do worry of different generator levels causing different preamp gains. Another question - can you check round trip latency when used as usb interface? Thank you for the test - very useful and proffesional!
Hi Zbyszek, thanks. The test was a practical test and is not necessarily reproducible unless you have the same microphone, cable, and studio. :) It was pretty much just meant as one example of what can be achieved with the H4n Pro. Unfortunately I had to send the unit back to B&H so I don't have it on hand to test latency when used as an audio interface. I would expect it to be on the average to long latency end of the spectrum relative to other dedicated interfaces.
Nice review Curtis. Heve you compared the dynamic range of this new H4n Pro to the Tascam DR100 MKII that is still available at a reduced price?
Hi Alberto, I sold off my DR-100mkII a couple of years ago. I can tell you from memory that its preamps were rather noisy by today's standards so I would definitely expect better noise performance from the new H4n Pro.
Dear Curtis, congrats for your videos. Really well done and pedagogic! I Have a question that belongs to my son that is coming now to become a wedding videographer and must face a real challenge. How capture a audio from a Dj`s mixer. As far as we do know the gain signal from the mixer could be a mass for some recorders like H4n and others if you do not know how to handle it. Searching web I got tips recording with Tascam D40 that has an option of setting a second track in lower gain ( -12db) while recording to deal with picks and clipping. What is the best approach in your opinion recording from a mixer with Zoom H4n and Tascam D40/ D60 and get decent audio quality? Thanks for any help!
Hi Rubens, this video should help: th-cam.com/video/Tzm3G46ozxQ/w-d-xo.html
Thanks Curtis! I was looking for a comparison of these two a week ago hehe. :)
You're welcome, I hope this wasn't too late!
Oh no not all, I still have warranty on my. H4n at guitar center , I'll get credit on buy back and get this instead . :) Thank you !
hello Curtis, do you think the zoom h4n pro can be used greatly with the rode ntg4 using phantom power?
I thought I was going crazy...love the review btw but without any sort of ambience in the background my head was hurting for some reason.
Sorry about that!
no worries dude. keep up the good work!
Hi Curtis. I just got my new H4n Pro. I want to get the Rode Filmmakers Kit to hookup to my iPad Air 2 or iPhone 6 S Plus. This is a first recorder for me. What other cables do I need to hook this all together so it has good sound? I enjoy watching your video's.
Hi Kenneth, a 3.5mm TRS to 3.5mm TRRS adapter cable should do the job. Here's an example: amzn.to/2iwb9qY Best wishes!
Just to let you know, I got 3 cables today. You can never have enough extras. The cable works great with my H4n Pro and iPad Air 2. Thanks again for the help.
You're welcome and happy recording!
Great review! Question: does it make sense to use H4n pro with a Pro Lavalier Lapel Microphone JK MIC-J 044? Will Quality and/or noise reduction be affected? Or do i really have to buy XLR mics? I'm a newbie so i'm a bit lost Here. Great channel, thank you!
Hi Manuel, the 3.5mm TRS plug version of the JK MicJ 044 will work fine. Be sure to get the version for Zoom recorders and not the version for Sennheiser.
@@curtisjudd Can't thank you enough! New fan here!
Thanks! I'm sold. Picking this over the H5 since it has the same pre-amps. And I like that with this I can move the built in mics to cover 120 degrees instead of being stuck at 90 on the H5. I honestly think that having rotary knobs to adjust the input level isn't that great of a selling point as most people using this kind of device to record aren't going to be playing with knobs while recording a scene. And even though it has that bar to protect from accidentally turning them, seems like it would still be very possible to accidentally turn them while recording.
Thanks Josh. One note: The inputs on the H4n Pro and H5 are not exactly the same. The H5 can produce substantially more gain (+52dB vs +43dB on the H4n Pro). If you'll be using external microphones with the H4n Pro, you'll just want to make sure they have a good, strong output signal as the amount of gain is probably the H4n Pro's weakest point - albeit slightly better than the original H4n. Best wishes and happy recording!
Hello Curtis
Keith Kuhn here again.
I saw this video quite a while back and I was just wondering .
I was actually using my h4n zoom the other day not the pro but my regular one with the orange display.
I also have the h4n zoom Pro.
So my question is
If I were to set them side by side and crank the recording volume up to say 95% outside exact same environment exact same settings.
Do you think I would see a difference on the volume meters ?
I truly love your knowledge base on these products that you review.
I hope you understand my question.
Thanks
Keith
My guess is yes, the pro version would amplify a tiny bit more than the original H4n.
@@curtisjudd
Thank you so much Chris I truly like the fact that you at least reply back to your fans or whatever you want to call them.
I think I will try that one day soon set them side by side exact same settings just to see if I can see a difference in the volume meters or the pickup.
I will let you know the results thanks again.
Keith Kuhn
… "Out, standing, in his field."
Hahaha!
@Curtis Judd I've watched 2 of your videos, great videos! I want to record my drums, I'm not that deep into filmmaking (yet). But I subscribed, your content is great and the review is on point not too much blah blah around it. At the end you talk about the H5 and the gain knobs, now my question is can I adjust the gain knobs to exactly the same levels on mic input 1 and 2? Because they are independendly I might have a problem with recording with the exact same levels once I adjust one gain knob. SO the H4 has the side buttons but they allow to perfectly put any number between 1 and 100 I think, with the gain knobs that's not possible, or am I wrong? I used the h4 and I have doubts about the h5 because I need reproducable settings for the 2 external mics....Thank you! :)
Hi Swizzy, thanks for the question. The H5's preamps can supply a bit more gain which is the main reason I suggest it over the H4n Pro. But if getting the levels gained up exactly the same, the H4n does have that advantage.
@@curtisjudd Zoom writes they have the same preamps in the h4pro as the h5 and h6 so I really wonder why the gain is so much different... Although playing drums is so loud on the h4 i had to set 'mic level' to 25 which is very low + external mics also set that low and -10dB. As far as my understanding goes, gain is needed to adjust the input level/volume of the mic. When weak signals need to be recorded there's the need of more gain, right? My case is the exact opposite. I guess I'll just go with the h4 pro :D thank you for your input!
Hey Curtis, great rewiev, can you tell me please, if there is difference quality from the jack line in vs xlr line in?
Hey Curtis, great video. Have seen a bunch of your videos, however this will be my first question.
I have previously use the Juicelink RA333 because I can have one XLR input, and split the line into 2. And the 2nd records at a -12dB lower as backup. In case of clipping. I understand I can use an XLR splitter and record different levels. However, does the H4n Pro have the ability to split the input and record at a different level? If so, would love a quick video on that. Thanks again for your content.
Hi Jun Tang, unfortunately it does not have that feature as far as I am aware. One thing you could do is feed the audio to your camera and record at a lower level on the recorder, a hotter level in camera. That way you have the option in post. Good luck!
As always... professional review. Thank you. But what about the connection of a lavalier microphone (without phantom batteries) at the H4n Pro?
There is a 3.5mm mic input on the back you can use
Great review thanks! I am also a musician and interested in recording a grand piano, classical music. I need a recorder which provides as much as cleaner and realistic sound. I am also not an expert an all this stuff so which maybe you would think is better? H4n, H4n pro or maybe something more expensice like h5? Thanks!
My preference would be for the H5, not because it sounds significantly better than the H4n Pro but because it is easier to use with its input dials instead of a fiddly rocker switch for setting input levels.
thanks!
Nice review. How about the H5 having an issue with blowing out the preamps if you are using a condenser mic and unplug its' XLR while live? Do you know if this has been resolved? I had it happen, looked it up, and so have others. Thanks in advance for considering this question.
Have heard of it once, but don't have direct experience with it. Thanks for sharing. Perhaps others here have experienced it?
Are you using the sanken cos 11d on a rodelink for the outdoor part of this video? I couldn't hear any background noise at all. Amazing! And is it me or was there a slight delay in the lip sync for the outdoor part. Wireless issue? Thanks again for the review!
Hi Andrew, This was recorded with a RODE NTG2 in a Rycote Cyclone wind cover. It does an amazing job at managing wind. Of course it was all recorded to the H4n Pro.
Yes, I definitely had some sync issues here. Been fighting with the newest version of Premiere. Sorry for that. :(
Oh an NTG2...ok cool. No problem about the sync. Still appreciate the video. Thanks and keep it up!
I am an electric guitar student with a notebook DAW and I chose the H4n PRO bc of the various FX, modelling, filters, etc. … Do the H5 / H6 provide as much guitar support ?
I’m not sure, I’m a sound for video guy. Maybe somebody else here knows.
great in-depth comparison
+Will Chorski thanks!
Dang Curtis! Helped me out with two videos in one week! Thanks!
The pleasure is all mine!
Holla
Thanks for this great video
Btw i have question
Can i plug condenser mic or something like that to this device so i can plug it to pc (like phantom pro jobs) ?
Hi, yes, you can plug XLR based condenser microphones into the H4n and connect the H4n to your computer via USB to use it as an audio interface. And yes, it will supply phantom power to the microphone.
Great help! I do have a question though. What is the jack in the back of the h4n for exactly? Isn't it for 3.5mm jacks? If so, what is the purpose of having a 3.5mm to XLR cable converter if you can just use that jack in the back for say, a mini rode mic (3.5mm)? Is there a difference in sound quality?
Yes, the jack on the back is a 3.5mm TRS stereo microphone input. It can provide plugin power which many lavalier microphones need. Adapting from 3.5mm to XLR only works for microphones which do NOT need plugin power. So you cannot use most lavalier mics with a 3.5mm to XLR adapter. You could, however, adapt microphones like a RODE VideoMic Pro from 3.5mm to XLR. I hope that helps!
It does! Thanks! So can it use 5 mics if there is a Rode mic connected through the 3.5mm adapter or would one of the mics be cancelled out? If that makes sense..
I believe that the H4n only records a total of 4 tracks simultaneously.
Thank you!!
Really useful, thank you; I'm looking to replace my H2 and this helped me better understand the H4n Pro, though I'm now going to go with the H5.
+Bluestonerock that's what I would do, too.
H2 is not available in the market and I really need one.
I'm looking forward for Zoom H4n as a recording device for weddings, and particularly a plug 🔌 in recorder to Band/DJ desk. Would this do the job? Thanks for advice and good educational content you post 🎓
Hi Gypsy Curse, I have heard that many people have had trouble recording line level output from a mixing board to an H4n. If that's something you'll do often, I'd consider the Tascam DR-60DmkII instead: th-cam.com/video/TRoIMPHS91U/w-d-xo.html
Curtis Judd Thanks for advice 😉
Hey Curtis I didn't see a video from you on the tascam dr-44wl. I was wondering if you ever had a chance to use it and what your thoughts on it were
Hey Travis, no I haven't had a chance to review the DR-44wl, unfortunately. Seems like a pretty nice little recorder.
Hi! This question might be premature because I just got my H4n pro and I'm still watching you guys explain it, lol. You've saved me a trip to Guitar Center, for sure. Basically, I was content recording myself playing harmonica, using jam tracks on TH-cam, with my Canon digital camera/recorder. (Check out my practice videos on TH-cam, if you like) I find that I am more comfortable watching myself play than I ever was watching myself working out. The sound is plenty good for soloing, but I find that if I record myself playing along with a CD or record, the camera equalizes the sound, so that I wind up playing over the singer. How can I get a good mix with the H4n Pro?
Thanks Curtis, good video - as usual!
Thanks John!
Thank you so much, this is exactly what I've been looking for!
👍
Hello Curtis, thanks for the many reviews. Just wondered about the H5 preamps compared to those in the H4n pro, is there much difference? Which gives the best performance? Kind regards Tony
Hi Tony, I don't have an H5 on hand to do a formal comparison, but from the specs, they supply a bit more gain from what I remember. I wouldn't expect a HUGE difference, they're quite similar from my limited experience with the H5.
@@curtisjudd Many thanks. For the price difference (less than £30 GBP) with the expansion available it may be the H5 to replace my original H4n (on/off switch failed). Thanks again. Kind regards Tony
Thanks for the video. What basic settings do you recommend for the H4N Pro for recording outdoor sounds such as car horns, buses passing by, etc..? I recorded with the H4N Pro last weekend and there was a humming sound. I not sure if it was the wind? the audio was unusable. I will subscribe to your channel. Your videos are great.
Hi Ron, I would set the input level so that the sounds take the meter no higher than -12dB. Also, if you're working outdoors, you will need some wind protection for the mic. Ideally, you'll want a blimp cover. If not, a Rycote Softie may help in light winds: amzn.to/2vNyWZU
Thank you so much for this comparison.. Made my decision way easier.. Any big difference between H4n Pro and H5?
+Joe Were sound quality is the same, I prefer the input/gain controls on the H5. No locking XLRs on H5
Do you have suggestions for equipment to record conversations between two people, interviewer & interviewee, in the field? I'm thinking a Zoom recorder with two lavalier microphones. Must be compact for travel and work in variety of conditions, indoors and out.
Sit-down interviews that are longer or the type where you walk up to someone and quickly interview them? If you go with two lavalier mics, you might find an audio adapter to be a better option because many of them have two 3.5mm mic inputs whereas most recorders, including the Zoom H series recorders only have one 3.5mm input. There aren't as many XLR based lavalier mics on the market.
If the interview will be more like a newscast, a dynamic reporter's mic might be a better option. Let me know which direction you're headed and we can get some recommendations together for you.
Most often, it will involve short sit-downs but not in a studio setting, maybe in offices or relatively quiet public spaces. Other times, it might involve talking with someone in his/her work place with a bit of movement and ambient noise. Pinning a lavalier on someone seems to allow them to behave more naturally than when they have to worry about microphone positioning and are always aware of being recorded.
Hi Curtis, at 5:56, you connect the Line Level Output from H4N Pro to Mic Level Input of the camera, does it have any trouble in conflicting between Mic Level & Line Level?
It is basically a "consumer line level headphone output." So you can turn it down to work with a microphone input.
Very helpful, thanks Curtis.
Thanks Harris.
Great video. So I've got a question for you. I want to record a podcast of my friend and I in a car. I was thinking the stereo mic would be enough to pick us both up if it's in the middle but maybe it won't be. What do you think? Also, one option would be to hook up an external shotgun into one of the XLR inputs. Is it possible to record like that (3 channels) and would it sound strange to have one of us in Mono?
I assume you're recording with an H4n? If so, I'd just start with the in-built microphones. Simpler often ends up being the better solution.
Hi, I have a couple of questions, first I'd like to give you somewhat of a backstory. I don't have any experience with sound recording but I'm looking for the best handheld recorder to use for filmmaking (animation) purposes, I'd like to record sound effects, ambience sound, nature recordings and voice recording. I've done research and quickly found the Zoom H2n, then found the Zoom H4n, and now the Zoom H4n pro. These are the recorders I can afford. Now I understand the main difference between the H2n and H4n are options and the H4n pro is a greatly improved version. I would like the option to be able to mount it to my DSLR so I think that means scrapping the Zoom H2n, right? The H4n and pro version have XLR inputs so you can use an external mic with it. My questions about these are: Basically how this works. What is the role of the Zoom h4n pro in this, why would you use an external mic with it? What is the purpose of using an external mic, on a Zoom h4n pro, on a DSLR? I've watched many reviews, and the H4n pro seems like the best option out of these with more options for the future.. but I would basically like a bit more information and confirmation as to how this all works, from someone with experience before I make the purchase.
Hi EvilYakuza, thanks for the question. The most important thing to getting high quality sound is to get the microphone close to the sound source. That's why camera microphones, whether built-in to the camera or mounted on top, do not generally produce the best results.
Another factor is the quality of the microphone and the other circuitry that amplifies the sound and converts it to digital. In cameras, these are not usually very high quality. That's where the H4n Pro comes in. It is better on each of these than most camera microphones.
So I would say first priority is to get a decent microphone closer to the sound source. For dialogue which is what I record in most cases, I use this method with a RODE VideoMic Pro into a recorder or even into the camera: th-cam.com/video/TUEmQBZKoBs/w-d-xo.html
Then if you really want to improve your sound, a recorder with a high quality XLR based microphone would be the next step. There's a ton of information scattered throughout my playlist: th-cam.com/video/veD8BVXV3Ls/w-d-xo.html
Best wishes!
Great video as always. I keep finding your videos on my search for a recorder, and tips/tricks. Subscribed.
Curious what your opinion/recommendation is on the H4N Pro vs the H6? Will be using mainly to record motorcycle engine/exhaust noise. And occasionally voice overs for Repair videos.
Much appreciated, thank you 🙏
Thanks. I’m not an expert on recording engines, but I’d probably opt for the H6.
Great video man!
Which audio interface or field recorder would you recommend in the same price bracket of H4N Pro (which would provide even cleaner and silent signal to phantom mics)? It doesn't matter if its field recorder or Audio interface. I just want cleaner signal. And, I'm about to make a purchase. So really thanks for putting this video. This helped a lot!
H4n Pro, Tascam DR-60DmkII are very similar in terms of preamplifier self noise. They sound slightly different with the Zoom imparting a little more low-end (though not by a lot). Focusrite also makes some nice audio interfaces and the 2nd generation Scarlett series just came out a few months ago. Great option if you prefer an audio interface: amzn.to/2bfzd0r
Great video. Does the H4n Pro or H5 have dual recording like the Tascam DR-40?
Excellent review. I gave my H4n to a friend a while ago and moved up to a TASCAM DR-100 mkII for a more semi-pro hand held recorder. I think the TASCAMS are superior to the Zoom units but I have to give Zoom credit on this improved H4n model.
Yes, their latest generation of recorders are quite good.
whao...one of the best reviews I have ever seen!
Thanks!
Well done. but Which one (Zoom H4n, Pro H4n) is more useful
for indoor and outdoor tv drama shot?, if z environment is noise.
+teddy abera H4n Pro. There are others which are better than both. The external microphone you use makes a huge difference.
H4n Pro.
10Q
Hi Curtis, I have been following you for quite a while and really enjoy they way you present. So a couple of questions for you: I had the H4n and had to have the on/off switch replaced on two occasions which cost $60 each time, which was very bad. Also the battery cover attaching points broke as well, so quite disappointing. Do you know if the new pro version has upgraded the switch and battery cover?
Hi David, It appears to me that there has been no change to the power switch or the battery cover, unfortunately. Thanks!
Thanks Curtis, That's what I thought by watching these reviews. For a bit of background; I was teaching video productions at Stamford Uni in Bkk and both of their units did not last very long before the on/off switches and battery covers broke and it's quiet disappointing that such a well know audio recorder, is let down by poorly designed important parts. I am considering buying the H5, but I think it also uses the same power on switch. However, thanks so much for all your very helpful videos.
Thanks David. Yes, these handy recorders aren't the most robust for rough and tumble filmmaking, probably better suited to lighter weight jobs. The Zoom F4/F8 or Sound Devices MixPre are more expensive but both far more robust in terms of build.
Curtis, I just bought a Behringer dynamic mic (ultravoice XM8500) I was planning to use for interviews. I bought an XLR to 1/8 inch cable which I planned to run into my Zoom H1. But when I tried out the Behringer mic / Zoom H1 combo, the sound was terrible - like an old am radio from the 50's. I thought it was the mic's fault, but then I tried it with a small mixing board, using a regular XLR cable running into an XLR input on the board. This time the sound was great, and I was well satisfied. But of course I can't carry around a mixing board when I interview. So why didn't the cable work with the H1 - and if I get an H4n, and run a regular XLR cable into it, will I get great sound like with the mixing board?
+Dennis Pollock hi Dennis, dynamic microphones need a lot of gain and when they have xlr output, produce a balanced signal. Converting from xlr to 3.5mm changes it to an unbalanced signal and may also change the impedance. But the bigger issue is that dynamic mics need a lot of gain from the preamp, more than a Zoom H1 can provide. It should sound a lot better on a recorder with xlr inputs. I would recommend you have a look at this recent review of recorders if you plan to go down that route: th-cam.com/video/PRd-nZGGSv4/w-d-xo.html
Thanks, that makes sense - although I can't imagine why they even make cables with xlr on one end and 1/8 inch on the other, since it degrades the sound so badly. Guess I'll return the cable.
+Dennis Pollock those adapter cables can work ok with self-powered condenser microphones like the RODE Ntg4+.
Very Comprehensive! Great. dear Curtis.
👍
I am stuck with the zoom h4n, no pro, for a short film production... what is the best quick tip guide to getting a decent audio recording of the main actor's dialogue on set with a low end shotgun mic for this shoot? just need to look professional for now until I can upgrade. Any pitfalls to avoid?
#1) get the microphone close to the actor. Close = 12-18 inches (
This is a great video and super helpful. Thank you for making it! :)
Thanks!
Thanks for the review ! In your opinion how does the preamps of the H4n pro compare to the H5 and H6 ?
Thanks, the H4n Pro's preamps sound the same as the H5 and H6 to my ears.
I've been debating about getting this H4N pro, but i'd like to know the difference between that and that Tascam you had on the video. Thank you for your response sir, always very informative
Hi, These are the main differences in my opinion: The Zoom has a better 3.5mm mic input (useful if you're going to record lavalier microphones with 3.5mm plugs) and the H4n Pro can be used as an audio interface to record directly to your computer via USB. The Tascam can be powered by an external USB battery pack (very useful for longer shoots) and has better physics controls (e.g., can turn on phantom power with a physical switch so you don't have to dive into the menu). So overall, it depends on which set of features are more important to you. For field work, I usually choose the Tascam but there are others where the Zoom is a better choice. I hope that helps!
+Curtis Judd thank you sir, very helpful
My question is this: Can I send audio from the H4nPro (I just ordered from B&H - arriving tomorrow) directly into my Sony HDR AX-700 camcorder. I record music recitals by graduate students at Stony Brook University. Currently, I place the old H4n (after 10 years, it's not 100% reliable) in the 2nd row of the recital hall, and operate my camcorder from the fourth row. Because I don't use any additional microphone, the audio recorder has to be close to the stage and I have to be farther away for video. After I edit the video, I combine them in iMovie. That cable you show connecting the H4n Pro to a camera is short, five inches or so. Is it possible to use a longer cable, maybe 20 feet? If so, what cable? Thank you for your video on the H4n Pro. I am excited to start using it.
I’d stick with your current workflow. Longer unbalanced cables are more likely to pick up more noise or interference.
@@curtisjudd Thank you, Curtis. I will take you advice for sure. I didn't really expect an answer since your post was seven years old. You are great. I am going to subscribe.
Great review, sir.
I’m looking for a recorder for field recordings to use in my songs. I’m in doubt between H4n Pro and H5. What would you recommend? Besides, they are both products with some time now, don’t you think Zoom my release some updates soon, moreover after Roland launch R-07.
Do you think R-07 would better a option over a Zoom?
Cheers
Hi João, Are you recording sound samples or the song with the recorder? Do you need the built-in microphones or will you be using external microphones? I am not aware of any upcoming new products from Zoom and have not used the Roland R-07 so I don't know how it compares, unfortunately.
Hi Curtis, thank you. I want to use field recordings to add ambient/textures to my ambient/drone songs. I would prefer using the built-in microphones but having the option of using other mics could be good in the future. I really don't need much features but mostly wide and detailed sound. For that the H5 seams to be the best option but it's a bit aged product now... Decisions, decisions... :)
H5 is not a bad choice at all! Good luck!
For recordings indoors using voice and guitar the ZooM h4n pro is good or the Zoom H5 is better. being that I do not care so much for the removable microphone. most of the time I will use the external microphone XY
My preference is for the H5 for its more ergonomic input dials.
I don't have a stereo mic available, or two suitable mics for manual X, XY or similar setup. I only have a stereo mic in a DSLR or in the original H4N. If doing ambient sound, I'd like it to be stereo (although it has to approximately match direction of camera, in case it's taken async to video). As the H4N has some rather unimpressive preamps, but does have a set of stereo mics, would it be possible, and a good idea, to somehow use those with an available MixPre (better preamps)? How would you hook it up? Other tips for recording background ambience? Thanks.
Hi Henrik, Unfortunately, I don't know how to take the H4n's mics and feed them directly through better preamps since they are wired in to the H4n. You could, however, potentially use a similar XY mic array into the Zoom F series recorders, but I think the preamp is in the mic module so that would still get you the same results. You might consider using a stereo microphone like the RODE NT4.
Once again, another great review! I have one question, are the zoom H1 pre-amps the same as the H4N or somewhere in between the H4N and the H4N pro?
I suspect that the amplifier circuitry for the 3.5mm inputs is separate from the XLR inputs so they're not the same. I'll have to do a separate test of the 3.5mm inputs.
I bought a H4n Pro for recording interviews with a RODE Reporter mic. I watched your video and now I am wondering if I should send it back and buy a cassette recorder. Without enrolling at MIT, what would be a good tutorial for a rookie like myself?
I have a basic workflow video here: th-cam.com/video/WXKtiwsy7us/w-d-xo.html (as well as lots of other stand-alone tutorials).
I also offer a paid course over at school.learnlightandsound.com
No MIT entrance exam required. Best wishes!
Thanks so much!
Question: I'm thinking of getting a Zoom or similar system for recording performances (both live and "studio") of classical music - mainly solo instruments and small ensembles, perhaps larger ensembles such as orchestras and choirs as well. Should I get a Zoom and an external mic or another kind of setup? And if a Zoom + external mic is the best solution, what kinds should I get? I'm thinking of spending around 300-400 € on the equipment, though 400 isn't an absolute limit. I'm a student so I'd rather not spend egregious amounts of money on the equipment, but money isn't so tight that I would like to make huge compromises in the quality.
I would start with a Zoom H4n Pro, H5, or H6 and see how you go. Positioning the recorder will be the most critical thing you'll want to experiment with to get the sound you'd like. You can always add an external microphone or two at a later date. Best wishes!
Curtis, I have a small duo concert to film in a couple of weeks - one acoustic guitar plugged into an amplifier and a flute - playing inside a record store. I have the Zoom H4n Pro and a small sony recorder (ux-560 with 44.1KHz/16bit capable) and the small Rode mini mic. How would you set both (or one to get a good sound)? My initial thought was to get the Zoom in front of both players with the internal (120-degree set) at their instrument level and set my small Sony with the mini rode closer to the guitar amplifier to have an option of adjusting the guitar levels a bit if needed. Any thoughts to share once I can't think of anybody else here I'd trust. I'd highly appreciate any answer. Thank you.
I would put the zoom in front of both of them, hopefully with one of the mics on each of them. For the smaller recorder, I'd focus more on the flute, which I assume is more likely to get lost in the mix since it isn't going to be amplified?
@@curtisjudd Curtis, thank you so much for the feedback. I wondered I should use any other kind of mic plugged into it but I guess the two internal mics (120 degrees) will be fine for this; yes, I'll do that and use the small one on the flute. Thank you again :)!!
Thank you again. I've done some addt research. Apparently you can plug into the mini jack on back up near the mics and run 2 separate signals in and process them individually in post. That would give you 4 independent tracks. I'm going to purchase the h4n pro with this in mind. Thx AC
Thanks and good luck!
the original has the same functionality.
I am planning to record nature sounds (wind, rain, thunder, birds, etc.) with the least possible preamp noise and use them for music.
Do you think H4N Pro + Rode NT4 is a good option ???... or what mic do I have to use for it ??
Hi Robert, The H4n Pro does not have the strongest or cleanest preamps at this price range. In my tests, the Tascam DR-60DmkII does quite a bit better: bhpho.to/2FxdPUl
As for microphones, I have the NTG4+ and don't use it very often because it doesn't sound as good as several other similarly priced microphones. My favorite at that price is the Deity S-Mic 2 which we reviewed here: th-cam.com/video/x4tPO0G8b2Y/w-d-xo.html
Best wishes!
absolutely smashing review thank you very much
Thanks Karl!
If you were to pick between the Zoom H4n or the Tascam DR-60DmkII, which one would you pick if you could only use the Rode NTG-2 as your the microphone? Thanks!
I would pick the H4n Pro or the Tascam DR-60DmkII. I prefer the Tascam because it has more physical controls which means less menu diving.
+Curtis Judd okay sweet!
Great review,,must say... Can we use h4n pro as a sound card to record live audio directly to my daw???
Yes, via USB
@@curtisjudd you mean we can??? Like we do in studio... Simultaneously recording????
@@mohitnangia7215 You can use it as an audio interface to your computer/DAW, yes. I don't believe that you can use it as an audio interface and record to the H4n Pro's SD card at the same time, that I did not check.
Actually presently m using focusrite 18i8 with my laptop and record live audio on my nuendo software.. i was thinking to buy this as a backup and record audoo via h4n pro directly to my 2nd laptop nuendo... What you suggest???
And thanx a lott for replying💐😇👍
I never understood why the combination of the H4n and the NTG-2 became so popular. I bought them too 4 yrs ago because everybody seemed to use them. I was absolutely disappointed. If you don't use a pre-amp it combines the weak points of both items: the pre-amps of the Zooms are quite crappy and the sensitivity of the NTG-2 is very low (15.00mV @ 94 dB SPL).
The sound of the NTG-2 is good but from my experience the maximum usable distance it about 2ft from your talent because of this low sensitivity. If you are more distant you have to push the H4n into a lot of noise.
I sold both and went for a Roland R26 with a Sennheiser ME-66. I shot hundreds of interviews and statements with, sometimes I even use it as on camera mic. I never did it regret it for a second.
I currently record my lav with the Tascam DR-05. But I got a gift card to B&H and am thinking of getting a 2nd recorder for doing video with 2 people. Would it be worth it to upgrade to something like the H4N Pro for the 2nd recorder? Or the H5? Or do you think I should upgrade to the Tascam DR-40? Or is there something better in that affordable range? Or should I just get a 2nd DR-05? Lol. Hard to pick. I know I can spend $600~$800 and get a more professional one but this is for TH-cam and small productions only so I was hoping $250 or under. Would appreciate any input you have. I don't mind spending a bit more for a significant improvement over the DR-05, but don't want to just waste money either. I also don't really notice much difference myself because I've never done a full comparison of how the DR-05 is sounding.
The 3.5mm inputs on the Zoom H1 are a little cleaner than the DR-05 in my experience so that may be worth considering. If you're not planning to use XLR inputs, the H4n Pro and above are probably overkill. I hope that helps!
hi curtis, please help me decide... zoom H4N PRO or Tascam DR-60DMKii??? on a tight budget... need for dialogue recording purpose for our shortfilms... i am in india, so usually noisy environment here... going to use the recorder with ntg4+ & ntg5 or smic 2s, i guess?? help me out please... in a hurry
I would choose the Tascam. Best wishes.
@@curtisjudd thank you so much Curtis... Thank you for helping me out... Didn't expect your reply will be this sooner on a old video... It clearly shows how desperate you are to help us out... Learn a lot from you and thanks again for being with us and guide us in the right direction... Lots of love
Just made my decision. What a concise, helpful review. Thanks. Just subscribed also.
👍Happy recording!
Hi Curtis, can you tell me if the H4N Pro will accept a "hot" line level signal without need for an external attenuator pad? I seem to get conflicting info on this issue. Thank you!
It can take a line level signal if you use a 1/4" TRS cable. The H4n knows you're using a line level signal when you use that 1/4" input. You cannot send line level via XLR.