Gymnopedies (1965) - Larry Jordan

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  • เผยแพร่เมื่อ 17 พ.ย. 2012
  • Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them.
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ความคิดเห็น • 10

  • @BearbearbearbearbearbearRarrrr
    @BearbearbearbearbearbearRarrrr 12 วันที่ผ่านมา

    Yep.

  • @rikurodriguesneto6043
    @rikurodriguesneto6043 วันที่ผ่านมา

    awesome

  • @stewartlynch7859
    @stewartlynch7859 3 ปีที่แล้ว +8

    Maybe this was what might have inspired Terry Gilliam's animated sequences in Monty Pythons Flying Circus.

    • @PlaysWithChildren
      @PlaysWithChildren 2 ปีที่แล้ว +1

      @Stewart Lynch
      You need to look up Harry Smith's Heaven and Earth Magic to see where both of them probably got their inspiration..

  • @danbull
    @danbull 7 ปีที่แล้ว +15

    truly dank

  • @jazzlover10000
    @jazzlover10000 6 ปีที่แล้ว +3

    What we need is a sort of 'film troubadour' for this kind of art.
    Dank? Diggity Dank maybe... try full-screening it at night.
    The movement+stops make it seem really fresh.