She was wonderous and lets not forget the trills of which I'm a total addict , I mean I'm obsessed by a trill, but lets for a moment put the trills and all the ornamentation aside , her timbre was like gold. Most of you will understand I know, but we only have to hear 1 or 2 bars and we know who it is singing. It is totally unique in sound because it's so rich and unique.
I was rightly taken to task once when I said someone was "the best" at something. So I'll have to settle for "my favorite" and Joan Sutherland was my favorite soprano. While I greatly respect Callas and all the other sopranos, Sutherland was, IMHO, my favorite. I readily admit I don't know enough for my opinion to mean anything, but there it is... :)
@@machovoce6826 She certainly was. There's no question that even her unbiased detractors admit in the vocal beauty contest she was the winner despite what they see as her other flaws. Nobody is perfect, but for sheer voice and control there was nobody remotely even close in her prime.
The important thing is what you feel yourself. And, like you, I think that Sutherland had the most beautiful voice of them all. Which does not mean that I dont like other sopranos, on the contrary. But the beauty, the timber and her technique is insurpassed, indeed. I listen to her almost on a daily basis.
The top F was definitely out of her register (always a bit too low) but it really doesn't matter. Her E and E flat were so thrilling ! They had a unique quality of resonance and radiance. Unforgettable Stupenda !
ES LO QUE YO LLAMO UNA MUJER CON CARACTER TOTAL.........Y LO EXPRESA EN SU VOZ EXAGERADA........UNA VOZ EXTREMA..........QUE ESTREMECE....HASTA LLORAR DE GUSTO SOLO CON SU SONIDO.........NADIE HA LOGRADO ESA CIRCUNSTANCIA.............
@Iandaoperaman I repitched the '62 "O zittre nicht" because it sounded too high in B-flat and a biography of Sutherland mentioned how she transposed *both* Queen of the Night arias, not just "Der Hölle Rache." Anywho, glad you enjoyed the video! It's been quite a job. :)
su mejor obra ............fue tan solo solo su voz suprema.....................las obras de los autores que la compusieron...tan solo tenían un...una idea de lo que podría ser........y la idea de Sutherland.....tan solo fue exponer...su voz.....y su voz supero todas las expectativas.....hasta hoy dia......puesto que jamas habrá una mujer mas dedicada a la música que ella..................y esa pasión personal de saber que tiene y puede esa voz.....eso no se puede volver a repetir................y tan solo es de pura lógica...........era una LEONA......UNA ELEFANTE DEL CANTO........
What's hard to believe is that in 1955 singing like that she was somewhat known in London but not yet a star. Ridiculous. The world should have had another 5 years of her.
sus agudos............son estereos.....................por no decir cuadrofonicos.....................una vocalizacion unica................................impresionante.................pero bueno es normal...............en ella............y para los que la escuchamos................simplemente........siempre..................alucinantemente forma de cantar.que supera...............todo....................................
Sutherland said in an interview that she sang the most brilliant and clear high E natural of her carreer recording the hamlet mad scene, but an air plane flew overhead and when they repeated it the 2nd one wasn't as good! Lol!
george prentice Yes Sutherland did perform Fille du Regiment in Sydney in 1985 and it was video recorded but from 1982 she frequently transposed her music down so high D was her top note (though she did sing a high Eb in Rigoletto in Sydney in 1985) but then by the late 80s her top sung note was high Db ... but in the 19th century all great divas transposed or simply ducked high notes they no longer had.
@@KathrynARyder All her Lucias (except the very last in December of 1988) ended on the Eb. Including the 1986 Lucia in Sydney. And she was able to hit high E or F in her late 40's or early 50's...but apparently couldn't sustain them. There is a performance of Esclarmonde, excerpts here on TH-cam, where she briefly hits the F as a distressed cry...although the exact date is unclear...mid-1970's: th-cam.com/video/zJctl_9em5o/w-d-xo.html The high F occurs around 11:13 or so.
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The incomparable Joan Sutherland. Love, love, love!
She was wonderous and lets not forget the trills of which I'm a total addict , I mean I'm obsessed by a trill, but lets for a moment put the trills and all the ornamentation aside , her timbre was like gold. Most of you will understand I know, but we only have to hear 1 or 2 bars and we know who it is singing. It is totally unique in sound because it's so rich and unique.
Always my number one. What a wonderful voice and those top notes so beautiful and apparently effortless .Those fast runs so smooth no matter how high.
El timbre de soprano más bello de la lírica!!! La stupenda!!!
LA BELLEZA EXTREMA.............
I was rightly taken to task once when I said someone was "the best" at something. So I'll have to settle for "my favorite" and Joan Sutherland was my favorite soprano. While I greatly respect Callas and all the other sopranos, Sutherland was, IMHO, my favorite. I readily admit I don't know enough for my opinion to mean anything, but there it is... :)
She was also the best.
@@machovoce6826 She certainly was. There's no question that even her unbiased detractors admit in the vocal beauty contest she was the winner despite what they see as her other flaws. Nobody is perfect, but for sheer voice and control there was nobody remotely even close in her prime.
She’s The One!
La Stupenda!!! Unica!!
The important thing is what you feel yourself. And, like you, I think that Sutherland had the most beautiful voice of them all. Which does not mean that I dont like other sopranos, on the contrary. But the beauty, the timber and her technique is insurpassed, indeed. I listen to her almost on a daily basis.
I love these selections
la stupenda !
I Listened to that again and I liked that so much
Extraordinary!
Wow! There won’t be another! Listening to DJS is my guilty pleasure. And I met her.
I think the term that applies is: "La Stupenda" as she is will always be
Incredible, effortless, incomparable. She also sang two E naturals in al tuo seno fortunato from Haydn’s Orfeo ed Euridice.
There will NEVER be another…….
She was so very one of a kind that was possible.
Fantastica
She is amazing
Great updates! There is another fast High E natural in her 1983 Esclarmonde from London....
Just listened to that again and loved it!!
The top F was definitely out of her register (always a bit too low) but it really doesn't matter. Her E and E flat were so thrilling ! They had a unique quality of resonance and radiance. Unforgettable Stupenda !
ES LO QUE YO LLAMO UNA MUJER CON CARACTER TOTAL.........Y LO EXPRESA EN SU VOZ EXAGERADA........UNA VOZ EXTREMA..........QUE ESTREMECE....HASTA LLORAR DE GUSTO SOLO CON SU SONIDO.........NADIE HA LOGRADO ESA CIRCUNSTANCIA.............
Perfection
@Iandaoperaman I repitched the '62 "O zittre nicht" because it sounded too high in B-flat and a biography of Sutherland mentioned how she transposed *both* Queen of the Night arias, not just "Der Hölle Rache."
Anywho, glad you enjoyed the video! It's been quite a job. :)
Sie war und ist die Beste.❤❤❤
su mejor obra ............fue tan solo solo su voz suprema.....................las obras de los autores que la compusieron...tan solo tenían un...una idea de lo que podría ser........y la idea de Sutherland.....tan solo fue exponer...su voz.....y su voz supero todas las expectativas.....hasta hoy dia......puesto que jamas habrá una mujer mas dedicada a la música que ella..................y esa pasión personal de saber que tiene y puede esa voz.....eso no se puede volver a repetir................y tan solo es de pura lógica...........era una LEONA......UNA ELEFANTE DEL CANTO........
una cigüeña del canto , un aguila rapaz con sus agudos ...
Prodigiosa!
What's hard to believe is that in 1955 singing like that she was somewhat known in London but not yet a star. Ridiculous. The world should have had another 5 years of her.
I loved this I discovered that high E from Fille myself and found that to be very interesting...didn't she also do a "
sus agudos............son estereos.....................por no decir cuadrofonicos.....................una vocalizacion unica................................impresionante.................pero bueno es normal...............en ella............y para los que la escuchamos................simplemente........siempre..................alucinantemente forma de cantar.que supera...............todo....................................
Great to hear these marvellous things. I have to tell you the 62 Flute was taken down a tone though. Still jolly impressive! Thanks for sharing.
Lakme is one of her best roles.
Bel raggio lusinghier from Rossini's Semiramide
@TheJayBee1988 There may be, but I don't own that recording yet...
Sutherland said in an interview that she sang the most brilliant and clear high E natural of her carreer recording the hamlet mad scene, but an air plane flew overhead and when they repeated it the 2nd one wasn't as good! Lol!
What you're hearing from 1:25 - 1:45
+Nils Hendrix Balero from I Vespri Siciliani
+jordan thomas thank you :)
⭐️⭐️⭐️⭐️⭐️
What's the aria from 2:08 - 2:29?? I can't put my finger on it....?
Dolce pensiero from Semiramide (Studio 1960)
Yessssss love it but, you got the year wrong !
I think the last one with the High F is actually an F#
Didn't she also do a Fille in like 85? And does that also have a High E? (The one from Australia)
george prentice Yes Sutherland did perform Fille du Regiment in Sydney in 1985 and it was video recorded but from 1982 she frequently transposed her music down so high D was her top note (though she did sing a high Eb in Rigoletto in Sydney in 1985) but then by the late 80s her top sung note was high Db ... but in the 19th century all great divas transposed or simply ducked high notes they no longer had.
@@KathrynARyder All her Lucias (except the very last in December of 1988) ended on the Eb. Including the 1986 Lucia in Sydney. And she was able to hit high E or F in her late 40's or early 50's...but apparently couldn't sustain them. There is a performance of Esclarmonde, excerpts here on TH-cam, where she briefly hits the F as a distressed cry...although the exact date is unclear...mid-1970's: th-cam.com/video/zJctl_9em5o/w-d-xo.html The high F occurs around 11:13 or so.
@@joshuamcpherson007 - Dame Joan always sang her best in Australia didn’t she?
@@KathrynARyder She gave some very memorable performances there, that's for sure.
Joan Sutherland Met debut as Lucia