FRANK ZAPPA | "THE NANCY & MARY MUSIC" (reaction)
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- เผยแพร่เมื่อ 7 ก.ย. 2024
- Greetings S.A.D.fam! Check out Sight After Dark (Singer Sifa Graffiti and Guitarist Dan Berg) reacting to “The Nancy & Mary Music” by Frank Zappa!
This song was a suggestion by our Patron Peter K!
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It gives you a feel of the mothers live at that particular incarnation. The audience were having fun for sure.
Underrated among Zappa albums. One of his more fun ones. Think you already reacted to Transylvania Boogie off this one.
This is a *deep* cut tune. Absolutely love Zappa's guitar tone here. Whatever people think about his playing with regard to composition and phrasing, I don't know how anyine can argue with the tones.
one of my favorites!
go all the way for the USA...
Sharleena is hauntingly beautiful
The little guitar solo speaks to my soul!
ça c'est le Zappa allumé et crade que j'aime.
Love this album. As a teenager I had the inside cover painted on the back of my white denim jacket lol. You are both awesome with your Zappa coverage.
Thanks so much!
The vocals are by Howard Kaylan and Mark Volman (aka Flo & Eddie) from a gig in June 1970, one of their first appearances with Zappa.
They should nudge you in the direction of the Turtles, who released three singles in the late 60s that half a century later remain the archetype of pop perfection.
July 5, 1970. Close enough.
So happy togetherrrr
You have heard this when you did the Chunga's Revenge album reaction on Patreon
Frank Zappa-guitar
Ian Underwood-alto sax, electric piano
George Duke-electric piano & vocal drum imitations
Jeff Simmons-bass & vocal
Aynsley Dunbar-drums
with The Phlorescent Leech & Eddie-vocals
Lol don’t even remember doing that album 🤣 we have goldfish brains apparently
and it's Aynsley Dunbar!
future drummer for Journey (ick lol)
2:11 to 2:55 is some of the *baddest* shit ever put to tape.
Yeahhhhh
I hadn't heard this for many, many years and my first thought at the beginning was "That's Ian Underwood on amplified alto sax". I checked Discogs and Ian is listed on electric piano (as is George Duke). Well, Ian may play some piano here, but there is definitely electric alto sax on this track and I'm pretty sure Ian plays it. In addition to electric piano, George Duke does the mouth percussion (vocal drum imitations), Jeff Simmons plays bass guitar and Aynsley Dunbar is on the drums. The voices are, in addition to George, Howard Kaylan, Mark Volman and Jeff Simmons. And of course Frank Zappa on guitar. There is no marimba. This track was recorded live at the Tyrone Guthrie Theater in Minneapolis, Minnesota.
Live at Whisky A Go Go, Live SAets have just been released and Apostrophe(') is getting an Expanded Rerelease in the next Month.
This album with Frank's VISAGE appearing to rock out...instead ,...he was yawning,was the first album of Frank's I had heard....I was about 12....maybe.
Lol that’s funny
It was the first one of his albums I bought; I was probably 13 or 14.
Nancy played tambourine on her knee. Mary played various silly things, boinging them on her body. Both were super sexy
I like Jean Luc Ponty's Verve release Cantaloupe Island
Great King Kong on it!
Can any of you good Frank fans answer this:
Both complete shows (early and late) from this same performance at the Guthrie Theatre were released as Road Tapes Venue 3, but this isn't on there.
it's part of King Kong improv
@@HakanTunaMuzik
Ahhh. Thank you, Hakan. Always knowledgeable and helpful.
Arf arf!
@@Royale_with_Cheeze you welcome my friend
Good vibes. 🫨😂🤣
Friends of Dorothy? Married to Gail. Father to legions.
😊🤙🏼🎶🔥❤️🍁❤️✨️🕊
Ray White was later
Gotcha
I always thought of this as less of a Conceptual Continuity piece and more of an inspired concert filler and audience participation piece
Could definitely see that. Thanks Joel!
Already as of 1970 it wasn't exactly unusual for him to take solos out of context - to hear this in its proper context, Road Tapes 3.
Thanks!
oh my, it's a double album and only a few songs are posted. boo!
I have a 55 year old copy.
Still sounds fabulous!
I am not a remaster fan.
older men can't 'fix' their early work.
They ruin it.
Frank's Barking Pumpkin remixes are horrible!
only in it for the money was tweaked and lost the exuberance of the youthful playful creation
unlistenable!!!
this is your only warning!
LOL
Musically, after Hot Rats, this album was a big come down. This sounds like it was recorded in a toilet cubicle, which considering Flo and Eddie are on this, would be quite fitting for those 2 shit houses.
Just a directionless jam. Not one thing other than the title track stands out for me and this was the start of a couple of horrendous years for Frank musically.
As HakanTuna pointed out in reply to my asking where it is on Road Tapes, Venue 3, this is part of King Kong.
@@Royale_with_Cheeze I know. Your point?
@@paulfenwick8767
Thinking that this piece may have been a stand-alone tune would be kinds weird, but as part of King Kong, it makes more sense as improv in the middle of that. That's all.
@@Royale_with_Cheeze ok
@@paulfenwick8767
To revisit your original comment, the recording sessions (which included parts of Chunga) Funky Nothingness came right after Hot Rats.
I think that's kind of a letdown as well and maybe why, outside of what was used for Chunga, was shelved by Frank.
Any thoughts on that?